Awards
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Five people are headed to the 2024 Grammy Awards on Sunday (Feb. 4) as both current nominees and trustees of the Recording Academy. One of them, Michael Romanowski, has a stunning four of the five nominations for best immersive audio album.
Romanowski served as the immersive mastering engineer on Ryan Ulyate’s Act 3 (Immersive Edition), George Strait’s Blue Clear Sky, Alicia Keys’ The Diary of Alicia Keys and Bear McCreary’s God of War Ragnarök (Original Soundtrack). Romanowski has won four Grammys since 2021, including two in this category.
The other four people who will attending the Grammys both as trustees and current nominees are Chuck Ainlay, J. Ivy, PJ Morton and Marcus Baylor.
Ainlay is nominated alongside Romanowski for best immersive audio album for this edition of Strait’s 1996 album Blue Clear Sky. Ainlay served as immersive mix engineer and immersive producer to Romanowski’s immersive mastering engineer. Ainlay has won four Grammys since 2006, including one when this category was known as best surround sound album.
Ivy is nominated for best spoken word poetry album for The Light Inside. Ivy won in that category last year – the first year it was presented – for The Poet Who Sat by the Door. Ivy won a second Grammy last year for best roots gospel album for The Urban Hymnal.
Morton is nominated for best traditional R&B performance for “Good Morning” (featuring Susan Carol). Morton has won four Grammys since 2019, including one in this category.
Baylor is nominated for best jazz performance for his featured role on Adam Blackstone’s “Vulnerable (Live).” The track features The Baylor Project & Russell Ferranté. Baylor has received 10 nominations since 2003, but has yet to win.
The Academy wants to have people on its board of trustees who are current, active and successful in their careers. But their nominations, while they are serving as trustees, raise a question of whether being a current trustee gives them an unfair advantage in the voting.
Billboard has reached out to the Academy for comment.
The current 41-member board of trustees (counting four officers) includes six other people who are past Grammy winners, but are not nominated this year. They are EGOT recipient John Legend, who has amassed 12 Grammys since 2006; Angélique Kidjo (five Grammys since 2008), Yolanda Adams (four Grammys since 2000), Natalia Ramirez (three Grammys since 2020), Jonathan Yip (two Grammys in 2018) and Ledisi (one Grammy in 2021).
Other current trustees who have been nominated in years past (but did not win) are Terry Jones, Mike Knobloch, Paul Wall and Thom “TK” Kidd.
Boygenius received the Universal Music Group x REVERB Amplifier Award at the Billboard Power 100 event in Los Angeles on Wednesday night (Jan. 31).
The group, signed to Interscope, was presented with the honor by Universal Music Group chairman/CEO Lucian Grainge, who began his speech by praising Republic Records megastar Taylor Swift, who dethroned him at the top of the Power 100 list this year.
“Let me say that I’ve never, ever, in my entire career been so thrilled to be No. 2 on a list,” he said at the event, which was held at NeueHouse Hollywood. “I suppose I’m honored as well as a bit relieved to be named No. 2. Many, many, many congratulations, Taylor, on your No. 1 award. You thoroughly deserve it. You are completely unique, and to see the heights that you have gone to worldwide with your voice has given all of us who know you and work with you enormous pleasure and enormous pride.”
During his brief time on stage, Grainge made no direct mention of the elephant in the room: The music giant’s industry-shaking decision to pull its music from TikTok after licensing renewal talks between the two companies collapsed. But he did appear to make a subtle nod to the dispute, which involves, in large part, disagreements over both artist compensation and artificial intelligence.
“I also wanted to be here tonight … to highlight the importance of using this room for collective good,” Grainge said. “There’s an enormous amount of power in this room, that’s why it’s called the Power awards. And I feel extremely strongly and grateful that we’re in an industry that has provided us with such pleasure, such joy and a living. But we have the platform to be able to use it for our artists, to fight for them to be fairly compensated, as well as protected, particularly against unethical A.I.”
While introducing Boygenius — the trio composed of Julien Baker, Phoebe Bridgers and Lucy Dacus, who are up for a whopping five Grammys this year, including album of the year — Grainge said its members “exemplify what it means to use power for good” before ceding the mic.
The first of the trio to speak was Dacus, who opened by shouting out Pass the Mic Foundation, the non-profit organization that organized land acknowledgements at each of the band’s recent tour stops. She proceeded to make a land acknowledgement from the stage, noting that Los Angeles County “occupies land originally and still inhabited and cared for by the Tongva, Tataviam, Serrano, Kizh and Chumash peoples.”
Dacus continued by recognizing Landback — a movement “to get Indigenous Lands back into Indigenous hands,” according to landback.org — as well as three other organizations the band worked with on its 2023 tour: Reverb, the Ally Coalition and Calling All Crows. All of them, she said, helped organize tabling at the group’s tour stops to educate fans “about local and national organizations that work to defend LGBTQ rights, abortion access and environmental concerns.”
When Baker stepped up to the podium, she said of receiving the award, “We realize it’s useful to publicly acknowledge and recommit ourselves to these values … in order to draw attention to causes we care about. But ultimately, this is a community effort. It should be important to everyone, because it’s important for everyone’s individual well-being. This is not a task for those with more power to participate in, that those with less may not participate in. The perceived scale of a person’s impact doesn’t increase or diminish your individual responsibility to act each day in a way that protects and proves or makes more equitable the world we inhabit together.”
Lastly, Bridgers acknowledged all three band members’ history of being “made to feel uncomfortable or unsafe in concerts when we were kids or in work environments later when we started making music ourselves.” She also shouted out Calling All Crows, which she said did “a demonstration for us and our tour about how to spot and stop sexual harassment or sexual violence, whether you see it in a crowd or on your own crew.”
Bridgers also mentioned, as she has previously, that she had an abortion while she was on tour in 2021 before noting that the band worked “with local organizations who make sure that other people get easy, safe access to abortion” on its 2023 tour. She concluded: “We like to create a show environment that we would have benefited from as kids. But hopefully someday, everybody’s doing it, and nobody’s getting awards.”
Women will rule the evening at the 2024 Billboard Women in Music Awards presented by Marriott Bonvoy and we have the details on how you can bid on an exclusive fan experience .
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As the presenting sponsor of the 2024 Women in Music Awards, Marriott Bonvoy members will have the chance to gain special access to the highly-anticipated ceremony through Marriott Bonvoy Moments, Marriott Bonvoy’s experiences platform. Using Marriott Bonvoy points accumulated from travel and other everyday activities, members will be able to bid on an exclusive red carpet fan experience, along with tickets to the star-studded ceremony. The Marriott Bonvoy Moment includes access for two to the show, club level seats, including beverages, light bites and an exclusive opportunity to catch all the red carpet action. From special fan risers, these lucky guests will be witness to talent arrivals, photography and interviews, all from the Marriott Bonvoy designed viewing area, the only official red carpet viewing area available to fans.
“Highly creative, smart and talented women are dominating the music industry and igniting a deep passion in their fans, and the mission of Marriott Bonvoy is to enrich travelers’ lives by deepening the connection to people and passions through extraordinary experiences,” Peggy Roe, Executive Vice President and Chief Customer Officer,” said in a statement. “With Marriott Bonvoy Moments, music enthusiasts can experience this special night, alongside talented artists being honored for their incredible accomplishments.”
For even more exciting opportunities like this be sure to join Marriott Bonvoy, Marriott International’s extraordinary portfolio of more than 30 hotel brands and highly awarded travel program. Members can earn points through hotel stays and everyday activities to bid on once-in-a-lifetime experiences through Marriott Bonvoy Moments.
Hosted by Tracee Ellis Ross, the upcoming affair will return March 6, 2024 at YouTube Theater at Hollywood Park in Los Angeles, California. As with previous years, the annual show will feature show-stopping performances and honors dedicated to the biggest women in front and behind the scenes of the music industry. Among this year’s honorees include Kylie Minouge (Icon Award), Maren Morris (Visionary Award), Ice Spice (Hitmaker Award), Charli XCX (Powerhouse Award), Young Miko (Impact Award), Victoria Monét (Rising Star) and more.
Additional star-studded women, including presenters and 2024’s coveted Billboard Woman of the Year and Executive of the Year honorees, will be announced in the coming weeks.
Fans can follow along with the action at home by streaming the show on March 7 at 5pm PT/8pm ET on the official show site. The 2024 Billboard Women in Music Awards are presented by Marriott Bonvoy. Over 30 Hotel Brands and 10,000 Global Destinations.
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Luke Combs and Tracy Chapman will team up to perform “Fast Car” during Sunday’s (Feb. 4) Grammy Awards ceremony in Los Angeles, Billboard confirms. Variety was first to report the news.
In 1988, Chapman’s version of “Fast Car” reached the top 10 on the Billboard Hot 100, but also became an enduring pop classic over the ensuing decades. Last year, Combs reached No. 2 on the same chart with his version of “Fast Car,” which also spent four weeks atop the Hot Country Songs chart.
In July, Chapman offered to Billboard a reaction to Combs’ success with a version of “Fast Car,” saying, “I never expected to find myself on the country charts, but I’m honored to be there. I’m happy for Luke and his success and grateful that new fans have found and embraced ‘Fast Car.’”
Chapman performed “Fast Car” as the closing performance during the Grammys telecast more than three decades ago, on Feb. 22, 1989. That evening, Chapman garnered three Grammy wins: best new artist, best female pop vocal performance for “Fast Car” and best contemporary recording for her eponymous debut project.
This year, Combs is nominated for best country solo performance for his version of Chapman’s “Fast Car.” He was previously announced as a performer on this year’s Grammys telecast, as part of the second group of performances revealed for this year’s show, though at the time, the Recording Academy had not mentioned the possibility of a collaboration performance. However, a live collaboration of the song has seemed like an inevitability, since Combs’ version of the song soared in popularity over the summer.
During the CMA Awards in November, “Fast Car” earned both single and song of the year, with the song of the year win making Chapman the first Black songwriter to take home that CMA accolade.
“I’m sorry I couldn’t join you all tonight,” Chapman said via a statement that was read from the stage during the CMA Awards. “It’s truly an honor for my song to be newly recognized after 35 years of its debut. Thank you to the CMAs and a special thanks to Luke and all of the fans of ‘Fast Car.’”
It’s Music’s Biggest Week, haven’t you heard? As the 66th Grammy Awards draw nearer (Feb. 4), the stars have descended upon Los Angeles for a week jam-packed with events, galas, panels and performances in celebration of Music’s Biggest Night. This year, SZA leads all nominees with nine nods for her 10-week Billboard 200 No. 1 […]
Adam Sandler will receive the People’s Icon Award at the 2024 People’s Choice Awards. The comedy star is the sixth recipient of that award, following Melissa McCarthy, Jennifer Aniston, Jennifer Lopez, Halle Berry and Ryan Reynolds.
As previously announced, Lenny Kravitz will receive the Music Icon Award at the 2024 People’s Choice Awards. The show, hosted by actor Simu Liu, will air Sunday, Feb. 18, at 8 p.m. ET/PT from the Barker Hangar in Santa Monica, Calif.
Sandler, 57, has enjoyed phenomenal success as a comedian, actor, writer, producer and musician. His films, including such box-office hits as Grown Ups, Happy Gilmore, The Wedding Singer, Big Daddy and The Longest Yard, have grossed more than $3 billion worldwide. He has also proven to be a versatile actor with acclaimed dramatic roles in Uncut Gems, Hustle and his upcoming Spaceman. His films on Netflix are some of the most-watched on the platform, including the recent You Are So Not Invited to My Bat Mitzvah.
Sandler’s work has been recognized over the years with nine People’s Choice Awards, six MTV Movie Awards and 12 Kids’ Choice Awards. Sandler was the 2023 recipient of the prestigious Mark Twain Prize for American Humor. Those who honored Sandler on the program included Dana Carvey, Idina Menzel, Ben Stiller, Jennifer Aniston, Judd Apatow, Drew Barrymore, Conan O’Brien, Chris Rock, Pete Davidson and David Spade.
“Adam Sandler has been a fixture in the industry for decades, entertaining us since he got his start on Saturday Night Live more than 30 years ago,” Jen Neal, executive vice president, live events and specials, NBCUniversal Entertainment, said in a statement. “From Billy Madison to Mr. Deeds, his unforgettable characters have endured the test of time and left their mark on audiences for generations. We’re excited to honor him with this year’s People’s Icon Award.”
The 2024 People’s Choice Awards will air live Sunday, Feb. 18, at 8 p.m. ET/tape-delayed at 8 p.m. PT on NBC, Peacock and E! from the Barker Hangar in Santa Monica, Calif. Den of Thieves is producing the show. Jesse Ignjatovic, Evan Prager and Barb Bialkowski will executive produce.
As Trevor Noah prepares to return to the host the Grammy Awards for the fourth time on Feb. 4, he finds himself facing a new situation; not only is he the host, he’s a nominee for the 66th edition of the awards as his album, I Wish You Would, is nominated for best comedy album.
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Noah is the fifth Grammy host to also be a nominee in the same year, but Kenny Rogers is the only host who heard his name called as a winner, when “The Gambler” won best country vocal on the 1980 telecast. Noah has been nominated for best comedy album before, when Alicia Keys hosted in 2020.
Even though he is a hosting veteran, Noah tells Billboard he still gets nervous beforehand, and feels tremendous relief once the show is over and realizes he’s successfully eluded “the lion that was chasing us.”
In addition to his Grammy duties, Noah also helms the Spotify podcast What Now? With Trevor Noah, which he says has allowed him to flex different muscles from when he hosted The Daily Show. “It’s having a conversation,” he says of the podcast. “The difference between a conversation and an interview is that an interview is one way, and a conversation is bi-directional, and you’re trying to create a conversation that other people want to listen to and can derive something from. I’m really reveling in the experience of creating something new that I hope can contribute to fostering conversations amongst people.”
Below, Noah talks about his Grammy chances, what he’s learned about hosting “one award show at a time” and his feelings about Travis Kelce’s possible attendance at the ceremonies. (This interview has been edited for space and clarity.)
Do you know if best comedy album is going to be given away on air or during the pre-telecast?
I don’t know of that right now because the running order hasn’t been completely finalized because new acts keep coming in. But either way, I’m just ecstatic to be in that category with that level of comedians. Are you kidding me? These are my idols and my friends. I’m really lucky to be amongst that ilk.
Does that make you more nervous to also be a nominee, as opposed to just host?
It’s going to be an interesting one because I’ve never been nominated and hosting at the same time, so I don’t know if the one feeling will overcome the other way or if the two will combine into one. I only hope that I slip into the zone of hosting and then by the time my award comes, I have either completely zoned in. I just I just hope I’m in the right place.
What does that mean to slip into the zone of hosting?
When I speak about getting into the zone, it’s a combination of remembering all of the preparation, thinking hard about what we’re there to do and then remembering how many people have worked hard to make the show what it is. So I’m in my head, I’m preparing for every contingency that I cannot prepare for and just trying to be ready for anything that could possibly go wrong in any possible moment. And then I’m also reminding myself to have fun. I’m thinking about being present in the room because I think you can miss things if you’re not present. So, it’s a lot of conflicting emotions that you’re trying to manage, but when you hit it is when you’re in the zone.
That sounds exhausting.
Can I tell you — it is. It is. I have yet to go to an afterparty for the Grammys. My record was I think seven minutes when we were in Vegas [in 2022]. I sat down at a table at the after party and then I went back to my hotel room and I slept. I am exhausted after the Grammys. It’s an adrenaline dump. As soon as you say “good night,” your whole body goes, “Okay, have we successfully run away from the lion that was chasing us?” And then then your body collapses.
This is a year where women lead the nominations. SZA has nine nominations. Victoria Monet has seven; Boygenius, Brandy Clark, Miley Cyrus, Billie Eilish, Olivia Rodrigo and Taylor Swift all have six nominations. It varies from year to year, but there have been years that aren’t so hospitable to women artists. What do you think about this year?
I think it’s really fantastic. I remember many Grammy Awards, where women just really swept everything, like the year [1999] Lauryn Hill took home so many and the year [2020] where Billie Eilish completely dominated. I find in time things ebb and flow. This is definitely a year where it isn’t just about women running the biggest category, but it’s also the breadth of talents that’s pretty amazing. You have all these different genres, you have all these different points of view, you have all these different styles, you have all these different stories, all the possibilities of history being made.
I honestly appreciate and applaud that, because it’s not just about women being dominant in the category, — it’s how broad women are able to be in the music industry, I think that’s a fantastic achievement for music and something we should keep pushing for in any category. However you want to make your music, make your music, and your gender doesn’t define how that music is or isn’t received. I think that’s a wonderful message.
How much do you feed off of the energy of the opening performance?
It completely sets the tone for the night. It sets the tone for the people in the room. It’s like, “All right, let’s go.” And what it does for me as a performer is it makes me feel like I’m part of an ensemble, so I can’t come in there after a performance that has just raised the roof and step in with languid energy. It makes me feel like I’m part of an army that is marching into this performance battle and I have to play my part.
The record for hosting belongs to Andy Williams, who’s hosted seven times. Do you want to break his record?
I host one award show at a time. They surprise me and call me back a few months before and that’s how I live my life.
This interview is happening before the Kansas City Chiefs play the Baltimore Ravens for the AFC championship, but if the Chiefs lose, we may have the first outing of Travis Kelce and Taylor Swift together at an awards show. How are you planning for that?
Well, I’m hoping that the Chiefs don’t lose because I really like Travis. He’s like one of the sweetest human beings I’ve ever met. He’s a really lovely guy. I met him years and years ago in the summer [in] upstate [NY]. He was just like this sweet guy. We talked about comedy and football. He was really wonderful to everyone around him. I had no clue who he was in that way. Ever since then his star has only risen. So I’m rooting for him 1000 times over. So I actually hope that I don’t see him because he’s still in the mix and he’s still doing well. But if anything changes, I’ll be ready. And that’s what being a host is all about.
As you go into the fourth year as host, how much more are you participating in the writing and in the whole process?
I’m really lucky that under [executive producer] Ben Winston’s umbrella, he’s always trusted me when it comes to the writing, so we’re a wonderful team. It’s like dancing with a partner who knows exactly where your hips are at all times. I’m really grateful to be in such fantastic and skilled company. I collaborate as much as I can. I’m responsible for everything that comes out of my mouth. I’m responsible for everything that I write in and around the moments with my team. We’ve always been given complete leeway and I think it’s because the producers and I guess the [Recording] Academy trust me that I’m not there to spoil anybody’s night.
And, most importantly, I’m not there to make the night about me. A good Grammys is a night where you don’t remember me, but you go, “That was a great show.” A great Grammys is where you remember me and you think it was also a great show.
Christina Aguilera, Samara Joy, Lenny Kravitz, Maluma, Lionel Richie, Mark Ronson, Meryl Streep, Taylor Tomlinson and Oprah Winfrey are set to present on the 2024 Grammy Awards, set for Sunday, Feb. 4.
Joy was the surprise winner of last year’s award for best new artist. Aguilera won in that same category 24 years ago.
Ronson, a seven-time Grammy-winner, received five nominations this year for his work on Barbie.
Streep is nominated for best audio book, narration and storytelling recording for Big Tree.
Richie won album of the year 39 years ago for Can’t Slow Down. He won song of the year the year after that for “We Are the World,” which he co-wrote with Michael Jackson.
Kravitz has been announced as the first of three 2024 Recording Academy Global Impact Award honorees. The award will be presented at the third annual Recording Academy Honors presented by the Black Music Collective. The event will take place on Thursday (Feb. 1) at the Fairmont Century Plaza in Los Angeles.
Previously announced Grammy performers are Burna Boy, Luke Combs, Billie Eilish, Billy Joel, Dua Lipa, Joni Mitchell, Olivia Rodrigo, Travis Scott, SZA, and U2. Additional performers will be announced in the coming days. The current list of performers can be found here.
U2 is set to take the stage from Sphere in Las Vegas, where the band’s acclaimed U2:UV Achtung Baby Live at Sphere show is playing.
Additional performers for the Grammy telecast will be announced. Whether Swift will perform is still unknown.
Trevor Noah will host the Grammys for the fourth consecutive year. He received a nod for best comedy album for I Wish You Would, and is the first Grammy host to be nominated for a Grammy that same year since Queen Latifah in 2005.
The 66th annual Grammy Awards will be held on Sunday, Feb. 4, live on both coasts beginning at 8 p.m. ET on CBS, and will stream live and on-demand on Paramount+ (live and on demand for Paramount+ with Showtime subscribers, or on demand for Paramount+ Essential subscribers the day after the special airs).
The telecast will be produced by Fulwell 73 Productions for the Recording Academy for the fourth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.
The unlikely second act of Sophie Ellis-Bextor‘s 2001 dance pop jam “Murder on the Dancefloor” will get one more spin in the spotlight when the singer performs the song at the upcoming BAFTA Film Awards 2024. The English singer/songwriter’s tune got an unexpected boost when it was featured in the BAFTA-nominated hit Saltburn.
The 23-year-old song co-written by Ellis-Bextor and New Radicals frontman Gregg Alexander for the singer’s debut album, Read My Lips, matched its U.K. chart heights earlier this month when it hit No. 2 on the British pop charts while also debuting at No. 98 on the Billboard Hot 100 chart dated Jan. 13.
“I am so excited. I will be performing at the EE BAFTAs 2024,” the singer said in an Instagram video announcement. The BAFTA Awards will air on Feb. 18 on BBC One and iPlayer and BritBox in North America. “I’m already practicing some looks and I cannot wait,” she added.
The nudisco jam “became one of the most talked about moments in cinema this year and a viral sensation, taking the song back into the music charts 22 years after the first release of the song,” BAFTA said in a statement according to The Hollywood Reporter. “Old and new fans are streaming the track which is being used as a trending audio for millions of videos on Instagram and TikTok and [it] continues to mark new achievements on Spotify, YouTube and TikTok globally alongside newfound success in America, where it entered the Billboard Top 100 for the first time and continues to climb.”
The divisive murder sex drama starring Barry Keoghan, Jacob Elordi, Rosamund Pike and Richard E. Grant was nominated for five BAFTA Awards, including best actor in leading role for Keoghan, best supporting actor for Elordi, best actress for Pike, best original score for Anthony Willis and outstanding British film.
Speaking to Billboard earlier this month about the unexpected revival of the tune, Ellis-Bextor said, “That song took me places I’d never been before, and it was always quite a special one for me. [It] took me to Latin America and Southeast Asia and all around Europe — it was already a song I associated with adventure and new things and a friendly, glorious chapter of my life.”
But the song crashing the Billboard charts, she said, was “glorious, it’s magical, really. But it’s very hard to process, if I’m honest.”
Watch Ellis-Bextor announce the good news below.
Alan Menken is an EGOT winner, so he has enough awards to fill his shelves, and then some. But an award he’s receiving on Feb. 26 figures to be especially meaningful to him – the Howard Ashman Award, named after his longtime collaborator who died of AIDS in 1991.
The award will be presented at GMHC’s ninth annual Cabaret & Howard Ashman Award fundraising event, hosted by Joe’s Pub at the Public Theater in New York City. (GMHC was founded in 1982 as Gay Men’s Health Crisis, though the organization used the acronym in a press release about his event.)
Menken and Ashman received their first Oscar nominations for best original song in 1987 for co-writing “Mean Green Mother From Outer Space” for Little Shop of Horrors. Less than a year later, in January 1988, Ashman was diagnosed with HIV/AIDS.
He kept working until his death in March 1991. Menken and Ashman won the Oscar for best original song in March 1990 for “Under the Sea” from The Little Mermaid another in March 1992 for the exquisite title song from Beauty and the Beast. Ashman received seven Oscar nominations in all – four of them posthumously. That’s more posthumous nominations than anyone else in Oscar history.
Since Ashman’s death, Menken has two additional Oscars for best original song – for “A Whole New World” from Aladdin (which he co-wrote with Tim Rice) and “Colors of the Wind” from Pocahontas (which he co-wrote with Stephen Schwartz).
Schwartz will be at the Feb. 26 event to celebrate Menken, along with Claybourne Elder, Adam Jacobs and Arielle Jacobs. Kyle Branzel will be the music director.
Proceeds from the cabaret will directly support GMHC’s lifesaving programs for thousands of people living with and affected by HIV and AIDS.
Prior Ashman awardees are Lea DeLaria, André De Shields, the late Terrence McNally, Javier Muñoz, Kathy Najimy, Andrew Rannells, Michael Urie, and Tom Viola.
Ashman didn’t live to see the completion of Beauty and the Beast, which was released in November 1991. The film was dedicated to Ashman’s memory, and featured this message after the end credits: “To our friend Howard, who gave a mermaid her voice, and a beast his soul. We will be forever grateful. Howard Ashman 1950-1991.”
For information on tickets, go here.