Awards
Page: 132
The 57th annual CMA Awards will take place Wednesday (Nov. 8) at Nashville’s Bridgestone Arena with returning hosts country superstar Luke Bryan and legendary NFL hall of famer Peyton Manning. For the second consecutive year, Lainey Wilson leads all nominees with nine nominations, followed by Jelly Roll with five and Luke Combs and HARDY landing four.
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Chris Stapleton and Carrie Underwood are both seeking their first entertainer of the year award after multiple nominations. Stapleton, Brothers Osborne and Old Dominion will see if their multi-year streaks for male vocalist, vocal duo and vocal group, respectively, continue. This year also includes some surprises, including Tracy Chapman receiving her first nomination for a 35-year-old song, and Wilson swiftly ascending to entertainer of the year category from winning best new artist only a year ago.
The eligibility period for the 2023 show, which will air live on ABC at 8 p.m. ET, is July 1, 2022-June 30, 2023. According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” More than 7,300 members of the country music industry vote for the nominees and winners through three rounds of voting.
Here are Billboard’s predictions in select categories on who will emerge victorious, from Melinda Newman (executive editor, West Coast and Nashville), and Jessica Nicholson (staff writer, Nashville). So they wouldn’t influence each other, the two did not compare notes on their picks.
Entertainer of the year
Luke Combs
Chris Stapleton
Carrie Underwood
Morgan Wallen
Lainey Wilson
Newman: It’s only been a year since Wilson earned her first CMA Awards nominations (and wins), so her ascent into the entertainer category feels, perhaps, a tad speedy. The other four nominees have been here before, including last year, with Combs prevailing. This year marks Stapleton’s and Underwood’s seventh and sixth nominations in the category, respectively, yet neither has won the award, and, despite strong touring efforts in 2023, it feels like they will go home empty-handed again. This year is a race between Combs, who is seeking his third crown, and Wallen, who is after his first. Both have ascended to stadium-act status, and both have had unbelievably successful years at radio. If there was ever a year for a tie, this might be it, but Combs made the leap to multi-continent international touring sensation this year, so he has a slight advantage.
Will win: Luke Combs
Nicholson: While each of the nominees has had an incredible year, it seems that Combs and Wallen are the front-runners in this race. Both have battled it out in the upper echelons of the Billboard Hot 100 (with Wallen’s “Last Night” spending 16 weeks atop the chart, and Combs’s “Fast Car” reaching No. 2). Combs is already a two-time winner and the reigning champ in this category, while Wallen’s One Thing at a Time has dominated the Billboard 200 this year, with 16 weeks atop the chart. Both have had major stadium runs this year, with tours that have taken them to overseas markets as well as domestic shows. Wallen’s 2023 tour began with shows in Australia and New Zealand, and included stops in Canada, but Combs’s 2023 trek visited Australia, Canada and multiple countries in Europe, which might give him the edge here.
Will win: Luke Combs
Single of the year
Award goes to artist(s), producer(s) and mix engineer(s)
“Fast Car” – Luke Combs (Producers: Luke Combs, Chip Matthews, Jonathan Singleton, Mix Engineer: Chip Matthews)
“Heart Like A Truck” – Lainey Wilson (Producer: Jay Joyce, Mix Engineers: Jason Hall, Jay Joyce)
“Need A Favor” – Jelly Roll (Producer: Austin Nivarel, Mix Engineer: Jeff Braun)
“Next Thing You Know” – Jordan Davis (Producer: Paul DiGiovanni, Mix Engineer: Jim Cooley)
“wait in the truck” – HARDY (feat. Lainey Wilson) (Producers: HARDY, Joey Moi, Jordan Schmidt, Derek Wells, Mix Engineer: Joey Moi)
Newman: It’s a little surprising that Morgan Wallen’s “Last Night,” which spent a staggering 16 weeks at No. 1 on the Hot 100, didn’t get a nod here, but voters leaned toward heavier fare for the most part, favoring murder ballad “wait in the truck,” Jelly Roll’s redemption-seeking “Need a Favor” and Combs’ poignant remake of Tracy Chapman’s “Fast Car.” Davis was a runner-up last year with “Buy Dirt” and this year’s entry, “Next Thing You Know,” mines the same family-oriented theme, while Wilson’s “Heart Like a Truck” is pleasing, traditional country. All were hits, reaching the top 2 of Billboard’s Country Airplay chart, but the meaty songs here resonated strongest this year, with “wait in the truck” hitting the hardest thanks to HARDY and Wilson’s gravitas-filled vocals.
Will win: “wait in the truck”
Nicholson: This year’s category is packed with hits, including a double-header of chart songs from Wilson (“Heart Like a Truck” and “wait in the truck” with HARDY). Jelly Roll’s rock-infused plea “Need a Favor” is here, as is Jordan Davis’ quieter chart hit, the sentimental “Next Thing You Know.” In terms of chart successes, Combs’s rendition of the Tracy Chapman classic “Fast Car” has been a sales juggernaut, reaching No. 2 on the Billboard Hot 100 and spending five weeks atop the Country Airplay chart. This crossover hit was inescapable this year, which leans the odds in Combs’ favor.
Will win: “Fast Car”
Song of the year
Award goes to the songwriters
“Fast Car” — Songwriter: Tracy Chapman
“Heart Like A Truck” — Songwriters: Trannie Anderson, Dallas Wilson, Lainey Wilson
“Next Thing You Know” — Songwriters: Jordan Davis, Greylan James, Chase McGill, Josh Osborne
“Tennessee Orange” — Songwriters: David Fanning, Paul Jenkins, Megan Moroney, Ben Williams
“wait in the truck” — Songwriters: Renee Blair, Michael Hardy, Hunter Phelps, Jordan Schmidt
Newman: The same songs nominated for single of the year are competing here except for “Need a Favor,” which has been replaced by “Tennessee Orange.” It would be something if Chapman won for “Fast Car,” a song that is as heartbreaking today as it was upon its initial release 35 years ago, but that seems unlikely. Other than “Fast Car,” the artists all had a hand in writing the songs they performed and that emotional investment reverberates here. “Tennessee Orange” served as a beguiling introduction to Moroney, while “Heart Like a Truck” showed the vulnerable side of Wilson. “Next Thing You Know” felt like Davis has found his lane that celebrates family and “wait in the truck” refused to pull its punches as it shined a harsh light on domestic violence. The winning song doesn’t need to necessarily make a statement, but “wait in the truck’s” fearlessness in embracing the darkness feels like an achievement worth heralding.
Winner: “wait in the truck”
Nicholson: Most of the same songs nominated in the single of the year category repeat here, including “Fast Car,” “wait in the truck,” “Next Thing You Know” and “Heart Like a Truck.” Wilson’s collaboration with HARDY and her solo “Heart” followed similar chart trajectories this year. “Heart Like a Truck” was named song of the year at the industry-voted NSAI Nashville Songwriter Awards, and it could very well follow that up with a win in this category.
Will win: “Heart Like a Truck”
Album of the year
Ashley McBryde Presents: Lindeville, Ashley McBryde
Bell Bottom Country, Lainey Wilson
Gettin’ Old, Luke Combs
One Thing At A Time, Morgan Wallen
Rolling Up the Welcome Mat, Kelsea Ballerini
Newman: From Kelsea Ballerini’s intensely personal statement of reclaiming her own life after her divorce to Ashley McBryde’s vivid imaginary community in Lindeville, all the nominees here created works that connected with fans and advanced their artistry. Luke Combs’ set is the companion to last year’s winner, Growin’ Up, that celebrates the singer/songwriter embracing middle age. Lainey Wilson graduated to budding superstar status with Bell Bottom Country, which felt like a mission statement as she grew more confident in her delivery and message. It already seemed like Wallen couldn’t rise higher, but One Thing at a Time topped the Billboard 200 for 16 weeks, the most since Adele’s 21 in 2011-12. All will stand the test of time as high-water marks for each artist, but McBryde brought us into a world in an innovative, original way that felt uniquely immersive.
Will Win: Ashley McBryde Presents: Lindeville
Nicholson: This category celebrates an array of styles, from Wilson’s hippie-country Bell Bottom Country project to Ballerini’s heart-on-her-sleeve Rolling Up the Welcome Mat album, Combs’s hit-filled Gettin’ Old album, and McBryde’s collaborative, creative Lindeville project, which featured John Osborne, Brandy Clark, Caylee Hammack, Aaron Raitiere, Benjy Davis and more.
The undeniably red-hot hit project of the bunch has been Wallen’s One Thing at a Time, which has spent 16 weeks atop the Billboard 200. Still, this is a category where voters have often awarded creative impact over commercial success, so McBryde and her Lindeville cohorts could pick up the win here.
Will win: Ashley McBryde Presents Lindeville
Female vocalist of the year
Kelsea Ballerini
Miranda Lambert
Ashley McBryde
Carly Pearce
Lainey Wilson
Newman: The same vocalists as last year are competing except for Carrie Underwood, whose slot is filled by a deserving Kelsea Ballerini. Given that she’s been nominated, or won, 16 out of the last 17 years, it’s odd not to see Underwood’s name here, but she’ll definitely be back. Lambert’s been on a bit of a break since parting ways with Sony Nashville, so this is more of a four-way race between the other women. All have had strong years, but Wilson feels unbeatable for the second year in a row.
Will win: Lainey Wilson
Nicholson: Lambert is the winningest nominee in the category, with seven prior wins. Though every nominee here had a stellar touring/performing year, on the recording front, Lambert and Pearce had relatively quieter years. Pearce teamed with Chris Stapleton for the ballad “We Don’t Fight Anymore,” and Lambert paired with Leon Bridges for “If You Were Mine.” Ballerini released one of her most personal, expressive albums to date with her divorce record, Rolling Up the Welcome Mat. Wilson is the reigning champ in this category, and seemed to be ubiquitous this year, thanks to heavy touring, a trio of songs surging up the charts, awards show appearances and a campaign with Wrangler. Wilson seems to be a lock in this category.
Will win: Lainey Wilson
Male vocalist of the year
Luke Combs
Jelly Roll
Cody Johnson
Chris Stapleton
Morgan Wallen
Newman: Jelly Roll replaces Eric Church in this year’s list of finalists and it’s hard to overstate the year he’s had, but the same could be said for all the contenders, including second-time nominee Wallen, who won the title at the ACM Awards in May. Either Stapleton or Combs has taken home the award the past eight years, with Stapleton winning a record-setting six times. Despite Stapleton’s once-in-a-generation voice, it’s undeniably Wallen’s turn.
Will win: Morgan Wallen
Nicholson: This is a stacked category, with Combs, Jelly Roll, Cody Johnson, Stapleton and Wallen all vying for the honor. Wallen, Jelly Roll and Johnson are all hoping to pick up their first wins, against veteran winners Stapleton (six times) and Combs (twice). Stapleton is a perennial favorite in the category, and Combs, Jelly Roll and Johnson have all had solid years, but given Wallen’s juggernaut touring in addition to the chart success of “Last Night” and One Thing at a Time, it looks like this could be the year he cinches a win.
Will win: Morgan Wallen
New artist of the year
Zach Bryan
Jelly Roll
Parker McCollum
Megan Moroney
Hailey Whitters
Newman: Bryan and Jelly Roll are already bonafide headlining arena acts, so it seems strange to even see them in this category, since their stars have ascended so quickly. Additionally, Bailey Zimmerman has dominated the charts in recent months with three Country Airplay No. 1s, so his omission is glaring. McCollum, Moroney and Whitters look like they’re all headed toward long, bountiful careers with Whitters snagging the top new female trophy at the ACM Awards. If voters are going by the numbers, it’s hard to deny Bryan or Jelly Roll, but, if like me, voters feel like they are both past the point of winning this award, Moroney could be the surprise winner.
Will win: Megan Moroney
Nicholson: Bryan is far and away the biggest success story of this crop of newcomers. He’s selling out stadiums nationwide and regularly notching songs and albums to the upper echelons of the all-genre Billboard charts. But Bryan’s comments following last year’s CMA Awards, could have deterred some CMA voters. “Handle on You” hitmaker McCollum, “Everything She Ain’t” singer Whitters and “Tennessee Orange” crooner Moroney have all made strides over the past year, but recent Billboard cover star Jelly Roll has been one of the biggest breakout artists, earning two No. 1 Country Airplay hits this year (including the four-week Country Airplay chart-topper “Need a Favor”) and currently enjoying a top 10 hit on the chart with his Wilson collab “Save Me.” Add in a top headlining tour, and this one is Jelly’s to lose.
Will win: Jelly Roll
Vocal duo of the year
Brooks & Dunn
Brothers Osborne
Dan + Shay
Maddie & Tae
The War And Treaty
Newman: Maddie & Tae are competing for the ninth time without a win, and they will likely go home empty-handed again, given Brothers Osborne have snagged the trophy five of the last seven years and Dan + Shay grabbed it the other two. Brooks & Dunn, who last won in 2006, are legends, of course, but it seems odd that they are even plunked into this category, since they exist primarily as an occasional touring act. The War And Treaty are a strong addition, but they likely can’t stop the momentum that the excellent Brothers Osborne continue to have.
Will win: Brothers Osborne
Nicholson: This year, 14-time category winners Brooks & Dunn face off against five-time category winners and reigning champs Brothers Osborne, as well as two-time winners Dan + Shay, Maddie & Tae and newcomers to the category, husband-and-wife duo The War And Treaty. Dan + Shay, Brothers Osborne and The War And Treaty all released new studio projects this year. Brothers Osborne scored a top 25 Country Airplay hit with “Nobody’s Nobody,” released their self-titled album and played a string of headlining shows, while Dan+Shay made media waves leading up to the release of their 2023 album Bigger Houses by revealing they nearly broke up, and earned a top 20 Country Airplay hit with “Save Me The Trouble.” Brothers Osborne’s labelmates The War And Treaty also scored a major chart hit this year with their Zach Bryan collaboration “Hey Driver” (which reached the top 20 on the all-genre Billboard Hot 100). They’ve been opening tour dates on Chris Stapleton’s All-American Road Show (in addition to a string of overseas headlining tour dates) and have been ubiquitous on awards show appearances this year. All of these high-profile appearances could give W&T the edge.
Will win: The War And Treaty
Vocal group of the year
Lady A
Little Big Town
Midland
Old Dominion
Zac Brown Band
Newman: The nominations in this category have remained static for the past five years with the same acts vying for the title, with the exception of 2020, when a dissolving Rascal Flatts took Zac Brown Band’s spot. They are all worthy contenders, but, as with vocal duo, the category could benefit from some new blood or have voters pay a little attention to who else is making noise, like Parmalee, whose “Take My Name” was Billboard’s 2022 Country Airplay Song of the Year. Old Dominion continues to grow both creatively and commercially, so expect them to take home their sixth consecutive trophy in this category, tying Little Big Town’s six wins.
Will win: Old Dominion
Nicholson: Old Dominion has arguably been the most visible of this year’s nominees, thanks to to their album Memory Lane and their Country Airplay top 10 hit of the same name. Zach Brown Band earned a top 20 Country Airplay hit with “Out in the Middle,” but Old Dominion seems to be on track to extend their five-year winning streak.
Will win: Old Dominion
One of the Nashville music industry’s most festive, star-studded weeks got underway on Sunday evening (Nov. 5) in the walkup to Wednesday’s CMA Awards, with SESAC’s Nashville Music Awards celebrating the writers and music publishers behind many of the year’s most-performed country and Americana songs.
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Following a cocktail hour where more than 400 of Nashville music industry denizens schmoozed, Megan Moroney started the ceremony by performing an acoustic, husky-voiced rendition of one of the celebrated songs of the evening, “Tennessee Orange.” The ballad, which Moroney co-wrote, is nominated for song of the year during the CMA Awards (Moroney is also up for new artist of the year).
SESAC executives including chairman/CEO John Josephson, president/COO Scott Jungmichel, chief creative officer Sam Kling, senior VP/head of Nashville creative Shannan Hatch, and Lydia Schultz Cahill and ET Brown (senior directors, creative services), guided the evening’s festivities and led the charge in honoring the writers’ and publishers’ accomplishments.
“We have a hugely talented group of creators here tonight,” Jungmichel said. “Supporting you continues to be our focus.”
“What an amazing year it has been for country and Americana songwriters,” said Hatch, noting songwriter Rafe Van Hoy’s recent induction into the Nashville Songwriters Hall of Fame earlier this year. “Also, more Nashville writers were honored than ever during the SESAC [all-genre] Awards earlier this year.”
SESAC writers Josh Hoge and Christian Stalnecker contributed to writing “Thank God,” recorded by Kane Brown and his wife Katelyn Brown. The song became a No. 1 Billboard Country Airplay chart hit and on Sunday evening, was named SESAC’s song of the year during the Nashville Music Awards. The gratitude-filled ballad is also up for musical event of the year at Wednesday’s CMA Awards. Brown was on hand to help present Hoge and Stalnecker with the honor.
Sony Music Publishing was named publisher of the year, after earning seven awards throughout the evening, for the company’s role in publishing sterling country radio hits including “Thank God,” “Tennessee Orange,” “Dancin’ in the Country,” “You Didn’t,” and “Pick Me Up.”
The SESAC Heritage Award celebrated the legacy of “I’ll Fly Away” songwriter Albert E. Brumley and recognized SESAC’s 80-year partnership with the song and Brumley. Betsy Brumley accepted the heritage award on his behalf. Jamey Johnson was also on hand to perform a gorgeous acoustic version of the song.
Other SESAC-affiliated songwriters honored throughout the evening included Margo Price, Jeremy Ivey, Justin Ebach, Casey Brown, Dillon Carmichael (who earned his first industry award that evening and took the stage to perform a rendition of his song “Son of a A”) and Kelsey Waldon.
The evening concluded with the coveted songwriter of the year trophy, which went to Jon Nite, in recognition of his work in composing songs including “Dancin’ in the Country” (recorded by Tyler Hubbard), “You Didn’t” (Brett Young), and “Pick Me Up” (Gabby Barrett). Video tributes for Nite came from Keith Urban, Tyler Hubbard, Gabby Barrett, songwriter-producer Ross Copperman, Sony Music Publishing’s Josh Van Valkenburg, as well as tributes from Nite’s family.
“I don’t deserve this; this is unbelievable,” Nite said after taking the stage, first thanking his family and his Sony Music Publishing champions.
Nite recalled moving to Nashville over two decades ago, with $500 to his name. He offered advice to any aspiring songwriters: “Keep writing the songs that are part of your life—those are the only ones that work.” He noted the intense work ethic and long-term vision required for forging success within the industry, saying, “I wrote 1,000 songs before I got one cut.” He ended on a note of gratitude, and a bit of incredulousness, for being able to live out his dreams, saying, “It’s unbelievable that SESAC pays us to do what we do…what we love.”
See a full listing of the year’s SESAC Nashville Music Awards honorees below:
“Thank God”
Written by: Josh Hoge, Christian Stalnecker
Published by: Blunts and Bonfires Music, Feels Like Friday, Sony Music Publishing, Chorus 2 Music, RMM 416 Publishing
Recorded by: Kane Brown and Katelyn Brown
“DANCIN’ IN THE COUNTRY”
Written by: Jon Nite
Published by: Cuts Like A Nite Music, Sony Music Publishing
Recorded by: Tyler Hubbard
“TENNESEE ORANGE”
Written by: Megan Moroney
Published by: Georgiamo, Sony Music Publishing
Recorded by: Megan Moroney
“YOUR HEART OR MINE”
Written by: Justin Ebach
Published by: Phat Racoon, Universal Tunes
Recorded by: Jon Pardi
“YOU DIDN’T”
Written by: Jon Nite
Published by: Sony Music Publishing
Recorded by: Brett Young
“PICK ME UP”
Written by: Jon Nite
Published by: Cuts Like A Nite Music, Sony Music Publishing
Recorded by: Gabby Barrett
“GIRL IN MINE”
Written by: Casey Brown
Published by: Track & Feels, Warner Chappell Music, Tape Room Tunes
Recorded by: Parmalee
“WATER UNDER THE BRIDGE”
Written by: Chris LaCorte
Published by: Card Tables Music, Hang Your Hat Hits, Concord Tunes
Recorded by: Sam Hunt
“BURY ME IN GEORGIA”
Written by: Josh Hoge
Published by: Blunts and Bonfires Music, Chorus 2 Music, Sony Music Nashville
Recorded by: Kane Brown
“OUT IN THE MIDDLE”
Written by: Ben Simonetti, Zac Brown
Published by: Simonetti Music Publishing, Day For The Dead Publishing
Recorded by: Zac Brown Band
“Y’ALL LIFE”
Written by: Josh Jenkins, Pete Good
Published by: Follow Me Where I Go, SMACKWORKS Music
Recorded by: Walker Hayes
“SON OF A”
Written by: Dillon Carmichael
Published by: Riser House Tunes, Sony Music Publishing
Recorded by: Dillon Carmichael
“PARTY MODE”
Written by: Jared Keim
Published by: Twelve6 Sequoia, Warner Chappell Music
Recorded by: Dustin Lynch
“CHANGE OF HEART”
Written by: Margo Price, Jeremy Ivey
Published by: Peach Pit, Fisheye, RMM 416 Publishing, Good Songs We Love
Recorded by: Margo Price
“THAT KIND OF LIFE (THAT KIND OF DAY)”
Written by: Jim Lauderdale
Published by: Wudang Mountain Songs, Critter City Music
Recorded by: Jim Lauderdale
“TALL AND MIGHTY”
Written by: Kelsey Waldon
Published by: MyKaintuck Publishing, Do Write Music
Recorded by: Kelsey Waldon
“DON’T LET THE DARKNESS”
Written by: Ed Jurdi
Published by: Three Pisces Music
Recorded by: The Band of Heathens
“ALL I REALLY WANNA DO”
Written by: Henry Brill
Published by: Kobalt Group Publishing
Recorded by: Devon Gilfillian
MTV pulled the plug on the 2023 MTV EMA Awards on Oct. 19, just over two weeks before the show was set to be staged in Paris. The network attributed their decision to the “volatility of world events.” But on Sunday (Nov. 5), which would have been the EMAs date, MTV released the winners list, saying, “as fans worldwide voted for their favorite categories including best artist, best song and more, MTV is recognizing the following artists with 2023 MTV EMAs.”
Taylor Swift was the big winner, with three awards – best artist, best live and best video for “Anti-Hero.” Surprisingly, the award for best US act eluded her. That went to Nicki Minaj, who also won best hip-hop.
Jung Kook and Måneskin were also double winners. Jung Kook won best K-pop and best song for “Seven” (featuring Latto). Måneskin won best rock and best Italian act.
Rema was the winner in the newly-added best Afrobeats category.
David Guetta, who was born in Paris, the intended site of this year’s show, won best electronic.
This year’s event was to have been broadcast live to more than 150 countries from the Paris Nord. It would have marked the first time the ceremony has been held in the City of Light since 1995.
This marked the first time the MTV EMA Awards have been canceled since it was launched in 1994. Even during the pandemic, the show went on as scheduled.
MTV released the following statement on Oct. 19: “Given the volatility of world events, we have decided not to move forward with the 2023 MTV EMAs out of an abundance of caution for the thousands of employees, crew members, artists, fans and partners who travel from all corners of the world to bring the show to life. The MTV EMAs are an annual celebration of global music. As we watch the devastating events in Israel and Gaza continue to unfold, this does not feel like a moment for a global celebration. With thousands of lives already lost, it is a moment of mourning. Voting is continuing and the winning artists will receive their MTV EMA Awards. We look forward to hosting the MTV EMAs again in November of 2024.”
Here’s the complete list of 2023 MTV EMA nominees, with winners marked. The winners for biggest fans and best group had not been identified at the time of publication.
Best Song
Doja Cat – “Paint the Town Red”
WINNER: Jung Kook feat. Latto – “Seven”
Miley Cyrus – “Flowers”
Olivia Rodrigo – “vampire”
SZA – “Kill Bill”
Taylor Swift – “Anti-Hero”
Rema, Selena Gomez – “Calm Down”
Best Video
Cardi B feat. Megan Thee Stallion – “Bongos”
Doja Cat – “Paint The Town Red”
Little Simz – “Gorilla”
Miley Cyrus – “Flowers”
Olivia Rodrigo – “vampire”
SZA – “Kill Bill”
WINNER: Taylor Swift – “Anti-Hero”
Best Artist
Doja Cat
Miley Cyrus
Nicki Minaj
Olivia Rodrigo
SZA
WINNER: Taylor Swift
Best Collaboration
Central Cee x Dave – “Sprinter”
David Guetta, Anne-Marie, Coi Leray – “Baby Don’t Hurt Me”
WINNER: KAROL G, Shakira – “TQG”
Metro Boomin, The Weeknd, 21 Savage – “Creepin’”
PinkPantheress, Ice Spice – “Boy’s a Liar Pt. 2”
Rema, Selena Gomez – “Calm Down”
Best New
Coi Leray
FLO
Ice Spice
WINNER: Peso Pluma
PinkPantheress
Reneé Rapp
Best Pop
WINNER: Billie Eilish
Dua Lipa
Ed Sheeran
Miley Cyrus
Olivia Rodrigo
Taylor Swift
Best Afrobeats
Asake
Aya Nakamura
Ayra Starr
Burna Boy
Davido
WINNER: Rema
Best Rock
Arctic Monkeys
Foo Fighters
WINNER: Måneskin
Metallica
Red Hot Chili Peppers
The Killers
Best Latin
WINNER: Anitta
Bad Bunny
KAROL G
Peso Pluma
ROSALÍA
Shakira
Best K-pop
FIFTY FIFTY
WINNER: Jung Kook
NewJeans
SEVENTEEN
Stray Kids
TOMORROW X TOGETHER
Best Alternative
Blur
Fall Out Boy
WINNER: Lana Del Rey
Paramore
Thirty Seconds to Mars
YUNGBLUD
Best Electronic
Alesso
Calvin Harris
WINNER: David Guetta
Swedish House Mafia
Peggy Gou
Tiësto
Best Hip-Hop
Cardi B
Central Cee
Lil Wayne
Lil Uzi Vert
Metro Boomin
WINNER: Nicki Minaj
Travis Scott
Best R&B
Chlöe
WINNER: Chris Brown
Steve Lacy
Summer Walker
SZA
Usher
Best Live
Beyoncé
Burna Boy
Ed Sheeran
Måneskin
SZA
WINNER: Taylor Swift
The Weeknd
Best Push
November 2022: Flo Milli
December 2022: Reneé Rapp
January 2023: Sam Ryder
February 2023: Armani White
March 2023: FLETCHER
WINNER: April 2023: TOMORROW X TOGETHER
May 2023: Ice Spice
June 2023: FLO
July 2023: Lauren Spencer Smith
August 2023: Kaliii
September 2023: GloRilla
October 2023: Benson Boone
Biggest Fans
Anitta
Billie Eilish
BLACKPINK
Jung Kook
Nicki Minaj
Olivia Rodrigo
Sabrina Carpenter
Selena Gomez
Taylor Swift
Best Group
aespa
FLO
Jonas Brothers
Måneskin
NewJeans
OneRepublic
SEVENTEEN
TOMORROW X TOGETHER
2023 MTV EMA Best Local Act Nominees:
Best African Act
Asake
Burna Boy
Libianca
Tyler ICU
WINNER: Diamond Platnumz
Best Asia Act
WINNER: BE:FIRST
BRIGHT
Moria
Tiara Andini
TREASURE
Best Australian Act
Budjerah
G Flip
WINNER: Kylie Minogue
The Kid LAROI
Troye Sivan
Best Brasilian Act
Anavitoria
Kevin O Chris
Luisa Sonza
Manu Gavassi
WINNER: Matue
Best Canadian Act
Charlotte Cardin
Drake
Jamie Fine
WINNER: Shania Twain
The Beaches
Best Caribbean Act
Eladio Carrion
Mora
Myke Towers
Rauw Alejandro
WINNER: Young Miko
Best Dutch Act
WINNER: FLEMMING
Idaly
Kriss Kross Amsterdam
S10
Zoë Tauran
Best French Act
Aime Simone
Aya Nakamura
WINNER: Bigflo & Oli
Louane
Ninho
Slimane
Best German Act
Apache 207
AYLIVA
WINNER: Kontra K
Luciano
Nina Chuba
Ski Aggu
Best Hungarian Act
WINNER: ajsa luna
Analog Balaton
Beton.Hofi
Co Lee
Hundred Sins
Best India Act
Dee MC
DIVINE
Mali
WINNER: Tsumyoki
When Chai Met Toast
Best Italian Act
Annalisa
Elodie
Lazza
WINNER: Måneskin
The Kolors
Best Israeli Act
Anna Zak
Liad Meir
Noa Kirel
Nunu
Shira Margalit
Best Latin America North Act
Danna Paola
WINNER: Kenia Os
Kevin Kaarl
Siddhartha
Natanael Cano
Best Latin America Central Act
Blessd
WINNER: Feid
Manuel Turizo
Ryan Castro
Sebastian Yatra
Best Latin America South Act
Bizarrap
Duki
Fito Paez
WINNER: Lali
Nicki Nicole
Best New Zealand Act
BENEE
JessB
Jolyon Petch
L.A.B.
WINNER: SIX60
Best Nordic Act
Alessandra
WINNER: Käärijä
Loreen
Swedish House Mafia
Zara Larsson
Best Polish Act
WINNER: Doda
Kasia Nosowska
Mrozu
Sanah
Vito Bambino
Best Portuguese Act
Bárbara Bandeira
WINNER: Bispo
Carolina Deslandes
Marisa Liz
PIRUKA
Best Spanish Act
Abraham Mateo
Álvaro de Luna
Lola Índigo
Quevedo
WINNER: Samantha Hudson
Best Swiss Act
Danitsa
WINNER: Gjon’s Tears
KT Gorique
Monet192
Stress
Best UK & Ireland Act
Calvin Harris
Central Cee
PinkPantheress
Raye
Sam Smith
WINNER: Tom Grennan
Best US Act
Doja Cat
WINNER: Nicki Minaj
Olivia Rodrigo
SZA
Taylor Swift
The Rock and Roll Hall of Fame – which began 40 years ago and started inducting artists into its ranks in 1986 – welcomed the Class of 2023 to its extensive roster on Friday (Nov. 3) evening at Barclays Center in Brooklyn.
Kate Bush, Sheryl Crow, Missy Elliott, George Michael, Willie Nelson, Rage Against the Machine and The Spinners were all inducted, along with DJ Kool Herc and Link Wray for musical influence; Chaka Khan, Al Kooper and Bernie Taupin for musical excellence; and Don Cornelius for the Ahmet Ertegun Award.
The eclectic Rock Hall Class of 2023 brought out performers and presenters who spanned hip-hop, rock, pop, R&B and country: Adam Levine, Brandi Carlile, Carrie Underwood, Chris Stapleton, Common, Dave Matthews, Elton John, H.E.R., Ice-T, LL Cool J, Miguel, New Edition, Olivia Rodrigo, Queen Latifah, Sia, Stevie Nicks and St. Vincent.
For the first time ever, the Rock and Roll Hall of Fame livestreamed its induction ceremony, giving fans the chance to watch the ceremony in real time. The 2023 RRHOF ceremony streamed live on Disney+ starting at 8 p.m. ET, and is still available on-demand. Audio from the ceremony streamed live on Apple Music 1. In previous years, fans had to wait until the show was broadcast at a later date. Those who do want to watch it on TV can catch an edited broadcast of highlights on ABC on New Year’s Day, Jan. 1, 2024, from 8-11 p.m. ET.
The 2023 ceremony marked another first. Willie Nelson – who recently celebrated his 90th birthday — becoming the oldest living inductee to accept his honor in person. Harry Belafonte was older (95) when he was inducted, but he didn’t attend the ceremony.
These are the best moments from the Class of 2023’s induction.
Sheryl Crow Opens the Show With Olivia Rodrigo
Sheryl Crow opened the 2023 Rock and Roll Hall of Fame with an appropriate bang. Olivia Rodrigo, a Billboard Hot 100-topping artist who is leading a new generation of rockers, joined the newly minted Rock Hall member for an all-smiles duet on “If It Makes You Happy,” which wrapped with a hug. After a speech […]
Adele will receive the Sherry Lansing Leadership Award at The Hollywood Reporter’s 2023 Women in Entertainment breakfast gala on Dec. 7 in Los Angeles. The invite-only event coincides with the release of the magazine’s Women in Entertainment issue (on newsstands Dec. 7), which highlights the Power 100, a list of the most powerful female executives and talent in entertainment.
“We are beyond thrilled that Adele will be our Sherry Lansing Leadership Award honoree at this year’s Women in Entertainment event,” co-editors-in-chief Nekesa Mumbi Moody and Maer Roshan said in a statement. “Adele has had a groundbreaking career that has established her as one of the all-time greats: a brilliant songwriter, a stunning vocalist, a top-notch performer and an artist whose talents have no limit. She has set a standard of excellence not only as a female performer, but a performer, period. Her accolades – from multiple Grammys to her Emmy and Oscar – attest to that. In addition, she’s used her platform to inspire and help others. She is truly deserving of this award.”
The Sherry Lansing Leadership Award recognizes trailblazers and philanthropists in entertainment and media. It was established in honor of Sherry Lansing, the first woman to head a Hollywood studio. (Lansing is the former CEO of Paramount Pictures.) Past recipients include Charlize Theron, Jennifer Aniston, Reese Witherspoon, Oprah Winfrey, Barbra Streisand and Viola Davis.
“Adele is a singular talent who has captivated the world with her incredible music,” said Lansing, 79, in a statement. “Beyond that, she paved the way for female artists to embrace their authentic selves and define their own voices and careers at a critical moment for women in music, empowering countless other female artists to do the same. I could not be more thrilled that Adele is receiving the award that bears my name.”
Adele, 35, has entered the Billboard 200 at No. 1 with each of her last three studio albums. Those albums have logged a combined total of 40 weeks in the top spot. She has amassed five No. 1 singles on the Billboard Hot 100 – “Rolling in the Deep,” “Someone Like You,” “Set Fire to the Rain,” “Hello” and “Easy on Me.” Her many awards include 16 Grammys, an Oscar and a Primetime Emmy. Adele is the only artist to sweep the Grammys’ “Big Three” categories – album, record and song of the year – twice.
Her current concert residency in Las Vegas, “Weekends with Adele,” has become a critical and commercial success. Reviewing the opening night show at the Colosseum in Caesars Palace a year ago, Billboard’s Katie Atkinson called it “utterly and breathlessly spectacular” and praised both “the massive technical flourishes and tiny thoughtful touches that color the 20-song set.”
The breakfast will also be attended by approximately 35 high school juniors and seniors who are participating in THR’s Women in Entertainment mentorship program, which pairs promising young women from underserved high schools across Los Angeles with top female executives in film and TV. The WIE Mentorship Program, now in its 14th year, is a joint venture with Big Brothers Big Sisters of Greater Los Angeles. A total of 230 students have taken part in the program, with mentees having received more than $13 million in scholarships over the past 13 years. This year’s celebration will see more than $1 million in university scholarships presented to high school seniors from the program.
The Hollywood Reporter’s Women in Entertainment event is presented by Lifetime. The event is also sponsored by Cadillac and presented in partnership with Big Brothers Big Sisters of Greater Los Angeles, Chapman University and Loyola Marymount University.
It’s no secret that awards show ratings on traditional TV platforms have been declining, even though fan engagement in the form of social media is up. Fans want the buzzy moments and maybe to find out who won, but they aren’t as inclined to sit for three or four hours and watch the show unfold in real time.
So producers are trying to come up with fresh approaches and figure out how to survive and thrive in this challenging environment. That’s one reason that the team behind the 2023 Billboard Music Awards have created a fresh format. Performances and awards will roll out across BBMAs and Billboard social channels, as well as via BBMAs.watch, on Sunday, Nov. 19.
In what is billed as a first-of-its-kind collaboration, the BBMAs and Spotify “Fans First” will bring fans up-close-and-personal with their favorite artists at performances and award celebrations taking place around the globe, in the midst of sold-out tours and in custom venues.
Nine new categories are being added this year, including four K-pop awards and two for Afrobeats, as well as top Hot 100 songwriter, top Hot 100 producer and top rock duo/group.
To find out more about the 2023 Billboard Music Awards Presented by Marriott Bonvoy, we quizzed two of the show’s producers, Maddy Mesevage, SVP, marketing for dick clark productions, and Alexi Mazareas, DCP’s VP, programming & development, to answer all the burning questions around the revamped awards show.
Do you agree with the premise that producers are trying to come up with fresh approaches and figure out how to survive and thrive in this challenging environment?
Mesevage: When conceptualizing a newly reimagined BBMAs, it was important for us to put the artists and fans first, leaning into the existing viewing habits of today’s audience to create an awards show that speaks to a new generation. Similar to how music consumption has shifted, with 85% of music consumed digitally, how fans engage with their favorite artists and view content has also shifted. So this year, the BBMAs is meeting fans everywhere they are, and everywhere they already consume music and content.
How has the creative community reacted to this new concept for the show? What are the main questions you’re getting from artists as they approach the new concept?
Mazareas: The new concept has resonated with both artist teams and the creative community as it allows an unprecedented amount of flexibility for an awards show performance. Not being restricted to a single stage or location, we are approaching each performance as a blank slate where we can collaborate with artists to create something totally unique, and bring on creative team members specifically curated to execute that vision. We’re partnering with best-in-class creative directors, world-renowned choreographers, and of course each artist’s creative team to make every one of these performances really special. Productions will take place all around the world from a variety of locations, each with their own vision and identity.
Are you telling top artists “Give us a four-minute performance and we’ll run it,” or is it more of a collaboration between the show and the artist?
Mazareas: This is a true collaboration between the artists, dick clark productions, and some amazing creative partners. We’ll collectively develop each concept, build a bespoke execution plan based on that vision, and then jump in together. The BBMAs team is heavily involved in all phases of the process, but our core goal is to facilitate the artist’s vision and help that vision come to life. Each production is completely unique.
The BBMAs used to be a three-hour show that aired from 8-11. Could someone who likes the traditional awards show format tune in to the show in that same way if they wanted?
Mesevage: Content will roll out directly to fans, including performances, exclusive interviews, and acceptance speeches across BBMAs and Billboard social channels; artists’ social platforms; BBMAs.watch, which takes viewers to a central curation page on Billboard.com; as well as Harmony, PMC’s proprietary live streaming platform, which saw record viewership for this year’s Streamy Awards at 15 million views and Billboard Women in Music with 57 million views.
Will there be a host or presenter to welcome the audience and make transitions and say “good night”?
Mazareas: Since this is such a non-traditional format, we are moving away from traditional host and presenter patterns. The goal is to really lean in to each unique performance and winner celebration that connects the artists and their biggest fans.
Will any of the performances be live? Will they all be new performances, recorded specifically for the show? Will any of them be pre-existing clips?
Mazareas: They will all be pre-recorded. All performances are exclusive to the BBMAs.
Will artists accept awards on the show or appear in some capacity even if they aren’t going to perform?
Mazareas: Yes, artists will accept awards, and with Spotify’s help, some will celebrate their winning moments with the fans who helped them reach the top of the charts.
In the absence of a live broadcast, will there be opportunities for spontaneous moments that often arise at awards shows?
Mesevage: We have created a scenario to give viewers an exciting new experience. We are leaning into the strengths of what this adapted format provides. We are not trying to re-create a live show environment. With that in mind, each taping lends itself to spontaneous moments and content that will feel truly unique to our 2023 BBMAs.
Another attraction of awards shows is that all your favorite stars are gathered into one place for one night. They watch each other rehearse and perform and cheer each other on. Will there be any of that?
Mazareas: Those are always great moments, but we are not focused on trying to replicate that element. We are leaning into the flexibility the new format allows to create completely original and unique performance, that prioritize both artist creativity and the fan experience.
With TV ratings, it’s very clear how many (or how few) people watched the show, but how will it be measured here?
Mesevage: We will measure the audience based on views and engagement across BBMAs content.
How else will you evaluate the success of the show?
Mesevage: Success for us is not solely how many views the content receives. What we are doing with the BBMAs is re-evaluating the value proposition for the talent involved and the fans that both watch BBMAs content and consume artist content and music. We are interested in bringing value to artists and to fans. For us, working through how we can continue to further hone in on those elements will create success in the short and long term. We are also looking at how thoughtfully and intentionally we can work with brand partners within this new model and are excited to be working with Spotify, Lexus and Marriott.
The show’s new November air date means that the eligibility period now syncs up with the year-end Billboard charts. Have you been getting a favorable response to that new timing?
Mesevage: Everyone has been supportive of the change, and we’re now uniquely positioned as the only year-end awards show that’s dedicated to celebrating the year’s best in music.
How does the Spotify partnership come into play? What creative involvement do they have in the show via their “Fans First” program?
Mesevage: The Spotify partnership allows us to identify fans who have consumed vast amounts of music over the past year of our performers and helped drive their favorite artists to the top spots on the Billboard charts. These fans will receive a “golden ticket,” granting them a once-in-a-lifetime opportunity to see their favorite artist up close, in an intimate setting.
The BBMAs is unique among music awards shows because winners are determined by year-end performance metrics on the Billboard charts, which are data-driven. Fans’ consumption habits are the driving force behind this data, so the partnership with Spotify is naturally synergistic because Spotify is where many fans consume music. Together, we’re able to unite artists with their biggest fans who have directly impacted their success on the charts through streaming.
Spotify’s Fans First program offers exclusive rewards and privileges like one-of-a-kind concerts, personal artist experiences, and more. Spotify has been a great collaborative partner in working with us to create memorable and fun experiences for these top fans.
Will there be a special effort to spotlight the nine new categories on the show, including four K-pop and two Afrobeats categories?
Mazareas: There will be special global moments in the show spotlighting some of the new categories, including a couple that K-pop fans will not want to miss.
How many awards will be presented on the show? How many will be otherwise revealed or announced on the show?
Mazareas: We plan to reveal all winners on the BBMAs in a variety of ways.
Dissident Iranian composer Mehdi Rajabian became the first musician to win the United Nations’ second annual International Art Contest for Minority Artists on Thursday (Nov. 2). The honor, which went to three artists working with “themes relating to intersectionality and compounded forms of discrimination,” according the global organization’s website, was presented to him in absentia because Rajabian, who has been jailed three times for his music, is unable to leave Iran.
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“This is an important award,” Rajabian says of the recognition, but he adds, “Happiness is a collective event, and unfortunately no one is happy here [in Iran]. The situation has become completely different after the recent protests. No award can be a criterion for determining the artistic value of an artist, but it can definitely be a platform for the voice of human rights and freedom of art.
Rajabian, who collaborated virtually with 20 musicians — many of them Grammy winners and nominees — to record and release his symphony It Arrives in September 2022, was among approximately 80 artists from all continents who applied for the prize. He was ultimately chosen by a panel of judges that consisted of three minority artists, the director of the Geneva Museum of Ethnography and the U.N. Special Rapporteur on Cultural Rights. The other two primary award winners were multidisciplinary visual artist Babatunde “Tribe” Akande and painter Bianca Batlle Nguema.
Claude Cahn, a U.N. human rights officer who works in the Indigenous Peoples and Minorities Section says the judges were moved by Rajabian’s bravery, resilience and commitment. “In the views of the judges panel, at the risk of his health and own life, he has used his spirit and music to be a human rights light in the darkness,” he says.
Sverre Pedersen, the executive committee chair of Freemuse, a non-governmental organization that documents abuses of artistic freedom internationally, serves as a consultant to the United Nations, and is a partner in the contest, says, “It is a great pleasure that the jury chose Mehdi as one of this year’s laureates. And I strongly believe that he is a worthy winner. Mehdi is under constant surveillance and is often subjected to harassment and threats. Nevertheless, he continues his artistic work and his courageous human rights work.”
Pedersen shared a quote from the jury elaborating on its the reasons for choosing Rajabian as one of the laureates: “Mehdi embodies what many of us feel in the Persian and Arab world. A deep love of our cultures and people while wishing and knowing that our societies can be better. Banned from producing music after imprisonment and risking arrest at any moment, Mehdi moves through this potential by not giving into this threat, but rather valuing communicating his thoughts and giving voice to people through his music. Protesting a system of authority that violates human rights, he does so with eloquent melancholy and hope for a better world.
Rajabian also shared the statement he sent to the U.N. in his absence, which reads in part:
“Silence in the face of any oppression is definitely cooperation with the oppressor, and perseverance, standing, and independence should be our duty against cruelty, oppression, and violation of human rights; against any dictatorial system. Today, peace cannot be expected from sound and music when we still hear a mother’s cry because her child is to be executed. Today, it is not possible to have images of wide fields [of] green [on a] canvas, when a bullet has split a child’s chest and her red blood has painted the painting of freedom on the street floor. Today, a dancer’s dance cannot be enjoyed when a person is on the gallows for the death sentence and performs the last dance of his life. Today, we cannot expect to imagine a fictional horror novel when there is a real horror story of human rights violations in prisons.”
Rajabian was arrested in 2013, put in solitary confinement for three months, released on bail and arrested again in 2015 for recording an album titled The History of Iran Narrated By Setar (a lute-like instrument used in traditional Persian music).
After his 2015 conviction, he says he was moved to Evin prison in Tehran — where, in 2016, he began a 40-day hunger strike that led to his release on parole in 2017. (He says that his three-year prison sentence, which was suspended, could be enforced at any time.) Rajabian was arrested again in 2020 but not imprisoned because of his album Middle Eastern, which was released but was part of a larger performance art project that involved dance, painting and a book that were not realized. The charges levied against him then were that he was “encouraging prostitution,” he says, because female vocalists, who are banned in Iran, sang on the album.
The long-term effects of Rajabian’s imprisonment and hunger strike took a toll on his health. “My body and soul have been damaged,” he told Billboard in 2021 after the release of another symphony, Coup of Gods, which was engineered by Recording Academy CEO Harvey Mason Jr. “I lost 15 kilograms of weight [33 pounds] and 40% of my vision and my joints swelled because of the hunger strike,” he explains. “I couldn’t even play an instrument on my album. I could only compose and arrange. I did it just to say that no power can stop the freedom of music.”
Rajabian says his father, who died earlier this year, would be very happy to hear his son had won the U.N. award: “My father was always by my side and supported me, he worked for my freedom for months and always gave me hope that it is difficult to achieve freedom, but it is certain. His last sentence an hour before his death was, ‘I hope we will live and see the day of freedom.’”
The 2023 Billboard Music Awards are just around the corner, and this year, fans are getting the opportunity to see their favorite artists like never before. The latest episode of Billboard Explains looks into the BBMAs‘ exciting new format and how winners are chosen.
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What makes the BBMAs unique to other award shows is that it’s all data driven. Winners are chosen solely based on how well they perform on the Billboard charts, tracking album and digital song sales, radio airplay, as well as streaming and social engagement to choose the winner of each category. During the show, artists appear on the BBMA stage to accept their award or perform their latest chart topping hit.
However, this year, the Billboard Music Awards are delivering an entirely new award show concept. The performances and award celebrations will take place at different locations across the globe, and feel unique to each individual artist. Performances and winners will be unveiled across the BBMAs and Billboard’s social channels, or the show can be watched in full at bbmas.watch on Sunday (Nov. 19) — meaning the entire event will take place online rather than on television.
Additionally, Billboard teamed up with Spotify to find the most loyal fans who have helped their favorite artists top Billboard charts by listening to their music. Those fans will be receiving a golden ticket that allows them to attend the performance of their favorite artist that will stream during the awards ceremony.
Tune in to the 2023 Billboard Music Awards on Nov. 19, and check out the full Billboard Explains video on the revamped ceremony above.
After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boom, the role record labels play, origins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groups, BBMAs, NFTs, SXSW, the magic of boy bands, American Music Awards, the Billboard Latin Music Awards, the Hot 100 chart, how R&B/hip-hop became the biggest genre in the U.S., how festivals book their lineups, Billie Eilish’s formula for success, the history of rap battles, nonbinary awareness in music, the Billboard Music Awards, the Free Britney movement, rise of K-pop in the U.S., why Taylor Swift is re-recording her first six albums, the boom of hit all-female collaborations, how Grammy nominees and winners are chosen, why songwriters are selling their publishing catalogs, how the Super Bowl halftime show is booked and more.
On Nov. 3, 11 musical acts, one hit-generating songwriter and Don Cornelius, the creator-host — from 1971 to 1993 — of groundbreaking syndicated Black music showcase Soul Train, will be inducted into the Rock & Roll Hall of Fame.
This year’s list of honorees includes a crop of legendary performers: British art-pop legend Kate Bush, hip-hop trailblazer Missy Elliott, late megastar George Michael, pop-rock hitmaker Sheryl Crow, outlaw country icon Willie Nelson, rap-rock firebreathers Rage Against the Machine and smooth soul group The Spinners.
Elsewhere, two individuals are set to be inducted under the “musical influence” category, including “Father of Hip-Hop” DJ Kool Herc and guitar pioneer Link Wray; while the “musical excellence award” will be given to three others: funk idol Chaka Khan, veteran studio musician Al Kooper and longtime Elton John lyricist Bernie Taupin.
Notably, four of the seven performers are being inducted on their first nomination: Crow, Elliott, Michael and Nelson. Among those, Elliott was the only artist eligible for the first time in 2023.
While the achievements of many of the above-named inductees — performers like Elliott, Michael, Crow, Nelson, Rage and Khan — are well-known to many, others on the list require more of an introduction. Below, we’ve compiled quick facts on each of the honorees, from the trails they’ve blazed in the industry to the hit songs that shot them to fame and fortune.
Below, a look at their musical milestones and chart achievements.
The Rock & Roll Hall of Fame induction ceremony will take place at Barclays Center in Brooklyn on Friday (Nov. 3). Viewers can watch the event live on Disney+ starting at 8 p.m. ET.
Kate Bush
Image Credit: TV Times/Getty Images