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Academy of Motion Picture Arts & Sciences

Producer Janet Yang was re-elected president of the Academy of Motion Picture Arts and Sciences by the organization’s board of governors, the Academy announced on Thursday (Aug. 1).
Yang is beginning her third term as president and her sixth year as a governor-at-large, a position for which she was nominated by sitting Academy president David Rubin in 2019 and elected by the board of governors in 2022.

Yang is the fourth woman to serve as president of the Academy. Oscar-winning actress Bette Davis was the first in 1941, though she resigned after just two months in the post. Oscar-nominated screenwriter Fay Kanin served from 1979-83; Film marketing and PR executive Cheryl Boone Isaacs served from 2013-17.

A member of the Academy’s producers branch since 2002, Yang previously served on the board as vp and chair of the membership committee and, prior to that, the membership and governance committee.

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Yang’s film producing credits include South Central, The Joy Luck Club, The People vs. Larry Flynt, Zero Effect, Savior, The Weight of Water, High Crimes and the Oscar-nominated animated feature Over the Moon. She won a Primetime Emmy in 1995 for the HBO film Indictment: The McMartin Trial, which was voted outstanding made for television movie.

In other news, film composer Lesley Barber, one of three members of the board of governors representing the music branch, was elected to an officer position for the first time. She is a vp and chair of the membership committee.

Barber is best known for her score for Kenneth Lonergan’s Oscar-winning Manchester by the Sea. Her other credits include Late Night, Mansfield Park, Irreplaceable You, How to Change the World and You Can Count on Me.

Here is a list of the other four people who were elected to officer positions by the board:

    DeVon Franklin, vp (chair, equity and inclusion committee)

    Donna Gigliotti, vp/treasurer (chair, finance committee)

    Lynette Howell Taylor, vp (chair, awards committee)

Howard A. Rodman, vp/secretary (chair, governance committee)

Franklin, Howell Taylor and Rodman were re-elected as officers. Gigliotti previously served as an officer. 

“I am thrilled to have Janet return as Academy president for a third term to continue our great work of the past two years,” Academy CEO Bill Kramer said in a statement. “I also am so pleased to welcome this year’s incredible slate of dedicated board officers.”

The 55-member board of governors includes three members who represent the music branch: Barber, Charles Fox (“I Got a Name,” “Ready to Take a Chance Again”) and Richard Gibbs (Say Anything, Dr. Dolittle).

Board members may serve up to two three-year terms (consecutive or non-consecutive), followed by a two-year hiatus, after which eligibility renews for up to two additional three-year terms for a lifetime maximum of 12 years.  Officers serve one-year terms, with a maximum of four consecutive years in any one office.

For a complete listing of the Academy’s 2024-25 board of governors, click here.

The Academy of Motion Picture Arts and Sciences is inviting 487 artists and executives, including 21 in the music branch, to join the organization.
The invitations spotlight the Academy’s ongoing commitment to representation, inclusion and equity. Of the 2024 class, 44% identify as women (up from 40% in last year’s new member invited class), 41% belong to underrepresented ethnic/racial communities (up from 34% last year) and 56% are from 56 countries and territories outside the U.S. (up from 52% last year).

The music branch was one of 14 branches that extended the majority of their invitations to candidates from countries or territories outside the U.S.

Six branches (not including music) invited more women than men. Four branches (again not including music) extended the majority of their invitations to members of underrepresented ethnic or racial communities.

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The Academy notes that demographic information is provided by the candidate when possible or projected through research and will be confirmed by members upon acceptance. In keeping with past policy, those who accept the invitations will be the only additions to the Academy’s membership in 2024. This is seen as a sign of the Academy’s laser focus on boosting its diversity numbers.

If all 2024 invitees accept membership, the total number of members (including emeritus members) will be 10,910. The number of voting members will be 9,934.

Likewise, if all 2024 invitees accept membership, 35% of the Academy will identify as women; 20% will be from underrepresented ethnic or racial communities; and 20% will be from countries or territories outside the U.S.

“We are thrilled to welcome this year’s class of new members to the Academy,” Academy CEO Bill Kramer and president Janet Yang said in a joint statement. “These remarkably talented artists and professionals from around the world have made a significant impact on our filmmaking community.”

Eight individuals have been invited to join the Academy by multiple branches. These individuals must select one branch upon accepting membership.

There are 71 Oscar nominees, including 19 winners, among the invitees.

Here’s a complete list of the 21 individuals who have been invited to join the music branch.

Michael K. Bauer – Cassandro, The Equalizer 3

Stephen Bray – The Color Purple, Psycho III

Anthony Chue – Man on the Edge, G Storm

Gary M. Clark – Flora and Son, Sing Street

Marius de Vries – Navalny, CODA

Jerskin Fendrix – Poor Things

Simon Franglen – Avatar: The Way of Water, The Magnificent Seven

Jo Yeong-wook – Decision to Leave, Hunt

Shari Johanson – Maybe I Do, All Together Now

Emilie Levienaise-Farrouch – All of Us Strangers, Living

Fabrizio Mancinelli – Il Viaggio Leggendario, The Boat

Diego Navarro – The Cuckoo’s Curse, The Wasteland

Martin Phipps – Napoleon, The Princess

Plínio Profeta – Desapega!, Nosso Sonho

Philippe Rombi – Driving Madeleine, Joyeux Noël

David Sardy – The Beekeeper, Zombieland

Katrina Marie Schiller – Wonka, Black Mass

Carl Sealove – Gabby Giffords Won’t Back Down, The Human Trial

Ryan Shore – Veselka: The Rainbow on the Corner at the Center of the World, Zombie Town

Kubilay Uner – American Traitor: The Trail of Axis Sally, Force of Nature

Dan Wilson – American Symphony, Love Again

A costume worn by Eminem in his role as Jimmy, who went by the stage name “B-Rabbit,” in 8 Mile (2002) has been donated to the Academy of Motion Picture Arts and Sciences’ expansive collection, which is housed at the Academy Museum of Motion Pictures, Margaret Herrick Library and Academy Film Archive in Los Angeles.

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In March 2003, “Lose Yourself” from that film became the first hip-hop song to win an Oscar for best original song. Eminem shared the award with Jeff Bass and Luis Resto. The smash topped the Billboard Hot 100 for 12 consecutive weeks in 2002-03.

The blue velvet suit worn by Mike Myers as Austin Powers in Austin Powers: International Man of Mystery (1997), the first of three films in that franchise, was also donated to the collection.

Other newly-acquired items include:

Costumes worn by Oscar winners Michelle Yeoh, Ke Huy Quan and Jamie Lee Curtis and Oscar nominee Stephanie Hsu in Everything Everywhere All at Once (2022). The film won seven Oscars, including best picture, in March 2023.

Coat, hat, blouse, and pants worn by Regina King in her Oscar-winning role as Sharon Rivers in If Beale Street Could Talk (2018).

Costumes worn by Christian Bale and Amy Adams in their Oscar-nominated roles as Dick and Lynne Cheney in Vice (2018)

Pinstripe suit worn by Raul Julia as Gomez Addams in Addams Family Values (1993), the sequel to The Addams Family.

Two dozen costume design drawings illustrated by Julio Martinez for Diana Ross to wear in Mahogany (1975), her first film after her Oscar-nominated debut in Lady Sings the Blues. Ross sang the Oscar-nominated ballad “Theme From Mahogany (Do You Know Where You’re Going To),” which was a No. 1 hit on the Hot 100.

Clapboards from The Omen (1976), Thelma & Louise (1991), and Sleepy Hollow (1999).

Typewriter used by Frank Pierson to write his Oscar-nominated screenplays to Cat Ballou (1965) and Cool Hand Luke (1967).

Oscar statuette presented to blacklisted screenwriter Nedrick Young under the pseudonym Nathan E. Douglas for best original screenplay for The Defiant Ones (1958).

Conceptual drawing for E.T. The Extra-Terrestrial (1982), illustrated by Academy Award-winning special effects artist Carlo Rambaldi.

Large model pirate ship, three-dimensional prop skull of One-Eyed Willy, and treasure map from The Goonies (1985).

Harold Ramis papers: Materials documenting Ramis’ career as a writer, director and actor, including handwritten and annotated scripts for National Lampoon’s Animal House (1978), Ghostbusters (1984), Groundhog Day (1993), and Analyze This (1999).

Steven Spielberg Animation Collection: 157 pieces of original animation art, dated from 1932-52, including cels and setups from films including Snow White and the Seven Dwarfs (1937) and Pinocchio (1940), and animation setups and cels for characters including Goofy, Pluto, Donald Duck, Bugs Bunny and Woody Woodpecker. This was donated by Spielberg and his wife, actress Kate Capshaw. The Academy noted: “Their generous donation will be commemorated by the renaming of the Margaret Herrick Library’s Graphic Arts Department as the Steven Spielberg and Kate Capshaw Graphic Arts Department.”

“We are thrilled and honored to expand the Academy’s collection with these exceptional pieces,” Academy CEO Bill Kramer said in a statement. “To be housed at our archive, library and museum, these vital components of the filmmaking process highlight the collaborative disciplines that develop and produce the movies we love. They also demonstrate the Academy’s unique capacity to preserve the full range of film history formats. We are incredibly grateful to our donors for their remarkable gifts to the Academy and for their commitment to illuminating our film history.”

The Academy of Motion Picture Arts and Sciences has been collecting and preserving film and film-related material since 1927. Its permanent collection contains more than 13 million photographs, 8.3 million clippings, 95,000 screenplays, 73,500 posters, 145,000 production and costume design drawings, 45,000 sound recordings, 39,000 books, 1,900 special collections, 242,000 film and video assets, and 8,000 props, process, and production items.