10 cool new pop songs
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Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
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These 10 tracks from artists including Sia, Madison Beer, Corrine Bailey Rae, Poppy and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist with all 10.
Corinne Bailey Rae, “A Spell, A Prayer”
After turning heads with her garage rave-up “New York Transit Queen,” Corinne Bailey Rae – best known for the neo-soul-pop classic “Put Your Records On” — has unreleased her full Black Rainbows album. As evidenced on the expansive, atmospheric opening track “A Spell, A Prayer,” the singer-songwriter is in the midst of a fruitful creative 180, refusing to limit herself to any one genre while still maintaining her meticulous approach to songcraft. The results are as eclectic as they are thrilling on this 10-song LP. – JOE LYNCH
Madison Beer, “Sweet Relief”
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Hailing from Madison Beer’s latest album Silence Between Songs, “Sweet Relief” nicely demonstrates the pop star’s subtle, effective vocal choices when it comes to three-minute-song storytelling. Opening with a propulsive verse that conjures the slight melancholy of infatuation, the song lets loose on the chorus, with Beer conveying the feeling of an irresistible romantic obsession. – J. Lynch
Riovaz, “The Rake (Can’t Complain)”
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Riovaz continues his genre agnostic journey through the ups and downs (though mostly the latter) of relationships with “The Rake (Can’t Complain).” It’s a single that proves high BPMs and emo lyrics pair nicely together, especially when refracted through the Jersey artist’s obsession with ‘90s dance, from drum’n’bass to house. – J. Lynch
K. Flay, “Punisher”
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On the electric and menacing “Punisher,” included on K. Flay’s latest album Mono, the genre-blurring artist sings of a “great manipulator” and “vindictive dictator.” By the chorus, it’s clear who the villain in question is, as K. Flay admits to a relatable truth: “Nobody knows how to punish me like me.” The confession sets the stage for the catchy chorus built around a whining riff and whispering voices — leaning into the notion that everyone is their own toughest critic. – LYNDSEY HAVENS
Poppy, “Motorbike”
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Poppy goes sleek and seductive for her latest Zig single, “Motorbike,” tackling fierce femininity over darkwave synth instrumentation. Kicking off the track is an ominous voice that ponders, “I wonder why, nothing catches my eye, quite like the sight of a girl with a powerful machine between her legs” — a potential nod to her Poppy.Computer days — before descending into a full blown groove that sees her lusting after a girl ready to overpower the large metal machine. Whether the lust is in attraction or jealousy is up for interpretation. — STARR BOWENBANK
Sia, “Gimme Love”
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While Sia has found great success in the past with motivational anthems like “Alive,” “Unstoppable” and “The Greatest,” new single “Gimme Love” — which previews her first solo pop album in eight years, out next spring — adopts a more pleading attitude, as the singer-songwriter begs for affection over echoing drums and a cloudy sea of synthesizer. The tone of “Gimme Love” doesn’t diminish its scale, however: Sia is still making pop music for enormous spaces, and her latest can fill any sized room. – J. Lipshutz
Leah Kate, “Desperate”
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“God, I’m a mess right now,” Leah Kate squeaks right before launching into the chorus of “Desperate,” the most impressive new track on her recently released debut album Super Over. In between eye-rolls at her own clinginess and super-charged melodies that sound ripe for top 40 radio, Kate sneaks some unkempt vulnerability into the pre-chorus, giving a post-breakup track like “Desperate” a stronger, more empathetic foundation. – J. Lipshutz
Bella Poarch feat. Lauv, “Crush”
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Midway through his new collaboration with Bella Poarch, Lauv declares, “Love Island is my favorite show”: the point that he and his co-star on “Crush” are making is that sometimes, you can go on TV, give out roses, and go home alone, without any drama following you off camera. “Crush” is low-stakes post-summer giddiness, with two skilled voices harmonizing about embracing the butterflies without putting down stakes; Poarch in particular sounds self-assured on this type of rhythmic pop track, tossing in vocal flourishes for good measure. – J. Lipshutz
Yumi Zouma, “KPR”
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New Zealand quartet Yumi Zouma have been releasing music together for nearly a decade, and new single “KPR” demonstrates the way in which they keep getting better: after perfecting their brand of fine-tuned indie-pop, “KPR” delves into atmospheric, slightly askew shoegaze, and the results are even more rewarding. The single captures the range of vocalist Christie Simpson, who simmers beneath the production, steps forward into the silence, and commands the final hook. – J. Lipshutz
Hannah Diamond, “Poster Girl”
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It’s hard to make bubblegum pop that sounds as effortless as Hannah Diamond’s “Poster Girl” — which perfectly matches the aesthetic of its single artwork, featuring Diamond surrounded by pop-star posters in her bedroom as a hair dryer becomes her low-budget wind machine. The synth lines and vocal melodies of “Poster Girl” sound instinctive, as if Diamond woke up one day with turn-of-the-century teenybopper smashes fully internalized; it’s a new single, but it feels time-honored. – J. Lipshutz
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Victoria Monet, Boys Like Girls, Ashnikko & Ethel Cain and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
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Sid Sriram, “Quiet Storm”
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Sid Sriram is a superstar in India for his Bollywood work, and with a new Def Jam deal and a U.S. debut album, Sidharth, the 33-year-old has his sights set on making a greater impact with American audiences. Songs like “Quiet Storm” showcase Sriram’s impeccable vocal range to a wider listenership as well as nod toward his musical idiosyncrasies, with a shapeshifting structure, thrilling production flourishes and soulful thickets of sound. – Jason Lipshutz
Ashnikko feat. Ethel Cain, “Dying Star”
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Metaphors blend just as Ashnikko and Ethel Cain’s voices intertwine on “Dying Star,” the breathtaking final track on Ashnikko’s new album Weedkiller. Instead of delineating between verses and choruses, the artists hold the mics together and harmonize in and out of different lines. Ashnikko and Cain approach pop songwriting from different perspectives, but they sing about the forgiving earth and complex identity issues with a pure understanding of each other’s strengths. – J. Lipshutz
Olivia Lunny, “Heartbreak on Repeat”
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“Is the devil in my eyes a dead giveaway / That I could hurt you like nobody?” Olivia Lunny asks at the top of “Heartbreak on Repeat,” the sinister, slightly funky synth-pop production shining a darker light on the Canadian singer-songwriter’s question. Lunny moves with precision throughout the new single, purposely sweeping into bridges and choruses as she declares her independence from romantic or social expectations. – J. Lipshutz
L’Rain, “Pet Rock”
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You can approach L’Rain’s fantasia of a new single on two levels: either as a psych-pop swirl, worth blissfully disappearing into for a few minutes, or as an elliptical, emotionally striking plea, with Taja Cheek’s lyrics forming refrains about feeling invisible or like “a dead girl with shades on propped up by captors.” Whether through a casual or deeper read, “Pet Rock” resonates, and L’Rain’s upcoming album I Killed Your Dog is quickly becoming one of the fall’s most anticipated releases. – J. Lipshutz
Shallow Pools, “Nightmare”
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With “Nightmare,” Boston-based indie quartet Shallow Pools have crafted a single that makes the listener want to gleefully headbang in a crowded room, while simultaneously respecting the boundaries of the world around them. After all, the band sneers at those who have thoughtlessly made them feel uncomfortable in their own skin, then offers up some well-tailored melodies to help get their points across effectively. – J. Lipshutz
Anjimile, “Animal”
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Whereas “The King,” the lead single from Anjimile’s upcoming album of the same name, foregrounded an elegant choir before veering toward a noisy abyss, “Animal” renders his voice with naked intensity: “If you treat me like an animal / I’ll be an animal,” they remind those trying to minimize their existence as a Black trans artist. On both songs, Anjimile shakes the listener awake, and conveys an urgency that compels us to dive deeper into his world. – J. Lipshutz
Victoria Monet, “Stop (Askin’ Me 4Shyt)”
Confident, silky voiced women telling off mooching men was a staple of late ‘90s R&B, but when Victoria Monet declares, “It ain’t even Christmas, and it ain’t your birthday / so why you callin’ me with a wish list” at the top of Jaguar II’s “Stop (Askin’ Me 4Shyt),” the vibes are all lush, immaculate ‘70s soul. You practically expect Verdine White to materialize out of nowhere, so it’s no surprise when Earth, Wind & Fire actually makes a featured appearance on the album’s next track, the reflective “Hollywood.” – Joe Lynch
The Beaches, “What Doesn’t Kill You Makes You Paranoid”
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On the Beaches’ “What Doesn’t Kill You Makes You Paranoid,” the pleasantly world-weary first verse is quickly subsumed into the head-nodding release of the chorus, where the Toronto quartet finds cathartic release over anxieties about everything from conspiracy theories to oversharing. At just under four minutes, it’s shorter than Nietzsche’s Twilight of the Idols, and certainly easier to dance to. – J. Lynch
Saint Etienne, “Spirit Guide”
Saint Etienne have released their first single in almost two years, “Spirit Guide,” which further explores the celebrated British indie trio’s approach to dance. The track uses repetition and ululation amidst stylish hi-hat instrumentation, often in place of discernible lyrics, to capture a laid-back vibe meant to move the body and titillate the senses. The downtempo beats feel like the moody closing track in a party playlist which signal that the night is just beginning to wane. – Starr Bowenbank
Boys Like Girls, “Cry”
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Boys Like Girls have never been afraid of trying their hand at a ballad – see earlier career hits “Two Is Better Than One” featuring Taylor Swift and “Thunder” – and new track “Cry” sees them dusting it off for another go-round. Vocalist Martin Johnson uses the middle of his range and offers fans a shoulder to cry on while simultaneously uplifting and reassuring them that better, less difficult times lie on the road ahead. – S. Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
These 10 tracks from artists including Renée Rap, aespa, Alana Springsteen and Land of Talk will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Renée Rapp, “Pretty Girls”
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“This conversation’s classic / I can predict this s–t, line by line / I like a straight jacket / But it feels like it’s a little tight,” Renée Rapp sings on “Pretty Girls,” the most cleverly satisfying track on just-released debut album Snow Angel. “Pretty Girls” gestures at acoustic singer-songwriter production before speeding up to an electro-pop hook, but Rapp’s wordplay sizzles within both sounds, as she tries to navigate women who want to sexually experiment without any emotional understanding. – J.L.
Promiseland, “Bad Days”
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Promiseland may be signed to Julian Casablancas’ label, Cult Records, and the Strokes leader may make a cameo in the music video to new track “Bad Days,” but the lead single to the band’s forthcoming debut album recalls the atmospheric eeriness of Joy Division more than any garage rock revival tune. “Bad Days” moves with ghostly purpose, the skittering beats pushing the verses downhill before the chorus reaches skyward. – J.L.
Moyka, “Perfect Movie Scene”
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“Perfect Movie Scene” does not possess a discernible chorus; instead, Norwegian artist Moyka presents a few types of refrains over shuddering electronics and nearly five minutes, sprinting down a winding pathway of ideas concerning idealized romance. The momentum gathers as “Perfect Movie Scene” continues until a dance floor climax arrives, and Moyka wisely lets the moment breathe, understanding that sometimes the most impactful sequence doesn’t need a catchy hook. – J.L.
Sadie Jean, “16”
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Sadie Jean’s new single “16” is defined by the same gentleness that we often use to reminisce about simpler pieces of our youth: the singer-songwriter’s voice never rises above an amiable warble, but it never needs to while she reflects on teenage memories of girl talk, parking in a parent’s car and childhood bedrooms feeling smaller than they once were. Jean impressed on past singles like “WYD Now” and “Locksmith,” but “16” showcases her most nuanced performance to date. – J.L.
Margaret Glaspy, “Get Back”
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Echo the Diamond, Margaret Glaspy’s third full-length released last week, is defined by the singer-songwriter’s unfussy view of reality, each tweaked guitar string and weary-yet-hopeful lyric steeped in the California native’s reality. “Get Back” is highlighted by that uncompromising point of view: as she insists on returning to herself amidst immense loss, Glaspy holds nothing back, each production blemish adding character to a rugged song that will get stuck in your head. – J.L.
Alana Springsteen, “Amen”
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“Amen” is the final song on Alana Springsteen’s 18-track debut album Twenty Something, and its placement at the end of a 53-minute project gives the anthem an extra sense of gravity, as if the lessons learned across the first 17 tracks have led to the self-realization of who she is and what she wants. “I don’t need a happy ending,” Springsteen declares, her voice rising as she apologizes to those who wanted her to follow a safer path — and in its power, demonstrating why she couldn’t choose that option. – J.L.
Jake Scott, “Come Close”
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Jake Scott’s “Come Close” flirts with piano balladry, settles into synth-pop verses, and scoops up some echoing percussion midway through, but really, the single represents the singer-songwriter’s plain-spoken plea for fully unguarded connection with the one he loves. Scott has collaborated and toured with country musicians in the past, but “Come Close” is straightforward, sumptuous pop music, and Scott shines in that medium. – J.L.
Land of Talk, “Your Beautiful Self”
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About a minute and 10 seconds into Land of Talk’s new single “Your Beautiful Self,” Lizzie Powell’s vocal approach changes, their lower tone climbing onto a raised platform and escaping the shadows of the piano and drums. It’s a special moment within the influential Canadian project’s grand return — new album Performances will be released in October — and Powell stays in that register through the rest of the song, their voice a reminder of Land of Talk’s hypnotic appeal. – J.L.
aespa, “Better Things”
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With just a few dates into the girl group’s North American tour, aespa delighted MYs with the release of new track “Better Things.” Equal parts summer kiss-off and chill breakup anthem, the song sees the K-pop stars experimenting outside of their spellbinding universe to dabble in tropical house vibes. Karina, NingNing, Winter and Giselle ultimately shrug off a romance shrouded in doubt in favor for protecting their peace — and the end result is intoxicating. – S.B.
The Drums, “Isolette”
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The Drums’ Jonny Pierce leans into the emotional wounds of his past on new track, “Isolette.” Inspired by his mother’s traumatic birthing experience and the strained relationship they had as a result, Pierce allows himself to be vulnerable about his personal shortcomings, from being incapable of loving another properly to feeling paralyzed at the thought of making a mistake. Plucky, slightly upbeat guitar work shows that while Pierce is not fully past his issues, he continues to cope and often returns to the solitude from which he came. – S.B.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including No Rome, Sufjan Stevens, Trina, Whitney and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
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See latest videos, charts and news
See latest videos, charts and news
No Rome, “Deep Diving”
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Alternative artist No Rome is gearing up for the release of his Blueboy Must Die mixtape (Sept. 8) and “Deep Diving” is the latest sampling. Though just one single, it can best be described as a sonic smorgasbord, abandoning structure and prioritizing experimentation — a risk that pays off in the form of fluttering beats, acoustic riffs and thumping, brassy live instrumentation. — Lyndsey Havens
Jonny Yukon, “Jealous”
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Johnny Yukon’s writing resume — having penned tracks for Lil Wayne, Camila Cabello and more — reflects the range of influences on his own sound, too. With a discography rooted in R&B and hip-hop, Yukon’s interest in left-of-center pop peeks out on singles like “Moment” and “Whispers.” But his latest, “Jealous,” takes a sharper turn toward psych-pop, creating a hazy daydream, much like a Tame Impala song — no jealousy, just flattery here. — L. Havens
Turnstile, BADBADNOTGOOD & Blood Orange, “Alien Love Call”
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Proving just how versatile Turnstile truly is, the Baltimore punk band teamed with Canadian instrumental band BADBADNOTGOOD for a collaborative EP, New Heart Designs, that reimagines three songs off the former’s 2021 album Glow On. And while the reworked “Alien Love Call,” which features Blood Orange on both versions, strays the least from the original, the assist makes it feel even more ethereal — and drives home just how surprising the song was for a punk act to begin with. — L. Havens
Whitney, “Kansas”
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“Kansas” arrives as a surprise gift for fans of Whitney, as the band has been performing the track live to positive reactions for some time. The duo (Max Kakacek and Julien Ehrlich) has said “Kansas” is what ultimately morphed into “FTA” (off its 2019 album Forever Turned Around), and only recently did they decide to finish it as originally imagined. The result is a return to the raw and folky sound crucial to Whitney’s core, making it the perfect release after the act’s poppier third album Spark. — L. Havens
Mette, “Van Gogh”
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Rising R&B-pop artist Mette may be best known for starring in N.E.R.D. and Rihanna’s “Lemon” music video, but as she continues to release singles at a steady clip, that soon could change. Her latest, the groovy and playful “Van Gogh” — on which she asserts, “I could be Van Gogh if you’d be my muse” — arrives with news of her signing to RCA, signaling that this is just the beginning. — L. Havens
Daisy World, “ur soggy”
As the lead single off a forthcoming debut album from newcomer Daisy World, “ur soggy” highlights the best of what she has to offer: confident sass delivered via gorgeous vocal runs and harmonies. And while the R&B-pop artist calls it a “silly little diss track” about rejection, when she sounds this smooth, it’s hard to imagine anyone turning her away. — L. Havens
Sufjan Stevens, “So You Are Tired”
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For over two decades, Sufjan Stevens has been able to conjure magic when he picks up an acoustic guitar. “So You Are Tired,” the delicately heartbreaking lead single from upcoming album Javelin, begins with some somber piano, after which Stevens quickly transitions into strumming through his confusion and sadness. “Tired” recalls the intimacy of 2015’s Carrie & Lowell — Javelin is billed as his first true singer-songwriter album since then — but the tapestry of voices that enter the song harks back to early-career triumphs like Seven Swans and Illinois. – Jason Lipshutz
Yeule, “Ghosts”
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Last year, Yeule’s Glitch Princess prodded at human identity with technical prowess and emotional curiosity; ahead of forthcoming album Softscars, they continue to explore those themes, as “Ghosts” adopts the perspective of a spirit looking in on our shared state of being (“If only I could be / Real enough to love,” they lament). Whereas the electro-pop of Glitch Princess was often adamantly experimental, the singer-songwriter sway of “Ghosts” is effective in its simplicity, making complex ideas accessible for a wider audience. – J. Lipshutz
Trina, DreamDoll and Supa Cindy, “Big Mood (Freestyle)“
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The same day Trina hit the stage at Yankee Stadium to celebrate #HipHop50 as part of the show’s Queens of Hip-Hop segment, the Southern rap legend dropped “Big Mood (Freestyle)” to demonstrate she’s still one of Da Baddest B-tches around. A collab with Bronx rapper DreamDoll and media personality Supa Cindy, the track’s subdued piano melody and laid-back beat allows the trio’s effortless yet hard-hitting flows to command your attention on this two-minute rush. – Joe Lynch
Sedona, “Domino”
Indie pop darling Sedona traded in the upbeat tempo of June single “Domino” and reinterpreted the meaning of the song for its acoustic version. The track’s biting lyrics cut even deeper with its drums stripped, with the singer openly discussing the painful dissolution of a relationship and its aftermath. “Taking sides it hurts so bad/ Solid footing just another scam/ Torn open again,” she softly croons on the track’s second verse, before setting up a solid chorus for the rest of the track to float on. – Starr Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
Explore
See latest videos, charts and news
See latest videos, charts and news
These 10 tracks from artists including Cannons, Lauv, BAMBII with Aluna, Meet Me @ the Altar and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
BAMBII feat. Aluna, “Hooked”
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Toronto-bred DJ BAMBII has become known for her unexpected fusions, ensuring each release offers a new roadmap to the same destination: a good time. On the sultry “Hooked,” she and Aluna journey through gently thumping, and at times oscillating orchestral beats — setting the scene as if the pair are slowly winding down a dim-light, hazy road in no rush at all to reach their destination. — Lyndsey Havens
Saint Motel, “Fine Wine”
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The latest from Los Angeles pop band Saint Motel offers a reassuring take on growing up: “Our bodies will age but we’ll never grow old,” sings frontman AJ Jackson, comparing the process to that of fine wine, becoming better with time. And once the glimmering chorus hits, which sounds tailor-made to accompany an onstage curtain of sparklers, it’s hard not to buy in. — L.H.
Cannons, “Desire”
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“I’ve got a fire / I feel it starting to grow,” Cannons singer Michelle Joy declares on their sensual new single, “Desire”: the line may be a knowing or unwitting callback to “Fire for You,” and like the band’s breakout hit, the new track conveys its yearning message through ’80s textures and clean, dreamy synth-pop. When Cannons release singles that are both smoky and designed for swaying, you better be ready to press the replay button. — Jason Lipshutz
Dylan feat. Bastille, “Liar Liar”
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British singer-songwriter Dylan has specialized in emotionally heightened pop tunes during her speedy ascent, as have Bastille over the course of their mega-streaming career; together, Dylan and the band’s Dan Smith have conjured an intensely magnetic duet with “Liar Liar.” Both singers spit out the titular phrase as a decree against deception, accentuating the song’s piercing strings and sprinting beat with ample charisma. — J.L.
Lauv, “Love U Like That”
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The single artwork for Lauv’s “Love U Like That” is a neon-purple lipstick print — a fitting image for a love song that embraces its listener with enough heartfelt emotion to glow in the dark. Lauv has earned billions of streams with this brand of vulnerable, immaculately constructed pop, and “Love U Like That” once again finds him navigating fizziness with airtight hooks and generous falsetto. — J.L.
Speedy Ortiz, “Ghostwriter”
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“I’m tired of anger” is the lynchpin line on Speedy Ortiz’s bewitching new single “Ghostwriter,” as Sadie Dupuis sings about attempting to live with less rage while also existing in a world full of social injustices that deserve to be called out. Out of all of the singles that Speedy Ortiz has shared ahead of upcoming album Rabbit Rabbit, “Ghostwriter” may possess the most immediately satisfying balance of shimmer and substance, pushing forward with purpose as Dupuis ponders her next move. — J.L.
Chris Farren, “All We Ever”
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“All We Ever,” the best song on Chris Farren’s great new album Doom Singer, essentially exists as a list of the singer-songwriter’s large and small desires: as the guitar surfs forward and a synth hook pops in and out, Farren proclaims that he wants to “fall asleep reading a book,” to “get drunk with my friends,” to “make my mother proud of me,” to “love being alive.” The cover of Doom Singer finds an animated Farren on his knees, pleading with the heavens; “All We Ever,” then, serves as that image’s lovely audio counterpart. — J.L.
LANY, “XXL”
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Perhaps a song that’s nostalgic for the year 2018 will make you feel older than the dirt under your shoes, but LANY sell the not-so-distant look back on “XXL,” an expansive pop-rock track about a misbegotten romance and the too-large hoodie that makes the memories flood back. The repetition of the “XXL” motif, used at the end of each verse and throughout the chorus, serves the song well, turning what could have been a stray observation into a memorable anthem. — J.L.
Meet Me @ The Altar, “Take Me Away (Freaky Friday)”
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For fans of Freaky Friday’s “Take Me Away,” as sung by actress Christina Vidal for the 2003 movie’s House of Blues performance scene, Meet Me @ The Altar put their spin on the classic track and revived it for Gen Z, just in time for the film’s 20th anniversary. Vocalist Edith Victoria injects a fair amount of bite, adding more of the band’s signature pop punk edge to the group’s rendition of the track. — Starr Bowenbank
Puddle Splasher, “Basic Forms”
Following 2019’s The Blankest Blue, Puddle Splasher — Brooklyn based trio consisting of members Dante Fotino, Andy Altadonna and Adam Thibeault — has returned with new single “Basic Forms,” their first in five years that doubles as the first look at an upcoming album. The band continues to dive headfirst into fuzzy, alternative leaning rock as Altadonna’s voice melts into energetic guitar and drum work at the turn of the chorus. — S.B.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Tinashe, Lizzo, Poppy and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
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See latest videos, charts and news
See latest videos, charts and news
Poppy, “Knockoff”
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While Poppy is ostensibly singing about a relationship on “Knockoff,” the first single from forthcoming album Zig, it’s hard not to think about the questions of authenticity currently propelling debates about AI while enjoying its stormy, sinewy groove. “How you gonna prove to me that you’re the real thing?” Poppy sings, the synths around her constructing a metallic fortress that the soft, human warmth of her voice effectively breaks. – Jason Lipshutz
Jenna Raine, “It Is What It Is”
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Handclaps, hard acoustic strums, piano melodies and boisterous group vocals are all helping Jenna Raine get out of the funk of growing up on “It Is What It Is,” a brisk charmer that gives the singer-songwriter ample room to showcase her personality over a short run time. Raine eye-rolls her way through hardship before mining some positivity, deploying snappy lyrics that could feasibly blow up in the next uplifting TikTok trend. – J. Lipshutz
Rosie Darling, “Boxes”
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The ornately detailed post-breakup songwriting of hits like Olivia Rodrigo’s “Drivers License” and Lizzy McAlpine’s “Ceilings” is present in Rosie Darling’s “Boxes,” on which the Boston-born singer-songwriter examines the messiness that comes with a split — the changed locks, the tearful trip home, the call from an unaware family member. Darling nails those quiet moments, but also balls up her frustration in affecting big-picture questions: “What did you want from me? / I gave you everything.” – J. Lipshutz
Mitch Rowland, “Come June”
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Those familiar with Mitch Rowland’s work alongside Harry Styles — he co-wrote and played on multiple Harry’s House tracks, including performing drums on the chart-topping smash “As It Was,” and joined Styles’ Love On Tour world trek — should check their preconceived notions at the door when pressing play on debut single “Come June.” Instead of trying to re-create that magic, the singer-songwriter has found some of his own in a subtle indie-folk template, unfurling his own fragile voice with confidence. – J. Lipshutz
Becca Means, “My Darling”
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Nineteen-year-old Becca Means has accrued 3 million TikTok followers through a series of cover songs, demos and entertaining clips that showcase her personality — and while translating social media charm into a catchy song is often a tall order, Means pulls it off on debut single “My Darling.” The beguiling kiss-off pulls from ‘60s pop but feels modern and lived-in, with plenty of melodies worth returning to tucked into the verses. – J. Lipshutz
Bruno Major, “The Show Must Go On”
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The first verse of Bruno Major’s “The Show Must Go On” is split in half between fantasy and reality: after describing a scene of a hero triumphing, getting the girl and evoking crowd applause, Major snaps back into a more common occurrence of staring at a ceiling late at night, full of existential dread and ennui. “The Show Must Go On” demonstrates Major’s songwriting panache as a prescription for living your truth: his voice soulfully winds through ideas and scenario, dispensing advice in second person. – J. Lipshutz
The Beaches, “Me & Me”
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With “Me & Me,” a driving rock track about prioritizing yourself, Canadian foursome The Beaches deliver an updated take on the Beyoncé classic “Me, Myself and I”: Over a fuzzed-out riff, vocalist Jordan Miller confidently observes, “When I’m with myself, it’s honestly zen / Might as well be my girlfriend.” Elsewhere, she asks if spending time with herself is really such a sin, or more of a win; judging by the unbothered tone of “Me & Me,” it seems to be the latter. – Lyndsey Havens
Lizzo, “Pink”
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Unlike Dua Lipa’s “Dance the Night,” which could’ve appeared in the soundtrack to any number of summers flicks, Lizzo’s contribution to the blockbuster Barbie film features lyrics that serve as a meta commentary on the action of the film’s brilliant opening scene. Like the movie itself, the bright, buoyant tones of “Pink” set up a frozen plastic perfection that – by the time Lizzo spells out an acronym for the color, ending with ‘K’ standing for ‘cool’ – you know is bound to crack. – Joe Lynch
Tinashe, “Talk to Me Nice”
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With a soft, skittering rhythm and looped vocal syllable repeating throughout (courtesy of producers Nosaj Thing and Scoop DeVille), “Talk to Me Nice” finds Tinashe in her sweet spot, delivering shadowy, sensual R&B that’s hypnotic in its beauty. It’s a promising tease of the singer’s upcoming 2023 project, BB/ANG3L. – J. Lynch
NewJeans, “Get Up”
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After a successful run of singles (“Attention,” “Hype Boy,” “Ditto” and “OMG”) in less than one calendar year, NewJeans’ Get Up EP, released on July 21, quickly became one of the most highly anticipated K-pop project of the summer. While the first half of the EP employs Baltimore dance and UK garage beats for an energetic listen, title track “Get Up” – albeit only 36 seconds long – acts as an interlude to catch your breath. Minji, Hanni, Danielle, Haerin and Hyein’s voices melt into airy synth instrumentals as they dabble in R&B, offering a hopeful glimpse at what’s to come from their future releases. – Starr Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
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These 10 tracks from artists including PinkPantheress, Reneé Rapp, Baby Queen and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Baby Queen, “Dream Girl”
Rising British pop star Baby Queen has demonstrated a knack for sunny pop melodies and sardonic lyrics from her first singles, and new track “Dream Girl” shrugs off cynicism for an earnest declaration of unrequited adoration. The singer-songwriter deploys endless rhetorical questions (“Does he give you everything you need? And baby, do you ever think of me?”) to prove herself more worthy of love than some lame boyfriend, and does so with an array of bouncy, undeniable hooks. – Jason Lipshutz
Frankie Bird, “Twenty Nothing”
At the beginning of the “Twenty Nothing” music video, Frankie Bird, the singer-songwriter who formerly went by Frankie, breaks the horizon, striding down the middle of an empty street with a guitar strapped to her back; the shot is an apt metaphor for the singer-songwriter, who spends the single looking back on her tumultuous twenties and looking ahead to her next artistic era. “Twenty Nothing” pinpoints disappointment through musical evolution: the country-tinged production and harmonies prove affecting as she expands her pop-rock environment. – J.L.
Mahalia feat. JoJo, “Cheat”
Searching for a modern, more feminism-forward take on Brandy and Monica’s “The Boy is Mine”? Look no further than “Cheat,” on which Mahalia and JoJo brush off a dude who’s two-timing them while leaning into the turn-of-the-century rhythmic pop production (the music video, complete with flip phones and MySpace nostalgia, is a blast as well). Ahead of her sophomore album IRL, Mahalia continues to delight as a new-school UK pop star, while JoJo, currently owning Broadway in Moulin Rouge, sounds reinvigorated a lifetime removed from her “Leave (Get Out)” days. – J.L.
Glaive, “All I Do is Try My Best”
Years of promising singles and short projects have led to Glaive’s debut album, the spectacularly titled I Care So Much That I Don’t Care At All, due out July 14; those releases have also resulted in the (slight) polishing of the teen’s unruly songwriting, as heard on the sweeping strums and full-throated sing-along of “All I Do is Try My Best.” Glaive’s messy, often nihilistic wordplay sounds even more intoxicating within a defined pop structure, creating a tension between styles that makes the song stand out in an impressive discography. – J.L.
Youth Lagoon, “Rabbit”
Trevor Powers became an indie-blog darling in the early 2010s as the mastermind of Youth Lagoon, then retired the moniker that made him famous in 2016; Heaven is a Junkyard, the first Youth Lagoon album in eight years, sounds like an old friend stopping by and sharing tales from several travels. “Rabbit” floats in the wind with piano sprinkles and Powers’ tender voice, then surges toward a propulsive finale that’s barely perceptible before it arrives — the mark of an effective storyteller, confident in their craft. – J.L.
Reneé Rapp, “Snow Angel”
Reneé Rapp has become a buzzy new name in pop, known first for starring roles in Mean Girls on Broadway and The Sex Lives Of College Girls, but following her 2022 debut EP, it became clear she’s a double threat — and rousing lead single “Snow Angel,” off her forthcoming debut full-length, solidifies that sentiment. The rock-pop ballad fits within a formula that has worked well for artists like Olivia Rodrigo and Billie Eilish (it’s similar to the latter’s “Happier Than Ever”) and advances Rapp’s skillset, showing off her powerful vocal range and heart-wrenching honesty. — Lyndsey Havens
Romy, “Loveher”
Led by delicate, twinkling keys and a steady drumbeat, Romy begins to sing tenderly of the one she loves — delivering each line like she’s confessing her feelings to herself alone. Yet as the production picks up and the lyrics become more hypnotic — “I love her I… I love her I…” — it’s clear Romy made this song for the masses. And there’s more to come, as Romy announced her debut solo album, set to arrive September 8. — L.H.
Tiwa Savage, “Pick Up”
While a call (or several) going unanswered often incites some rage, the latest from Nigerian singer-songwriter Tiwa Savage checks that emotion at the door. Instead, as she sings of calling someone repeatedly she maintains an air of confidence over a meaty, bouncy beat. From the perspective of the listener, it works: a song this catchy would never go ignored. — L.H.
PinkPantheress, “Angel”
Diehard PinkPantheress fans have been given a treat with “Angel”: released as part of the forthcoming Barbie soundtrack, multiple snippets of the song’s demo were floating around the Internet over the past year, and have since become fully actualized. Pink’s effervescent vocal delivery stays true to hits like “Boy’s a Liar” and “Break It Off,” while the instrumentation adds another unique layer to the British artist’s sound with the inclusion of the fiddle. – Starr Bowenbank
Slayyyter, “Out of Time”
Slayyter makes a grand return with new single “Out of Time,” embracing pop maximalism on the track with ’80s-inspired synth instrumentals and large-than-life hooks that tells the sad tale of a fame-hungry woman with an alluring charm. “Make up runs from her eyes/ She walks in/ Oh goddamn, he could get it tonight/ She hates herself, but if they all love her then she don’t mind,” she sings on the pre-chorus of the cut, a first look at what’s to come from a forthcoming LP from the singer. — S.B.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Lauren Spencer Smith, Claud, Brothers Osborne and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of our favorite 2023 cool pop songs.
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Lauren Spencer Smith, “That Part”
How soon is too soon to start daydreaming about forever? Lauren Spencer Smith wants to skip “that part” – i.e., the humdrum length of time between the exhilarating meet-cute and the inevitable “I do’s” – on her new single, filling in the details of a life that she hopes is waiting for her around the corner. “That Part” cleverly depicts fast-forwarded romance, but the rising singer-songwriter’s voice – pleading, impatient, but wholly committed – is what sells the concept. – Jason Lipshutz
Claud, “Wet”
“That’s not an apology / But I’ll take what I can get,” Claud shrugs in the hook of “Wet,” an unassuming anthem that worms its way into your heart with the same stubbornness as its writhing bass line. The previews of Claud’s forthcoming sophomore album, Supermodels, have thus far magnified their pop craft through vulnerability, and even at the most defeated moments of “Wet,” Claud sounds eager to show the world who they are. – J. Lipshutz
Needanamebro, “Not a Lot Left to Say”
London rhythmic-pop trio Needanamebro have already scored millions of likes on TikTok, and new single “Not a Lot Left to Say” makes it easy to understand why: the melodies burst throughout the two-minute track, ready to be harvested for 10-second clips or enjoyed as a harmonious whole. Following the crackling debut single “Better Love” last month, “Not a Lot Left to Say” makes the new group 2-for-2. – J. Lipshutz
Charlotte Jane, “Coming Home”
Charlotte Jane’s latest single displays the brand of sweeping soul-pop that worked on adult pop radio at the turn of the 2010s, but adds a modern sensibility, its drums hitting a little harder and the hooks rendered with more crispness. The British singer-songwriter remains in the eye of the storm, keeping up with the driving tempo and laying into a track worthy of her bright vocals. – J. Lipshutz
BANNERS, “Name in Lights”
“The support of a partner’s ambition” is not often used as thematic fodder in pop, but Liverpool native and BANNERS mastermind Michael Nelson uses “Name in Lights” as an updated edition of a love song. He reaches his voice skyward while championing another’s relentless drive (“It doesn’t matter what you do / Just make it real, just make it true / Trust yourself, ‘cause you got you”), as strings sashay forward in operatic fashion. – J. Lipshutz
Speakers Corner Quartet feat. LEILAH, “Soapbox Soliloquy”
The South London collective Speakers Corner Quartet have found a natural collaborator in UK singer LEILAH, who sounds mesmerizing while waxing poetic on “Soapbox Soliloquy,” from the group’s upcoming album Further Out From The Edge. LEILAH weaves her voice around the flickering drum patterns, which soon incorporate cacophonous synths for an extra jab of emotion – although even when the noise bubbles up, “Soapbox Soliloquy” never loses its soothing foundation. – J. Lipshutz
Emei, “Irresponsible”
Having competed on Chinese Idol years ago, rising pop singer Emei has more recently started dropping successful singles like “Late to the Party, “Scatterbrain” and “That Girl” — all of which chronicle the frenzied early-twenties mindset. “Irresponsible” does the same, as Emei sings of being mortified that she never grew up (something she realizes while trying to recall where she left her keys) over a hard-hitting, glitchy beat, offering a direct line into the constant noise inside her head. — Lyndsey Havens
Towa Bird, “Boomerang”
Towa Bird’s knack for building a pop song around a fiery guitar solo might be her greatest strength, as showcased toward the end of energetic new single “Boomerang.” Though the pop-rocker only debuted in April with first single “Wild Heart”, thanks to her fervent TikTok following and appearance playing in Olivia Rodrigo’s Disney+ special Driving Home 2 U, Towa Bird has quickly become an intriguing act. — L.H.
Sofia Reyes and Danna Paola, “tqum”
Mexican singer-songwriter Sofia Reyes has long leaned into collaborations, working with Jason Derulo, Anitta, Rita Ora and others. On the pulsating “tqum” she taps former child star Danna Paola, who tweeted of the collab, “Mexican Pop Power” — but despite the uptempo production, the lyrics tell a sadder story of losing someone you soon realize you still love. Perhaps the sunny disposition is all part of the plan to stay positive… and get them back. — L.H.
Brothers Osborne, “Goodbye’s Kickin In”
Brothers Osborne are back with the title track to their first new album since 2020 with “Goodbye’s Kickin’ In.” Although TJ’s twangy delivery and their drink-the-blues-away lyrics are pure country, John’s guitar work evokes the blues-rock of ‘70s AM radio while background singers provide a soulful boost. – Joe Lynch
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Kylie Minogue, Conan Gray, Chappell Roan, (G)I-DLE and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
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Kylie Minogue, “Padam Padam”
Kylie Minogue released one of the most exhilarating dance-pop records of the pandemic (Disco) in 2020; now that the World Health Organization has officially declared the global health emergency over COVID-19 over, it’s only fitting that we’re getting a new LP from the dance-pop legend that we can actually go out and throw down to. The first taste of Tension, “Padam Padam,” is a sultry my-place-or-yours club banger named after the sound of a pumping heart. – Joe Lynch
(G)I-DLE, “Queencard”
If (G)I-DLE’s first I Feel track, “Allergy,” saw the K-pop idols lamenting on their perceived flaws and the harm that social media can do to one’s self-esteem, its B-side, “Queencard,” shows that the girls know how to bounce back and turn their confidence up to 100 at the drop of a hat. On the track, the girls assert their hotness, comparing their beauty to the likes of Kim Kardashian and Ariana Grande, and their delivery dares you to disagree. – Starr Bowenbank
The Dare, “Sex”
With the pandemic firmly behind society, indie sleaze is once again finding a time to thrive. And The Dare (the project of former substitute school teacher Harrison Patrick Smith) is at the forefront of the resurgence, creating raunchy, tongue-in-cheek dancefloor ready tracks that will have you working up a sweat. New release “Sex” captures the spirit of the era and isn’t shy: “Sex, I want to call your mom, and tell her you’re the bomb/ I might even see if she’s into it.” – S. Bowenbank
Conan Gray, “Never Ending Song”
Confessional pop star Conan Gray’s latest is a refreshingly retro, Technicolored hit. There’s an intriguing element of high drama to “Never Ending Song” — thanks in large part to the artist experimenting in his lower register — as if it was tailor-made for stadiums. Reminiscent of a late 2000s rock hit like “Human” by The Killers, but with some ‘80s oomph, this track is the perfect way for Conan to command attention for whatever is to come. — Lyndsey Havens
Chappell Roan, “Red Wine Supernova”
Though rising pop singer-songwriter Chappell Roan has yet to release a full-length project, she has already established a clear brand of anthemic cheeky alt-pop songs, from breakout track “Casual” to her latest, “Red Wine Supernova.” As she sings of a “playboy” who puts “her canine teeth in the side of my neck,” the artist chronicles the sensation of getting swept up in the sheer thought of someone new — and unapologetically enjoying every second. — L. Havens
Hannah Jadagu, “Lose”
Hannah Jadagu is a 20-year-old NYU student — and by the sound of her debut album Aperture (out on Sub Pop), she will graduate as an indie-pop star. On “Lose,” the last single to arrive before her album dropped, she sings, “Couldn’t believe it was you / I’ve waited for some time / And now that it’s us two / Am I gonna lose myself and mind?” As she delicately poses these questions over a soothing rock riff, the production blossoms, matching her fluttering emotions. — L. Havens
Far Caspian, “Own”
Plenty of sad indie-pop songs feature the same slow-chug tempo and mournful guitar-and-drums interplay as “Own,” the new track from U.K.-based singer-songwriter Joel Johnston’s project Far Caspian. Yet Johnston’s voice, presented here as a swirl of feelings informed by Elliott Smith’s delivery, distinguishes “Own,” and makes the listener want to wrap themselves in its warmth again after it ends. – Jason Lipshutz
Chris Farren, “Cosmic Leash”
For Chris Farren, a well-respected songwriter straddling the indie and pop-punk worlds, “Cosmic Leash” represents a potential game-changer: the first single from upcoming album Doom Singer is big and brash in the best ways, oscillating between blaring noise and a full-throated melody that begs to be screamed in large-capacity venues. If the rest of Doom Singer sounds as world-conquering as “Cosmic Leash,” Farren will get there. – J. Lipshutz
Anohni & The Johnsons, “It Must Change”
Anohni’s 2016 album Hopelessness presented an urgent view of a troubling reality, addressing political and environmental disaster with electronic tumult; “It Must Change,” the opening glimpse of Anohni’s first full-length since, is another call to action, but adopts the tender sheen of soul music to inspire listeners. Anohni’s voice remains spectacularly expressive — and credited with The Johnsons for the first time in over a decade, her tone sounds as triumphant as ever. – J. Lipshutz
Revenge Wife, “Fantasy Girl”
Revenge Wife mastermind Liz Nistico has described her new single as “my most ABBA song,” and indeed, “Fantasy Girl” sparkles as a Scandinavia-inspired workout, all glittery synth lines and drum thwacks that make you want to increase your heart rate. In the middle of it all is Nistico, her voice doubled and ready to explode; the former Holychild member has always had a knack for straight-ahead pop structure and is once again on point. – J. Lipshutz
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Jessie Ware, Ryan Beatty, Peach PRC, K.Flay, The Aces and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
K.Flay, “Raw Raw”
She might be singing and rapping about feeling emotionally gutted and exposed, but K.Flay exudes self-assurance and drive on latest single “Raw Raw.” The sinuous, dark pop banger builds up to a cathartic guitar climax while the singer-songwriter somehow makes lines like, “It’s hard to escape the wounds of the past / Every time I say something real, I want to take it back” sound akin to battle cries. – Joe Lynch
Jessie Ware, “Freak Me Now”
Fire as a metaphor for horniness was a staple of the Paradise Garage era, so it’s only fitting that for her delicious disco opus That! Feels Good!, Jessie Ware fans the flames of dancefloor lust with a swirling delight like “Freak Me Now.” “Strike if you’re hot like fire / Put it in this gasoline / Let me know if you want that oochie-coochie or that in between” should sound dirtier, but Ware delivers it with such a matter-of-fact assurance that it feels as much like a statement of purpose as it does a come on. – J. Lynch
The Aces, “I’ve Loved You For So Long”
The Aces seem to be holding a winning hand for their upcoming album, which drops June 2. Recently shared title track “I’ve Loved You For So Long” is a yearning slice of indie pop romanticism that clips along thanks to a sweet, syncopated rhythm and a gently optimistic vocal delivery from singer Cristal Ramirez. – J. Lynch
Peach PRC, “Kinda Famous”
Consider “Kinda Famous,” Australian singer-songwriter Peach PRC’s glistening new single, the tongue-in-cheek version of Eminem’s “Stan”: over streamlined electro-pop production, she translates her super-fan status of an artist into happily-ever-after romance (“I’ve picked out all our baby names / Changed your picture frames to my face!”). The disarming quality of Peach PRC’s voice sells the concept — even when she’s exhibiting stalker behavior, she can’t help but charm you onto the dance floor. – Jason Lipshutz
Ryan Beatty, “Bruises Off The Peach”
Ryan Beatty co-produced his just released album, Calico, with Ethan Gruska, who’s worked extensively with Phoebe Bridgers and Boygenius — and on the wondrous “Bruises Off The Peach,” you can hear a similar mix of finger-picked folk-pop, incisive lyrics and carefully rendered melodies. Yet Beatty’s aesthetic never sounds derivative: his delivery is gentle until he needs to reach skyward, widen the stance of the song and find a wholly satisfying conclusion. – J. Lipshutz
Neriah, “Even If It Hurts”
On “Even If It Hurts,” Neriah’s words fall out of her mouth with a nervous energy, sentiments are blurted out and syllables run together — such is the occupational hazard of trying to decide whether to end a relationship. The song’s instrumentation never becomes intrusive, and some sections only carry muted percussion, but the production keeps the attention on Neriah’s inner monologue, and she shines in the spotlight. – J. Lipshutz
Jess Glynne, “Silly Me”
Jess Glynne’s “Silly Me” ends a three-year hiatus for the U.K. star, and she’s been missed: as one of the most soulful voices in modern British pop music, Glynne has been able to translate a ton of emotion across various projects. “Silly Me” is about “learning from your mistakes,” as Glynne states in a press release, and she addresses self-growth in the form of a midtempo ballad that invites swaying and finger-snapping, while her sparkling voice remains as dignified as ever. – J. Lipshutz
Palehound, “The Clutch”
The video for Palehound’s searing new single “The Clutch” presents a riveting juxtaposition: El Kempner contorts their face into some the best mad-as-hell snarls in recent music video memory, yet the bristling track is also defined by its light, all-encompassing pop melodies. Seeing such anger play out in the form of hummable hooks turns “The Clutch” into a must-watch, and stokes even more excitement around Palehound’s upcoming album, Eye On The Bat. – J. Lipshutz
Until The Ribbon Breaks with Lucius, “Everything Else But Rain”
Following a multiyear self-enforced hiatus, the Welsh artist who performs as Until the Ribbon Breaks has returned with an expectedly stunning and soulful new song, “Everything Else But Rain” — the first of more new music to come. Featuring indie-pop duo Lucius, the infectious song is a celebratory return for the act, but also bears a subtly somber undertone — and it’s thanks to that juxtaposition that the song truly shines. – Lyndsey Havens
JOSEPH, “Fireworks”
Indie-pop sister trio JOSEPH released its fourth album, The Sun, last week, which includes standout single “Fireworks.” On the upbeat track, the sisters harmonize about how “love songs might be no good for me,” and growing tired of friends asking about “settling down, buying a house.” Throughout the song, they assert their stance of not wanting to “put my fire underground” or “be holding out forever” and offer listeners the understanding and acceptance of wanting no less than fireworks. — L. Havens