Awards
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Procrastinators, take note — the deadline for all submissions for best original song and best original score for the 2025 Oscars is Nov. 1. This year, there will be some changes in the best original score category. The shortlist of best original score contenders will increase from 15 to 20 scores. The shortlist for best […]
There are five categories devoted to R&B nestled in the R&B, rap and spoken poetry field at the 67th annual Grammy Awards. Here, we preview three of them — best R&B performance, best R&B song and best traditional R&B performance. We’ll preview the other two — best R&B album and best progressive R&B album — later this week.
Best R&B Performance
Though a version of the category has existed since the very first Grammy ceremony in 1959, best R&B performance boasts a particularly tumultuous history. The awarded was given out annually until 1968, when additional categories divided by gender were introduced. Women and men would compete in separate R&B performance categories until a major overhaul ahead of the 2012 ceremony that combined the existing categories of best female R&B vocal performance, best male R&B vocal performance, best R&B performance by a duo or group with vocal and best urban/alternative performance.
Since the best R&B performance was streamlined and reintroduced in 2012, just three artists have won twice: Beyoncé (2015 and 2021), Bruno Mars (2018 and 2022) and Anderson .Paak (2020 and 2022). This year six artists have a chance to join that club, including defending champ Coco Jones, Muni Long, Usher, Corinne Bailey Rae, Lalah Hathway and H.E.R.
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Earlier this year, Jones triumphed with her Billboard chart-topping “ICU,” which spent four weeks atop Mainstream R&B/Hip-Hop Airplay (chart dated May 27, 2023). For the current Grammy cycle, she’s in contention with a pair of tracks: her featured turn on BJ the Chicago Kid‘s “Spend the Night” and her own “Here We Go (Uh Oh).” According to the 2025 Grammys rulebook, an artist can only receive one nomination in best R&B performance, so Jones won’t be able to pull double duty here. Either way, her chances are strong; BJ is a seven-time nominee, while “Here We Go” became her second song to reach the top 10 on Adult R&B Airplay (No. 8).
Usher is another artist who will suffer from the “one nomination per artist” rule. A previous winner for “Climax” back in 2013, he’s back in contention with three songs: his guest appearance on Victoria Monét‘s “SOS (Sex On Sight),” his Color Purple H.E.R. duet “Risk It All,” and his own Pheelz-assisted “Ruin.” Given Monét’s three-Grammy haul at the 2023 ceremony and the chart-topping airplay run of “Risk It All,” either of those two tracks are the A-Town icon’s strongest shots. Similarly, H.E.R. could pull off a nod with either “Risk It All” or Lila Iké’s “He Loves Us Both,” but the former is her best bet.
Corinne Bailey Rae (2012) and Lalah Hathaway (2014) were the first two women to win this category since the 2012 restructuring. Bailey Rae could reap a bid for “Fly Away” (with Eric Benét), while Hathaway could earn a nod for “So in Love.” And then there was Muni Long. The 2023 winner of this category — for her breakout hit “Hrs & Hrs” — is in contention with a live version of one of the year’s biggest R&B crossover hits, “Made for Me,” which reached No. 20 on the Billboard Hot 100.
Several artists could earn their first nods in this category this year, including Tems (“Burning”), Leon Thomas (“Mutt”), Tinashe (“Nasty”), Ravyn Lenae (“One Wish”), Blxst (“Dancing With the Devil”), October London (“She Keeps Calling”), Partynextdoor (“No Chill”) and Normani (“All Yours”).
Some previous Grammy winners and nominees to keep an eye on: SZA (“Saturn”), NxWorries and Thundercat (“Keep Her”), Mary J. Blige and Fabolous (“Breathing”), Childish Gambino (“In the Night”), Chris Brown (“Residuals”), Chlöe and Halle (“Want Me”), Ledisi (“Good Life”), Lucky Daye (“HERicane”), PJ Morton (“Please Be Good”), Terrace Martin, Alex Isley and Robert Glasper (“I Left My Heart In Ladera”), Bryson Tiller (“Persuasion”), Marsha Ambrosius (“One Night Stand”) and Jeymes Samuel, D’Angelo and Jay-Z (“I Want You Forever”).
Our Fearless Forecast
There’s a chance the entire 2024 lineup could repeat, but we’re predicting: “Residuals” (Chris Brown), “SOS (Sex On Sight)” (Victoria Monét & Usher), “Saturn” (SZA), “Made for Me — Live on BET” (Muni Long) and “Keep Her” (NxWorries & Thundercat).
Best R&B Song
For the last five Grammy ceremonies, the nominees for best R&B song and best R&B performance haven’t overlapped much. In fact, the 2022 ceremony is the only instance this decade where three or more songs earned nods in both categories. As a reminder, best R&B song is awarded to the songwriter, while best R&B performance goes to the recording artist.
In addition to the aforementioned tracks, here are a few more songs to look out for. Halle pulled off a surprise nod with “Angel” last year and she could do it again with “Because I Love You,” which was co-written by RAYE. SZA triumphed here with “Snooze” last year, and both she (“Saturn”) and co-writer Leon Thomas (“Mutt”) are in contention this year. Beyoncé is the most-awarded songwriter (five) in this category, and she could earn her 10th nod here with her Dolly Parton-assisted “Tyrant.” Notably, as Parton is not a credited songwriter on “Tyrant,” she would not receive a nomination should the song make the final five. Bruno Mars has won here twice before (2018 and 2022), and he could earn a third nomination in this category thanks to Lucky Daye’s chart-topping “That’s You,” which he co-wrote with Daye and six-time Grammy winner D’Mile.
Since live versions are only eligible in performance categories, Muni Long is contention here with “Ruined Me,” the latest single from her Revenge album. That song has already become her fifth consecutive top 10 hit on Adult R&B Airplay and is gaining traction across social media. Like Long, Tinashe had a crossover R&B hit this year with “Nasty,” which could earn her the first Grammy nod of her career.
Some other names to look out for: Mavis Staples (“Worthy”), Brittany Howard (“I Don’t), Meshell Ndegeocello (“Love”), Sampha (“Only”) and Gary Clark Jr. & Stevie Wonder (“What About The Children”).
Our Fearless Forecast
We’re predicting: “Saturn” (SZA), “Because I Love You” (Halle), “That’s You” (Lucky Daye), “Nasty” (Tinashe) and “Tyrant” (Beyoncé & Dolly Parton).
Best Traditional R&B Performance
Since best traditional R&B performance — a category honoring recordings that adhere to classic R&B/soul sonic signifiers as opposed to more contemporary approaches to the genre — was first awarded in 1999, two artists have emerged as the all-time winners.
Beyoncé and Lalah Hathaway each have three wins to their name in this category. While Queen Bey does not have a song contending here this year, Hathaway could snag her fourth win if her Michael McDonald-assisted “No Lie” scores a nod. There are a number of high-profile duets to keep an eye on here, including Eric Benét and Tamar Braxton (“Something We Can Make Love To”), Chlöe and Ty Dolla $ign (“Might As Well”), Clark Jr. & Wonder (“What About the Children”), Keyon Harrold and PJ Morton (“Beautiful Day”), Kamasi Washington and BJ The Chicago Kid (“Together”) and Louis York and Tamia (“Three Little Words”). The Benét-Braxton team-up received a lot of love in R&B circles, and the Chlöe-Ty link-up highlights the perseverance of traditional R&B amongst the newest generation of crooners.
Muni Long’s name is sure to pop up across the R&B field this cycle, and “Make Me Forget,” which became her first Adult R&B Airplay chart-topper in August, is her entry in this category. Last year’s winners — PJ Morton and Susan Carol (“Good Morning”) — could return with solo songs of their own. Morton is contending with “I Found You,” while Carol entered “Karma.”
Some other names to look out for: Brittany Howard (“I Don’t”), Marsha Ambrosius (“Wet”), Jacob Collier, John Legend and Tori Kelly (“Bridge Over Troubled Water”), Kenyon Dixon (“Can I Have This Groove”), Meshell Ndegeocello (“Love”), Lucky Daye (“That’s You”), NxWorries, Snoop Dogg & October London (“FromHere”) and Usher (“Please U”).
Our Fearless Forecast
Here goes nothing: “That’s You” (Lucky Daye), “FromHere” (NxWorries, Snoop Dogg & October London), “Make Me Forget” (Muni Long), “Bridge Over Troubled Water” (Jacob Collier, John Legend & Tori Kelly) and “No Lie” (Lalah Hathaway & Michael McDonald)
What a long strange trip it’s been, indeed.
Grateful Dead, a band that was never even nominated for a Grammy, and which became one of the most legendary live acts in history despite having a grand total of one top 40 hit on the Billboard Hot 100, will honored as the 2025 MusiCares Persons of the Year. The 34th annual Persons of the Year benefit gala will be held at the Los Angeles Convention Center on Friday, Jan. 31, 2025, two nights before the 67th annual Grammy Awards at Crypto.com Arena.
Grateful Dead is the third band to receive the honor, following Fleetwood Mac in 2018 and Aerosmith in 2020. Marking the band’s 60th anniversary in 2025, original members Mickey Hart, Bill Kreutzmann, Phil Lesh and Bobby Weir will be recognized for their contributions to music, their philanthropic efforts and their pioneering role in fostering communities through their concerts and activism. The event will also include posthumous tributes to Jerry Garcia, one of the band’s founders, who died in 1995 at age 53.
Hart, Kreutzmann, Lesh and Weir released an extended joint statement about the honor. Here it is, in full:
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“It’s simple: we all need music. It speaks to each of us, offering what we need to face what life presents—enhancing our joys, helping us spread them, and making our sorrows easier to bear. We can’t imagine a world without it. As our ol’ pal, Jerry, used to say, ‘You get some, you give some back,’ a tremendously effective way to share those benefits.
“While we can’t prove that the Muse—the force behind what we do—is working to build a support system for the show, over sixty years in music has taught us that it takes a lot of dedicated people to bring everything to life. Each person behind the scenes has honed their skills to meet the many needs of the show. Without them, it wouldn’t be what the Muse intends, and each of them is essential, pouring their hearts and spirits into it.
“We also want to recognize the community of Dead Heads for their unwavering support over the years—we wouldn’t be here without you.
“We are deeply honored to be recognized as MusiCares Persons of the Year. This honor is truly a testament to the legacy of the music, which has always been bigger than us—it’s about the connection between us, the crew, and all those who’ve been on this long strange trip. It’s not just about what we create, but about making sure the people behind it, behind us every night, the ones who quietly make it all happen, get the support they need to keep going, no matter what life throws at them. We’re grateful to stand with MusiCares and hope everyone continues to support this vital mission to ensure music thrives in perpetuity.”
Formed in 1965, Grateful Dead is one of the most influential bands in American history, renowned for their distinctive blend of rock, folk, jazz and avant-garde music. In December, the month before the MusiCares honor, Grateful Dead will be included in the 47th class of the Kennedy Center Honorees, alongside Bonnie Raitt, Arturo Sandoval, Francis Ford Coppola and the Apollo Theater in Harlem.
The Dead’s final tally of 2,318 concerts remains a world record. An album recorded at their Barton Hall Concert at Cornell University in 1977 was inducted into the National Recording Registry in 2011.
As noted, the band never received a Grammy nomination, but it has two recordings in the Grammy Hall of Fame: their back-to-back 1970 studio albums Workingman’s Dead (1970) and American Beauty. The band also received the Recording Academy Lifetime Achievement Award in 2007.
The Dead was inducted into the Rock & Roll Hall of Fame in 1994, the year before Garcia died.
The band has made the Billboard 200 with a staggering 124 titles. The highest-charting was its 1987 Arista album In the Dark, which reached No. 6. That album also spawned the band’s only top 10 hit on the Hot 100, “Touch of Grey.” (The band’s signature song, “Truckin’,” was its second-highest single, reaching No. 64 in 1971.)
In February, the band broke the record for most top 40-charting albums on the Billboard 200 since the chart began publishing on a regular weekly basis in March 1956. It has since added two more top 40 albums, for a record-extending total of 61.
The MusiCares Person of the Year tribute ceremony is one of the most prestigious events held during Grammy Week. It includes a cocktail reception, followed by a dinner and tribute concert.
Since its inception in 1991, the Person of the Year gala has raised funds to support MusiCares’ health and human services programs, which offer physical and mental health care, addiction recovery, preventive clinics, unforeseen personal emergencies, and disaster relief to music professionals.
Five-time Grammy winner Don Was will serve as musical director for the event. The gala will again be produced by live event broadcast outfit Lewis & Clark, comprised of Joe Lewis and R.A. Clark. They also oversaw last year’s gala honoring Jon Bon Jovi. AEG is the event’s principal sponsor.
“MusiCares is proud to honor the Grateful Dead at the 2025 Persons of the Year Gala,” Laura Segura, executive director of MusiCares, said in a statement. “Their legacy transcends music, having built a community of fans and collaborators that embody the spirit of connection and support, something that is deeply aligned with MusiCares’ mission. The band’s passion for the arts and philanthropy, along with their enduring commitment to social causes, has made a lasting impact that goes beyond the stage. It is a privilege to celebrate their contributions to both music and humanity.”
Beyond their musical achievements, Grateful Dead members have made significant contributions to philanthropic causes. Garcia, Hart, Kreutzmann, Lesh, and Weir have all supported efforts ranging from environmental conservation and mental health to music education and social justice. Initiatives like Garcia’s involvement with the Rex Foundation, Hart’s work in music therapy and brain health, Weir’s advocacy for addressing climate change and combating poverty, Kreutzmann’s ocean conservation efforts, and Lesh’s Unbroken Chain Foundation underscore the band’s commitment to making a difference beyond the stage.
Tables and tickets are available for purchase at http://personoftheyear.musicares.org/. For more information about the event or sponsorship opportunities, visit MusiCares.org or email personoftheyear@musicares.org.
When the nominations for the 67th annual Grammy Awards are announced on Friday Nov. 8, we’re likely to see considerable overlap in the nods for record of the year (which honors a specific recording of a song) and song of the year (which honors the song itself). Chappell Roan’s “Good Luck, Babe!,” Billie Eilish’s “Birds of a Feather” and Lady Gaga & Bruno Mars’ “Die With a Smile,” among others, are likely to wind up with nominations in both categories.
There is usually a fairly high degree of overlap in the nominations for these two high-profile awards. Last year, for example, five of the eight nominees for record of the year were also nominated for song of the year.
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But that wasn’t the case when the nominations for the 47th annual Grammy Awards were announced on Dec. 7, 2004. For the first and still the only time in Grammy history, there was no overlap in the nominations in these two marquee categories.
One of the record of the year nominees, Ray Charles’ “Here We Go Again” (with Norah Jones), wasn’t eligible for song of the year. It was a remake of a Charles hit from 1967, which had reached No. 15 on the Billboard Hot 100. Grammy rules, which have fluctuated on this point over the years, don’t allow songs that were already prominent to be considered for song of the year.
The other four record of the year nominees competed for song of the year nominations and simply didn’t receive enough votes. They were The Black Eyed Peas’ “Let’s Get It Started,” Green Day’s “American Idiot,” Los Lonely Boys’ “Heaven” and Usher’s “Yeah!” (featuring Lil Jon and Ludacris).
Three of these songs were nominated for songwriting awards in genre categories. “American Idiot” was nominated for best rock song; “Yeah!” for best R&B song; and “Let’s Get It Started” for best rap song. “Heaven” was classified as pop in the Grammy process; there was no (and still is no) best pop song category.
The song of the year nominees, all of which also vied for record of the year nods (and likewise simply didn’t receive enough votes to wind up with nominations in that category) were John Mayer’s “Daughters,” Alicia Keys’ “If I Ain’t Got You,” Kanye West’s “Jesus Walks,” Tim McGraw’s “Live Like You Were Dying” and Hoobastank’s “The Reason.”
When the Grammy Awards were presented on Feb. 13, 2005, the Charles/Jones collab won record of the year. Mayer’s ballad won song of the year.
Bernie Taupin is slated to receive the Outstanding Career Achievement Award during the Hollywood Music in Media Awards (HMMA) to be held on Nov. 20 at The Avalon in Hollywood, Calif. The show, now in its 15th year, honors composers, songwriters and music supervisors for their contributions in music for film, TV, video games and more.
Submissions for all HMMA categories are open through Oct. 31. The complete list of final nominations will be announced on Nov. 4.
Taupin, of course, is best-known for his long, hit-studded and award-winning collaboration with Elton John. The pair were inducted into the Songwriters Hall of Fame in 1992 and received that organization’s top honor, the Johnny Mercer Award, in 2013. In 2020, they received both an Oscar and a Golden Globe for best original song for co-writing “(I’m Gonna) Love Me Again” from the hit biopic Rocketman. Earlier this year, they received the Library of Congress’s Gershwin Prize for Popular Song, as well as an Ivor Novello for Outstanding Contribution to British Music. Most recently, Taupin cowrote (with John, Brandi Carlile, and Andrew Watt) the original song “Never Too Late” for the Disney+ documentary Elton John: Never Too Late. The song is performed by John and Carlile.
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Remarkably, their only songwriting collaboration to receive a Grammy nomination was the soundtrack to the 1971 teen romance film Friends (no relation to the later TV megahit), which won best original score written for a motion picture or a television special. Go figure.
Taupin has also had some notable successes independent of John. He co-wrote Heart’s “These Dreams” and Starship’s “We Built This City,” both of which topped the Billboard Hot 100. He received a Grammy nod for best country song for cowriting “Mendocino County Line,” which was recorded by Willie Nelson & Lee Ann Womack. His song “A Love That Will Never Grow Old,” sung by Emmylou Harris for the Brokeback Mountain soundtrack, won a Golden Globe for best original song. Taupin was inducted into the Rock and Roll Hall of Fame in the musical excellence award category in 2023. Fittingly, John did the honors in inducing him.
Past HMMA Career Achievement Award recipients include Marc Shaiman, Kenny Loggins, Smokey Robinson, Diane Warren, Earth Wind & Fire, Glen Campbell, Dave Mason, John Debney, and Christopher Young.
Tickets are available now at: https://www.tickettailor.com/events/2024hmmawards/1419072. For more information, visit hmmawards.com.
Nicki Minaj‘s Pink Friday 2 topped the Billboard 200 and launched the highest-grossing female rap tour of all time — could it land the rap queen her first Grammy too?
Minaj has been nominated for best rap album twice in the past — in 2012 for Pink Friday and in 2016 for The Pinkprint — making her second-most nominated female rapper in this category behind Missy Elliott, who earned four nods between 1998 and 2006. Since the Recording Academy established best rap album in 1996, only two female rappers have won the honor; as a part of the Fugees, Lauryn Hill won in 1997 for The Score, and Cardi B triumphed with Invasion of Privacy in 2018.
A nod for Pink Friday 2 would mark Minaj’s first non-soundtrack nomination in nearly 10 years. Last year, she earned a pair of nods alongside Ice Spice and AQUA for their “Barbie World” collaboration from the Barbie soundtrack, but she hasn’t been recognized for her own work since The Pinkprint and its tracks earned three nominations at the 2016 ceremony. Notably, Minaj has yet to win a Grammy, but if Pink Friday 2 can repeat its victory at last week’s BET Hip-Hop Awards (Oct. 15), she may finally take home her very first gilded gramophone.
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In addition to Minaj, Elliott, Hill and Cardi, just two other female rappers have earned nominations for best rap album: Iggy Azalea (2015, The New Classic) and Rapsody (2018, Laila’s Wisdom).
This year, a number of female rappers could earn a nomination for best rap album. In fact, the 2025 ceremony could be the first time in Grammy history that multiple female rappers are simultaneously nominated for best rap album. Most of this year’s contending projects by female rappers also made inroads on the Billboard 200, including Doechii‘s Alligator Bites Never Heal (No. 117), Doja Cat‘s Scarlet 2 Claude (No. 4), Flo Milli‘s Fine Ho, Stay (No. 54), GloRilla‘s Ehhtang Ehhthang (No. 18), Ice Spice‘s Y2K! (No. 18), JT‘s City Cinderella (No. 27), Latto‘s Sugar Honey Iced Tea (No. 15), Megan Thee Stallion‘s Megan (No. 3) and Sexyy Red‘s In Sexyy We Trust (No. 17).
Out of those projects, Scarlet, Ehhthang Ehhtang, Megan and Sugar Honey Iced Tea have the strongest shot at a nod since Doja, GloRilla, Megan and Latto are all previous Grammy nominees. GloRilla, in particular, could pull off a nomination here thanks to her dominant year and the well-timed release of her debut studio LP, Glorious, which snagged the largest opening week total for a female rap album in 2024 during the last few days of first-round voting. Keep an eye on Doechii, as well; she has one of the most critically acclaimed hip-hop projects of the year and has been running a steady campaign, which included a recent co-sign from Grammy darling Kendrick Lamar. Of course, voters could opt for a project that didn’t hit the Billboard charts, but still stands on its own merit — Rapsody’s Please Don’t Cry. Already a three-time Grammy nominee, the North Carolina MC could pull off her second nod for best rap album, which would tie her with Minaj as the second-most nominated female rapper in the category.
Outside of the ladies, it was still a characteristically busy year for rap. With six wins to his name in this category, Eminem is the all-time winner here, and he could very well earn his eighth best rap album bid — and first in 10 years! — for his Billboard 200-topping The Death of Slim Shady (Coup de Grâce). Ye (the artist formerly known as Kanye West) could extend his record as the second-most nominated (eight) and second-most awarded (four) artist in this category if Vultures 1, his joint album with Ty Dolla $ign, earns a nod. This would be Ty’s first nod in this category. Both Em and Ye are vets, and it’s possible some of their peers join them as nominees this year. Common & Pete Rock are strong contenders with The Auditorium Vol. 1, and Killer Mike could bookend last year’s victory with a nod (and possible win) for Songs for Sinners and Saints. Also look out for Juicy J‘s Ravenite Social Club and Erick the Architect‘s I’ve Never Been Here Before.
Obviously, this year in rap was defined by Lamar — but he doesn’t have an album in contention this cycle. Nonetheless, We Don’t Trust You, the Billboard 200-topping Future–Metro Boomin joint album that served as Trojan horse for Lamar’s blistering “Like That” verse, is the clear frontrunner for a nomination here. This would mark the second nomination for both Future and Metro. Both artists have yet to win this category.
Both J. Cole, a recurring star in the Lamar-Drake showdown, and ScHoolboy Q, Lamar’s former TDE labelmate, could earn their third bids in this category with Might Delete Later and Blue Lips, respectively. Like Future and Metro, both Cole and Q are looking for their first victory here. Big Sean, another blog era big dog, could also earn his very first nod in the category with Better Me Than You. 21 Savage, who was nominated here last year alongside Drake for their Her Loss joint album, could earn his third nomination in this category with American Dream.
Also in contention: Don Toliver‘s Hardstone Psycho and Danny Brown‘s Quaranta.
Our Fearless Forecast
Which hip-hop albums will make the final five? Our predictions are: We Don’t Trust You (Future & Metro Boomin), Vultures 1 (Ye & Ty Dolla $ign), The Auditorium Vol. 1 (Common & Pete Rock), Blue Lips (ScHoolboy Q) and The Death of Slim Shady (Eminem).
If these predictions prove to be correct, this would be the sixth consecutive year that men have locked up all the nominations in this category.
Being a Grammy voter may sound glamorous, but it’s a lot of work if you do it right, or even close to right. That’s because, in the first round of voting, the Recording Academy presents voting members with really long lists of titles and asks them to select the five they think are most worthy of a nomination.
How long is “really long”? This year, voters had to wade through alphabetical lists of 780 entries for record of the year, 707 for album of the year, 978 for song of the year and 323 for best new artist. And that’s just the Big Four categories!
Can you imagine how much time and mental effort it would take to contentiously pick your five favorite anythings from a list of 978 contenders? If that task were less overwhelming, it seems likely that the quality of voting would go up – and that the percentage of voting members who completed it would go up. If the voters were presented with a list of, say, 100 contenders, it would turn a daunting task into a manageable, and maybe even pleasurable, one. (That number could go up a bit, to 125, 150 or 200, but of course the higher it goes up, the less benefit would be realized.)
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My idea is to have a group of knowledgeable, plugged-in and fair-minded people cull the massive entry lists and bring them down to a more reasonable length. Big hits would probably remain on the list, as would non-hits that people on the panel spoke up for.
You might say, “Didn’t the Recording Academy just get rid of Nomination Review Committees a few years ago — now you’re talking about bringing them back?” Good recall on the review committees, including the primary one, which determined the final nominees in the Big Four categories every year from the ceremony held in 1996 through the one held in 2021. Most Grammy-watchers (including me) were happy to see that committee disbanded, but there’s an important distinction to be made: The academy had the review committee at the tail-end of the process, after voting members had voted and just before the nominations were announced.
Here’s how it worked back then: The committee members selected their five favorites from the top 20 or 25 vote-getters from rank-and-file voters. They essentially second-guessed the voters, which always struck me as elitist, as if their taste and judgment was superior to that of the voters. I’m suggesting putting the committee at the front-end of the process. They wouldn’t be second-guessing anybody, but simply performing a reality check by eliminating the records, albums, songs and artists that have little to no chance of being nominated, but which clog up the list.
And why do I say you shouldn’t hold your breath for this actually happening? Many voting members like to see their entries on the list. If they didn’t see them anymore, they might not see any point in renewing their membership. Member dues are $150 per year. If, say, 2,000 of the current 13,000 voting members walked away because they missed seeing their names on the entry list, that’s $300,000 in lost revenue each year for the Recording Academy. But do the Grammys really want people voting who are that shallow and motivated only by narrow self-interest?
It’s not just the Big Four categories that have large numbers of entries. A total of 33 categories on this year’s Grammy ballot had 200 or more entries. Of those 33, 14 had 300 or more entries. In addition to the Big Four, the categories with 300+ entries are best music video (637), best global music performance (456), best engineered album, non-classical (456), best arrangement, instruments and vocals (444), best jazz performance (420), best instrumental composition (395), best American roots song (373), best alternative music performance (331), best pop solo performance (314) and best American roots performance (310). These categories could also stand a trim, either by this committee or by committees closer to these genres and fields of endeavor.
A small point, but just so there’s no confusion, voters are tasked with picking their five favorites in the Big Four categories, even though there are eight eventual nominees in those categories. That slight numerical difference doesn’t matter, but presenting the voting members with a reasonable task does.
Shawn Mendes, Benson Boone, RAYE, Teddy Swims and the Mexican-born sister trio The Warning are set to perform at the 2024 MTV EMAs. The show is set to be broadcast live on Nov. 10 from Co-op Live in Manchester, U.K.
Four of those artists – Boone, RAYE, Swims and The Warning – are also vying for Grammy nominations for best new artist. RAYE swept the Brit Awards on March 2. Boone won best alternative at the MTV VMAs on Sept. 11.
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In addition, Bush frontman Gavin Rossdale and screen stars Aaron Taylor-Johnson, Jodie Turner-Smith and Lucien Laviscount will take the stage as presenters. Ten of the 11 artists with the most nominations for the 2024 MTV EMAs are women. The only man who cracked the leaderboard is Kendrick Lamar, with four nods.
Taylor Swift leads with seven nods, including best artist, best video, best pop and biggest fans. Ariana Grande, Billie Eilish, Charli XCX and Sabrina Carpenter each scored five nominations. Closely following with four nods each are Ayra Starr, Beyoncé, Lamar, LISA, plus first-time nominees Chappell Roan and Tyla.
Fans can vote for their favorites on the EMAs website from now until 00:00 CET on Nov. 6.
The 2024 MTV EMAs will broadcast at 9 p.m. GMT Sunday, Nov. 10, on MTV UK, Channel 5 and Pluto TV, and will be available on demand on Paramount+ from Nov. 12. Tickets will be on sale at a later date.
Bruce Gillmer and Richard Godfrey are executive producers for the 2024 MTV EMAs. Debbie Phillips and Chloe Mason are producers.
This will be the eighth time the EMAs have been held in the U.K. Last year’s ceremony was set for Nov. 5 in Paris, but was canceled two weeks before the show due to the Israel–Hamas war, becoming the first EMAs to be canceled in its 30-year history.
The second round of 2024 MAMA Awards performers have been announced, including a major return from a powerhouse K-pop star.
Entertainment company CJ ENM announced on Monday (Oct. 21) that G-DRAGON is set to take the stage at the Japan ceremony on Nov. 23, marking nine years since his last performance in 2015 alongside his fellow BIGBANG members.
Additionally, BOYNEXTDOOR and PLAVE will perform on Nov. 22, while G)I-DLE and BIBI will hit the stage on Nov. 23.
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The three-day event, which celebrates the brightest stars in K-pop, will kick off on Nov. 21 at the Hollywood Dolby Theatre in Los Angeles for the first time, where KATSEYE, ILLIT, RIIZE, J.Y. Park and TWS were previously announced to perform. The awards ceremony will then take place at the Kyocera Dome in Osaka, Japan on November 22 and 23, with previously revealed performers ENHYPEN, TOMORROW X TOGETHER, IVE, ME:I and TREASURE performing on the first day and Aespa, INI, ZEROBASEONE, LEE Young Ji and MEOVV taking the stage on the second day.
This year’s MAMA Awards, presented by Visa, will feature the concept of “Big Blur: What Is Real?,” reflecting the growing trend of blurred boundaries between industries, culture, music genres and technology. In correspondence with the theme, the ceremony will “present surreal but real experiences and showcase visually captivating performances through the convergence of art and technology,” per a press release.
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See the full list of 2024 MAMA Awards nominees here. The eligibility period ranged from October 1, 2023 to September 30, 2024, and the nominees were decided on based on an evaluation of global music data as well as a panel of specialists.
The next ticket sales for the Japan event will be available from October 22 to October 26 via Qoo10.jp, while tickets for the U.S. event will also be available starting at 4 p.m. PST on October 22 via Ticketmaster.
John Mayer is set to perform at the annual Cool Comedy • Hot Cuisinefundraiser on Tuesday, Oct. 29, at the Fairmont Century Plaza in Los Angeles. Comedian Jeff Ross will host the event. Mayer and Ross will both be honored with the Bob Saget Legacy Award, recognizing their commitment to continue Saget’s mission of raising […]