State Champ Radio Academy Awards
Trending on Billboard
When the Academy of Motion Picture Arts and Sciences reveals its Academy Award shortlists in 10 categories on Dec. 16, it will constitute an early holiday present for the creators of 15 original songs and 20 original scores. Another round of voting will follow, preceding the nominations announcement on Jan. 22, 2026. A final round of voting will then occur before the 98th annual Oscars telecast on March 15.
Three top contenders for best original song — “Golden” from KPop Demon Hunters, “Lose My Mind” from F1: The Movie and “Dying To Live” from Billy Idol Should Be Dead — are each the work of five co-writers. The academy will award no more than four Oscars in this category. Should any of those songs win, the songwriters must share a single statuette.
Best Original Song
“Dream As One”Miley Cyrus, Andrew Wyatt, Mark Ronson, Simon FranglenAvatar: Fire and Ash, 20th Century Studios
Wyatt and Ronson won in this category in 2019 for co-writing “Shallow” from A Star Is Born with Lady Gaga and Anthony Rossomando. They received a second nod in 2024 for “I’m Just Ken” from Barbie. Cyrus and Wyatt teamed with Lykke Li last year to write “Beautiful That Way” from The Last Showgirl. It wasn’t nominated (or shortlisted), but it generated some buzz. Franglen also scored the film.
“Dying To Live”Billy Idol, J. Ralph, Steve Stevens, Tommy English, Joe JaniakBilly Idol Should Be Dead, Live Nation Productions
This would be Ralph’s fourth nomination in this category and the first for the other songwriters. Idol has received three Grammy nods, including one for “Cradle of Love” from the 1990 film The Adventures of Ford Fairlane. Billy Idol Should Be Dead was directed by Jonas Åkerlund, who has helmed concert and documentary films by such A-listers as Madonna, Paul McCartney, Beyoncé & Jay-Z and Taylor Swift.
“Salt Then Sour Then Sweet”Sara Bareilles, Brandi Carlile, Andrea GibsonCome See Me in the Good Light, Apple Original Films
Gibson, who died of ovarian cancer in July, would be the first person to be posthumously nominated in this category since Howard Ashman, who received four nods (including one win) in the two years following his 1991 death. Bareilles and Carlile executive-produced the documentary about Gibson and her wife dealing with Gibson’s illness. Carlile was nominated in this category at the 2025 ceremony for co-writing “Never Too Late” from Elton John: Never Too Late.
“Just Keep Watching”Tate McRae, Tyler Spry, Ryan Tedder, Amy AllenF1: The Movie, Apple Original Films
This year, McRae landed her first No. 1 album on the Billboard 200 and her first No. 1 single on the Billboard Hot 100. Could she earn her first Oscar nomination in early 2026? Allen is the reigning Grammy winner for songwriter of the year, non-classical. Tedder has three album of the year Grammys for his work with Adele and Taylor Swift. Spry is known for his credits with artists such as OneRepublic and McRae.
“Lose My Mind”Grant Boutin, Ryan Tedder, Amala Zandile Dlamini, Caleb Toliver, Hans ZimmerF1: The Movie, Apple Original Films
Although it’s rare for two songs from one film to be nominated, Emilia Pérez achieved the feat at the 2025 ceremony. F1: The Movie, Sinners and Wicked: For Good are among the films hoping to do the same early next year. If “Lose My Mind” is nominated, it will mark Zimmer’s first nod in this category. He has received 12 nominations (and won twice) in scoring categories.
“Highest 2 Lowest”Aiyana-Lee Anderson, Nicole Daciana AndersonHighest 2 Lowest, A24
Highest 2 Lowest, directed by Spike Lee, is an English-language remake of Akira Kurosawa’s 1963 Japanese film, High and Low. The movie stars Denzel Washington, Jeffrey Wright, A$AP Rocky, LaChanze, Princess Nokia and Ice Spice (in her film debut). Aiyana-Lee Anderson, the niece of David Ruffin of The Temptations, co-wrote the titular track with her mother, Nicole Daciana Anderson. This would be the first song from a Lee film to be nominated.
“Golden”EJAE, Mark Sonnenblick, IDO, 24, TeddyKPop Demon Hunters, Netflix
“Golden,” which topped the Hot 100 for eight weeks, would be the first No. 1 since Justin Timberlake’s “Can’t Stop the Feeling!” from Trolls in 2017 to rule the chart and then land an Oscar nod. (“Shallow” from A Star Is Born hit No. 1 only after its Oscar win.) EJAE, IDO, 24 and Teddy would be the first South Korean-born songwriters to be nominated since Karen O, who was cited in 2014 for co-writing “The Moon Song” from Her.
“Dear Me”Diane WarrenRelentless, Greenwich Entertainment
Earlier this year, Warren tied Sammy Cahn’s record of earning a best original song nomination for eight consecutive years. If she is nominated again in 2026, she’ll stand alone. It would be her 17th nomination in the category, a total surpassed only by Cahn (26) and Johnny Mercer (18). Moreover, it would be her 13th nod as a solitary songwriter, tying Randy Newman for the most solo-written nominated songs.
“I Lied to You”Raphael Saadiq, Ludwig GöranssonSinners, Warner Bros. Pictures
Ryan Coogler produced, wrote and directed Sinners, which was No. 1 at the box office for two weeks in April. The last two films that Coogler wrote and directed — Black Panther and Black Panther: Wakanda Forever — both spawned best original song nominees. Saadiq and Göransson are past nominees in this category: Saadiq in 2018 for co-writing “Mighty River” from Mudbound and Göransson in 2023 for co-writing “Lift Me Up” from Black Panther: Wakanda Forever.
“Last Time (I Seen the Sun)”Alice Smith, Miles CatonSinners, Warner Bros. Pictures
Caton, who turned 20 in March, would be the youngest nominee for best original song since Billie Eilish, who was just six weeks past her 20th birthday in 2022 when she was nominated for co-writing the title song to No Time To Die (which won). In addition to co-writing the song, Caton co-stars in the film. Smith was a Grammy nominee for best urban/alternative performance in 2008 for “Dream.”
“Train Dreams”Nick Cave, Bryce DessnerTrain Dreams, Netflix
Cave is vying to become the third songwriter from Australia to be nominated in this category, following John Farrar (for writing “Hopelessly Devoted to You” from Grease) and Peter Allen (for co-writing “Arthur’s Theme [Best That You Can Do]” from Arthur, which won). Dessner has won two Grammys. Train Dreams stars Joel Edgerton, Felicity Jones and William H. Macy.
“As Alive as You Need Me To Be”Nine Inch NailsTron: Ares, Disney
Trent Reznor and Atticus Ross are submitting this as Nine Inch Nails rather than under their individual names. If the academy keeps it that way, it would be the first nominee in this category to be listed under their group billing. Reznor and Ross have received three Oscar nods for their scores, but this would be their first for a song. Jared Leto stars in Tron: Ares, the third installment in the Tron franchise.
“The Girl in the Bubble”Stephen SchwartzWicked: For Good, Universal
Schwartz has received five nominations in this category, winning the first two times for “Colors of the Wind” from Pocahontas and “When You Believe” from The Prince of Egypt. He was subsequently nominated for co-writing three songs from Enchanted. Wicked: For Good is the sequel to Wicked, which received 10 nominations earlier this year, but none in this category since it didn’t include any new songs.
“No Place Like Home”Stephen SchwartzWicked: For Good, Universal
If both of Schwartz’s songs are nominated, he’ll become the first individual songwriter with two songs in the running since Randy Newman accomplished the feat 16 years ago with The Princess and the Frog. Wicked: For Good adapts the second act of the 2003 stage musical by Schwartz and Winnie Holzman. Jon M. Chu directed both this film and its megahit predecessor.
“Zoo”Blake Slatkin, Ed Sheeran, ShakiraZootopia 2, Disney
Colombian superstar Shakira is vying to become the first songwriter born in Latin America to be nominated in this category since Brazilians Sergio Mendes and Carlinhos Brown were nominated in 2012 for a song from Rio. Sheeran is a four-time Grammy nominee for song of the year, winning for “Thinking Out Loud.” Slatkin was nominated in that category for co-writing Lizzo’s “About Damn Time.”
Best Original Score
Avatar: Fire and Ash (20th Century Studios)Simon Franglen
This is the third installment in the Avatar franchise. James Horner’s score for the original film was nominated in this category in 2010. Horner was set to score the sequel, 2022’s Avatar: The Way of Water, before he died in a 2015 turboprop plane crash. Franglen subsequently got the assignment for that film, though his work wasn’t nominated. This would be Franglen’s first Oscar nod.
Bugonia (Focus Features)Jerskin Fendrix
Fendrix was nominated in 2024 in this category for scoring director Yorgos Lanthimos’ Poor Things. Fendrix also scored Lanthimos’ follow-up, Kinds of Kindness, though that film didn’t receive any Oscar nods. The composer and director are back for a third go-round. Bugonia stars Emma Stone, who won the Oscar for best actress with Poor Things and also starred in Kinds of Kindness.
Captain America: Brave New World (Marvel/Disney)Laura Karpman
Karpman was nominated in this category two years ago for scoring American Fiction. If she’s nominated again, she’ll join a short list of women who have received two or more nods in scoring categories, following Rachel Portman and Angela Morley. (Hildur Guðnadóttir is also hoping to make that list with Hedda.) This is the fourth installment in the Captain America franchise. Alan Silvestri scored the first; Henry Jackman handled the second and third.
Fantastic Four: First Steps (Marvel/Disney)Michael Giacchino
Giacchino was nominated in this category for Ratatouille in 2008 and won for Up in 2010. Fantastic Four: First Steps, the 37th film in the Marvel Cinematic Universe, features an ensemble cast including Pedro Pascal, Vanessa Kirby, Ebon Moss-Bachrach and Joseph Quinn.
F1: The Movie (Apple Original Films)Hans Zimmer
Zimmer has received 12 nominations in this category, landing at least one in each of the last five decades and winning for The Lion King and Dune. He’s third on the list of living composers with the most score nominations, trailing only John Williams (who has amassed an astounding 49 in score categories) and Thomas Newman (14). F1: The Movie became the top-grossing auto racing film ever and the top-grossing movie of Brad Pitt’s career.
Frankenstein (Netflix)Alexandre Desplat
Desplat has received 11 nominations for his scores, winning for The Grand Budapest Hotel in 2015 and The Shape of Water in 2018. Frankenstein was directed, written and co-produced by Guillermo del Toro, who did the honors on The Shape of Water as well as a third film that Desplat scored, Pinocchio. Frankenstein, which stars Oscar Isaac, Jacob Elordi and Christoph Waltz, is based on Mary Shelley’s classic 1818 novel of the same name.
Clockwise from left: Erivo in Wicked: For Good, Pitt in F1: The Movie, Stone in Bugonia, Grandein Wicked: For Good, Jordan in a dual role in Sinners and Isaac and Elordi in Frankenstein.
Illustration by Klawe Rzeczy; Erivo: Giles Keyte/Universal Pictures. Pitt, Stone: Everett Collection. Grande: Giles Keyte/Universal Pictures. Jordan, Isaac, Elordi: Everett Collection.
Hamnet (Focus Features)Max Richter
Hamnet was co-written, co-edited and directed by Chloé Zhao, who won a pair of Oscars in 2021 for directing and co-producing Nomadland. Based on Maggie O’Farrell’s 2020 novel, Hamnet follows the relationship between William Shakespeare and his wife, Anne Hathaway, and the impact of the death of their 11-year-old son, Hamnet, on their lives. Richter has received two Grammy nominations — best score soundtrack for visual media for Ad Astra and best music video as a featured artist on Woodkid’s “The Golden Age.”
Hedda (Amazon MGM)Hildur Guðnadóttir
In 2020, when Guðnadóttir won best original score for Joker, the Icelandic composer became just the fourth woman to capture an Oscar in a scoring category. Lyricist Marilyn Bergman shared the award for original song score in 1984 for Yentl. Rachel Portman won best original musical or comedy score in 1997 for Emma. Anne Dudley won in that same category the following year for The Full Monty.
A House of Dynamite (Netflix)Volker Bertelmann
This would be Bertelmann’s fourth nomination in this category, following Lion (a collaboration with Dustin O’Halloran) in 2017, All Quiet on the Western Front in 2023 (for which he won) and Conclave earlier this year. A House of Dynamite is an apocalyptic political thriller directed by Kathryn Bigelow. The film’s ensemble cast includes Idris Elba, Tracy Letts and Anthony Ramos.
Jay Kelly (Netflix)Nicholas Britell
This would be Britell’s fourth nomination in this category, following nods for the Barry Jenkins films Moonlight and If Beale Street Could Talk and Adam McKay’s Don’t Look Up. Jay Kelly is a coming-of-age comedy-drama directed by Noah Baumbach that he co-wrote with Emily Mortimer. The film stars an ensemble cast that includes George Clooney, Adam Sandler, Laura Dern and Billy Crudup.
The Lost Bus (Apple Original Films)James Newton Howard
This would be Howard’s eighth nod in a scoring category. He has also been nominated for two songs. The Lost Bus was directed by Paul Greengrass and stars Matthew McConaughey and America Ferrera. The film is based on the true story of a bus driver who navigated a bus carrying 22 children and their teachers to safety through the 2018 Camp Fire, which was the deadliest fire in California history.
Marty Supreme (A24)Daniel Pemberton
Pemberton has yet to be nominated for a score, though he was nominated for best original song in 2021 for co-writing “Hear My Voice” from The Trial of the Chicago 7. Marty Supreme, which stars Timothée Chalamet and Gwyneth Paltrow, is a sports comedy-drama set in New York during the 1950s. It is loosely inspired by American table tennis player Marty Reisman and his at-all-costs pursuit of greatness.
Materialists (A24)Daniel Pemberton
If both of Pemberton’s scores are nominated, he’ll become the first individual composer with two films on the final ballot since Alexandre Desplat scored a double in 2015 with The Grand Budapest Hotel (which won) and The Imitation Game. Materialists, a romantic comedy-drama written and directed by Celine Song, follows a love triangle among characters played by Dakota Johnson, Chris Evans and Pedro Pascal. It’s Song’s second feature as a writer-director following Past Lives.
One Battle After Another (Warner Bros. Pictures)Jonny Greenwood
This would be Greenwood’s third nod in this category, following Phantom Thread in 2018 and The Power of the Dog in 2022. Greenwood, the lead guitarist and keyboardist of Radiohead, and Nine Inch Nails mainstays Trent Reznor and Atticus Ross have yet to be nominated in the same year. One Battle After Another is an action thriller written, co-produced and directed by Paul Thomas Anderson. Leonardo DiCaprio and Benicio Del Toro star.
Sentimental Value (Neon)Hania Rani
This would be the first nomination for Rani, a Polish pianist, composer and singer. Sentimental Value, a comedy-drama directed by Joachim Trier, follows a fractured relationship between an acclaimed director and his two estranged daughters. The film had its world premiere at the Cannes Film Festival in May, where it won the Grand Prix. It was selected as the Norwegian entry for best international feature film at the upcoming Oscars.
Sinners (Warner Bros. Pictures)Ludwig Göransson
Göransson has received two nominations for best original score for Black Panther in 2019 and Oppenheimer in 2024, winning both times. The Swedish composer has scored all five of director Ryan Coogler’s films — Fruitvale Station, Creed, Black Panther, Black Panther: Wakanda Forever and now Sinners. Göransson also has an executive producer credit on this film, which stars Michael B. Jordan in dual roles as twin brothers.
The Testament of Ann Lee (Searchlight Pictures)Daniel Blumberg
Blumberg won this category earlier this year for The Brutalist. He is vying to become the first best original score winner to be nominated again the following year since Alexandre Desplat was nominated for Isle of Dogs at the 2019 ceremony after winning the previous year for The Shape of Water. The Testament of Ann Lee stars Amanda Seyfried as Ann Lee, the founding leader of the Shakers religious sect in the 18th century.
Train Dreams (Netflix)Bryce Dessner
This would mark the first Oscar nomination for Dessner, who has won two Grammys — best chamber music/small ensemble performance in 2016 for producing Eighth Blackbird’s Filament and best alternative music album in 2018 as a band member and co-producer of The National’s Sleep Well Beast. Train Dreams stars Joel Edgerton as a logger who is working to develop the railroad across the United States.
Tron: Ares (Disney)Nine Inch Nails
As with their best original song entry, Trent Reznor and Atticus Ross are submitting this under their group name. If the academy keeps it that way, Nine Inch Nails will be the third group nominated in a scoring category as such, following The Beatles, who won best original song score in 1971 for Let It Be, and Son Lux, which was nominated for best original score three years ago for Everything Everywhere All at Once.
Wicked: For Good (Universal)John Powell, Stephen Schwartz
Powell and Schwartz were nominated in this category at the 2025 ceremony for Wicked. Schwartz previously won in the defunct original musical or comedy score category for Pocahontas and was nominated in that category for The Hunchback of Notre Dame and The Prince of Egypt. Cynthia Erivo and Ariana Grande, who were Oscar-nominated for Wicked, reprise their roles in the sequel, as do Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Michelle Yeoh and Jeff Goldblum.
Additional reporting by Melinda Newman.
This story appears in the Nov. 15, 2025, issue of Billboard.
Dolly Parton has won 10 Grammys and a Primetime Emmy, among countless other awards. Soon, she’ll have an Oscar statuette to add to her collection.
On Nov. 16, the country music legend is slated to receive the Jean Hersholt Humanitarian Award at the Oscars’ annual Governors Awards. Parton will join a short list of music stars who have received this award, including Frank Sinatra (1970), Quincy Jones (1994), Harry Belafonte (2014) and Debbie Reynolds (2015).
The Academy of Motion Picture Arts and Sciences’ board of governors also voted to present Honorary Awards to Debbie Allen, Tom Cruise and Wynn Thomas. These four Oscar statuettes will be presented at the Academy’s 16th Governors Awards event on Sunday, Nov. 16 at the Ray Dolby Ballroom at Ovation Hollywood.
Trending on Billboard
“This year’s Governors Awards will celebrate four legendary individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,” Academy president Janet Yang said in a statement. “The Academy’s board of governors is honored to recognize these brilliant artists.”
The Jean Hersholt Humanitarian Award is given “to an individual in the motion picture arts and sciences whose humanitarian efforts have brought credit to the industry by promoting human welfare and contributing to rectifying inequities.”
The award recognizes Parton for her decades-long humanitarian efforts. She has founded various charitable and philanthropic organizations, including the Dollywood Foundation, which was created in 1988 to inspire the children of East Tennessee — her home state — to achieve educational success. Additionally, her literacy program, Dolly Parton’s Imagination Library, launched in 1995 in honor of her father and has provided children with 285 million books. It evolved into an international movement and remains the signature program of the Dollywood Foundation.
Parton has starred in such films as Nine to Five and Steel Magnolias. She has earned two Oscar nominations in the best original song category for “Nine to Five” – which was a No. 1 hit on the Billboard Hot 100 – and “Travelin’ Thru” from Transamerica.
Cruise has received four Oscar nominations: best actor for Born on the Fourth of July (1989) and Jerry Maguire (1996), best supporting actor for Magnolia (1999) and best picture as a producer of Top Gun: Maverick (2022). His other notable film credits include Risky Business, A Few Good Men, Interview with the Vampire, Eyes Wide Shut, Vanilla Sky and the Mission: Impossible film series.
An Academy statement credited Cruise with “help(ing) to usher the industry through a challenging time during the COVID-19 pandemic.” It also praised him for “showcasing a deep commitment to his craft – including performing all of his own stunts.”
Allen is being recognized for her work over nearly five decades as a choreographer, actor, and producer. She choreographed the Oscar ceremony seven times, as well as films including Forget Paris, A Jazzman’s Blues and The Six Triple Eight. Her producing credits include Amistad and A Star for Rose. Allen made her mark as an actress with Fame, Ragtime and Jo Jo Dancer, Your Life is Calling.
Production designer Thomas began his career working on Spike Lee’s She’s Gotta Have It, which was the first of several collaborations between the two. Others include Do the Right Thing, Malcolm X and Da 5 Bloods. Lee received an Honorary Oscar in 2015. Other notable credits from Thomas’ career include the best picture-winning A Beautiful Mind, as well as Cinderella Man and Hidden Figures.
Ten years on from the release of his acclaimed seventh album, Carrie & Lowell, Sufjan Stevens has offered a surprising re-evaluation of the record.
Originally released in March 2015, Carrie & Lowell was Stevens’ first studio album since 2010’s The Age of Adz, and would ultimately peak at No. 10 on the Billboard 200, while topping the Independent and Folk Albums charts, and hitting No. 2 on the Top Alternative and Rock Albums.
Despite the highs of its success, the record was steeped in sadness and misery, with much of its musical and lyrical content being inspired by the 2012 passing of his estranged mother Carrie, and the relationship with his stepfather, Lowell Brams.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
As part of the record’s anniversary reissue, Stevens has collected a batch of demos to accompany its release, pairing it all with an in-depth essay that sees him ruminating on the album’s recording process and his thoughts behind it all.
Trending on Billboard
Speaking to NPR ahead of the reissue’s arrival this week, Stevens used the opportunity to share a harsh reassessment of the original album, going so far as to label it “evidence of creative and artistic failure from my vantage point.”
“I was trying to make sense of something that is senseless,” he explained. “I felt that I was being manipulative and self-centered and solipsistic and self-loathing, and that the approach that I had taken to my work, which is to kind of create beauty from chaos, was failing me. It was very frustrating. And for the first time I realized that not everything can be sublimated into art, that some things just remain unsolvable, or insoluble. I think I was really just frustrated by even trying to make sense of the experience of grief through the songs.”
Describing the recording process as “painful, humiliating, and an utter miscarriage of bad intentions” in his essay, Stevens doubles down on his stance, focusing on his mother’s inability to add her own voice into the record’s somewhat voyeuristic narrative.
“I’m kind of embarrassed by this album, to be honest with you,” he explains. “Because I sort of feel like I don’t have any authority over my mother and her life or experience or her death. All I have is speculation and my imagination and my own misery, and in trying to make sense of it all, I kind of felt like it didn’t really resolve anything.”
Continuing his retrospective look back at the record, Stevens is also asked whether he regrets having made the record. “Yeah, I do. I feel bad,” he explains. “It’s just a bummer that my mother’s not alive and can’t speak for herself. What would she say about all this? Maybe she would be proud. I’ll never know.”
The forthcoming anniversary edition of Carrie & Lowell also includes a demo version of the track “Mystery of Love,” of which a studio version would later appear on the soundtrack to Luca Guadagnino’s 2017 film Call Me by Your Name, ultimately scoring a nomination for best original song at the 2018 Academy Awards, and best song written for visual media at the 2019 Grammys.
The Oscars made the announcement on Monday, March 17: Comedian Conan O’Brien, who had earned top marks for hosting the 2025 Oscars, would be returning as host of the 2026 Oscars on Sunday, March 15, 2026.
Most of us focused on the host announcement, which was made far earlier in the year than is typical, but Murphy Reinschreiber, COO of the McCourt Foundation, which operates the L.A. Marathon, immediately zeroed in the date, which was the same as the already-announced date of the 2026 L.A. Marathon, which is typically held on the third Sunday in March.
The McCourt Foundation had announced its 2026 marathon date on March 15, one day before the 2025 marathon and two days before the Oscars made their announcement.
Trending on Billboard
Reinschreiber was driving home after finishing work on this year’s marathon when he learned of the double booking.
“It was confusing and the other thought that went to my mind is there are just no days off in this business,” he told The Los Angeles Times. “It’s one thing after the other.”
It would be virtually impossible to have both megaevents on the same date. The Oscars is held at the Dolby Theatre on Hollywood Blvd., which is right along the marathon route. Both events require significant road closures and law enforcement deployment.
After six weeks of uncertainty, a solution was finally reached on Thursday (May 1): The 98th Oscars will be held as originally scheduled. The McCourt Foundation will announce a new March date for the race in the coming days.
Both parties also agreed that, to avoid future date conflicts, the L.A. Marathon will take place on the third Sunday in March (on which it has often but not always been held in recent years), and the Oscars will steer clear of that date. (Though the Oscars are often right around this date, this was the first time the Oscars landed on the third Sunday in March since 1999.)
Moving a marathon is no easy feat. The event spans a large chunk of the city and involves more than 25,000 runners, thousands of volunteers, medical personnel, law enforcement and city workers.
“The number of people, communities and businesses that are all impacted by a change of date is mind-boggling,” Reinschreiber told the L.A. Times. “We are going to have to undergo a significant community awareness program.”
More than 5,000 people have registered for the 2026 Marathon, and they will need to be offered the option of a refund due to the change in date, he said.
Who in city government wasn’t on top of things and allowed two megaevents to be scheduled for the same date? No one is saying.
With this conflict resolved, it’s official: The 2026 Oscars will air live on ABC on Sunday, March 15 at 7 p.m. ET/4 p.m. PT. It’s the third year in a row that the telecast will start at 4 p.m. on the West Coast — in an effort to make it so that East Coast viewers can find out who wins the biggest awards before they go to bed. (This year’s show ended at 10:50 p.m. ET, making that goal a reality for all but the earliest risers.)
The show will again be held at the Dolby Theatre at Ovation Theater in Hollywood, its home base for every year but one since 2002. (The best-forgotten 2021 pandemic show was held at the Union Station in downtown L.A.)
Raj Kapoor and Katy Mullan will return as the show’s executive producers for the third consecutive year. They first served in that capacity in 2024, when Kimmel hosted. They each won Primetime Emmys for outstanding variety special (live) for that show. Kapoor had previously won for outstanding variety special (pre-recorded) for his work on Adele: One Night Only.
Jeff Ross and Mike Sweeney will return as producers for a second time. Sweeney will also serve as a writer. Sweeney has won three Primetime Emmys for previous productions with O’Brien. Ross has won one.
Well, that was fast. Just two weeks after Conan O’Brien hosted the Oscars for the first time, the Motion Picture Academy announced that he will be back to host the 2026 show. O’Brien is the first first-time host to host again the following year since Jimmy Kimmel in 2017-18.
“The only reason I’m hosting the Oscars next year is that I want to hear Adrien Brody finish his speech,” O’Brien said with characteristic dry wit. (The best actor winner set a new record for the longest acceptance speech – it clocked in at 5:36 – in Oscar history.)
It can’t be a coincidence that the Oscars chose to make the announcement on St. Patrick’s Day. O’Brien was famously raised in an Irish Catholic family. The host announcement is much earlier in the year than normal, a strong vote of confidence in the new host. Last year, the Academy announced O’Brien as host on Nov. 15. O’Brien’s success as an Oscars host makes up for his bumpy, eight-month run as host of another legendary franchise, The Tonight Show, in 2009-10.
Trending on Billboard
O’Brien, 61, has won five Primetime Emmys. He is set to receive the Mark Twain Prize for American Humor on March 23.
Last week, the Golden Globes made a similarly early announcement that they are bringing back first-time host Nikki Glaser to host their 2026 show.
The 2025 Oscars, held on March 2, delivered a five-year high in both total viewers (19.69 million) and adults 18-49 (4.54 rating) and ranked as the No. 1 primetime entertainment telecast in both total viewers and adults for the 2024-25 season. The show earned 104.2 million total social interactions, ranking as the No. 1 most social TV program for the season to date, outperforming both The Grammy Awards (102.2 million interactions) and The Super Bowl (62.4 million) this season for the first time on record.
The 2026 Oscars will air live on ABC on Sunday, March 15 at 7 p.m. ET/4 p.m. PT. It’s the third year in a row that the telecast will start at 4 p.m. on the West Coast – in an effort to make it so that East Coast viewers can find out who wins the biggest awards before they go to bed. (This year’s show ended at 10:50 p.m. ET, making that goal a reality for all but the earliest risers.)
The show has aired on ABC every year since 1976, when that network took over from NBC, which had aired it in the five previous years. The Academy’s current deal with ABC, signed in 2016, allows it to televise the show through 2028, which will be the year of the show’s 100th anniversary.
An Academy statement did not mention Hulu, which livestreamed the show this year for the first time. Technical glitches marred the livestream.
The show will again be held at the Dolby Theatre at Ovation Theater in Hollywood, its home base for every year but one since 2002. (The best-forgotten 2021 pandemic show was held at the Union Station in downtown L.A.)
Raj Kapoor and Katy Mullan will return as the show’s executive producers for the third consecutive year. They first served in that capacity in 2024, when Kimmel hosted. They each won Primetime Emmys for outstanding variety special (live) for that show. Kapoor had previously won for outstanding variety special (pre-recorded) for his work on Adele: One Night Only.
“We are both so honored to be returning in our roles for the 98th Oscars,” Kapoor and Mullan said in a joint statement. “We can’t wait to work with Conan and his entire team as we continue to explore even more special and heartfelt opportunities to celebrate next year’s nominees and the impact of film around the world.”
Jeff Ross and Mike Sweeney will return as producers for a second time. Sweeney will also serve as a writer. Sweeney has won three Primetime Emmys for previous productions with O’Brien. Ross has won one.
“We are thrilled to bring back Conan, Raj, Katy, Jeff and Mike for the 98th Oscars!” said Academy CEO Bill Kramer and president Janet Yang in a joint statement. “This year, they produced a hugely entertaining and visually stunning show that celebrated our nominees and the global film community in the most beautiful and impactful way. Conan was the perfect host – skillfully guiding us through the evening with humor, warmth and reverence. It is an honor to be working with them again.”
Acclaimed composer Hans Zimmer has reflected on his inability to add another Academy Award to his shelf thanks to Dune: Part Two, noting his disqualification was simply due to a “a stupid rule.”
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
The German composer has spent more than 35 years working on crafting scores for Hollywood films, with his efforts resulting in two Academy Awards for his efforts. From 12 nominations at the Oscars, Zimmer has taken home the best original score award just twice, once in 1995 for The Lion King, and again in 2022 for his work on Dune.
With director Denis Villeneuve releasing Dune: Part Two in March 2024, many fans could have expected Zimmer to add another feather to his cap thanks to the nascent entry in the franchise. However, in October, Variety reported that Zimmer’s score for the film was deemed ineligible for submission to the Academy Awards due to “surpassing the Academy’s limit on pre-existing music.”
According to the Academy’s rule: “In cases such as sequels and franchises from any media, the score must not use more than 20% of pre-existing themes and music borrowed from previous scores in the franchise.” Due to Zimmer’s score for Dune: Part Two incorporating elements and key cues from the Oscar-winning score to 2021’s Dune, it was therefore deemed ineligible for submission.
Though Villeneuve and the film’s team were undeterred in their efforts for Zimmer to be recognized for his work, the score was ultimately disqualified and did not appear on the ballot for consideration. The film did however receive a total of five nominations, taking home best sound and best visual effects at the ceremony on March 2.
In a new interview with the Happy Sad Confused podcast, Zimmer reflected on the small controversy when host Josh Horowitz asked if the disqualification was a “sore point” for the composer.
“It’s not really a sore point. It’s just such a stupid point – how can it be a sore point?” Zimmer asked. “I got disqualified because I was using material from the first movie in the second movie, but it’s not a sequel. It is the completion of the arc, both movies are one arc.
“So was I supposed to go and take all the character themes away and write new character themes and develop them?” he added. “It’s just a stupid rule. What I didn’t want to do is go and bitch about it.”
Zimmer’s recent comments also continue on from what he told Variety back in October, stating his belief that Dune: Part Two is simply a continuation of the narrative begun in the first film.
“It’s called Dune: Part Two, not Dune 2,” he explained. “The story starts the second we finish the first movie. We are still within that story, those characters, and it would be foolish and completely uncinematic to go and write new themes for the characters instead of enlarging the theme.”
Zimmer is planning to return for Villeneuve’s next film in the series, with Dune: Messiah reportedly set to begin filming in mid-2025.
Well, here’s a surprise: The audience for the Oscar telecast on Sunday (March 2), where indie film darling Anora led with five awards, showed a slight uptick from last year, when two certified blockbusters, Oppenheimer and Barbie, went head-to-head for best picture. Updated Nielsen data released Tuesday showed that the ceremony at the Dolby Theatre […]
This is a clear sign of the increasing globalization of pop culture, and specifically of the Motion Picture Academy’s voting body.
If you are going to be an enigma, you have to commit to the bit. Bob Dylan gets it. Despite being in the glitziest spotlight possible on Sunday night (March 2) at the 2025 Academy Awards ceremony where the biopic about his early life, A Complete Unknown, was nominated for (and lost) eight Oscars, Dylan […]
And we haven’t forgotten Judy Garland and James Baskett, who received honorary Oscars.
