Awards
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At least 15 music docs are among 167 features that are eligible for consideration in the documentary feature film category at the 2024 Oscars. These include films that tell the stories of such varied musicians as Jon Batiste, Carlos Santana, Syd Barrett and Pink Floyd, Joan Baez, Little Richard, Ladysmith Black Mambazo, Thelonious Monk and […]
We all know Adele has a way with words — both in song and in interviews — but in her cheeky speech Thursday morning (Dec. 7) at The Hollywood Reporter‘s Women in Entertainment breakfast, she warned the crowd that she’s “not really a motivational words kinda gal.” “I’m just gonna be upfront about it straightaway,” […]
Tate McRae brought her first-ever award show performance of “Greedy” to the 2023 Billboard Music Awards Presented by Marriott Bonvoy, and the pop star explained just why choreography had such an important role in the number. Elsewhere in our sitdown interview, McRae teased a track called “My Hometown” off her new album, Think Later, dropping Dec. 8.
Tate McRae:It is so exciting to perform “Greedy” today — it’s my first ever award show performance of it. For years I’ve been trying to figure out how to dance and sing at the same time. It’s been like an ongoing battle of, like, my songwriter side and my dancer side. And for the first time, I wrote a song that I can, like, fully dance to dance, influence on music so much just because I’ve been surrounded by it my whole life. My mom was my dance teacher at the age of two. She was just, like, putting so much music in front of me as a dancer — you just hear music different, you feel it. And I think that’s what makes me a pretty, like, soulful writer.
Tate McRae:Got to go to some very cool places. Honestly, one of the best places to go is Australia. For me, I think one of my craziest crowds are in Australia. I’ve no idea why. But I remember going last year for the first time — it was pretty nuts, just know, like, that far away across the world, people were listening to all my lyrics is surreal.
Tate McRae:I used to be scared of singing in front of people. And then I got to be able to tour for the first time. I’m just, like, I have the coolest fans who just want to have a good time and screaming lyrics as loud as possible. And that’s why I feel like it’s so special when I bring it — to see them even in a setting like this just to be able to interact with them any way just always makes me very happy.
I have a song on my upcoming album. It’s actually called “My Hometown.” It was actually, like, I remember going home for, like, a break for, like, two weeks and ended up writing the song, like, as I was there after I, like, just gotten home from a night out. And I, like, started the song and then finished it back in L.A., but it’s very personal to me. Fans can expect a totally different side of my personality. I usually always write to talk about, like, my deepest darkest fears and, like, the worst parts of my life, and this time I wanted to explore just having fun in the studio. It’s the coolest thing ever, charting on Billboard. I think you just go your whole life, like, looking at your favorite artists and your idols charting. And so it feels very surreal when you’re seeing the name up there. Yeah, every time it shocks me.
Go behind the scenes of Tate McRae’s “Greedy” performance at the 2023 Billboard Music Awards Presented by Marriott Bonvoy. The number was filmed at the Moxy Downtown Los Angeles. Moxy Hotels is one of over 30 hotel brands in the Marriott Bonvoy portfolio. Narrator:We’re here at the Moxie Hotel in downtown Los Angeles for the […]
Taylor Swift doesn’t exactly need another award, but she’s a finalist for one that would probably mean a lot to her. She is a finalist for a 2024 Anthem Award, in tandem with Vote.org, for their work on National Voter Registration Day. Launched in 2021 by The Webby Awards, The Anthem Awards honor the purpose […]
The Academy of Country Music announced rule changes in several categories on Monday (Dec. 4) that it hopes will allow it to bring back its award for new duo or group of the year — which it hasn’t presented since 2018.
“ACM new duo or group of the year is an illustrious category that has seen the likes of Brooks & Dunn and The Chicks win early in their careers, as well as both reigning ACM duo of the year Brothers Osborne and reigning ACM group of the year Old Dominion,” said Tommy Moore, ACM vice president of artist and industry relations, governance and board administration. “The category hasn’t been awarded in recent years, and we’re hopeful these changes in category rules and minimum qualifying entrant levels will allow us to bring back this award, a fan favorite, as well as celebrate additional deserving emerging artists in the critical early years of their career.”
The category was presented every year from 1989 to 2002, but has been presented sporadically since then. In 2009, separate awards were presented for groups (Gloriana) and duos (Joey + Rory), but the award hasn’t been presented at all nine times since 2003.
“The 59th ACM Awards cycle brings changes to awards categories that will allow more artists, groups, and duos the chance to qualify and be recognized with an ACM Award, which will benefit emerging artists and help put a spotlight on the future of the genre,” said Daniel Miller, chair of the ACM awards, voting, and membership committee. “I’d like to thank the awards committee members, board members, and board officers for their thoughtful contributions in expanding eligibility to reflect our evolving industry and the realities for new artists on their path to success.”
The ACM also announced the submissions and ballot timeline for professional membership voting for the 59th Academy of Country Music Awards, coming in May 2024.
The 59th Academy of Country Music Awards, produced by dick clark productions, will stream exclusively on Prime Video for a global audience for a third straight year, live from Ford Center at The Star in Frisco, Texas, as part of the ACM Awards’ recently-announced renewed partnership with Amazon.
The 58th ACM Awards garnered more than 7.7 million viewers on Prime Video, plus additional viewership across Amazon Music, the Amazon Music channel on Twitch, and Amazon Live, making the show hosted by Dolly Parton and Garth Brooks one of the most-watched awards shows of the year.
The ACM board of directors approved changes to the Academy’s new female artist of the year, new male artist of the year, and new duo or group of the year, extending charting for those categories to open eligibility to more artists. The ACM board of directors also adopted criteria to require a minimum of three eligible submissions to award a category.
New Eligible Submission Minimum
A minimum of three eligible submissions are required to award the category. In the instance there are not three eligible submissions within a category, a professional panel may vote to allow additional considerations to meet the required minimum.
Extended Charting for New Artist Categories
This applies tonew female artist, new male artist, new group/duo categories. Presented to an individual artist, group or duo who gains initial fame or significantly greater recognition during the promotion of a debut or sophomore album within the eligibility period.
The artist must have released a single that reached the top 50 on Billboard’s Hot Country Songs or the Mediabase Country charts. Any albums self-released through an independent label the artist owns and operates may not be counted as a debut or sophomore album, unless it produces a top 50 single reported by Billboard’s Hot Country Songs or Mediabase Country charts. The nominees shall be determined by a nomination ballot(s) and are subject to the approval of the Board. The winner shall be determined by a vote of the ACM professional membership.
Any artist who served or is currently serving as a lead member of a duo or group is not eligible for individual category recognition. Additionally, any artist who has gained initial fame as a solo artist or as part of a duo or group in another genre is not eligible in these categories.
An artist may be a nominee two times in a three-year period. Once an artist releases the lead single from a third studio album, they will no longer be eligible in this category. If an artist is a winner in the new female artist /new male artist/new duo or group (or any respective previously named) category their first year on a ballot, they will not be eligible in any new artist categories again. Any artist who has previously won the award for entertainer, female artist, male artist, duo or group of the year (or any respective previously named category) is ineligible for a new artist nomination.
Submission Window
Submissions for the 59th Academy of Country Music Awards will open at 11 a.m. CT / 9 a.m. PT on Monday, Jan. 8, 2024. The Academy will accept entries through Friday, Jan. 26, 2024 at 7 p.m. CT / 5 p.m. PT. A full voting timeline is below.
The eligibility period for submissions for the 59th Academy of Country Music Awards is Jan. 1, 2023 through Dec. 31, 2023.
Key Dates
Key dates for Academy professional members for the 2023 ACM Awards cycle are as follows:
Submissions Period Opens: Jan. 8, 2024
Submissions Period Closes: Jan. 26, 2024
First Round Voting, Main Awards: Feb. 26, 2024 – March 4, 2024
Second Round Voting, Main Awards: March 18, 2024 – March 25, 2024
Final Round Voting, Main Awards: April 15, 2024 – April 22, 2024
Key dates for Academy professional members for the 2023 ACM Radio Awards cycle are as follows:
Submissions Period Opens: Jan. 8, 2024
Submissions Period Closes: Jan. 26, 2024
First Round Voting, Radio Awards: Feb. 26, 2024 – March 11, 2024
Final Round Voting, Radio Awards: March 18, 2024 – Apr. 1, 2024
It was a night of high notes at the Kennedy Center Honors, and not only because Sir Barry Gibb —and his signature falsetto — was inducted into the 2023 class along with Dionne Warwick, Queen Latifah, acclaimed soprano Renée Fleming and Billy Crystal.
Now in its 46th iteration, the Honors has steadily been morphing from a staid affair to a full-scale entertainment spectacle befitting the nation’s highest honor bestowed for artistic achievement. This year’s gala, held Sunday (Dec. 3) with President Biden, First Lady Jill Biden and a host of DC power players in the house, packed dazzle and dignity — and plenty of star power.
Host and 2017 honoree Gloria Estefan, as well as Michael Bublé, Dove Cameron, Ariana DeBose, Robert De Niro, Sheila E, Missy Elliott, Cynthia Erivo, Whoopi Goldberg, Gladys Knight, Jay Leno, Lin-Manuel Miranda, Rita Moreno, Ego Nwodim, Rob Reiner, Meg Ryan and Kerry Washington were among those who took the stage to fete the night’s guests of honor.
Gibb, 77, is one of the most prolific songwriters in history. He has written or co-written hundreds of songs, many alongside brothers Robin and Maurice as hitmaking machine the Bee Gees, whose songbook defined both disco and reinvention. Gibb penned the title track of the film Grease, performed by Frankie Valli; and together with the Bee Gees wrote the 1983 crossover smash “Islands in the Stream,” which Dolly Parton and Kenny Rogers took to No. 1 on the Billboard Hot 100.
The eldest and last living member of the family brotherhood, Gibb said before the show that he felt the presence of his siblings as he prepared to take his seat in the balcony of the opera house. “It’s very emotional; there’s something going on in the air and you just feel it,” he said of feeling the presence of late brothers Robin, Maurice and Andy Gibb.
Also emotional pre-show was Bublé, who described how Gibb jump-started his career 20 years ago by dueting with him on Bublé’s first album on one of his own songs. “I was working with producer David Foster and David said, ‘We have no heat, we need a duet.’ And no matter who we sent ‘How Can You Mend a Broken Heart’ to, we couldn’t get someone to duet.” Foster got Buble’s version of the song to Gibb, “and two days later my first duet was with Barry Gibb and the Bee Gees, and it changed my life,” Bublé said.
Bublé performed the track during Gibb’s tribute, which also included a compelling version of “Lonely Days” by Little Big Town, who collaborated with Gibb on his 2021 album Greenfields: The Gibb Brothers Songbook, Vol. 1,; a fittingly theatrical version of “Nights on Broadway” by Ben Platt; and a disco-infused medley featuring DeBose accompanied on piano by Chloe Flower that was the perfect crescendo to close out the night in a swirl of confetti.
Gibb’s son Stephen Gibb gave a heartfelt homage, noting, “My father somehow was gifted with a heart-focused, supernatural ability to express himself in song, which has allowed him to connect with people on such a mass level.”
Clive Davis was on hand to praise Warwick, 82, who counts the Bee Gees-penned “Heartbreaker” among her 56 charted hits on the Billboard Hot 100 and a reported 100 million records sold. He recounted the phenomenon of Warwick’s early partnership with Burt Bacharach and Hal David and the legacy that led her to win Grammys for their songs “Do You Know the Way to San Jose” and “I’ll Never Fall in Love Again.” She has since won three more Grammys plus a lifetime achievement award from the Recording Academy.
“There simply is no song that Dionne Warwick cannot sing,” Davis said. “The lexicon of her hits is as great and as deep as any artist who has ever recorded.”
After 2020 Kennedy Center honoree Debbie Allen and 2013 honoree Herbie Hancock bestowed accolades for Warwick’s humanitarian activism, including her collaboration with Elton John, Knight and Stevie Wonder on “That’s What Friends Are For” — the 1985 hit and first recording dedicated to raising AIDS awareness — the musical tributes started to flow.
Mickey Guyton and The Spinners delivered a smooth and spirited rendition of “Then Came You”; Erivo manifested a soaring “Alfie,” which brought Warwick to tears; and Knight offered up a perfectly punctuated version of “I Say a Little Prayer.”
Before her time on stage, Saturday Night Live cast member Nwodim gushed about her experience portraying Warwick, alongside the real Warwick, in a now-storied sketch. “Her embrace of the impression and then publicly celebrating it was really special to me,” she said. “I am eternally grateful to her for that.”
Latifah, 53, is the first female rapper to receive Honors, and Moreno and Washington dove deep into the reasons why during their tributes, before an assembly of rap and hip-hop heavyweights —including Monie Love, MC Lyte, D-Nice, Yo-Yo and Rapsody — cranked up the volume with a medley including Latifah’s “U.N.I.T.Y.” and “Ladies First.”
As one of the artists to pay tribute to LL Cool J when he became the first hip-hop artist to receive Honors, Latifah told Billboard pre-show she was embracing her moment. “It’s trippy to be here for myself tonight,” she said. “I feel very honored. I’m very, very humbled. Being honored the same year as hip-hop’s 50th anniversary? “Icing on the cake.”
Latifah recently inducted Missy Elliott into the Rock and Roll Hall of Fame, and Elliott returned the favor with an intimate tribute that brought both laughs and knowing nods. By crowning herself Queen, Elliott said, Latifah is saying, “People will respect me, I will be a leader, I will be a provider, I will be an inspiration to many. I will be the blueprint to success. I don’t set the bar, I am the bar.”
Crystal, 75, joins an elite group of comedy performers — including David Letterman, Steve Martin and Carol Burnett — to be bestowed with both the Kennedy Center Honor and the Center’s Mark Twain Prize, which he received in 2007.
He was feeling patriotic when Billboard caught up with him before the show. Describing his experience at the dinner hosted by Secretary of State Antony Blinken the night before, he said, “Secretary Blinken had just flown in from Tel Aviv, he landed at 5 a.m. and in the middle of this horrendous situation, he hosts us, makes a brilliant speech about the arts… and then they put [the lanyard] on us. It’s spectacular. This is our country. This is who we are, and more people should feel that and be positive about America. This isn’t an awards show. This is about appreciation for the soul of our artistic community, and that’s a beautiful thing.”
Rob Reiner, in town to celebrate his friend whom he directed in The Princess Bride and When Harry Met Sally… (and This Is Spinal Tap, if you count that one line), noted on the red carpet, “The guy is a great comedian and he’s also not afraid to show his feelings, and that’s a rare combination.”
Lin-Manuel Miranda realized a different kind of dream. “I’ve been dreaming of doing an Oscar-style tribute to Billy Crystal since I was 10,” he said of the nine-time Academy Awards host before launching into the perfect Crystal-esque number, complete with song and dance.
Ryan reminisced about that fateful scene from When Harry Met Sally… —“I’ve never been around anyone who makes faking an orgasm easier”— Goldberg recalled the early days of Comic Relief working with Crystal and the late, great Robin Williams (whose absence was deeply felt). “We were constantly being reminded to behave ourselves, which we did not,” she said, while Bob Costas honored their shared love of baseball and the Yankees. Between dropping “f” bombs, De Niro dropped some priceless jokes.
“I had no idea you’d won so much,” he said to Crystal. “And you’ve done it all in such a relatively short amount of time. You’re only 71. That means you’re just about six years away from bring the perfect age to be elected President,” he snarked, right in front of 81-year-old President Biden.
Fleming, 64, is one of the most prominent sopranos of our time, and her tribute showcased the breadth of her influence. She was the first opera singer to perform the National Anthem at a Super Bowl, in 2014. She also launched the first ongoing collaboration between the Kennedy Center and the National Institutes of Health.
Presenters included Christine Baranski, a fellow Juilliard alum, who reminded the audience that Fleming once sang the top 10 on list on David Letterman’s late-night show, and Titus Burgess, who demonstrated some serious pipes.
Dove Cameron, who appeared alongside Fleming in the musical The Light in the Piazza, shared, “I was never not astounded by the quality of human Renee is,” Cameron said before showcasing her own musical chops performing the title track from that show.
This year’s Kennedy Center Honors special was again produced by Done+Dusted, in association with ROK Productions. The special will air Wednesday, Dec. 27 on CBS and stream live and on demand on the CBS app and Paramount+.
Grammy-winner Olivia Rodrigo was praised as one of the most important songwriters of her generation by St. Vincent at Friday night’s Variety Hitmakers ceremony, where she was presented with the Storyteller of the Year award.
“In order to be a good storyteller, one must—to quote Olivia herself — pay attention to things most people ignore. Olivia sees the cracks and contradictions in herself and others and makes the ineffable understandable and transformational for her listeners,” St. Vincent said. “Her honest songs about the impossible task of growing up have liberated so many young people fighting and fumbling their ways through the same experiences. But it’s not merely paying attention that matters to the craft of songwriting. It’s also how you observe and how you listen.”
Vincent said one of the things that makes Rodrigo’s songs so alluring to fans is that they consider them to be their personal rallying cries thanks to the “Vampire” singer’s openness and compassion. “Her authenticity — not an affect, not a brand — allows her listeners to step inside her songs as their complete selves: struggling, searching, celebrating, just living. Just being,” Vincent continued. “Olivia’s songs pull off the magic trick of sounding like all of us at once, but also uniquely just like her. I call that a sly generosity, which is a beautiful thing to witness and to hear, and it’s one of the reasons I’ve so enjoyed getting to know Olivia over the past few years.”
Searching for words to describe Rodrigo, 20, St. Vincent landed on calling her a “precious baby angel muffin… but if a precious baby angel muffin was tough as nails and cool as hell and f–in’ loved the Breeders. She is shockingly talented, whip smart, and to me, the most important combination, curious and kind. These attributes make her great and will make her a great storyteller for years to come. Olivia’s listening, she’s asking, she’s interrogating the cracks in herself and in humanity. But because of her empathy, what she brings to the surface in her songs are the small frailties and the slivers of joy — those threads that make up our every single day. She pays attention to the things most people ignore, and makes them not just seen, but makes them shine. So I’m happy to call her a friend.”
Clearly moved, Rodrigo thanked Vincent and said her tribute made her want to cry. “I think she’s the most talented, kindest, most wonderful person I’ve ever met and I’m so inspired by her constantly and I’m very lucky to call her a friend,” Rodrigo said of her inductor. The singer also talked about writing “Can’t Catch Me Now,” from The Hunger Games: The Ballad of Songbirds and Snakes, saying that “telling stores through songwriting has been my favorite thing to do for as long as I can remember. I write to figure out how I feel, to move through my emotions, and to commemorate and honor seasons of my life.”
She added that even though songwriting is one of her favorite things to do in the world, “I wouldn’t say it’s always been effortless for me by any means. Especially making my most recent album, I had so many voices in my head and I felt so much pressure to please everyone with the music I was making.”
Tyla, the 21-year old South African singer/songwriter, has exquisite timing.
She has broken big just as the Recording Academy added a new category this year, best African music performance. Her global hit “Water” reached No. 1 on Billboard’s U.S. Afrobeats Songs chart on Oct. 21, one day after first-round voting for the 66th Grammy Awards ended. On Nov. 10, “Water” was announced as one of the nominees in that category. This week, just two weeks before final-round voting begins, that hit breaks into the top 10 on the Billboard Hot 100. (Final-round voting extends from Dec. 14 to Jan. 4, 2024.)
Tyla couldn’t have timed her breakthrough, and her song’s emergence as a top 10 hit, better if she had done it all specifically with Grammy deadlines in mind.
Does having a hit right as Grammy voters are making their final selections make a difference? Let’s just say it never hurt.
And Tyla isn’t alone. Here are other songs in this week’s top 40 on the Hot 100 that are nominated for Grammys this year (or are from albums that are Grammy-nominated). We also included two artists with hits in the current top 40 who are nominated for best new artist (Jelly Roll and Noah Kahan).
The numbers shown are the song’s ranking on the Hot 100 dated Dec. 2.
3. Doja Cat, “Paint the Town Red.” Best pop solo performance
5. SZA, “Snooze.” Best R&B song, album of the year and best progressive R&B album (SOS).
6. Zach Bryan featuring Kacey Musgraves, “I Remember Everything.” Best country duo/group performance, best country song, best country album (Zach Bryan)
10. Tyla, “Water.” Best African music performance
14. Morgan Wallen, “Last Night.” Best country song (Note: Wallen isn’t nominated because he didn’t co-write the song.)
18. Luke Combs, “Fast Car.” Best country solo performance
21. Jelly Roll, “Need a Favor.” Best new artist
22. Jelly Roll with Lainey Wilson, “Save Me.” Best new artist, best country duo/group performance
23. Olivia Rodrigo, “Vampire.” Record of the year, song of the year, best pop solo performance, album of the year and best pop vocal album (Guts)
27. Chris Stapleton, “White Horse.” Best country solo performance, best country song
30. Miley Cyrus, “Used to Be Young.” Album of the year and best pop vocal album (Endless Summer Vacation)
31. Dua Lipa, “Dance the Night.” Song of the year, best song written for visual media, best score soundtrack for visual media (Barbie: The Album)
36. Billie Eilish, “What Was I Made For.” Record of the year, song of the year, best pop solo performance, best music video, best song written for visual media, best score soundtrack for visual media (Barbie: The Album)
37. Noah Kahan, “Stick Season.” Best new artist