A24
Jessica Berndt has worked in film/TV music for almost a decade, most recently as music supervisor with independent label Secretly Group. “I had a few items on [my] music supervision bucket list,” she says. “An A24 film was at the top.”
In 2021, that dream inched closer when A24 launched its own record label, A24 Music. The in-house entity partnered with Secretly Distribution to build its own catalog of musical intellectual property and ensure its releases appeared on streaming services and in record stores. While it’s rare for a film company to start its own label (excluding major conglomerates like Disney), A24 Music showed signs early on it could be the first successful independent filmmaker to bet on a label: To promote its 2016 Academy Award-winning best picture, Moonlight — which features an Oscar-nominated score by Nicholas Britell (Succession, The Big Short, If Beale Street Could Talk) — A24 hosted a live performance of its score in London.
Ever since, A24 has maintained a music focus across its projects, from 2021’s C’mon C’mon (scored by The National’s Aaron and Bryce Dessner) to the upcoming MaXXXine (starring Moses Sumney and Halsey). And in May, Berndt was able to cross off that No. 1 goal from her bucket list with the release of trans horror film I Saw the TV Glow, for which she was co-music supervisor alongside Secretly Group founder Chris Swanson.
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Like Moonlight and others before it, I Saw the TV Glow leaned heavily on its soundtrack as a marketing tool, using its roster of featured artists to drum up anticipation among its target demographic months before release. Featuring a score by Alex G and original songs by a slate of indie-rock staples including Caroline Polachek, Jay Som and a title track from Phoebe Bridgers and Sloppy Jane (both of whom make cameos in the movie), Berndt says a catchy new song can drive as much advance interest in a film as a well-edited trailer.
While star-powered soundtracks have experienced a revival in the last decade — including for Spider-Man: Into the Spider-Verse, Black Panther, The Lion King and Barbie — no one has done it in the indie space quite like A24. The company has expanded its brand as a film company into a formidable and growing music catalog, as well as a meaningful merchandise business and podcast network.
It’s that very strategy that enticed Jen Malone to work with the company as music supervisor on the hit HBO show Euphoria, which was a turning point for series co-producer A24 as a music-focused outfit. “Music can often be an afterthought in TV and film,” Malone says. “In Euphoria, we decided at the top that music was going to be like a character in the show, and A24 supported that the whole way through.”
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Euphoria spawned virality for a number of songs on its soundtrack and, in some cases, led to a streaming uptick of over 2,100%, according to Luminate, following a synch. Whether that was for Labrinth’s original score and songs for the show — two of which he and Euphoria star Zendaya performed at Coachella in 2023 (“All for Us” and “I’m Tired”) — or older licensed works like Gerry Rafferty’s “Right Down the Line,” Sinéad O’Connor’s “Drink Before the War” and DMX’s “Party Up,” Euphoria played a large role in igniting trends that would later perpetuate as popular sounds on TikTok.
A24 also creates extended Spotify playlists based on its soundtracks, as well as special-edition vinyl records, both of which continue to strengthen viewers’ relationship with a film long after the lights come on in the theater. On A24’s website, hot pink I Saw the TV Glow vinyl is for sale next to a myriad of other superfan offerings, from coffee-table books and posters to oddities like Marcel the Shell figurines, Everything Everywhere All at Once hot dog fingers and Hereditary-themed gingerbread kits.
And now, just a few years in, A24 Music is rolling out its most ambitious project yet: a star-studded set titled Everyone’s Getting Involved: A Tribute to the Talking Heads’ Stop Making Sense arriving in July. It follows A24 remastering and rereleasing the band’s 1984 classic concert film, Stop Making Sense, last year.
And everyone seemingly did get involved with the album, which is just as stacked with major stars like Lorde, Paramore and Miley Cyrus as it is with indie breakouts like The Linda Lindas and Blondshell. “I feel like there’s a real sense of play permeating the entire project,” says Evan Whikeheart, head of label and shared services at Secretly Distribution. “It was a real joy to hear how all these artists from different musical backgrounds came together to interpret these songs.”
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Representatives close to A24 Music tell Billboard it’s still the early days of its exploration into music-focused programming but cite a desire to “attribute the success of A24 Music to all the incredible artists we work with.” (The company declined to be interviewed for the story.) Yet Talking Heads’ David Byrne says the A24 team is largely responsible for the tribute album’s success, saying that he was “absolutely hands off” with the process. “When I saw the list of artists who wanted to do it, I have to say I was pretty excited,” Byrne says. “I thought ‘Damn, this is going to be an amazing record.’
“It’s hard to imagine that yet another generation might connect with this film,” he continues. “We like to believe that life is short and art is long, but here, it is really happening.”
This story will appear in the June 8, 2024, issue of Billboard.
Just three weeks after first teasing Paramore‘s rollicking cover of Talking Heads‘ “Burning Down the House,” the band’s rendition is finally here.
On Wednesday (Jan. 31), A24 Music officially announced Everyone’s Getting Involved: A Tribute to Stop Making Sense — a tribute album in commemoration of the 40-year anniversary of Talking Heads’ Stop Making Sense concert film and accompanying soundtrack.
The tribute album’s track list mirrors that of the original LP, with fresh, new takes on the 16 electrifying tracks from a genre-spanning array of artists. The full list of artists featured on the soundtrack includes Paramore, Miley Cyrus, Lorde, The National, Teezo Touchdown, Kevin Abstract, Jean Dawson, girl in red, BADBADNOTGOOD, Blondshell, The Cavemen., Chicano Batman, Money Mark, DJ Tunez, El Mató a un Policía Motorizado, The Linda Lindas and Toro y Moi.
A24 Music’s new compilation specifically celebrates the recent re-release of Stop Making Sense to theaters nationwide. Originally filmed and released in 1984, the Jonathan Demme-helmed concert film chronicles four nights of performances on the band’s 1983 tour in support of their Speaking in Tongues album, which reached No. 15 on the Billboard 200 that year. Back in 1984, the original Stop Making Sense soundtrack hit No. 41 on the Billboard 200; the set has since spent 119 weeks on the ranking, more than any other Talking Heads title.
Stop Making Sense returned to theaters this January in a restored 4K print. A24 acquired the worldwide rights to the film, and under their guidance, the Stop Making Sense re-release set an IMAX record for highest-grossing live event and eclipsed the gross of the film’s original 10-month U.S. theatrical run in weeks. On Jan. 27, A24 launched a new theatrical residency for the film, hosting monthly screenings in major cities — including Chicago, London and New York — as the concert doc approaches the 40-year anniversary of its original premiere (April 24).
Talking Heads have earned eight career entries on the Billboard Hot 100, including their sole top 10 hit, 1983’s “Burning the House Down” (No. 9). On the Billboard 200, the band’s 12 career entries include 1983’s Speaking in Tongues (No. 15), 1985’s Little Creatures (No. 20) and 1988’s Naked (No. 19).
Check out Paramore’s blazing “Burning the House Down” cover — and a sneak peek at their video — below.
Paramore is kicking off the new year with a special project with A24. The band announced Wednesday (Jan. 10) that it will be one of 16 artists to contribute a song to upcoming tribute album Stop Making Sense put together by the production company, sharing a sneak peek of its corresponding music video on Instagram. In […]
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