Afrobeats Fresh Picks
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While 2023 represented a year of remarkable growth for African music, 2024 is already shaping up to be a year where multiple new stars are discovered. Singer-songwriter-producer Yung D3mz was selected as Apple Music’s Up Next artist in Ghana at the end of last year, and new fans can discover his recent EP Before the Sun Comes Down. And after scoring high-profile features on Davido and Olamide‘s albums, Nigerian singer-songwriter Fave is making a name for herself, especially with her new single “Belong to You.”
And 2024 will also be the year that the superstars will receive higher honors than ever before. On Sunday (Feb. 4), the Recording Academy will give out the Grammy award for best African music performance for the first time. Nominees in the category include Mr. Money Asake, who doesn’t stop getting after the money in his new single “Only Me,” and Davido, who reunited with Kizz Daniel for the first time since their 2018 collaboration “One Ticket” on the remix of “Twe Twe.”
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Get into our first Fresh Picks of 2024, and start off the new year with some new tunes in our Spotify playlist below.
Chssom & Crayon, “Chemistry Luv”
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Chssom and Crayon capture the intense pull of “Chemistry Luv” with high-pitched piano chords that could be transposed for the woman of their dreams to walk down the aisle to. “Girl, I’ve never felt like this before!” Chssom exclaims in the hook, demonstrating the potency of the spell he’s under.
Yung D3mz & Tera Kòrá, “Futuristic”
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Yung D3mz recruits Curaçaoan producer Tera Kòrá for the sun-soaked penultimate track of his latest EP, Before the Sun Comes Down. Kòrá’s “soulswing” sound – which he describes as “a warm and moving, loungey vibe” that’s inspired by his “sunny Caribbean roots” – breathes new life into D3mz’s Afro-fusion. From the dizzying flute melodies to the bubbling bassline, it’s impossible not to sway your hips to this song.
KJ Spio, Oxlade & Sarkodie, “Undress You”
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Ghanaian music executive and self-proclaimed “culturepreneur” KJ Spio taps Oxlade and Sarkodie for this slinky, sensual track. With a swoon-worthy melody inspired by T-Pain’s 2005 smash “I’m Sprung,” “Undress You” paints a lascivious picture of how they plan on letting the night unfold, with Oxlade crooning “Time to have sex” in the chorus (a la Mad Cobra’s 1992 dancehall hit “Flex”) and Sarkodie rapping, “More sex less talk we waking up to the sunset.”
Highlyy, “Honest”
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The Essex-born Congolese breakout sensation bares her soul on the “Honest” cut from her debut EP +243. The twinkling keys and pensive pitter-patter of the percussion give listeners a glimpse of the war between Highlyy’s head and heart, as she remains firm in her decision to end things with a lover – even if it’s one of the toughest decisions she’s had to make. “I was talking to a boy, a very toxic situationship. There’s always that person that you say you’re done with but keep running back to them. That song means everything to me because it’s so true,” she told Clash.
PsychoYP & Jeriq, “Disintegrate”
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No one and nothing can break down indomitable Nigerian rappers PsychoYP and Jeriq on “Disintegrate,” the first track off their joint EP Evil Twin. The two effortlessly feed off of each other’s flows, flexing with lines like “Afum your 12 missed calls during a business meeting, I’m sorry but I won’t call you back unless Inwe ezigbo reason,” because the hustle doesn’t stop for anyone.
Fave, “Belong To You”
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The young Nigerian singer broke out in a big way in the past few years, with high-profile features on tracks by Davido and Olamide and her own single “Baby Riddim,” but this new cut is something different from her — a straight-up R&B-pop cut that showcases her powerful vocals and the emotion in her voice as she relates a relationship seemingly broken, but with deep wells of feeling under the surface. She’s poised for a breakout look.
Asake, “Only Me”
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Sometimes it seems like the breakout star of the past two years can do no wrong, and Asake keeps up the relentless pace of his output here with another catchy, melodic hit for the catalog. He has a way of crafting these earworms out of small phrases that give his songs a lasting quality, and his inclination to always incorporate choral backing vocals gives his songs a cinematic feel that others just can’t match.
Black Sherif, “January 9th”
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Celebrating his 22nd birthday, the Ghanaian takes time to reflect on his position and the weight of the pressure on him, while seeming to take a very zen point of view on the matter. The production is deeply soulful and his lyrics rise to the occasion, making this single a mission statement of sorts — with everything he’s got going on, everything is still alright. It’s a good sign for his forthcoming album.
Kizz Daniel & Davido,” Twe Twe”
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The remix to Kizz’s latest single features one of Africa’s biggest stars, and has fun playing with and overlaying different rhythms and syncopation, which helps it stand out from many of its contemporary songs on the scene right now. The lush production propels it forward and the duo — together on a track for the first time in several years — brings it home.
Ckay, “Is It You?”
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Afrobeats’ resident emotional loverboy returns with another entry in the genre, with a wistful hook and verses that see him pining over a woman he’s just met. His melodies and vocals have continually set him apart, and while we wait to see what else he’s got in store, he keeps hitting his sweet spot with songs that recall some of his biggest hits, though with a bouncier beat behind him here.
It’s been a year of incredible growth in the world of African music.
Music from every corner of the African continent, from West Africa’s contemporary, vibrant Afrobeats supergenre to South Africa’s groovy, bubbling amapiano scene, has continued expanding its reach across the globe, while further embedding itself in the U.S. pop market. Rema & Selena Gomez‘s “Calm Down” and Tyla‘s “Water” both became top 10 hits on the Billboard Hot 100. The Grammys, MTV Video Music Awards and American Music Awards added new categories honoring African music. And Uncle Waffles became the first amapiano act to perform at Coachella, while Burna Boy became the first Nigerian act to headline a U.S. stadium during his stint at NYC’s Citi Field.
And we wanted to honor the breadth of work by the continent’s established and emerging stars this year by sharing our individual favorite African songs (with an accompanying Spotify playlist) and albums of 2023, which can be found below.
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Heran’s Favorite African Songs of 2023
Tyla, “Water”
Davido feat. Musa Keys, “Unavailable”
Libianca, “People”
Amaarae, “Princess Going Digital”
Teni, “No Days Off”
Adekunle Gold with Zinoleesky, “Party No Dey Stop”
Crayon & Ayra Starr, “Ngozi”
Victor Thompson & Ehis “D” Greatest, “THIS YEAR (Blessings)”
Ruger, “Tour”
Muzi, “eMtunzini”
Dan’s Favorite African Songs of 2023
Davido feat. Morravey, “In The Garden”
Teni feat. ODUMODUBLVCK, “Devil Dance”
Olamide, “Problem”
Asake, “2:30”
BNXN, Kizz Daniel & Seyi Vibez, “GWAGWALADA”
Khaid, “Jolie”
King Promise, “Terminator”
Tiwa Savage, Ayra Starr & Young Jonn, “Stamina”
Lil Kesh, “Bus Stop”
Libianca, “People”
Heran’s Favorite African Albums of 2023
Amaarae, Fountain Baby
June Freedom, 7 Seas
Bloody Civilian, Anger Management
Tay Iwar, Summer Breeze
Teni, TEARS OF THE SUN
Davido, Timeless
Asake, Work of Art
Burna Boy, I Told Them…
Spinall, Top Boy
Bnxn, Sincerely, Benson
Dan’s Favorite African Albums of 2023
Davido, Timeless
Teni, TEARS OF THE SUN
Olamide, Unruly
Asake, Work of Art
Kizz Daniel, Maverick
Spinall, Top Boy
Lil Kesh, Rhythm & Tunes EP
Joeboy, Body & Soul
Amaarae, Fountain Baby
Burna Boy, I Told Them…
And check out our last Fresh Picks of 2023, while keeping up with the hottest new Afrobeats releases before the year is over with our Spotify playlist below.
Tyla, “Truth or Dare”
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Ahead of her self-titled debut album, Tyla invites an old flame, who wants to reignite what they once had now that he sees how hot she’s become, to play a tantalizing game of “Truth or Dare.” “So let’s play truth or dare, dare you to forget/ That you used to treat me just like anyone/ Truth or dare? Is it true you care? Now that you can see the love from everyone,” she sings in the tongue-in-cheek chorus. But the shuffling beat from the scorching amapiano-infused R&B record feels like Tyla is inviting her past lover onto the dancefloor to win her back. Regardless, it’s Tyla who emerges victorious.
Victor Thompson, “Stallion”
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After blessing listeners with his and Ehis ‘D’ Greatest’s viral, inspirational anthem “THIS YEAR (Blessings),” the Nigerian gospel singer gives thanks to the One who’s given him the strength to conquer this year with his debut album Blessed. On its opening track “Stallion,” Thompson delivers a message of resilience over a buoyant beat that can inspire listeners to bounce back from any hardships they might be enduring. “I’m a stallion/ And I ride on like a champion/ ‘Cause my Father, He has won it all/ And I no fit fall,” he croons with grace.
PsychoYP feat. ECEE, Rhoma BTW & Zaylevelten, “LEAN!”
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From the deluxe version of his Osapa London album, the Nigerian alternative rapper talks his shit on the electrifying cut “LEAN!” Over menacing horns and a punchy bassline that could start mosh pits all over the continent and beyond, PsychoYP flexes that he has “forty mil in four different accounts” and other luxuries that make him untouchable, while up-and-comers ECEE, Rhoma BTW and Zaylevelten show off their distinctive flows that all seamlessly blend into the stimulating sonics of “LEAN!”
Libianca, Oxlade & Chlöe, “Mistaken”
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Following the success of her breakout hit “People,” Libianca continues using her stirring, soul-baring vocals to unload the “baggage that I’ve been carrying for my whole life,” she said in a press statement, with her debut EP Walk Away. On the highlight track “Mistaken,” the Cameroonian American singer-songwriter is pondering whether the man she’s preoccupied with is truly worth her time, with Oxlade playing the man in question, taunting her for being so obsessed with him. But Chlöe reforms from her old ways of being desperate for love from a man who never deserved her, ending “Mistaken” on a high note of resilience.
Wizkid feat. Wande Coal, “Ololufe”
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Wizkid surprise-dropped his first project of 2023 at the tail-end of the year with the four-track EP S2. On the opening track “Ololufe,” the Grammy-winning superstar links back up with renowned hitmaker Wande Coal (following Wiz’s feature on “Ebelebe” from Coal’s Legend Or No Legend album earlier this year) for an amapiano banger, filled with energetic shakers and audacious percussion that can get every party started this Detty December. But Wizzy’s tender-hearted profession of his love for his darling, paired with Coal’s featherlight melodies, remind listeners that “Ololufe” is also a love song — and that feeling in and of itself is exhilarating.
Zinoleesky, “Sakara”
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Zinoleesky’s lyrics have always tended towards the raw, and this year-end single is as introspective as they come, as he sings about struggling to keep his head above water in a world of constant judgment and comparison. But it’s the emotion in his voice that stands out — rarely has he dipped so deeply to convey his feelings beyond just his words, and it makes this song stand out amid his catalog.
Seyi Vibez, “Different Pattern”
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Seyi Vibes has proven to be a chameleon when it comes to his sound, yet his particular flow and vocals always make his songs distinctly his own. “Different Pattern” is a perfect example, combining Highlife instrumentation with his multi-layered vocal delivery to make something that seems odd on paper function seamlessly in practice. It’s a fitting way to bookend a banner year for the young street artist, who held things down from beginning to end with a string of worthy projects in 2023.
Chike & Mohbad, “Egwu”
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From the single artwork, to the production, to the lyrics and the melodies, everything about “Egwu” serves as a tribute to the late Mohbad, who died suddenly and tragically in September at the age of 27. Over an almost orchestral backdrop and with a gorgeous hook, the song turns on a line from Mohbad that serves as a thesis statement: “Music no need permission to enter your spirit.”
Sarz, Asake & Gunna, “Happiness”
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The second single off Nigerian super-producer Sarz’s forthcoming album sees him tap into the talents of two bonafide stars of 2023 in Asake and Gunna over a major-keyed guitar-based beat. Asake carries the track with his infectious delivery reminiscent of some of the themes on his Work of Art album from the summer, while Gunna comes through with a breezy verse that nods to the good life.
Kizz Daniel, “Too Busy to Be Bae”
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Kizz Daniel caps a big year, bookended by the release of his single “Rich Til I Die” and highlighted by his latest album, Maverick, with a new single about the downsides of a suffocating relationship. But despite the subject matter, he can’t help but craft a catchy hook for the earworm single.
As the year winds down to a close, the hits keep coming, as big singles from Victony, Oxlade and P Prime, Minz and Young Jonn have kept the worlds of Afrobeats, Afropop, Afrofusion and genres beyond moving through November. And that’s before even mentioning the new album from Teni, Tears of the Sun, which might just be one of the best albums of the entire year, from any genre.
In short, the month of November has produced some of the best songs yet. (And yes, we know, it’s the first of December — but hey, things get busy at the end of the year.) Here, we’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our latest Spotify playlist below.
Teni feat. ODUMODUBLVCK, “Devil Dance”
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Teni’s sophomore album Tears of the Sun is stuffed full of great songs, and as a whole is a confident statement from a performer, artist and person who knows exactly who she is and isn’t going to apologize for it. On “Devil Dance” she delivers one of the best tracks on the project, with a catchy guitar line, sassy melody and confident, swaggering hook, complete with a trademark ODUMODUBLVCK verse, which demands repeat plays, and is a thesis statement that stands out on an album that’s overflowing with them. A landmark song for the year for sure.
Teni, “Jalingo”
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Following reports that she had been kidnapped during a performance gone wrong last year, the Nigerian singer-songwriter set the record straight and recorded “Jalingo” from her sophomore album, Tears of the Sun. “I was actually at a show where a fight broke out. A lot was happening and everybody was fighting,” she told Apple Music. “It was deep inside one place in Port Harcourt and, for us to leave there, our security officers were shooting. It was chaos in the middle of the night….” Teni touches on a heavy subject but gets right back on her feet (and gets everyone on theirs, too) for a lighthearted club banger.
Boj & Ajebutter22, “42”
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The feel-good duo dropped the third installment of their Make E No Cause Fight EP series – off Boj’s own label Action Boyz under Moves Recordings – and the sumptuous blend of jazz, R&B, highlife, palm wine and alté is filled with tropical vibes and laid-back flows. The first track, “42,” isn’t a typical party anthem about getting f–ked up on Don Julio, but a reflective, toast-worthy ode to how far the two have come (and how much money they now have), which instantly draws in listeners with its cascading guitar licks.
Oxlade & P.Priime, “PIANO”
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The “KU LO SA” star teams up with fellow Nigerian hitmaker P.Priime on the scintillating “PIANO” track from Oxlade’s KATIGORI/PIANO two-pack, which he said in a statement is meant to show off his two sides: “the cautious Oxlade and the party Oxlade.” The pitter-patter of the log drums mimics his heartbeat when he’s with that special someone, but his falsettos scattered throughout the love song could woo just about anyone. “‘PIANO’ is the strongest song I’ve dropped this year MUSICALLY,” Oxlade added.
Minz, “BLESSING$”
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The “WO WO” artist soulfully reflects on his “BLESSING$” and encourages others to count theirs in his latest uplifting track. The soothing piano melodies and introspective percussion strike a chord with listeners, but his “I’m out of your league so you can’t touch, MC Hammer” lyric adds a nice sprinkle of braggadocio.
Ratii Rsa, Tyler ICU & Catzico feat. Katarina, “Mnandini”
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At 17 years old, Ratii Rsa is demanding the world’s attention with her ultra-bubbly amapiano single “Mnandini.” She taps fellow South African DJ/producers Tyler ICU and Catzico to transport listeners on a tranquil eight-minute journey, where they can easily lose themselves in the sweet-sounding arpeggios, while Katarina’s breathy vocals build tension for the song’s most exhilarating moments.
Victony feat. Crayon & Bella Shmurda, “Ohema”
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The song may be credited to these three artists, but more than a dozen appear on the track — OkayAfrica called the all-star cast “The Avengers of Afrobeats” — including Rema, Ayra Starr, ODUMODUBLVCK, Blaqbonez, Lojay, Oxlade, YKB, Bloody Civilian and more. All together the crew create a layered tapestry that pulses with energy, an anthem for this generation of established and budding stars of the genre.
Young Jonn, “Disconnect”
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Young Jonn hasn’t missed this year with a string of excellent singles, from “Currency” with Olamide, “Stamina” with Tiwa Savage and Ayra Starr, to “Aquafina” and “Sharpally.” “Disconnect” is the next entry into that lineage, as the superproducer continues to establish himself as one of the best hitmaking artists out there right now. And, as he promises on this track, this string of singles portends plenty of “better days ahead.”
YKB & King Promise, “This Must Be Love”
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Both YKB and King Promise have enjoyed breakout years in 2023, with the former’s “komplete riddim” a standout hit and the latter’s “Terminator” making waves around the world. So their collaboration on this sweetly catchy single is a welcome joining of forces, as the two go back and forth in both English and Yoruba opining about a girl changing their minds about love and affection, with production that absolutely pops.
Qing Madi, “Vision”
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Young Alté singer Qing Madi may be relatively new to the scene, but she’s burst out with a string of singles that clearly articulate her artistry and showcase her arresting, effortless vocals. “Vision” is just the latest, with an understated R&B groove over which she sings about the distraction of someone she can’t get out of her mind. Still just 17, her range is impressive.
The year is winding down, but the hits have kept coming. And the month of October has seen some quality ones, from both established African artists and newcomers dropping new EPs, as soulful singles from the likes of Mr. Eazi and the Soweto Gospel Choir (“Exit”) and the two super producers Pheelz and Young Jonn (“JELO”) mix with edgier cuts from the likes of Rema (“DND”) and ODUMODUBLVCK, Bloody Civilian and Wale (“Blood on the Dance Floor”) for real estate in our monthly roundup.
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Tems returns with “Me & U,” her first solo single since “Free Mind” (which was originally featured on her 2020 EP For Broken Ears and, in May 2023, broke the female record for most weeks at No. 1 on Billboard‘s R&B/Hip-Hop Airplay chart with 17 weeks) and first new music release since her 2021 EP If Orange Was a Place. Gunna getting in his Afrobeats bag was not on our 2023 bingo card, but he nailed his verse on the remix of Victor Thompson and Ehis ‘D’ Greatest’s “THIS YEAR (Blessings),” which he first teased during his L.A. show (as seen in the official music video). And the remix helped catapult the song to No. 1 on Hot Gospel Songs chart last week (dated Oct. 28) and No. 3 on the U.S. Afrobeats Songs chart.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and catch a vibe with our accompanying Spotify playlist below.
Tems, “Me & U”
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Tems’ first new solo release in two years lands somewhere between a poignant pop ballad and a high-spirited Afrobeats record, but more importantly, it serves as the Nigerian star’s self-reflection observed through her relationship with God. Regardless of all the triumphs she’s had in the last few years – a Grammy award for her appearance (along with Drake) on Future’s Hot 100 No. 1 hit “Wait For U,” and an Oscar nod for co-writing Rihanna’s “Lift Me Up,” to name a couple – Tems reminds those marveling at her journey that she couldn’t have accomplished all of this on her own. When a fan compared the singer-songwriter to the Yoruba water spirits Yemoja and Oshun in one of the single’s promo photos, she replied, “It’s about Jesus Christ teaching me how to walk on water, to trust Him and not in human understanding. He changed my life. And if you seek Him He will fill you up too.”
Gwamz feat. Tay Iwar & Skeete, “PAMELA”
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Gwamz, Tay Iwar and Skeete individually compose sultry blends of R&B, dancehall, Afrobeats, rap and grime in their music, so it’s no surprise that their collaboration “PAMELA” embodies just that. Twinkling piano keys, bubbling log drums, enticing guitar riffs, suave melodies and lustful verses all come to play on “PAMELA,” who represents a woman all three men can’t resist (which is also how we feel about this song).
Victor Thompson & Gunna feat. Ehis ‘D’ Greatest, “THIS YEAR (Blessings) [Remix]”
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Nigerian gospel singer Victor Thompson and his brother Ehis ‘D’ Greatest inspired the masses (through TikTok) at the top of 2023 with their aspirational anthem “THIS YEAR (Blessings).” Then Gunna came and blessed the record even more with a new verse about how he’s a “walking testimony” after everything he’s endured and worked toward (“They say, ‘Young GunWunna is the G.O.A.T.,’” he sings), seamlessly blending his melodic superpowers with those of the original artists.
June Freedom, “Diana”
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“Diana” has become an incredibly common song subject in pop music history, from Michael Jackson’s “Dirty Diana” to Ice Spice and Nicki Minaj’s “Princess Diana.” But June Freedom’s “Diana” — off his latest album, 7 SEAS — is a vibrant, sumptuous ode to the familiar leading lady. The echo of her name on Freedom’s lips, paired with a sexy saxophone and rousing percussion, is the sound of a man who won’t let “Diana” dance alone for much longer.
Muzi, “Timer”
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While the South African artist and producer takes listeners on a vivid, vulnerable trip down memory lane on his latest album uMUZI, he explores his tumultuous relationship with his father on the LP’s closer “Timer.” “Our time is not through,” he pleads constantly over twinkling ‘80s synth chords and slow-burning electronic beats. Despite its easy-going production, “Timer” provides an important reminder that even when things are tough now, looking back in the rearview mirror and wishing for more time with someone won’t be any easier.
Mr. Eazi feat. Soweto Gospel Choir, “Exit”
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Life doesn’t always move smoothly, and it’s in those moments when it can be most difficult — but also when perseverance is the most important. Those are some of the themes Mr. Eazi addresses in this song, with a gorgeous assist from the Soweto Gospel Choir, as he addresses hardships that have come along the way through his life and career. It’s a propulsive and positive track, and perfectly closes out his latest album, The Evil Genius.
Mayorkun feat. Blxckie, “Lose Control”
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Mayorkun has one of the best pure voices making music right now, and the uplifting production on “Lose Control” provides him a perfect backdrop to spin this tale of the beginnings of a relationship alongside South African MC Blxckie, whose verse follows Mayorkun’s melodic lead. It’s a standout of the singer’s new Love… For Free EP, and one of his best songs in recent years.
Rema, “DND”
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On his latest EP, RAVAGE, Rema is making music that sounds like nothing else out right now, a melting pot of styles and genres that fits nowhere — but is just as compelling as the simplicity of “Calm Down,” though in entirely different ways. “DND” is a standout on the five-track project, but is by no means the only track worth checking out. For someone who could’ve followed the same formula to repeat success, credit to Rema for continuing to push his own creative limits.
ODUMODUBLVCK feat. Bloody Civilian & Wale, “Blood on the Dance Floor”
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ODUMODUBLVCK has been steadily building his profile this past year with a series of hits (“Declan Rice,” “FIREGUN”) that owe their success to his particular uncompromising style. On this track off his latest EP, he links up with fellow Def Jam signees Bloody Civilian and Wale for a song that combines his trademark intensity with a driving production that comes together with all three in the final hook, creating a compelling mix of different styles that mesh incredibly well.
Pheelz feat. Young Jonn, “JELO”
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Two of the more prolific Afrobeats hitmakers on the production side that have earned their stripes with big hits as artists themselves in the past few years, Pheelz and Young Jonn certainly know their way around a hook and a catchy beat. This collaboration furthers each of their reputations with a breezy feel-good song that slides seamlessly into each of their catalogs, with a soulful element that elevates the track as a whole.
Fall is here, and so is a fresh crop of African music releases that’ll help you get into the swing of the new season.
Juls, one of the most sought-after modern Afrobeats producers, tries his hand at palmwine music — which incorporates Portuguese guitars brought from sailors, local West African melodies and Trinidadian calypso rhythms and is named after the traditional homebrew made from the sap of special palm trees — with his latest EP Palmwine Diaries Vol. 1. Rising Nigerian rapper ODUMODUBLVCK also introduces more listeners around the globe to his “okporoko rhythms,” his self-defined genre that blends hip-hop, grime, Afrobeat and progressive R&B.
Meanwhile, young singer Khaid drops another melodic banger, budding superstar Ayra Starr gets more personal than ever (without dropping the energy), BNXN releases another slow-burning single and the fusion of Afrobeats and Latin music continues with another potential hit from Feid and Rema.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and kick off the new fall season with our latest Spotify playlist below.
Ruger, “Tour”
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The Afro-dancehall star reassures his mother that he’s doing well for himself and he’s only concerned about his money on “Tour,” the trap-tinged opener to his latest album RU the World. Ruger recorded “Tour” while shortly after wrapping up his tours in the U.S., Europe and Canada, and he revealed that his righthand producer Kukbeatz “made this beat in the toilet.” But regardless of where the song was made, Ruger’s here to remind everyone that he’s made it.
Patoranking feat. Zion Foster, “Woman of the Year”
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Following his and Wande Coal’s 2014 Afropop hit “My Woman, My Everything,” Patoranking delivers yet another sweet ode to women who deserve to be celebrated for their everyday contributions to others’ lives. With a sultry verse from British-Nigerian singer Zion Foster, and Dhannyjazz’s sumptuous saxophone leading the production, the Nigerian star serenades the only lady in his life as a way of thanking her for everything she does for him.
ODUMODUBLVCK, “MC OLUOMO”
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The Nigerian rapper gives us a taste of his upcoming EZIOKWU mixtape, due Oct. 6 via NATIVE Records/Def Jam, with his invigorating new single. “MC OLUOMO” first samples a video of a fan jokingly taunting the MC by yelling “Odumodu, on your feet, run!” after the fleeing MC during an event at Lagos State University (LASU). But his hustle, even in the literal sense, comes from his hard work, and he wouldn’t be able to get to the bag without it. ODUMODUBLVCK delivers this message over a flamenco-esque drill beat, a taste of his unique “okporoko rhythms.”
Juls, “Palmwine Riddim”
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British-Ghanaian producer Juls set out on a mission to bring his Ghanaian motherland back into the conversation about African popular music with his six-song set, Palmwine Diaries Vol. 1. The first single, “Palmwine Riddim,” is a lilting, laid-back instrumental that pays homage to highlife’s jazzy horns, and even though it incorporates Juls’ harmonies, he lets the music do most of the talking and solidifies its timelessness.
June Freedom, “Say Salud”
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The Cape Verdean American artist’s newest single deserves a toast. “Say Salud” is as refreshing as the Dom Pérignon, DeLeón or whatever drink you should be sipping on while getting lost in its irresistible rhythm. “Go-golo, go-golo, go-golo, ah/ You cool my temperature/ Making me sweat like you drippin’ agua/ Hamduli-hamdulilah,” Freedom sings, mesmerized by the way a woman moves (because who could stay still to this song?).
Khaid, “No Time”
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Khaid is not reinventing the wheel, but the teenager’s output this year is full of earworm melodies that are irresistible, and his voice has an emotional maturity beyond his years. “No Time” continues his hot streak, which dates back to 2022, and it’s a worthy addition to a catalog that is growing with one formidable banger after another. It should be exciting to see where he goes from here.
BNXN, “Sweet Tea”
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BNXN’s work this year has included a series of slow burners, and this one fits the bill as well, with an understated, almost wistful vocal propelled by contemplative production. But his songs often have the ability to fly under the radar until you wonder what, exactly, you’ve spent all day humming, only to revisit them and realize you’ve connected with them on an almost subconscious level. His songs demand repeat listens, and the rewards more than not reveal themselves.
Feid & Rema, “Bubalu”
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The fusion of Afrobeats and Latin music, in the broader senses of each, has been steadily gaining in popularity for months now, and this collaboration between two young yet established hitmakers from each sector was always likely to spark interest. But the result is something special, a danceable backbeat with vibes that are through the roof, which should find a home on plenty of dance floors even as the weather gets colder. This heralds a strong future for collaborations like these.
NSG, “NELLA ROSE”
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The latest single from the London-based six-piece group has plenty of energy and a fusion vibe, bringing in some amapiano drums to a distinctly British flair, and combining a wordless singalong hook with rapped verses in this cut named for the famous Belgian YouTuber. With a debut album out next month, the group has plenty more where that came from.
Ayra Starr, “Rhythm & Blues”
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After a breakout year-plus, the young singer decided to show off a more vulnerable side on her latest single. But don’t look at it as a simple R&B love song — there’s plenty of spark and even an urgent vibe to this one, as she sings about the type of relationship that provides energy and creativity rather than stress or anxiety. Perhaps the best thing about Starr’s growing catalog is that there are no limits to her sound — she’s succeeding on her own terms. This one reinforces that notion.
As the sun’s long-awaited arrival signals the beginning of summer, we’ve been turning the volume up on the latest releases from African artists worldwide for this season’s new soundtrack. Ghanaian-American Afropop star Amaarae and Nigerian Afrobeats powerhouse Asake dropped flashy, boundary-pushing albums with Fountain Baby and Work of Art, respectively. But they’re not alone — both Omah Lay and Ckay dropped off deluxe editions of their recent albums with additional tracks, while Zinoleesky and Fireboy DML released eye-catching singles to herald future releases.
We’ve highlighted 10 of our favorite new Afrobeats (and related) songs that have come out roughly within the last month. Check out our latest Fresh Picks, and find your new summer soundtrack with our Spotify playlist below.
Reekado Banks, Adekunle Gold & Maleek Berry, “Feel Different”
Nigerian singer Reekado Banks recruits Adekunle Gold and Maleek Berry for the feel-good single about a girl whose love makes them “Feel Different.” All three men try to convince themselves they’re better off alone – with Banks singing “If I fall again, I go look so dumb/ I no wan look so dumb/ So I will never never fall again” and Gold singing “Run, run, run, run/ I be running all alone” with a rock guitar hit underlining his point – but ultimately realize they’d go to great lengths just to be with her.
Bloody Civilian, “Escapism”
Nigerian singer-songwriter and producer Bloody Civilian blends amapiano’s log drums with pitched-up EDM vocal chops on “Escapism,” the first track off her experimental debut EP Anger Management. The repetition of her airy “Shoulda smoked that s–t since morning” line creates a carefree mantra she uses to distract herself from the disorderly world around her. But it’s her lithe, pacifying voice that assures listeners they don’t need to turn to vices to find hope.
Amaarae, “Princess Going Digital”
Amaarae’s plea in “Princess Going Digital,” from her critically acclaimed sophomore album Fountain Baby, is crystal clear: “Take me out the streets.” The synth-heavy, crystalline pop track follows the singer as she finds a potential partner that could put an end to her BS-riddled search for love. Vocalist/producer Maesu – who was previously featured on Amaarae’s “Fantasy,” alongside CKay – echoes her sentiments (literally) while promising the princess whatever she wants – just as long as it’s not commitment. “You know it’s just game, girl, you know how it goes,” he sings.
Tay Iwar & Juls, “Summer Breeze”
Tay Iwar teams up with frequent collaborator Juls for the breezy ode to summer off his aptly titled EP Summer Breeze. On its title track, Iwar’s featherweight melodies float over Juls’ dizzying jazz saxophone riffs and scintillating percussion that’s reminiscent of palmwine music. Lyrics like “Tease me baby and turn me on” and “What a sweet release I need” suggest a “Summer Breeze” isn’t the only thing that gets Iwar going, but it’s certainly one of the most divine highlights of this time of year.
Asake, “Lonely at the Top”
Asake offers a bittersweet reflection on “Lonely at the Top,” from his highly anticipated sophomore album Work Of Art. With a backing choir and introspective instrumentation (courtesy of producer Blaisebeatz), the fast-rising star sings about his chasing his lofty dreams of superstardom, while putting on his blinders to avoid the naysayers — and understanding the isolation that comes with it. But Asake remains unfazed while pursuing success, because there can only be one Mr. Money Ginger.
Omah Lay, “reason”
Executing the tried-and-true strategy of capitalizing off a popular release with a deluxe edition, Omah Lay reissued last year’s Boy Alone with five new tracks, including the powerful, insistent “reason.” Kicking off with a palm-muted guitar riff, Omah Lay layers vocals to hypnotic effect, questioning existence and purpose on a track that is at once consistent with and a departure from what we’ve come to expect from him.
Fireboy DML, “YAWA”
Fusing some of his R&B grooves with amapiano drums and a layered, triumphant hook, Fireboy delivers one of his best singles of the year — which is saying something, considering his output so far. He kicks the track off with a few lines in English before slipping into Yoruba, where he flows more comfortably, and puts a ton of energy and passion into it, which comes out clearly on the track.
Asake, “Sunshine”
Asake’s Work of Art album speaks for itself, and is so cohesive that it’s difficult to single out individual tracks to shine a light on. Luckily, there’s plenty to choose from — and “Sunshine” has one of the more memorable hooks on the album, a song brimming with positivity and Asake’s trademark angelic choral flourishes. It’s sometimes remarkable how agile he is with his flows given the sheer weight of musicality that each of his tracks brings to bear, but he is a rare artist for whom seemingly everything works. Check out the full album if you don’t believe us.
Ckay, “nwayi”
Ckay has carved a lane, both melodically and with his subject matter, as the poster child for “emo Afrobeats” (hence the name of his album, Sad Romance) — and this track is right in the sweet spot, paved by his first two major hits, “Love Nwantiti” and “Emiliana.” He’s become truly adept at these breezy earworms laced with sweet nothings, and this is directly in that lineage.
Zinoleesky, “A1 (Feeling Disorder)”
Brisk to the point of breathless is the Zinoleesky flow, and “A1” is the latest entry in his ever-growing canon. Built around a conflicted story of sex and love — or one instead of the other — the song hurtles into a bridge with brief introspection (“I’m emotionally downcast…”) before picking the pace up right where it left off, with a beat that propels him further every second. There’s a self-assurance to his flow that comes across on every track of his — “A1” is up there among his best.