State Champ Radio ASCAP Foundation Deems Taylor/Virgil Thomson Awards
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Sabrina Carpenter’s “Espresso” was the earworm of 2024, an inescapable pop smash that miraculously retained its charm even after hundreds of listens. But did you ever think a scholarly look at the song would win a Deems Taylor/Virgil Thomson Award?
One just did. The 2025 Virgil Thomson Award for outstanding music criticism in the pop music field is presented to Dan Charnas for his Slate article “The Musical History Lesson Buried Beneath the Song of the Summer.” ASCAP says the article looks at “the popular but ‘nameless’ musical genre that is the foundation” for Carpenter’s smash. (For the record, the song, which Carpenter co-wrote with Amy Allen, Steph Jones and Julian Bunetta, ranked fourth on Billboard’s 2024 Song of the Summer chart.)
The winners of the 56th annual ASCAP Foundation Deems Taylor/Virgil Thomson Awards were announced Thursday (Oct. 30). Awards are presented for outstanding books, articles, liner notes and broadcast programs on the subject of music. Established in 1967 to honor the memory of composer, critic and former ASCAP president Deems Taylor, the awards are made possible by the support of the Virgil Thomson Foundation.
Here are this year’s other winners:
Deems Taylor/Virgil Thomson Award recipients for articles published in 2024:
The award for an article in the pop music field goes to Robert Michael Marovich for his article on the prolific Black songwriter Ted Jarrett, “The Black Songwriter Who Took Nashville by Storm,” published by Zocalo Public Square.
The award for an article in the concert music field goes to Jonathan Kregor for his article “Remembering Clara Wieck in Vienna: Gender, Genius, and Genre in the Post-Beethoven Biedermeier,” published in Women’s Agency in Schubert’s Vienna.
The award for outstanding music criticism in the concert music field is presented to Kevin Bartig for his article, “Olin Downes and the Soviets,” published by the Journal of the American Musicological Society.
A runner-up award in the above category goes to Andy Zax for “Extinctophonics: The Game of Jim,” published in Third Man Records & Books’ Maggot Brain.
Deems Taylor/Virgil Thomson Broadcast/Media Award in pop music:
Director Alex Stapleton, writer Stephen Witt and producer Philip Byron for their documentary, How Music Got Free. The Paramount+ film tells the story of how technology-driven disruption changed music in the late ‘90s and early 2000s. Additional producers included Marshall “Eminem” Mathers, LeBron James, Paul Rosenberg, Maverick Carter, Jamal Henderson, Steve Berman, James Chapman, Bruce Gillmer, John Janick, Dan Sacks, Bridgette Theriault, James Thayer, Naomi Wright, Steve Stoute, Anthony Seyler, Stevenson Waite, Michael Maniaci and Malik Johnson.
Deems Taylor/Virgil Thomson Broadcast/Media Award in concert music:
Producer David Osenberg for the weekly program “Sounds Choral,” a production of WWFM, The Classical Network. The program explores the choral art form and is hosted by a rotating roster of choral conductors, composers and scholars including Ryan Brandau, Gabriel Crouch, Jason Max Ferdinand, Jacqueline Horner-Kwiatek, Christopher Jackson, James Jordan, Amanda Quist, Steven Sametz, Deborah Simpkin-King and Ethan Sperry.
ASCAP Foundation Paul Williams “Loved the Liner Notes” Award:
Lauren Du Graf for “Alice Coltrane: The Artist in Ascension” from The Carnegie Hall Concert on Impulse Records.
Runner-up awards in the above category are also given to Elizabeth Nelson for “Hours in the Colosseum: Notes on the 1974 Tour” from The 1974 Live Recordings by Bob Dylan & The Band on Sony Legacy and Shana L. Redmond for Paul Robeson – Voice of Freedom: His Complete Columbia, RCA, HMV and Victor Recordings on Sony Classical.
The “Loved the Liner Notes” Award was established in 2016 and is funded by ASCAP Foundation President Paul Williams.
Deems Taylor/Virgil Thomson Book Awards in pop music:
Joe Boyd for And the Roots of Rhythm Remain, a history of music from all over the world that influenced jazz, rhythm & blues and rock ‘n’ roll, published by Faber & Faber
Brian Wright for The Bastard Instrument: A Cultural History of the Electric Bass, published by University of Michigan Press.
A runner-up award in this category goes to Sheila Curran Bernard for Bring Judgment Day: Reclaiming Lead Belly’s Truths from Jim Crow’s Lies, published by Cambridge University Press.
Deems Taylor/Virgil Thomson Book Award in concert music:
David Suisman for Instrument of War: Music and the Making of America’s Soldiers, published by University of Chicago Press.
A runner-up award in this category goes to Mikel Rouse for The World Got Away: A Memoir, published by University of Illinois Press.
More information about The ASCAP Foundation Deems Taylor/Virgil Thomson Awards is available at their site.
The winners of the 55th annual ASCAP Foundation Deems Taylor/Virgil Thomson Awards for outstanding books, articles, liner notes and broadcast programs were announced on Friday (Oct. 31). They included works that explored such music greats as Donna Summer, Sinéad O’Connor, John Williams and Miles Davis.
The 2024 award recipients are as follows:
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The Deems Taylor/Virgil Thomson Broadcast/Media Award in pop music: Directors Roger Ross Williams and Brooklyn Sudano, for their HBO documentary, Love to Love You, Donna Summer.
The Deems Taylor/Virgil Thomson Broadcast/Media Award in concert music: Journalist and author Jon Burlingame for his interview with John Williams on the Disney Music Group podcast, Disney for Scores.
Additionally, a Special Recognition Award in the above category is given in memory of “the alt-country impresario” Jeremy Tepper, musician, producer, programmer and executive director of SiriusXM’s “Outlaw Country” and Willie’s Roadhouse” channels.
The ASCAP Foundation Paul Williams “Loved the Liner Notes” Award for pop music: Deanie Parker and Robert Gordon for “Scribble and Hum” from Written in Their Soul: The Stax Songwriter Demos on Craft Recordings.
Special Recognition Awards in the above category are also given to Drew Daniel and M.C. Schmidt for Matmos: Return to Archive on Smithsonian Folkways Recordings, and also Jeff Place and John W. Troutman for Playing for the Man at the Door: Field Recordings from the Collection of Mack McCormick, 1958-1971, on Smithsonian Folkways Recordings.
The “Loved the Liner Notes” Award was established in 2016 and is funded by ASCAP Foundation president Paul Williams.
The Deems Taylor/Virgil Thomson Book Awards in pop music: John Szwed for Cosmic Scholar: The Life and Times of Harry Smith, published by Farrar, Straus and Giroux, and also Allyson McCabe for Why Sinéad O’Connor Matters, published by University of Texas Press.
A Special Recognition Award in the above category goes to Henry Threadgill and Brent Hayes Edwards for Threadgill’s memoir Easily Slip Into Another World: A Life in Music, published by Alfred A. Knopf.
The Deems Taylor/Virgil Thomson Book Awards in concert music: Denise Von Glahn for Circle of Winners: How the Guggenheim Foundation Composition Awards Shaped American Musical Culture, published by University of Illinois Press, and also Lois Svard for The Musical Brain: What Students, Teachers and Performers Need to Know, published by Oxford University Press.
Special Recognition Awards in the above category are given to Dan Gutstein for Poor Gal: The Cultural History of Little Liza Jane, published by University Press of Mississippi, and also Howard Pollack for Samuel Barber: His Life and Legacy, published by University of Illinois Press.
The award recipients for articles published in 2023 are as follows:
The Deems Taylor/Virgil Thomson Award for an article in the pop music field: Jeffrey Magee for his article “’Honor the Source’: Race, Representation and Intellectual Property in Jelly’s Last Jam,” published in the journal Studies in Musical Theatre.
The Deems Taylor/Virgil Thomson Award for an article in the concert music field: Tina Frühauf for her article “The Dialectics of Nationalism: Jaromír Weinberger’s Schwanda the Bagpiper and Anti-Semitism in Interwar Europe,” published in Cambridge Opera Journal.
The Virgil Thomson Award for outstanding music criticism in the pop music field: Lewis Porter for his article, “Miles Davis Did Not Exactly Steal Tunes,” published by Playback with Lewis Porter! on Substack.
The Virgil Thomson Award for outstanding music criticism in the concert music field: Kerry O’Brien and William Robin for their work, “On Minimalism: Documenting a Musical Movement,” published by University of California Press.
Established in 1967 to honor the memory of composer, critic, commentator and former ASCAP president Deems Taylor, The ASCAP Foundation Deems Taylor/Virgil Thomson Awards are made possible by the generous support of the Virgil Thomson Foundation. Thomson was a noted American composer and critic and a former member of the ASCAP board of directors.
Erin Osmon’s liner notes for Blondie — Against the Odds: 1974-1982 won an ASCAP Foundation Deems Taylor/Virgil Thomson Award on Tuesday (Oct. 31). The collection, which chronicled Blondie, which went from the underground New York punk scene to the pinnacle of the Billboard Hot 100, received a Grammy nomination for best historical album last year.
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Two studies of jazz legend Louis Armstrong were honored. Director Sacha Jenkins was cited for his Apple TV+ documentary, Louis Armstrong’s Black & Blues. Keith Hatschek was honored for his book The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, published by University Press of Mississippi.
The ASCAP Foundation Deems Taylor/Virgil Thomson Awards, now in their 54th year, are presented to outstanding books, articles, liner notes and broadcast programs on the subject of music.
Established in 1967 to honor the memory of composer, critic, commentator and former ASCAP president Deems Taylor, The ASCAP Foundation Deems Taylor/Virgil Thomson Awards are made possible by the support of the Virgil Thomson Foundation. Virgil Thomson (1896 – 1989) was a leading American composer and critic, and a former member of the ASCAP board of directors.
The ASCAP Foundation Deems Taylor/Virgil Thomson Awards judging panel is comprised of ASCAP members Daniel Felsenfeld, Dom Flemons, Terry Radigan, and Dalit Hadass Warshaw. Jim Steinblatt provided professional guidance and advice.
More information about The ASCAP Foundation Deems Taylor/Virgil Thomson Awards is available here.
The 2023 award recipients are as follows:
The Deems Taylor/Virgil Thomson Broadcast/Media Award in pop music: Director Sacha Jenkins for his Apple TV+ documentary, Louis Armstrong’s Black & Blues.
The Deems Taylor/Virgil Thomson Broadcast/Media Award in concert music: Writer and director Harry Lynch for his documentary, Florence Price and the American Migration, which aired on Now Hear This, a mini-series hosted by Scott Yoo on Great Performances, PBS.
The ASCAP Foundation Paul Williams “Loved the Liner Notes” Award for pop music: Erin Osmon for Blondie – Against the Odds: 1974-1982 by Erin Osmon on Universal Music Enterprises (UMC) and The Numero Group. The “Loved the Liner Notes” Award was established in 2016 and is funded by Paul Williams, president of The ASCAP Foundation.
The Deems Taylor/Virgil Thomson Book Awards in pop: Dan Charnas for his book, Dilla Time: The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm, published by MCD, a division of Farrar, Straus & Giroux.
Keith Hatschek for his book The Real Ambassadors: Dave and Iola Brubeck and Louis Armstrong Challenge Segregation, published by University Press of Mississippi.
Deems Taylor/Virgil Thomson Book Awards in the concert music field:
Amy C. Beal for Terrible Freedom: The Life and Work of Lucia Dlugoszewski, published by University of California Press.
Licia Carlson for Shared Musical Lives: Philosophy, Disability, and the Power of Sonification, published by Oxford University Press.
A Special Recognition Award is given to William Rothstein for The Musical Language of Italian Opera, 1813-1859, published by Oxford University Press.
The ASCAP Foundation Deems Taylor/Virgil Thomson Award recipients for articles published in 2022:
The Deems Taylor/Virgil Thomson Award for an article in the pop music field is presented to Ted Olson for his article “The Life of Blind Alfred Reed,” published on Music of Our Mountains.com.
The Deems Taylor/Virgil Thomson Award for an article in the concert music field goes to Jacek Blaszkiewicz for his article “Verdi, Auber and the Aida-type,” published by Cambridge Opera Journal.
The Virgil Thomson Award for Outstanding Music Criticism in the pop music field recognizes Ashley N. Kahn for his “The New Jazz Émigrés: Insights from noted artists living abroad,” published on WBGO.com.
The Virgil Thomson Award for Outstanding Music Criticism in the concert music field is presented to Nathan Platte for his article, “Mixed Motives: Soviet Symphonies and Propagandistic Duplicity in The Iron Curtain (1948),” published by Music & Politics.
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