10 cool new pop songs
Page: 2
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered. These tracks from artists including Lizzy McAlpine, jxdn, Lava La Rue and more will get you energized to take on the week. Pop any of these gems […]
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Rina Sawayama, Fletcher, The Knocks & Sofi Tukker and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Fletcher, “Eras of Us”
[embedded content]
The second verse of Fletcher’s new single, “Eras of Us,” amplifies everything that comes before it. After opening with a meet-cute, the pop singer-songwriter details the rush of spontaneity (“I would fly across the country just to kiss you and be back in a day”), the inevitable letdown (“We crashed just as quick as we burned”) and the artistic point of it all (“I told every one of my friends, you won’t get a lyric again / But g–damn, here I f–kin’ am”). As she preps her next project, Fletcher utilizes this new anthem to illustrate just how much she’s been growing as a storyteller. – Jason Lipshutz
Hovvdy, “Bubba”
[embedded content]
Texas duo Hovvdy’s new single “Bubba” is about a brother-sister dynamic evolving from childhood into adulthood, and the intimacy of that relationship is amplified through soft keys, pillowy harmonies and some production effects that zip around the arrangement without ever spiraling out of control. It’s a collection of hushed moments, winding down into an understated finale; “Bubba” isn’t a holiday song, but works well within a season of spending more time with loved ones. – J. Lipshutz
Florrie, “Personal”
[embedded content]
With a new album due out next year, U.K. singer-songwriter Florrie has provided a stocking stuffer for longtime fans with “Personal,” a deeply felt account of a dissolving relationship that still finds the strength to be molded into uplifting indie-pop. “Your love, it cuts deep, but it hurts like hell,” she sings, the drums walloping as her voice echoes into silence; on a song that grasps for resolution, Florrie sounds assured in her craft and radiant in her delivery. – J. Lipshutz
Ratbag, “Rot in Love”
[embedded content]
“This world kinda sucks, so I made my own.” So reads the bio on Ratbag’s official Spotify page, which includes the handful of singles that have earned the new artist acclaim since arriving over the summer, as well as debut EP Why Aren’t You Laughing? “Rot in Love,” the highlight of the new project, speaks to the self-generation of that self-description, its jangly pop textures and shout-along vocals seemingly beamed in from a world that’s much more gleeful than our own. – J. Lipshutz
Sofi de la Torre, “It Weighs So Heavy”
[embedded content]
Innovative pop singer-songwriter Sofi de la Torre remains a must-listen anytime she returns with a new song or project, and “It Weighs So Heavy” closes out 2023 with a yearning cacophony that allows her emotion to slice through the vocal effects and fuzzed-out production. Following last year’s Cashflow & Tristesse album, let’s hope “It Weighs So Heavy” is a sign of more soulful pop coming from de la Torre in 2024. – J. Lipshutz
Kieran Ivy, “Get Out Of My House”
[embedded content]
The slinky, sexy bass that opens “Get Out Of My House” is so warm and inviting that it creates a perfect — and unexpected — point of contrast for what comes next. “Get out of my house,” pleads rising pop-rocker Kieran Ivy, who later delivers a fuzzed-out riff that amplifies his wailing blues. The song functions as a direct line into Ivy’s mind, revealing the kind of innermost thoughts that are usually never said out loud — but here, he gives permission to hold nothing back. — Lyndsey Havens
Brenn!, “Looking For”
[embedded content]
Soul-pop artist Brenn! could be headed for a major 2024. With “Looking For,” on which he shows off his impassioned, subtle rasp over swelling Americana production, the artist doubles down on a sound that prevailed throughout the year thanks to artists like Noah Kahan and Zach Bryan — yet Brenn! injects his own music with a Southern-pop sensibility that’s all his own. While he sings, “I don’t know what you’re looking for,” it seems he found all he needs to continue cutting through. — L. Havens
The Knocks & Sofi Tukker, “One on One”
[embedded content]
NYC dance duo The Knocks teams up with Floridian dance twosome Sofi Tukker for a funky fresh collab that skews a little closer to the former’s world, offering up a sprightly nu-disco banger that brings to mind early ‘00s Kylie Minogue. “Down baby, down baby, hey / it’s better when we wait,” commands Sophie Hawley-Weld before switching to Portuguese mid-song to complete the come-on. – Joe Lynch
Day Wave, “As You Are”
[embedded content]
Day Wave – the brainchild of Jackson Phillips – taps into his melancholic side with “As You Are.” The indie rock track is driven by somber guitar riffs and pensive lyrics to match, as he desperately attempts to hold on to the past ideal of a relationship (“My life, is speeding after you / And I want to slow it down) in spite of all signs pointing to dissolution (“You’re so calm, the way you talk around me / Is making us collapse”). – Starr Bowenbank
Rina Sawayama, “Flavour of the Month”
[embedded content]
After the rollout of Sawayama’s 2022 release Hold the Girl – which spawned not one but two social-media friendly tracks (“This Hell” and “Frankenstein”) – the Japanese-British singer-songwriter expanded the set as an end-of-year gift with two new tracks. “Flavour of the Month” holds onto the sickly sweet hooks of the LP while adding a 2000s twist by incorporating a crowd-pleasing treat (ice cream) and likening it to how she can no longer please her lover, much to her dismay. – S. Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Empress Of, Delilah Montagu, Ally Brooke and Dinah Jane and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Explore
See latest videos, charts and news
See latest videos, charts and news
Empress Of, “Femenine”
[embedded content]
This snappy single from Empress Of is a dance-pop treat on which she sings of knowing exactly what she wants — and refuses to settle for anything less. Delivered entirely in Spanish, Empress Of’s confidence-dripping delivery is complimented by a bass-heavy, sultry beat. If “Femenine” is setting the tone for what’s to come, then this next era is sure to be Empress Of’s most unwavering yet. – Lyndsey Havens
Lyn Lapid, “July”
[embedded content]
Rising pop artist Lyn Lapid pulled an unusual, though clever move with her latest single, “July.” On the airy track, she fitting recalls a summer romance — at a time when many in the states are approaching the dead of winter. As a result, a song so new feels so familiar, which is also credited to lyrics that allude to being 17, drinking out of solo cups and spilling secrets — essentially a starter pack for a teen approaching the next phase of their life, not yet knowing what they will soon be missing. – L.H.
Delilah Montagu, “Coffee”
[embedded content]
L.A. based singer songwriter Delilah Montagu has been releasing music since 2019, but her profile has grown drastically in the past year thanks in large part to dance phenom Fred Again… and his track “Delilah (Pull Me Out Of This),” on which Montagu features. “Coffee” shows a softer side in comparison, with the artist building upon her own harmonies and looped drum beat, resulting in a gorgeous and intimate track about the simple side of love, like — as the title suggests — bringing a partner coffee. – L.H.
Ally Brooke & Dinah Jane, “Have Yourself a Merry Little Christmas”
[embedded content]
The holiday season has brought a delightful mini-Fifth Harmony reunion: Ally Brooke and Dinah Jane have linked back up a few years after their 5H days for a soothing rendition of “Have Yourself a Merry Little Christmas.” The accompanying music video finds the longtime friends goofing around in festive pajamas, while also showcasing the soulful vocals that has helped their group’s tunes endure. – Jason Lipshutz
Tiny Deaths, “Take the Bullet”
[embedded content]
Singer-songwriter Claire de Lune has established herself as an NBA columnist, as well as spent time in an early 2010s group named The Chalice that also featured Lizzo; as Tiny Deaths, however, she flaunts a singular skill set, often operating over lilting pop arrangements. “Take the Bullet,” from new album Spirit of the Staircase, contains a percussive drive in addition to the ethereal production, as de Lune allows the instrumentation to stomp forward around her words. – J.L.
Mercury, “Woolgathering”
[embedded content]
“I’m overthinking / Just because I’m not used to being alone,” Maddie Kerr wails on “Woolgathering,” a gargantuan indie-rock meditation on still feeling unsettled when everything is going your way. Nashville band Mercury pull out all the stops to give their new track some extra heft, and while Kerr’s voice matches the guitar avalanche, the subtle glitches in the production play into the theme of something amiss, and highlight the song. – J.L.
Nailah Hunter, “Strange Delights”
[embedded content]
Need a pop song that celebrates the wonders of nature while also sounding like it was recorded outdoors? Nailah Hunter’s “Strange Delights” buzzes, caws and crows through the haze of its piano arrangement, with the Los Angeles-based multi-instrumentalist deploying her words sparingly; Hunter treats the song like a pastiche of sights and sounds meant to be remembered, and revels in the natural beauty. – J.L.
Ducks Ltd., “Hollowed Out”
[embedded content]
In the music video for the excellent new single “Hollowed Out,” Ducks Ltd. singer-songwriter Tom McGreevy sings the effervescent hook straight at the camera with stone-faced earnestness, as if presenting his latest findings from the indie-pop lab. That chorus is going to provoke plenty of tour-date bounce-alongs in the near future, and Toronto duo’s upcoming album Harm’s Way should be considered one of the most anticipated of 2024 if the rest can match this level. – J.L.
Kaytranada feat. Rochelle Jordan, “Lover/Friend”
[embedded content]
Wrapping up a highly successful 2023 with a double single, Kaytranada unveiled “Lover/Friend” with Rochelle Jordan and “Stuntin” with Channel Tres last week — and while “Stuntin” has its charm, the former track glows with an intoxicating rhythmic-pop urgency. Jordan exhales every syllable like she can’t wait to blurt out her passion, while Kaytranada bestows her with effortless dance-floor style, particularly on that finger-snapping breakdown. – J.L.
Middle Kids, “Bend”
[embedded content]
Middle Kids’ “Bend” starts out innocently enough, with the Sydney trio’s Hannah Joy confessing, “I am one bend away from a break” — but then the production erupts, her voice soars skyward, and the pressure that Joy is singing about becomes literal. The rest of “Bend” is can’t-turn-away catharsis, and Middle Kids end up with an anthem for anyone who’s at the end of their rope. – J.L.
https://open.spotify.com/playlist/25glNEGqyQ4K8CsqHYRMEg?si=a51236fa2bcc40d8
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Lauran Hibberd, Ariana and the Rose, Shygirl and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Shygirl feat. Cosha, “Thicc”
[embedded content]
“Thicc” thumps, ceaselessly and irresistibly, in the way that all great club music pulses through your veins; British producer Shygirl has experimented with dance’s pressure points throughout her career, but her new single featuring Cosha delivers a straight hit to the listener’s pleasure center. The track should be a staple of crowded dance floors in the coming months, as well as an immediate pick-me-up in your headphones after a long day. – Jason Lipshutz
Biig Piig, “Watch Me”
[embedded content]
“It’s a song to feel yourself unapologetically and to strut to,” Biig Piig explains in a press release for new single “Watch Me.” “Telling the world, ‘I am that bitch, watch me.’” While the Irish artist showcases that confidence in her commanding vocals on the track, “Watch Me” adopts an industrial whirr that turns hypnotic in its back half, particularly as the drums kick back in to emphasize the darkly lit, alluring production. – J. Lipshutz
Lauran Hibberd, “Mary”
[embedded content]
UK pop artist Lauran Hibberd has bulldozed her way back into our lives with three minutes of undeniable sunshine: “Mary,” a pop-punk anthem of the highest degree, swivels through hooks and blurted-out double-date details with aplomb, and Hibberd tosses out plenty of charisma along the way. Can the Warped Tour return solely for “Mary” to serve as its authoritative new soundtrack? – J. Lipshutz
gglum, “Easy Fun”
[embedded content]
Having recently signed to Secretly Canadian, gglum’s first few singles present a bold new vision of indie-pop, mixing guitar fuzz, sweetened hooks, classic emo flourishes and drum-n-bass undertones. “Easy Fun” takes a few listens to wrap its arms around you, but the attention to detail sets the track apart, with each moment containing carefully considered pieces of instrumentation moving in conjunction with each other. – J. Lipshutz
Ryder Beer, “Can’t Take It”
[embedded content]
Ryder Beer, the younger brother of Madison, makes an attention-grabbing studio debut with “Can’t Take It,” an emotionally charged slice of synth-pop that demonstrates his gentle voice and ability to attack spaces of silence within complex production. The highlight comes at the very end, as the track concludes with the dangling question, “Where do we go?”; Beer will provide an answer soon following this strong start. – J. Lipshutz
Crawlers, “Call It Love”
[embedded content]
British rock band Crawlers took off in 2021 thanks to their viral hit “Come Over,” and the British rock band has sustained momentum since; as it gears up for the February release of its debut album, The Mess We Seem To Make, second single “Call It Love” proves why. The aching alt-rock song sounds like how it feels to be the last pair on the dance floor — a sign of time well spent, and also of a bittersweet impending end. – Lyndsey Havens
Lloyiso, “I Hate That I Care”
[embedded content]
The latest from rising soul-pop artist Lloyiso is reminiscent of the 2010s amped-up electro-pop hits à la Disclosure’s “Latch” — and much like that song’s vocalist Sam Smith, Lloyiso possesses the same passion and soul that makes his vocal delivery all the more convincing, especially on lines like, “Don’t care if I lose / I’ll fight for you.” Just one listen is all it takes to believe him. – L.H.
Frost Children, “Marigold”
[embedded content]
Frost Children’s 2022 LP Spiral was a genre-hopping affair touching on electro-pop, hyperpop and bratty emo, but the sibling duo’s 2023 album Hearth Room is as soft and inviting as the furry pups on its album cover. Accessible doesn’t mean predictable, though, and songs like “Marigold” demonstrate that you can balance sweet harmonics with compelling sonic flourishes, creating sturdy indie-pop delights that deserve repeat listens. – Joe Lynch
Ariana and the Rose, “Cosmic Lover”
[embedded content]
As staccato, arpeggiated synths a la “I Feel Love” dance around the speaker channels, Ariana and the Rose urges you to “f—k the noise, come on boy” and hit the interstellar dance floor on “Cosmic Lover.” The video arrives with a remix from Initial Talk that transports you back to NYC’s famed Danceteria circa 1983 – a time-travel loop we’re happy to get lost in. “The music video, remixes and tour feel like a perfect way to close out this [Lonely Hearts Club] album, I cannot wait to be singing these songs with everyone at the shows,” says Ariana. – J. Lynch
Evanescence, “Breathe No More”
[embedded content]
Twenty years has passed since Evanescence released its 2003 debut, Fallen, and now a few vault tracks have been given their chance to shine amid the record’s 20th anniversary re-release. The newly remastered version of “Breathe No More” is one of them — originally relegated to a B-side, the piano-driven track channels the greatness of the tragic yet touching ballads “My Immortal” and “Hello,” allowing Amy Lee’s crystal-clear vocals to delicately soar over twinkling keys. Whereas the prior two tracks found Lee grappling with painful memories and death from a child’s point of view, “Breathe” is a hard look in the mirror following a toxic relationship, as Lee wonders if she likes the person she has become. – Starr Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Maisie Peters, Alec Benjamin, Yard Act, Baby Queen and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Explore
See latest videos, charts and news
See latest videos, charts and news
Samira, “Toxic”
[embedded content]
Pop newcomer Samira has spent the year releasing a string of increasingly promising singles, and “Toxic” bests them all by imbuing its entire runtime with a sense of danger, as the stormy percussion and the lyrical warning signs suggest trouble lies ahead with her bad-boy subject. “Toxic” doesn’t try to reinvent the wheel, but provides Samira with a new high-water mark. — JASON LIPSHUTZ
Yaeger, “Jaguar”
[embedded content]
Love Swedish pop? Dig into the latest confection from Yaeger, the impressive singer-songwriter who recently hopped on the latest album from fellow Swedes Icona Pop, and whose new single carries a similar sensation of Tove Lo’s best tracks. “Jaguar” feasts upon a killer synth riff (borrowed from downtempo electronic greats Boards of Canada), not backgrounding that hook too much as Yaeger’s voice drifts between vulnerability and ferocity. — J. Lipshutz
Kanii feat. Trippie Redd, “Sins (Let Me In)” Remix
[embedded content]
After dropping “Sins (Let Me In)” last month, Kanii has tapped Trippie Redd to flesh out its bleary-eyed, melodic bounce, and the remix is a match made in heaven. Trippie’s croon grounds the track in the middle of Kanii’s vocal flourishes, gripping the skittering beats until his voice fades out — but “Sins (Let Me In)” still has another minute of evaporating emotion before the curtain closes. — J. Lipshutz
CIL, “Bloodsucker”
[embedded content]
Plenty of pop artists try to stand out each and every week with dramatic vocal showcases, but CIL possesses the skill and confidence to pull it off. New single “Bloodsucker” is a snappy kiss-off with some muted strings, a quick guitar solo and a ghostly texture, but the instrumentation takes a backseat to her melismas, belts and snarling soul throughout the track. If you haven’t been following CIL yet, “Bloodsucker” will command your attention. — J. Lipshutz
Yard Act, “Dream Job”
[embedded content]
Yard Act’s 2022 debut The Overload demonstrated a modern understanding of classic post-punk, but the previews of 2024 sophomore LP Where’s My Utopia? suggest that the British rock group is ready to burst forward with new ideas. “Dream Job” funnels their talkier tendencies into a crowd-approved groove, with the band shimmying over the dance track with undeniable fervor and untamed personality. — J. Lipshutz
The Voidz, “Flexorcist”
[embedded content]
While The Strokes’ music often soars with live instrumentation — a hallmark of the group’s early garage rock revivalist sound, thanks to early releases Is This It and Room on Fire — Julian Casablancas’ side project, The Voidz, trades the crunchy guitar riffs and heavy drum beats for ’80s excess in new single, “Flexorcist.” The indulgent, nearly six-minute single sees the singer’s vocals sitting under a blanket of upbeat synths and keytar accompaniment as he casts an eye roll at a know-it-all (“What — you’re an expert?/ You read about it somewhere?,””It’s always something with you”) on the chorus. Talking Heads-inspired drum beats carry the song through its fade-out. — Starr Bowenbank
Wilderado feat. Matt Berninger, “In Between”
[embedded content]
In September, indie-folk band Wilderado released its first single of 2023 with “In Between.” Now, the band has tapped The National’s Matt Berninger for a cozy acoustic take on life’s in betweens. And while the lyrics seem to tell a sliver of a larger story, Berninger’s signature low range adds depth to the open-ended narrative — resulting in an engaging “choose your own adventure” listen. — LYNDSEY HAVENS
Alec Benjamin, “Different Kind of Beautiful”
[embedded content]
Pop singer-songwriter Alec Benjamin has returned with the creeping and complimentary “Different Kind of Beautiful.” Produced by duo Stargate, the single is the first taste of a new album coming next year. The moodier, Weeknd-inspired beat and elongated ending notes are evidence of what’s to come, with Benjamin confirming in a statement: “The song represents the start of a whole new chapter.” — L.H.
Maisie Peters, “You’re Just a Boy (And I’m Kinda the Man)”
Hailing from Maisie Peters’ seasonally appropriate new album The Good Witch, “You’re Just a Boy (And I’m Kinda the Man)” is a strummy, energetic tune that’s as much of a profession of love as it is a savage dunk on a romantic man-child. The influence of Taylor Swift looms large on this signee to Ed Sheeran’s Gingerman Records, but Peters’ deceptively sweet voice and sly humor gives it a distinct flavor. — JOE LYNCH
Baby Queen, “I Can’t Get My Shit Together”
[embedded content]
A perfect anthem for a frustrated Monday morning, “I Can’t Get My Shit Together” finds Baby Queen bellowing her frustrations in a staccato chant over a playful blast of synth-y indie-pop. The South Africa-born, London-based singer might not feel like it, but when it comes to crafting sub-three-minute bursts of pop pleasure, her s–t is very much together. — J. Lynch
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Kevin Abstract, beabadoobee, Griff and Bananarama will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of our favorite cool pop songs of this year.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Timbaland and Anna Margo, “My Way”
[embedded content]
Following a buzzy Nelly Furtado/Justin Timberlake collab, Timbaland teams with an L.A. singer by the name of Anna Margo for “My Way,” a funky slow-burner that samples elements of his iconic Aaliyah production “Are You That Somebody.” Goes without saying that this baby-boosted reimagining isn’t gonna replace the original, but it’s still a delightful spin. – Joe Lynch
UPSAHL, “No Hands”
[embedded content]
Taken from Side A of UPSAHL Presents: The PHX Tapes, “No Hands” shows UPSAHL weaving a seductive, spooky tapestry of dark-pop that suits the season. “I wanna be cold, I wanna be hard, I wanna be ruthless / I wanna be hot, I wanna be soft, I wanna be stupid,” the singer-songwriter moans on a bridge that’s almost as much fun as the anthemic chorus. – J. Lynch
Moyka, “Never Say Sorry”
[embedded content]
Norwegian pop star Moyka’s new album Movies, Cars and Heartbreak features plenty of flourishes that demand a close listen — chief among them the moment on standout track “Never Say Sorry” in which the drums crash in to throttle the chorus, adding depth to an atmospheric track. “Never Say Sorry” finds Moyka comparing her relationship to a cinematic romance, but the hook here delivers plenty of real-life drama. – Jason Lipshutz
Griff, “Into the Walls”
[embedded content]
“Today, I think I’ll disappear into the walls / Only for a day or two, at most,” Griff declares on “Into the Walls,” an ode to wanting to escape main-character status and watch the world without emotional response. With its relatively sparse production, “Into the Walls” could have been an icy affair, but Griff’s voice animates the environment, floating from withdrawn to impassioned with self-assured skill. – J. Lipshutz
Kevin Abstract, “What Should I Do?”
[embedded content]
Throughout his time in Brockhampton, Kevin Abstract always demonstrated a confident handling of pop hooks, and the solo single “What Should I Do?” (which precedes new album Blanket, out next month) features a full commitment to that melodic craft: the guitar strums, chirping backing vocals, Auto-Tuned singing and sunny instrumental breaks swirl into a wholesome, almost twee product. “What Should I Do?” shimmers with light and affection, a powerful sign of what else might be coming. – J. Lipshutz
Bananarama, “Feel the Love”
[embedded content]
Bananarama will always be known for ‘80s staples like “Cruel Summer,” “Venus” and “I Heard a Rumour,” but “Feel the Love” allows Sara Dallin and Keren Woodward an opportunity to bring their spirit into a new pop era with bright colors and sweeping synth movements. The single never flags in pace across its run time, as Bananarama’s shiny harmonies encourage longtime fans and new listeners to flood the dance floor. – J. Lipshutz
The Veronicas, “Perfect”
[embedded content]
Australian sister duo The Veronicas have successfully hoisted their winning pop-rock formula from the mid-2000s and plopped it into the 2020s — first with their back-to-back 2021 albums Godzilla and Human, and now with “Perfect,” the proud middle-finger lead single from next year’s Gothic Summer album. Created with John Feldmann and featuring Travis Barker on drums, “Perfect” rejects social norms with guitar chugs and calls to “F–k designer / Start a riot!” – J. Lipshutz
beabadoobee ft. Laufey, “A Night To Remember”
[embedded content]
Indie singer-songwriter beabadoobee and modern jazz breakout Laufey sound like long-lost sisters on the sultry “A Night To Remember.” The way in which they bring their distinct personalities to this song, yet manage to harmonize in gorgeous synchronicity, makes this team-up just as memorable as the night they sing of. – Lyndsey Havens
MK.gee & Two Star, “Are You Looking Up”
[embedded content]
“Are You Looking Up” may sound familiar to some (speaking to you, indie-alt fans) thanks to the intentionally strained, lo-fi vocals, but make no mistake — the artist known as Mike Gordon is paving his own path. Gordon made waves in 2021 as a key member of Dijon’s band, working on the artist’s breakout debut album Absolutely. Now, Gordon — as Mk.gee — along with Two Star is building on that creative foundation and creating a world all his own. – L. Havens
Barry Can’t Swim, “Always Get Through to You”
[embedded content]
Electronic artist Barry Can’t Swim delivers a dance-pop jam with “Always Get Through to You,” complete with a slinky bass line and repeated falsetto that elicits the question: “Can I always get through to you?” There’s a subtlety in the way the title drops any sense of question, arriving as a self-assured statement, only for the song itself to unpack that uncertainty — as if the artist is trying to win the “you” in question over with each twinkling beat. – L. Havens
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
Explore
See latest videos, charts and news
See latest videos, charts and news
These 10 tracks from artists including Blu DeTiger with Mallrat, Lauren Mayberry, Mckenna Grace and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Blu DeTiger featuring Mallrat, “Cut Me Down”
[embedded content]
Both Blu DeTiger and Mallrat have an abundance of self-assuredness — and when they join forces, it becomes impossible for anyone listening not to catch their confidence. On “Cut Me Down,” a dizzying pop song built around a groovy and defining bass riff, the two trade verses about no one being able to bring them down. Who would dare try? – Lyndsey Havens
Desire Marea, “The Only Way“
[embedded content]
South African artist Desire Marea was formally trained as a traditional Nguni spiritual healer — and his music is proof enough, with his soulful, feel-good approach. “The Only Way” previews an upcoming EP, The Baddies of isandlwana, out Nov. 9, and makes clear that for Marea, “the only way” he knows how to create is with a larger mission in mind. – L.H.
Allie X, “Black Eye”
[embedded content]
Creating a haunting pop song is light work for Allie X, but the Canadian auteur employs larger-than-life synthesizers — somewhere between the opening thumps of New Order’s “Blue Monday” and the hybrid of eastern European post punk/new wave — to create an ’80s-inspired gothic adventure on “Black Eye.” A solid addition to any Halloween playlist, this track sees the singer boldly embracing her pain and daring the listener to flinch at her lack of response. – Starr Bowenbank
Chelsea Cutler, “Loved By You”
[embedded content]
On a song that reflects on personal growth and identity within the context of a world-stopping global pandemic, Chelsea Cutler demonstrates the evolution that she’s experienced as a vocalist and songwriter. “Loved By You,” a highlight of new album Stellaria, finds Cutler sinking comfortably into each new thought and attacking the chorus with a persuasiveness that matches the track’s booming drums. – Jason Lipshutz
Lauren Mayberry, “Shame”
[embedded content]
“Shame” may be Chvrches star Lauren Mayberry’s second solo single following last month’s ballad “Are You Awake?,” but the new track feels like the start of a fresh, compelling stance: as she sings about internalized shame during different phases of her life, Mayberry navigates a shape-shifting soundscape, electronic zaps and fire-off vocal jabs buckling into stripped-down harmonies. The song is designed to shake Mayberry’s listener awake, and as both a standalone track and representation of her solo prospects, “Shame” succeeds. – J.L.
Wild Arrows, “Got to Know”
[embedded content]
New York singer-songwriter Mike Law is best known for his work with EULCID and New Idea Society, and created Wild Arrows as a means of releasing solo work quickly and efficiently. With that in mind, new single “Got to Know” possesses an effortless snappiness that sounds dreamed up in a matter of minutes — but listen closely, sniff out the string plucks and stray riffs, and you’ll realize how much work went into making a song this immediate. – J.L.
Madi Diaz, “Same Risk”
[embedded content]
Although Madi Diaz has opened for Harry Styles’ arena shows and is spending this month playing to large crowds in support of My Morning Jacket, “Same Risk,” which precedes her 2024 album Weird Faith, proves that she hasn’t lost an ounce of the intimacy at the center of her 2021 full-length History of a Feeling. “Same Risk” confronts relationship messiness with blunt emotion and musical vulnerability — a few sounds creep into view to join Diaz’s honest vocals and guitar strums, but never enough to overwhelm her words. – J.L.
Mckenna Grace, “Catch Me”
[embedded content]
“Why’d you make me fall if you weren’t gonna catch me?” McKenna Grace demands on the resplendent new single “Catch Me,” after the 17-year-old singer-songwriter has listed off the sparks of romance that went unrequited and dreams of a future that will never be fulfilled. Grace’s new EP, Autumn Leaves, ruminates on young heartbreak, and “Catch Me” best distills her talents as a storyteller and creator of woozy, richly textured pop. – J.L.
Cafuné, “Shadowboxing”
[embedded content]
Cafuné’s new EP, Love Songs for the End, may have been intended to soundtrack the finales of various life journeys, but Sedona Schat and Noah Yoo sound like their blissful mix of alt-rock and bedroom pop is just getting off the ground and morphing into something truly meaningful. “Shadowboxing” continues their upward trajectory, all sun-kissed harmonies and the type of elongated syllables that will work well in summer festival crowds. – J.L.
Yumi Zouma, “Be Okay”
[embedded content]
The moment that “Be Okay,” the latest single from New Zealand indie-pop mainstays Yumi Zouma, flares up musically is the same moment that the bitterness at the heart of the lyrics boils over into anger: “You crush me,” Christie Simpson wails, as the guitars bubbling beneath her voice rise up into a tidal wave. Yumi Zouma have traded in dreaminess for years, but “Be Okay” is a nice reminder that the quartet can handle fury, too. – J.L.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Kenya Grace, Jaden Hossler, Marian Hill and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist with all 10.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Kenya Grace, “Only in My Mind”
[embedded content]
Instead of resting on her laurels and basking in the recent success of “Strangers,” which exploded on TikTok last month and yielded a Hot 100 debut, Kenya Grace has moved on to showcase how her gentle approach to propulsive dance music sounds in another setting. “Only in My Mind” gestures at the drum-n-bass exploration of “Strangers,” but places Grace’s lilting voice over a beat that thumps harder and within a tempo that’s a bit more breathless, resulting in another beguiling groove from the new star. – Jason Lipshutz
Spencer Barnett, “Swank”
[embedded content]
Singer-songwriter Spencer Barnett has been relatively quiet since his 2020 EP I’m Fine, but new single “Swank” is effortlessly appealing enough to justify the wait. The guitar and bass creep around each other and create an air of pop-rock relaxation, while Barnett’s honeyed tone perfectly matches the production’s haze — he soothes the listener, and then leaps out of the speaker, to prevent “Swank” from becoming background noise. – J. Lipshutz
Miki Ratsula, “What Would the Neighbors Think?”
[embedded content]
“I hate how you wait till its almost too late / To tell me you love me,” Miki Ratsula confesses on the heartbreakingly sad “What Would the Neighbors Think?,” which provides a glimpse at the quiet emotional devastation contained within the confines of a family home. Ratsula has a knack for plainly addressing towering feelings, and they imbue every inch of “What Would the Neighbors Think?” with tender detail, each line stacked atop the one that preceded it upon a foundation of long-gestating hurt. – J. Lipshutz
Claire Rosinkranz, “Swinging at the Stars”
[embedded content]
“Swinging at the Stars,” the new single from Claire Rosinkranz’s just-released album Just Because, hints at becoming an anthem of personal ambition — “We’re just looking for a good life / Swinging at the stars,” the chorus opens — but the song is actually a rollicking take on sharing every facet of life’s tapestry with a special someone, sung with a brightness and grandeur befitting the 19-year-old singer-songwriter. Rosinkranz’s voice is multiplied to provide “Swinging at the Stars” more heft, but she’s able to convey a delightful breeziness throughout its run time. – J. Lipshutz
Zada, “Sweet Things in Life”
[embedded content]
Celebrating the “Sweet Things in Life” on her latest song, Zada reminds us that variety is the spice of those sweet things by crafting a mix of sparkling neo-soul, acoustic flourishes and romantic synths. The Ethiopia-born, Canada-based singer tosses and turns between determination and uncertainty, all while her dulcet tones carry the listener along her personal journey. – Joe Lynch
Feid and ICON, “FERXXO 151”
[embedded content]
Colombian star Feid teamed with production duo ICON for this sunny and uptempo track, and together, the trio created a soundtrack for a worry-free fling. While the lyrics are a bit eyebrow-raising as Feid sings of all the ways in which his love interest is irresistible, the beat matches his energy with a cadence that’s instantly catchy. – Lyndsey Havens
Royel Otis, “Fried Rice”
[embedded content]
Last week, Australian pop duo Royel Otis announced its upcoming debut album Pratts & Pain, arriving in February 2024. Lead single “Fried Rice” captures an early-2000s indie pop-rock sound with lo-fi vocals layered under driving drums and a repeated riff, all of which combine for a hummable chorus in which the word “I” extends for three syllables across three notes. It’s easy to imagine this one soundtracking an episode of The O.C. – L.H.
Cosmo’s Midnight feat. Shungudzo, “Gimme Some More”
[embedded content]
Twin brothers Cosmo and Patrick Liney comprise the Aussie electronic-pop duo Cosmo’s Midnight, and on the shimmering, feel-good “Gimme Some More,” they tapped singer Shungudzo to drive home the sentiment that “enough is not enough” when it comes to the person you love. A song as giddily fun as this demonstrates that sometimes there’s no such thing as too much of a good thing. – L.H.
Jaden Hossler, “Chrome Hearted”
[embedded content]
After teasing a name change and new musical direction on social media, the pop-punk artist formerly known as jxdn finally revealed what he’s been up to: released under his birth name Jaden Hossler, his new single “Chrome Hearted” is a trash-talking pop-trap song. Here, Hossler puts his vocals more front and center than they ever have been before — and hopefully, that’s where they will stay. – L.H.
Marian Hill, “You Were Always Sure”
[embedded content]
Jazz undertones have always been present in Marian Hill’s sound, but new single “You Were Always Sure” sees the group amplifying those notes even further. The electronic foundation of the duo duo (Samantha Gongol and Jeremy Lloyd) remains present, showing up as sparse synths that act as the beating heart throughout the track in combination with twinkling piano keys, while Gongol’s vocals swell into lush harmonies as she tells a tale of an uneven romance. – Starr Bowenbank
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
These 10 tracks from artists including Oliver Tree, Voxtrot, Ally Brooke, Mae Muller and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.
Mae Muller, “Nervous (In a Good Way)”
[embedded content]
On the back half of Mae Muller’s debut album Sorry I’m Late is the sort of scintillating songwriting showcase that demonstrates the North London native’s skill set: “Nervous (In a Good Way)” features a workout tempo and a sighing hook, but really shines in the blurted-out verses, in which Muller recounts the breathless, exciting jitters of young infatuation. “Better Days” nodded at Muller’s crossover appeal, but “Nervous (In a Good Way)” hints at the storyteller she could become. — JASON LIPSHUTZ
Ally Brooke, “Gone to Bed”
[embedded content]
“Gone to Bed” simmers with temptation, as Ally Brooke declares, “Ain’t no point is could’ve would’ve should’ve,” while still ruing the decision not to just call it a night before giving in to poor choices; her voice dances around the thumping percussion and electronic atmosphere, with longing in each extended syllable. As she continues her post-Fifth Harmony solo output, Brooke is more than equipped to imbue a club track like “Gone to Bed” with proper emotion. — J.L.
Eaves Wilder, “Freefall”
[embedded content]
Beneath its crunchy shoegaze exterior, Eaves Wilder’s “Freefall” contains bright streaks of hedonistic pop, with the power chords soundtracking coos of, “Hey, I want everything/ I want it all/ Never ever ever ever ever ever ever less.” Wilder lets go of pretense on “Freefall,” but remains in control of its layered sound and uncompromising point of view, resulting in an anthem that sneaks up on you. — J.L.
Presley Regier, “Have Your Way”
[embedded content]
A teenage producer who’s already rubbed elbows with the likes of Ryan Tedder, Louis Bell and Frank Dukes, Presley Regier makes a compelling opening statement with his newly released Run EP, highlighted by the strolling, subtly affecting “Have Your Way.” Regier’s light, yearning vocals are paired well with the snappy percussion, but the vocals arranged on top of one another stand out — you can tell that “Have Your Way” is being driven by a savvy studio tactician. — J.L.
Voxtrot, “Another Fire”
[embedded content]
The blog-rock era wouldn’t have been the same without the soothing indie-pop of Voxtrot, and after last year’s reunion tour, “Another Fire” represents the band’s first new song in 14 years. Fortunately, the formula still works: Ramesh Srivastava’s voice remains warm and animated, the group still specializes in heartfelt arrangements, and when that second chorus (complete with strings!) hits, you’ll feel like it’s 2006 all over again. — J.L.
Diljit Dosanjh, “Feel My Love”
[embedded content]
Diljit Dosanjh — an Indian singer-songwriter and actor — has been a staple in punjabi music for over two decades. His 14th studio album, Ghost, arrived Sept. 29 and included the dance-pop track “Feel My Love,” on which Dosanjh questions over a gleaming beat, “Can you feel my love for you?” The album follows a one-off collaboration with Colombian star Camilo, perhaps indicating more exploration to come. — LYNDSEY HAVENS
Oliver Tree, “With You”
[embedded content]
To coincide with the release of his third studio album, Alone in a Crowd, Oliver Tree is promoting the retro-sounding “With You,” complete with a self-directed music video. And while the on-brand visual leans into his humor, when taken on its own the song sees the artist at his most sincere as he sings about “staring in your eyes, losing track of the time” and wanting this love to last forever, making it easy to see this song soundtracking the pivotal change of heart seen in a coming-of-age film. — L.H.
Julie, “Catalogue”
[embedded content]
Grunge-pop trio Julie is taking its time building a catalog but considering how hard each of its few songs hit, fans seem perfectly fine to wait for more. The latest from the Los Angeles based act, “Catalogue,” is no exception, with its whirring, fuzzy riffs and racing, full-bodied drumming — all of which vocalist-guitarist Keyan Zand commands with a steadying, almost monotonous tone, creating a captivating contrast of sounds and tempers. — L.H.
Two Door Cinema Club, “Sure Enough”
[embedded content]
Just one year since the release of their 2022 effort, Keep On Smiling, Two Door Cinema Club is back and keeping the energy as high as the clouds with new single “Sure Enough.” Recalling the ’80s-inspired, angular synths of the band’s 2019 release, False Alarm, and the plucky guitar work of debut with Tourist History, members Alex Trimble, Sam Halliday and Kevin Baird sound tighter than ever as they leap and bound into a potential new era. — STARR BOWENBANKEmpress Of feat. Rina Sawayama, “Kiss Me”
[embedded content]
Empress Of enlists Rina Sawayama on “Kiss Me,” and the choice is a sound one — the track’s instrumental straddles the line between bubbly and ethereal, a choice that allows both vocalists to shine. Sawayama feels like a breath of fresh air as she floats over the second verse, asking the object of her affections to “Just touch my lips and pull my hair/ To come with you, I’d go anywhere,” before rejoining Empress to plead for intimate kisses. — S.B.
Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.
These 10 tracks from artists including Chappell Roan, Bleachers, Kylie Minogue and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of our favorite cool pop songs of this year.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Chappell Roan, “Super Graphic Ultra Modern Girl”
[embedded content]
On paper, Chappell Roan’s “Super Graphic Ultra Modern Girl” represents an eyeroll, as the rising pop star dismisses another bad date with “fugly jeans” and swears off lame dudes altogether. In practice, though, the song is ecstatic: the best track on Roan’s striking debut album The Rise and Fall of a Midwest Princess blasts off following its conversational opening verse into the electro-pop stratosphere, and when the beat kicks in on the back half of the chorus, trying to resist one of the year’s most giddy pop moments is a losing game. – Jason Lipshutz
Dylan, “Rebel Child”
[embedded content]
The guitar snarl of Dylan’s new single “Rebel Child” harkens back to latter-period garage-rock revival, when bands like The Hives and Jet were still soaking up radio spins and commercial synchs — but the rest of the song swerves into a satisfying pop lane full of “woo-hoo” refrains and anti-hater messaging. When Dylan declares, “Oh, baby, I can’t lose, my drum is beating harder,” as the percussion picks up on the chorus, “Rebel Child” reaches a new, synergistic height. – J. Lipshutz
Bleachers, “Modern Girl”
[embedded content]
Anyone who’s caught a recent Bleachers show understands that, when Jack Antonoff isn’t helping mold some of biggest pop albums in recent memory, he and his band mates are putting on gleefully raucous performances; “Modern Girl,” the lead single to their upcoming fourth album, bottles some of that onstage energy and brings it back into the recording studio. In between saxophone struts and a wall-of-sound hook, Antonoff’s voice settles nicely into a rapid-fire cadence, each syllable flush with jittery passion. – J. Lipshutz
Yeule, “Cyber Meat”
[embedded content]
While Yeule’s 2022 album Glitch Princess, which focused on disassociating with the natural world, featured a daringly synthetic approach to pop, the newly released softscars tries to untangle the various complexities of humanity with an alt-rock edge. “Cyber Meat” is a standout from the new album precisely because it’s something we haven’t heard from Yeule before: as they masterfully deploy hooks over crashing drums and bleary guitar, they sound fearless, and have us wondering where else they might go next. – J. Lipshutz
Slaughter Beach, Dog, “My Sister in Jesus Christ”
[embedded content]
The entirety of Slaughter Beach, Dog’s new album, Crying, Laughing, Waving, Smiling, contains a bright indie twang that will make a lovely autumn-sunset soundtrack this season — although the lyrics of the rollicking standout “My Sister in Jesus Christ” might jump out from the background and grab your attention. Jake Ewald’s songwriting touches upon My Chemical Romance, blue Gatorade, a snakeskin purse and “dirty emails on AOL” — and that’s just one of the verse — but does so with a smile and a wink, each reference grabbing your attention without becoming too intrusive. – J. Lipshutz
JP Saxe, “Anywhere”
[embedded content]
JP Saxe has described “Anywhere” as one of his favorite songs that he’s written to date, and it’s easy to understand why: the piano ballad functions as a lullaby but never dips into the maudlin, with Saxe soothing his subject that, while he may be away from home, he’s going to be back soon enough. A song like “Anywhere” is tricky to pull off without sounding saccharine, but Saxe lowers his voice to a gentle embrace instead of a showy bellow, making his words all the more relatable. – J. Lipshutz
Brent Faiyaz, “WY@”
[embedded content]
Over the soft, insistent tap of an 808 and multi-layered, almost unearthly harmonies, Brent Faiyaz sings of a poisonous lover who’s too alluring to let go: “You take on my ability / You’re the death of me and the remedy.” Just like the subject of “WY@,” the pull of this soulful slow-burn is hard to turn down, and easy to get lost in. – Joe Lynch
Kylie Minogue, “Green Light”
[embedded content]
Hailing from Kylie Minogue’s excellent new LP Tension, “Green Light” is a bouncy, bright bop that finds the Aussie pop queen singing her verses in a soft, ping-pong staccato before the disco-inflected chorus takes over. And that smooth sax solo? Just icing on the top of this delicious confection. – J. Lynch
Coco & Clair Clair, “The Hills (feat. DEELA) – George Daniel Remix”
[embedded content]
Life’s a party for Coco & Clair Clair on “The Hills,” but the party gets dialed up to 100 with the track’s George Daniel (of The 1975) remix – the chill, house vibes of the song swapped for bouncy U.K. club beats. The duo, whose voices are pitched and sped up in Daniel’s version of the song, hop around from event to event, but ultimately can’t help but think of the object of their affections in the inevitable down moments that come with a busy week spent without their love. – Starr Bowenbank
Slayyyter, “I Love Hollywood!”
[embedded content]
Slayyyter’s sophomore effort, STARF–KER, tells the tale of gritty nightlife and the dark underbelly of fame over high octane, maximalist production for 35 minutes straight. Listeners are thrust into her world upon hitting play on the album’s indulgent introductory track, “I Love Hollywood!” — bright lights, drug-filled parties and brushes with controversial pop culture icons are just a sliver of the trouble Slayyyter wraps herself up in, but she doesn’t mind one bit, so long as she remains the well-dressed, enviable center of attention. – S.B.