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For nearly 40 years, the Rock & Roll Hall of Fame has made it a tradition to gather together a batch of the biggest stars in the world and invite them to join the ranks of some of the greatest performers who have ever lived. On Saturday night (Oct. 19), that tradition continued with the […]
Sarcastically noting that answering questions is “my favorite thing to do,” Cher answered a few from the press backstage at the 2024 Rock and Roll Hall of Fame induction ceremony on Saturday (Oct. 19).
After taking the Rock Hall to task during her speech for waiting 35 years to induct her after she became eligible, Cher acknowledges that, “I have a kind love hate relationship [with the Rock Hall], because I thought, ‘What do I have to f–king do , y’know, to be inducted into this place? What do you have to do to be a part of it?’”
Though tempted to tell David Geffen, who she said wrote a letter to the Hall of Fame Foundation on her behalf, to “please take it back,” Cher said that in the end she was happy with the way things turned out. “I felt good. I can say that I’m happy that I’m in,” she says. “If I didn’t [think] it, I wouldn’t be here.”
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Reflecting on a 60-year career dating back to work with her late ex-husband Sonny Bono and sessions with Phil Spector’s Wrecking Crew, the singer said that she struggles with thoughts of legacy. “I [didn’t] have perspective, exactly — I just was busy living my life, so I wasn’t like thinking about it at all,” she says. “I was thinking about it from minute to minute, thing to thing. I thought of myself as a bumper car and when I hit a road I would just back up and turn in a different direction, because I wasn’t going to stop doing what I loved.”
And what about Sonny & Cher making it to the Rock Hall one day? “I think that we deserve it, ” Cher tells Billboard. “Even if we weren’t exactly rock ‘n roll, we represented music. I know it’s not like … we were corny, but we were very avant garde for what was happening at the time, so, I don’t know. I didn’t expect to get in. I just thought, ‘They’re never gonna let you in, b–ch.’”
During her speech, Cher made sure to send a message to all of the women watching around the world: “The one thing I have never done, is I never give up,” she explained. “And I am talking to the women, okay … we have been down and out, but we keep striving, and we keep going and we are somebody. We are special.”
With her induction into the annals of the Rock & Roll Hall of Fame on Saturday night (Oct. 19), Cher made sure to set expectations early on: “This speech is gonna be such a crapshoot — I wrote it the other day, and then I rewrote it tonight, and I’m dyslexic,” she declared.
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A crapshoot it was not — across her presentation at the annual ceremony, Cher stunned the crowd at the Rocket Mortgage FieldHouse with renditions of “If I Could Turn Back Time” and “Believe” — the latter featuring special guest Dua Lipa — before cedeing the stage to Zendaya, who introduced her idol with aplomb. “Where do I even begin?” the actress said, dressed in an outfit inspired by one of Cher’s many Bob Mackie looks. “There is not one person in this room, in this country, and pretty much in this world who doesn’t know the name of the artist I am here to honor tonight. She’s so iconic, she only needs one name.”
In a video tribute, stars appeared to pay tribute to Cher, including Cyndi Lauper, Shania Twain and P!nk, with the latter making it abundantly clear that the mononymous singer was a “f–king rockstar.”
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But once into her speech, Cher made it clear that her induction was never guaranteed: “It was easier getting divorced from two men than it was getting into the Rock & Roll Hall of Fame,” she cracked. “I want to thank my guardian David Geffen, because he wrote a letter and sent it to the directors, and now, ha ha, here I am!”
While the singer made sure to occasionally make fun of herself (“I’m a good singer, not a great singer,” she cracked), she didn’t shy away from acknowledging her impact throughout her decades-spanning career. In one particular highlight, the star looked back on how her biggest songs nearly didn’t happen.
“[With] ‘Believe,’ I changed the sound of music forever, and it was an accident. My producer and I were having a fight, with my producer saying, ‘Cher, do it better,’” she recalled. “I said, ‘Dude, if you want it better, get a different singer.’ He called me later and said, ‘Cher, I’ve been playing around with the pitch machine, and I think I’ve got something.’ I went back and listened to it, and when it was over, we both jumped up and high-fived each other. And then the head of my record company said ‘we can’t do that because no one will know it was you.’ And I said, ‘Yes, that’s the deal! That’s the great part!’”
Cher also recalled the advice that she had been given by her mother from a young age that guided her career to where it is today. “She said to me, ‘You might not be the prettiest, you might not be the smartest, you might not be the most talented, but you’re special,’” she said. “She kept instilling it into me: ‘If you’re down and you’re out, you get up again.’”
Smiling at the crowd, Cher made sure that the women in the audience had heard her. “The one thing I have never done, is I never give up. And I am talking to the women, okay — you guys are on your own,” she offered with a smirk. “We have been down and out, but we keep striving, and we keep going and we are somebody. We are special, as my mother would say.”
Cher was just one of the icons honored at Saturday night’s event — fellow inductees included Mary J. Blige, Ozzy Osbourne, Kool & the Gang, A Tribe Called Quest, Dave Matthews Band, Foreigner and Peter Frampton.
So, Tommy Richman is hip-hop now? The Virginia singer will be up for a couple rap Grammys this upcoming February, according to The Hollywood Reporter. His viral hit “Million Dollar Baby” was submitted for best rap song and best melodic rap performance, the publication reports. Explore Explore See latest videos, charts and news See latest […]
Neneh Cherry and Sparks were among the honorees at the 2024 Association of Independent Music (AIM) Awards, which also saw big wins for Jorja Smith, Sampha, Pendulum and fast-rising electronic music producer Barry Can’t Swim.
Held at London’s Roundhouse venue on Thursday (Oct. 17), the 14th edition of the annual awards show, which recognizes the achievements of the artists, labels, entrepreneurs and companies that make up the U.K.’s indie sector, saw Cherry presented with the innovator award in recognition of her trailblazing career and lasting influence.
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This year’s outstanding contribution to music award was collected by U.S. pop rock duo Sparks, who used the occasion to announce that they have signed a global deal with Transgressive Records for their next studio album. The as-yet-untitled release, due next year, will be distributed by Firebird Label Services, marking the veteran band’s return to the indie music community after reuniting with Island Records for last year’s The Girl Is Crying In Her Latte studio set.
One of the night’s biggest prizes went to British R&B singer Smith, who won the best independent album award for her 2023 sophomore album, Falling or Flying, released through FAMM. Accepting the award via video, Smith, a 2019 Grammy nominee for best new artist, thanked U.K. production duo DAMEDAME* for their work on the album and her label “for believing in me from all these years ago to now.”
Singer-songwriter Sampha took home prizes for best independent track for last year’s “Spirit 2.0” and best independent video for “Only”; he also performed at the ceremony. Other live performances came from Heavenly Recordings-signed Lynks, punk rock act BEX and Manchester rapper OneDa, who received this year’s one to watch award.
Other prizes given out on the night included independent breakthrough, which went to electronic music producer Barry Can’t Swim (real name Joshua Mainnie), and the public-voted best live performer title, awarded to Pendulum.
Heavenly Recordings was named best independent label, while record shop Drift in Totnes, Devon was crowned the U.K.’s best independent record store. Music Venue Trust co-founders Mark Davyd and Beverley Whitrick were jointly honored as independent music champions for their work supporting grassroots music venues in the U.K.
Prior to Thursday’s ceremony, Afrobeats artist, producer and songwriter Silvastone, who has collaborated with the likes of Popcaan, Sneakbo, Bugzy Malone and Lady Leshurr, was announced as AIM’s 2024 diversity champion in recognition of his community work.
“This community never ceases to amaze me with its collective spirit in celebrating each other’s wins and recognising that we rise highest when we rise together,” said AIM’s interim CEO Gee Davy in a statement.
According to figures released earlier this year from U.K. labels trade body BPI, independently released songs and albums accounted for almost one-third of all music consumption in the U.K. in 2023, with the equivalent of more than 53 million independently released albums streamed or purchased across digital and physical formats. The U.K. is the world’s third-biggest recorded music market in IFPI’s annual rankings behind the U.S. and Japan.
Previous winners at the AIM Awards include Adele, Idles, Little Simz, Wet Leg, Stormzy, Dave, Arlo Parks and Christine and the Queens, all of whom were recognized by the association early in their careers, prior to enjoying mainstream success.
Here’s the full list of nominees and winners at the 2024 AIM Independent Music Awards:
UK Independent Breakthrough (in association with Amazon Music):
Bar Italia (Matador Records)
Barry Can’t Swim (Ninja Tune) *WINNER*
CASISDEAD (XL Recordings)
Saint Harison (Tell Your Friends)
Wunderhorse (Communion Records)
Best Independent Album (in association with Spotify)
Actress – LXXXVIII (Ninja Tune)
ANOHNI and the Johnsons – My Back Was A Bridge For You To Cross (Rough Trade Records)
Barry Can’t Swim – When Will We Land? (Ninja Tune)
D-Block Europe – Rolling Stone (EGA Distro)
Jorja Smith – falling or flying (FAMM) *WINNER*
Kim Gordon – The Collective (Matador Records)
Mount Kimbie – The Sunset Violent (Warp Records)
Nabihah Iqbal – Dreamer (Ninja Tune)
Nubiyan Twist – Find Your Flame (Strut Records)
Skrapz – Reflection (EGA Distro)
Best Independent Track (in association with Meta)
Amy Gadiaga – ‘All Black Everything’ (Jazz re:freshed)
CASISDEAD – ‘Venom’ (XL Recordings)
Ezra Collective – ‘Ajala’ (Partisan Records)
Fontaines DC – ‘Starburster’ (XL Recordings)
Hudson Mohawke & Nikki Nair – ‘Set The Roof’ (Warp Records)
Jorja Smith – ‘Little Things’ (FAMM)
KNEECAP, Grian Chatten – ‘Better Way To Live’ (Heavenly Recordings)
Matthew Halsall – ‘An Ever-Changing View’ (Gondwana Records)
NikNak – ‘1200RPM’ (Accidental Records)
Sampha – ‘Spirit 2.0’ (Young) *WINNER*
Best Independent Remix (in association with Notion)
The Egyptian Lover Remix – Sudan Archives – Freakalizer (Stones Throw Records)
Joy Anonymous Remix – Ezra Collective, Sampa The Great – JOY (Life Goes On) (Partisan Records) *WINNER*
L BEATS Mashup – Jorja Smith – Little Things x Gypsy Woman (FAMM)
Olof Dreijer Remix – Björk – Oral (feat. Rosalia) (One Little Independent)
P-rallel Remix – Aluna, Jayda G – Mine O’ Mine (Mad Decent Under Exclusive Licence to Because Music)
Best Live Performer
Frank Turner (Xtra Mile Recordings)
KNEECAP (Heavenly Recordings)
Laura Misch (One Little Independent)
Pendulum (Mushroom Music) *WINNER*
RAYE (Human Re Sources)
One To Watch (in association with BBC Music Introducing)
Antony Szmierek (LAB Records)
Kitty Amor (Defected Records)
Lynks (Heavenly Recordings)
Miso Extra (Transgressive Records)
OneDa (Heavenly Recordings) *WINNER*
PPL Award for Most Played New Independent Artist
Barry Can’t Swim (Ninja Tune)
Coach Party (Chess Club Records)
Far From Saints (Ignition Records) *WINNER*
Popeth (Recordiau Côsh Records)
Tom A. Smith (TYM Records)
Best Independent EP/Mixtape
George Riley – ‘Un/limited Love’ (Ninja Tune)
Headie One & K-Trap – ‘STRENGTH TO STRENGTH’ (One Records and Thousand8)
HONESTY – ‘BOX’ (Partisan Records)
JGrrey – ‘If Not Now?’ (PACE, a subsidiary of Marathon Music Group)
Potter Payper – ‘Thanks For Hating’ (EGA Distro) *WINNER*
Best Independent Video (in association with Vevo)
Gia Ford – Poolside (Chrysalis Records)
Khruangbin – A Love International (Dead Oceans)
Master Peace – I Might Be Fake feat. Georgia (PMR Records)
Mitski – My Love Mine All Mine (Dead Oceans)
Sampha – Only (Young) *WINNER*
Best Independent Label (in association with BBC Radio 6 Music)
Heavenly Recordings *WINNER*
Ninja Tune
Partisan Records
Sub Pop Records
Transgressive Records
Best Boutique Label (in association with Qobuz)
AD 93
Houndstooth
LAB Records
New Soil
Sonic Cathedral *WINNER*
Best Creative Campaign (in association with Able)
Chrysalis Records and BODEGA (‘Our Brand Could Be Yr Life’ )
Dead Oceans and Slowdive (‘everything are alive’ )
Lofi Girl – Identity Music (‘Snowman’)
Warp Records and Aphex Twin (‘Blackbox Life Recorder 21f / in a Room7 F760’) *WINNER*
Young and Sampha (‘LAHAI’ )
Best Independent Record Store
Drift *WINNER*
Honest Jon’s
Piccadilly
Rough Trade Bristol
Stranger Than Paradise Records
Music Entrepreneur of the Year
Andrew Batey (Co-Founder & Co-CEO, Beatdapp)
Atlanta Cobb (Founder & Director, Music Industry Mentor)
Colin Batsa (President and Chairman, EGA Distro)
Meg Carnie (Studio Manager / Co-Founder / Artist Manager – South Lanes Studios) *WINNER*
Tom Allen (President, Downtown Royalties and Financial Services, Downtown Music)
Diversity Champion
SILVASTONE *WINNER*
Independent Music Champion (in association with Downtown)
Music Venue Trust *WINNER*
Outstanding Contribution to Music (in association with Merlin)
Sparks *WINNER*
Innovator
Neneh Cherry *WINNER*
Kendrick Lamar already has 17 Grammys to his name, and he could add several more if “Not Like Us” dominates next month’s Grammy nominations announcement (Nov. 8).
A strong contender for both record and song of the year, the Billboard Hot 100-topping diss track is also a frontrunner in the rap field categories of best rap song and best rap performance. Should “Not Like Us” take home the gold in both of those categories, it would become the fifth Lamar track to pull off the feat following “I” (2015), “Alright” (2016), “Humble” (2018), and “The Heart Part 5” (2023).
As can be the case across genres, there has been a fair amount of overlap between performance and songwriting categories in the rap field over the years. Since the best rap performance category was introduced in 2012 – several more specific categories were condensed in a major rehaul of the ceremony — eight songs have triumphed both there and in best rap song, which was introduced in 2004. In addition to Lamar’s victories, the other winners include Jay-Z & Kanye West‘s “N—as in Paris” (2013), Macklemore & Ryan Lewis‘ “Thrift Shop” (2014), Megan Thee Stallion & Beyoncé‘s “Savage” (2021) and Killer Mike, Future, André 3000 and Eryn Allen Kane‘s “Scientists & Engineers” (2024).
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Before the categories were restructured, two best rap song winners — Jay-Z, Rihanna and West’s “Run This Town” (2010) and Jay-Z & Alicia Keys‘ “Empire State of Mind” (2011) — also won best rap/sung performance (now called best melodic rap performance). In 2004, Eminem‘s “Lose Yourself” won best rap song — making him the inaugural winner in that category — and best male rap solo performance.
But what tracks could block “Not Like Us” from a rap field sweep? Let’s break down the leading contenders in both categories.
Best Rap Song
First, there’s the question of “Like That.” If Lamar’s Hot 100-topping collaboration with Future & Metro Boomin wins both best rap song and best rap performance, Lamar would still earn his fifth double-whammy. In the event that both “Not Like Us” and “Like That” earn nods in best rap song, Lamar would increase his tally to 10 career nods in this category — the fourth most of all time. A nod for “Like That” would earn Future his fourth nomination in this category and Metro Boomin his first.
Two non-Lamar Hot 100 chart-toppers could also earn nods here: Megan Thee Stallion’s “Hiss” and Ye & Ty Dolla $ign‘s “Carnival.” Megan remains the first and only female rapper to win this category, and a nod for “Hiss” would be her first nomination in this category for a solo song. Ye (formerly known as Kanye West) has the most wins in the history of this category (7); a nod for “Carnival” here would be his seventeenth — the most of all time — and Ty Dolla $ign’s first. “Carnival” could also earn career-first Grammy nods for Don Toliver and Playboi Carti, who are credited songwriters and featured artists on the track.
Carti is also in contention by way of Travis Scott‘s “FE!N,” which reached No. 5 on the Hot 100 in 2023. The duo performed the track at the 2024 Grammy telecast, where its parent album, the Billboard 200-topping Utopia lost best rap album to Killer Mike’s Michael. Between his globe-trotting Circus Maximus Tour and a historic re-release of his decade-old Days Before Rodeo mixtape, Travis has remained a consistent presence this year. Killer Mike, on the other hand, could bookend his 2024 victory in this category with “Humble Me.”
Two other massive 2024 Hot 100 hits — Jack Harlow‘s “Lovin On Me” (No. 1) and Tommy Richman‘s “Million Dollar Baby” (No. 2) — are also very strong contenders. Richman is looking for his first Grammy nod, while Harlow is looking to earn his second nod in this category following “Churchill Downs” (with Drake) in 2023.
There are also a number of other notable Hot 100 hits that are in contention, including: Sexyy Red‘s “Get It Sexy” (No. 20), Nicki Minaj‘s “FTCU” (No. 15), GloRilla‘s “Yeah Glo” (No. 28), Flo Milli‘s “Never Lose Me” (No. 15), Doja Cat‘s “Demons” (No. 46), Lil Baby & Central Cee‘s “Band4Band” (No. 18), Cardi B‘s “Enough” (No. 9) and 21 Savage‘s “Redrum” (No. 5). Both Lil Baby and Cardi B are seeking their second nominations in this category, while Minaj and Doja are each aiming for their third. 21 Savage, who won this category alongside J. Cole for “A Lot” in 2020, is looking to earn his fourth nomination in this category. Out of these contenders, Hot Girl Summer tourmates Megan Thee Stallion and GloRilla are likely the strongest contenders, but both have a more favorable history in best rap performance.
As always, there are also a few dark horses for which to keep an eye out. Rapsody, a previous nominee in this category for “Sassy” back in 2018, could pull off a nomination for “Asteroids,” while ScHoolboy Q could earn his first nod in this category with “Thank God 4 Me.” Eminem is the inaugural winner of this category, and he’s since added four additional nominations. “Tobey” (with Big Sean and BabyTron) could earn Slim Shady his first best rap song nod since 2019, when his Joyner Lucas-assisted “Lucky You” earned a nomination. Lucas is also in contention with his Jelly Roll duet, “Best for Me,” which earned a nod for best video for good at the MTV Video Music Awards last month. Finally, Common could earn his second nomination in this category with “When the Sun Shines Again” (with Pete Rock and Posdnuos).
Our Fearless Forecast
So, which five songs have the best chance to be nominated in this Grammy category? The rap field is always unpredictable, but here goes nothing: “Not Like Us” (Kendrick Lamar), “Lovin On Me” (Jack Harlow), “Like That” (Future, Metro Boomin & Lamar), “Asteroids” (Rapsody) and “Carnival” (Ye, Ty Dolla $ign, Don Toliver & Playboi Carti)
Best Rap Performance
Given the history of overlap between best rap song and best rap performance, most of the aforementioned songs are also contenders in this category. Some other Hot 100 hits to keep an eye on include Bryson Tiller‘s “Whatever She Wants” (No. 19), Eminem’s “Houdini” (No. 2) and Megan Thee Stallion and Yuki Chiba‘s “Mamushi” (No. 36). A nod in this category would be the first for Tiller and Chiba. Also in contention here with “Hiss,” Megan is looking to add to her two previous nominations in this category. Eminem has earned 12 career nods across rap performance categories; he has won best rap solo performance three times in addition to one triumph in best male rap solo performance and two wins in best rap performance by a duo or group.
Other strong contenders include Doechii‘s “Nissan Altima,” Latto‘s “S/O to Me,” LL Cool J & Eminem’s “Murdergram Deux,” Big Sean‘s “Yes” and ScHoolboy Q’s “Blueslides.”
Our Fearless Forecast
So, which five songs have the best chance to be nominated in this category? I predict: “Not Like Us” (Kendrick Lamar), “HISS” (Megan Thee Stallion), “Like That” (Future, Metro Boomin & Lamar), “Murdergram Deux” (LL Cool J & Eminem) and “Yeah Glo” (GloRilla)
10/15/2024
Kendrick Lamar took home eight victories while Megan Thee Stallion left empty-handed.
10/15/2024
Finalists were announced on Tuesday (Oct. 15) for the fourth Annual Anthem Awards, which celebrate purpose and mission-driven work. Finalists from the music, media and entertainment worlds include Jelly Roll, Foo Fighters, Valerie June, Lainey Wilson and others with “Power to the Patients”; Becky G with NPR’s “Tiny Desk Concerts’ ‘El Tiny’ Takeover”; Rare Beauty […]
The 2024 MAMA Awards are just around the corner, and the first set of star-studded performers have officially been announced.
The three-day event, which celebrates the brightest stars in K-pop, will kick off on Nov. 21 at the Hollywood Dolby Theatre in Los Angeles for the first time, where KATSEYE, ILLIT and RIIZE will perform. The awards ceremony will then take place at the Kyocera Dome in Osaka, Japan on November 22 and 23, with ENHYPEN, TOMORROW X TOGETHER and IVE performing on the first day and Aespa, INI and ZEROBASEONE taking the stage on the second day.
This year’s MAMA Awards, presented by Visa, will feature the concept of “Big Blur: What Is Real?,” reflecting the growing trend of blurred boundaries between industries, culture, music genres and technology. In correspondence with the theme, the ceremony will “present surreal but real experiences and showcase visually captivating performances through the convergence of art and technology,” per a press release.
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In addition to the performers, the 2024 MAMA Awards nominees were also revealed by entertainment company CJ ENM. The eligibility period ranged from October 1, 2023 to September 30, 2024, and the nominees were decided on based on an evaluation of global music data as well as a panel of specialists.
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One of the new categories this year is best choreography, and the Visa Fans’ Choice awards have returned. The first round of votes will take place from Oct. 14 to 25, and the second round will follow starting on Nov. 1. Fans can vote on X as well as the global K-pop platform Mnet Plus, which will list out the nominees.
See the full list of 2024 MAMA Awards nominations below, and catch the show when it airs worldwide in November.
Best New Male Artist82MAJORALL(H)OURSAMPERS&ONENCT WISHNOWADAYSTWS
Best New Female ArtistBABYMONSTERILLITMEOVVQWERUNISYOUNG POSSE
Best Male GroupENHYPENNCT DREAMSEVENTEENStray KidsTOMORROW X TOGETHERZEROBASEONE
Best Female Group(G)I-DLEaespaIVELE SSERAFIMNewJeansTWICE
Best Male ArtistBAEKHYUNJiminJung KookLim Young WoongTAEMIN
Best Female ArtistIUJENNIENAYEON (TWICE)TAEYEONYUQI ((G)I-DLE)
Best Dance Performance Male SoloJimin– WhoJung Kook – Standing Next to YouKEY – Pleasure ShopTAEMIN – GuiltyTAEYONG – TAP
Best Dance Performance Female SoloHWASA – NAJENNIE – You & MeNAYEON (TWICE) – ABCDSUNMI – Balloon in LoveYUQI ((G)I-DLE) – FREAK
Best Dance Performance Male GroupNCT 127 – Fact Check RIIZE – Love 119SEVENTEEN – God of MusicStray Kids – LALALALAENHYPEN – Sweet VenomTWS – plot twist
Best Dance Performance Female Group(G)I-DLE – Super Ladyaespa – SupernovaILLIT – MagneticIVE – BaddieLE SSERAFIM – EASYNewJeans – How Sweet
Best Vocal Performance SoloBIBI – Bam Yang GangIU – Love wins allLEE MU JIN – EpisodeLim Young Woong – WarmthTAEYEON – To. X
Best Vocal Performance Group(G)I-DLE – FateAKMU – HeroDAVICHI – A very personal storyPLAVE – WAY 4 LUVRed Velvet – Cosmic
Best Rap & Hip-Hop PerformanceDEAN – DIE 4 YOULee Young Ji – Small girl (Feat. D.O.)Leellamarz -Boys Like Girls (Feat. Gist, Jayci yucca)RM – LOST!ZICO – SPOT! (Feat. JENNIE)
Best Band PerformanceDAY6 – Welcome to the ShowHYUKOH, Sunset Rollercoaster – Young ManLUCY – The knight who can’t die and the silk cradleN.Flying – Into YouQWER – T.B.H
Best CollaborationGroovyRoom – Yes or No (Feat. HUH YUNJIN of LE SSERAFIM, Crush)Jay Park – Taxi Blurr (feat. NATTY of KISS OF LIFE)Lee Young Ji – Small girl (Feat. D.O.)Sung Si Kyung, Naul – Even for a momentZICO – SPOT! (Feat. JENNIE)
Best OSTCrush – Love You With All My Heart (Queen of Tears OST)ECLIPSE – Sudden Shower (Lovely Runner OST)LEE CHANGSUB – Heavenly fate (A Not So Fairy tale OST)Roy Kim – Whenever, Wherever (My Demon OST)TAEYEON – Dream (Welcome to Samdal-ri OST)
Best Music Videoaespa – ArmageddonIU – Love wins allIVE – HEYAK.Will – No Sad Song For My Broken Heart (Prod. Yoonsang)SEVENTEEN – MAESTRO
Best Choreographyaespa – SupernovaILLIT – MagneticLE SSERAFIM – CRAZYNewJeans – SupernaturalRIIZE – ImpossibleTAEMIN – Guilty
From Beyoncé‘s “Texas Hold ‘Em” to Sabrina Carpenter‘s “Espresso,” several 2024 Billboard Hot 100 hits are strong contenders for top honors at the 2025 Grammys — but there are also a handful of older songs that could pop up when nominations are announced on Nov. 8.
According to the rules and guidelines handbook for the 67th annual Grammy Awards, recordings must be commercially released, nationally distributed, and available from any date within the eligibility period (Sept. 16, 2023, to Aug. 30, 2024) through at least Jan. 3, 2025 – the date of this Grammy year’s final-ballot voting deadline. Furthermore, unless otherwise instructed upon submission, the academy will use the original album version of a song for screening and verification purposes. This means that a hit like Tate McRae‘s “Greedy” — which was released on Sept. 15, 2023 — is ineligible for the 2025 Grammys in its original form, but can still be considered for a nomination in a different iteration, such as an acoustic or live version.
It’s not uncommon for an alternate version of a song to earn a Grammy nod — especially if the track in question gained prominence after the eligibility period for its original version closed. Live albums and single recordings have been nominated (and won) in the past, especially in the decades before the Academy enacted major overhauls of the ceremony’s categories.
In 2011, the last year the Grammy for best female pop vocal performance was presented, a live version of Beyoncé’s “Halo” earned a nod. The year prior, the original studio version of the song won in that category, becoming Beyoncé’s first and only victory in the pop field. The following year, Adele swept the ceremony with her 21 album — including a best pop solo performance win for “Someone Like You” — making the album and the original version of its tracks ineligible for future ceremonies. In 2013, she triumphed with a second consecutive win in the category thanks to a live version of “Set Fire to the Rain” recorded at the Royal Albert Hall. The British powerhouse would go on to win this particular award twice more — “Hello” (2017) and “Easy On Me” (2023) — making her the all-time biggest winner in this category.
In 2015, a whopping three of the five nominated tracks in best pop solo performance were alternate versions: Pharrell Williams‘ “Happy (Live),” John Legend‘s “All of Me (Live),” and Sam Smith‘s “Stay With Me (Darkchild Version).” The Williams and Legend tracks were both released during the eligibility period for the 2014 Grammys but reached No. 1 on the Hot 100 during the eligibility period for the following year’s ceremony. The original version of Smith’s smash was eligible, but his label (Capitol Records) opted to submit the Darkchild version instead. Ultimately, Williams beat out the competition and took home his first and only solo win in the pop field.
In 2019, a solo live version of Camila Cabello‘s “Havana,” which originally featured a rap verse from Young Thug, reaped a bid in this category, but it lost to Lady Gaga‘s “Joanne (Where Do You Think You’re Going?)” — a piano version of the title track from her Joanne LP, which earned a pair of nods the year prior.
Before best pop duo/group performance was introduced in 2012, live versions helped two bands win best pop performance by a duo or group with vocals. Maroon 5 won with “This Love (Live)” in 2006, and Train won with “Hey, Soul Sister (Live)” in 2011.
Outside of the pop categories, live versions often do well in the rock field. Since it was established in 1990, four of the winners for best metal performance have been live renditions, with the most recent being Judas Priest‘s 2010 victory for “Dissident Aggressor (Live).” Back in 2001, before the best female rock vocal performance category was discontinued, Sheryl Crow won with a live version of “There Goes the Neighborhood,” the original version of which lost in the same category at the 1999 ceremony.
The R&B categories are a bit frostier toward alternate versions. Just one live rendition has ever won in any R&B performance category; Stevie Wonder and Take 6‘s “Love’s in Need of Love Today (Live)” — a cover of the opening track from 1976’s Songs in the Key of Life — took home best R&B performance by a duo or group with vocals in 2003. Beyoncé earned a nod for best female R&B vocal performance in 2009 for her live rendition of her 2003 hit “Me, Myself and I.” (She lost to Alicia Keys‘ “Superwoman.”)
In 2023, Latto‘s “Big Energy (Live)” became the first live rendition to earn a nomination for best melodic rap performance, ultimately losing to Future, Drake and Tems‘ “Wait for U.”
Live and alternate versions face the toughest battle in the general field categories of record and song of the year. Sam Smith’s aforementioned “Stay With Me (Darkchild Version)” won both record and song of the year, but no live version has ever been nominated (or won) in either category.
Here’s a round-up of 2024 Hot 100 hits that were submitted under alternate versions to skirt eligibility rules for the 2025 Grammys.
Tate McRae, “Greedy”
