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Carlos Santana, a living legend in global music, hardly needs an introduction. With nearly eight decades under his belt, his influence continues to ripple across generations of artists and fans alike.
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Now, his artistry intertwines with Grupo Frontera in “Me Retiro,” a Tex-Mex rock collaboration that celebrates resilience and emotional rebirth, with Santana stepping in as both a musical sage and spiritual guide.
The song, produced and co-written by Edgar Barrera, tells the story of someone trying to move past the pain of a broken relationship while grappling with an overwhelming sense of emptiness. Musically, “Me Retiro” blends Santana’s unmistakable electric guitar melodies — dizzying and immersive — with Grupo Frontera’s signature tejano acoustic style, where, instead of the accordion, Santana’s guitar takes center stage. The “Black Magic Woman” artist uses his electrifying rock riffs to elevate the track to a more dynamic level, while Frontera’s Texan instrumentation grounds it in the cultural and emotional roots of norteño.
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In a Zoom interview with Billboard Español, Santana reflects on the essence of the song and his connection to its message. “It’s about someone who doesn’t see themselves as a victim,” he said. “There are so many songs I didn’t like growing up, about people getting drunk and crying, like, ‘Oh, they left me, they’re gone.; That music is so depressing, and I don’t think that way — I’m a lion. If my woman leaves, let her go, I’ll find another queen with even more light. I have very strong faith, and I relate to Frontera’s lyrics because they’re basically saying, ‘I don’t give a damn.’
“I came into this world to transcend,” the musician concludes. “I’m a gardener, and my water is for all the flowers.”
Barrera was the bridge between the iconic guitarist and the Texan-Mexican group. For the producer and songwriter, this project marked a pivotal moment in his career. “It was a very special moment for me to be able to work with Santana because the first song I ever learned how to play on the guitar was ‘Samba Pa Ti’ and I played it in a talent show when I was 10 years old,” shares Barrera. “He is one of the main reasons I fell in love with music and he’s always been one of my idols so this was truly a full circle moment in my career and I’m honored that he agreed to collaborate with me.”
The creative process was just as meaningful for Grupo Frontera, whose members are still reflecting on the unforgettable opportunity to work with a musical legend. “It’s always a surreal moment when you get to collaborate with people you’ve looked up to your whole life,” said the band via email. “Edgar Barrera told us that Santana wanted to make a song together and we were shocked. Being in the same room as him, watching him work, we were speechless. We learned a lot from the experience.”
For Santana, the project felt authentic and aligned with his own musical style, creating a natural connection with Grupo Frontera. “They have so much energy and joy and I really relate to that,” Santana says. “If you break down where their music comes from, it’s African music. It’s blended with northern Texas and Mexican influences, but its foundation — just like Selena’s cumbia — is rooted in African music, and that’s something I can express very naturally.”
Despite his recent health challenges, 77-year-old Santana says he’s ready to keep sharing his magic with the world. “Thank God, I’m better than ever. I’m ready to go on tour and bring this strength and hope to people,” he says.
For him and his unmistakable guitar, the mission has always been clear: to inspire others with a “pinch of light.”
Listen to “Me Retiro” by Carlos Santana and Grupo Frontera below.
Officials with Forest Hills Stadium in New York have successfully saved their 2025 concert season from cancellation and announced a slate of programming at the stadium that begins with a concert on Saturday night (May 31) from British band Bloc Party.. Explore See latest videos, charts and news See latest videos, charts and news NYPD […]
Bianca Oblivion had earned a degree in public health from Yale, a masters degree in epidemiology from UCLA and another masters in medical anthropology from Boston University, but what she really wanted to do was DJ.
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Growing up in a music loving family, the Los Angeles native immersed herself in city’s the sprawling music scenes as an adolescent and teen, while also taking dance classes in myriad styles. The love of music was just in her, and it went with her to Yale, where she was the music director for the school’s radio station and also hosted her own show.
Back in LA after graduating from Yale, she got another radio show on KXLU, then one night a friend asked if she wanted to spin at a nightclub in the city’s Culver City neighborhood. While she’d never played for a live crowd, she gathered her records, put some songs on an iPod and played the gig.
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“That was it,” she says. “After that I was like, ‘I need to do this more.’”
Her academic pursuits also continued in tandem, and at school in Boston, she immersed herself in the city’s club scene to the extent that by 2014, she’d been nominated for a DJ of the year award by a local paper. “I very much had these parallel paths and sides of me that that I was somehow balancing,” she says.
But after ultimately earning a trifecta of prestigious degrees, “my job search was not really panning out,” she says. “I wasn’t finding anything I was interested in or seeing how I was going to make these degrees work.”
Again back in L.A., she took a job as a substitute teacher, finding the flexibility of the gig made it possible to play shows. Making it all work, however, required some juggling. When she DJ’d for Princess Nokia at Coachella 2018, she graded papers in her backstage trailer before the show.
The same hustle that’s required to achieve so much in academia has also defined Oblivion’s musical career, which is reaching new levels following the pandemic as she’s focused more and more on her own productions and booked gigs around the world. She signed with the European agency Three Feet High in 2018 and released her first single in February of 2020, with the intention of doing a substantial European club run that summer.
This was, of course, weeks before nightclubs around the world shut down during the pandemic.
But instead of quitting, Oblivion used the global downtime to hone in on making music, without having to care whether or not it was getting played out. “It’s daunting,” she says of learning to produce. “It was not easy, especially while seeing a lot of my friends around me and peers in the scene just flying with that. It was like ‘What am I going to do? How am I even gonna add to this?’”
But with time and tenacity, she carved out a sharp and clubby signature sound that melds techno, bass, drum & bass and a host of other genre. She also developed an email list, organizing her career-related data in precise spreadsheets. (“That is where the training in school and data management came in very handy,” she says.) When the world reopened, she was well positioned.
“Since the pandemic my career has really accelerated,” she says. “I’ve gotten to play in venues and festivals I hadn’t even thought I would.”
Bianca Oblivion
Courtesy of Bianca Oblivion
These gigs include the U.K.’s famous Glastonbury, where she’ll play for the third time next month, a pair of Boiler Room sets, one a b2b with her good friend and fellow DJ Jubilee, and many other events across the U.S., Europe, Brazil and beyond. When speaking to Billboard over Zoom, Oblivion is just about to play a set in London, where she spends a lot of her time and finds inspiration in the cultural and musical diversity.
The next day, she’s playing 6,000 miles away in San Diego, and the day after she’ll do a set at Lightning in a Bottle near Bakersfield, Calif. Her summer schedule includes Shambhala, Dirtybird Campout x Northern Nights, Toronto’s Sojourn Festival and Belgium’s Rampage Open Air.
Oblivion is very aware that her rookie status is one of gradually getting in front of more and more people over the years, rather than the rocket ship of virality. She’s cool with that.
“Sometimes people win the DJ lottery,” she says. “They get a viral moment, or they know the right somebody, or there’s something that pushes them a bit further and accelerates them. I’m not one of those people.”
But “I’m not complaining,” she continues. “I’m built for this in terms of where I came from and my work ethic, getting into more than one Ivy League school. I just set my mind to something and I’m relentless, not in a business shark way where I’m going to stomp on everyone in my path. More like, ‘What can I personally do to make sure I cover every single thing I can to get to that point?”
The grinding has obviously paid off. While it was only a few years ago that she was figuring out how to make music, Oblivion’s releases are ever tighter, fiercer and more stylish. Her latest release, February’s Net Work EP, features four inventive and frequently hard-hitting productions that feature collaborators including Lunice, Machinedrum and Sam Binga. Her forthcoming single is a baile funk track with British dancehall duo RDX, with it’s release date yet to be announced.
“In every industry, there’s going to be people who are going to jump the line or jump ahead, and that’s just what it is,” she says. “The only way to mentally deal, I think, is just to ask myself what I’m contributing. Why am I doing this? Is it because I want to get the best gigs or make the most money? No. I’m doing this because I live music This is my life. This is what I’ve been connected to since I was a child. So I’m going to make music and do stuff that’s going to fulfill me and add to the world that I love.”
The pursuit is also now paying off in ways that even this extremely educated artist didn’t imagine.
“People have come up to me at shows, especially young women, and they tell me they look up to me and like my music. I didn’t have that kind of role model as I was coming up as a DJ, at least not in the same way, so I’m just honored that people are even seeing me as a role model.
“Maybe I’m not that hot new DJ that’s touring everywhere,” she continues. “But obviously if my music is making a difference, and if just by existing in these spaces I can be someone that people look up to and see ‘okay, I can do this too,’ then that means something.”
Sean “Diddy” Combs‘ sexual trafficking and racketeering trial continued this week with explosive testimony from a former assistant who tearfully took the stand and levied serious allegations. The assistant, known only to the court as “Mia,” delivered shocking details alleging that Diddy sexually assaulted her several times and that she lived in fear of the mogul.
As spotted in Deadline and Complex, a woman who worked as an assistant to Sean “Diddy” Combs rose to the ranks of a high-ranking official in Combs’ Revolt Films. However, the ascension came with a series of conditions that, while alleged, were shocking in their descriptions.
Referred to as “Mia” throughout her testimony, the woman says she began her working relationship with Diddy in 2009, and that he initially greeted her in his underwear in their early days of working together. From there, Mia says she endured several alleged offenses, including rape, assault, abuse, all delivered under Combs’ rigid demands of obedience and around-the-clock working demands.
“It’s the most traumatizing, the worst thing that’s ever happened to me,” Mia said of the rape, assault and workplace abuse. “I was going to die with this, I didn’t want anyone to know ever.”
Mia was asked by prosecutors if she ever rebuffed any of Combs’ advances, to which she explained that she felt powerless to do so.
“I couldn’t tell him no about a sandwich,” Mia answered. “I couldn’t tell him no about anything. “
She continued, “There was no way I could tell him no, because then he would know that I thought he was doing was wrong, and then I would be a target. He would fire me and ruin my future and somehow twist the story into making me look like a threat. I knew his power, and I knew his control over me, and I didn’t want to lose everything that I worked so hard for or this like world that was the only thing that I had anymore.”
Mia was expected to face Sean “Diddy” Combs’ defense team, which involves cross-examining the witness today (May 30).
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Photo: John Lamparski / Getty
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In her letter on Friday (May 30) announcing she achieved a long-time goal of owning the master recordings to all of her songs, Taylor Swift described herself as “endlessly thankful” to the private equity firm Shamrock Capital that sold Swift their holdings of her early music. In fact, Swift is “so grateful to everyone at Shamrock” that she jokingly said her “first tattoo might just be a huge shamrock in the middle of my forehead.”
Swift has not always spoken so warmly about the California-based investment firm — until they struck the deal she says she’d been seeking for years.
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When news broke in November 2020 that Shamrock Holdings purchased Swift’s Big Machine Label Group catalog from Scooter Braun’s Ithaca Holdings — marking the second time in 17 months that Swift’s first six albums had changed hands — the superstar said “it was the second time my music had been sold without my knowledge.”
In a letter Swift wrote to Shamrock Holdings at the time, which she shared on Twitter, she said she was initially hopeful for her “musical legacy and our possible future together.” But she said she could not partner with them because of certain undisclosed terms that Swift said would enrich Braun, related to her “music masters, music videos and album artwork.”
“I simply cannot in good conscience bring myself to be involved in benefiting Scooter Braun’s interests directly or indirectly,” Swift wrote in the letter.
Braun, who has disputed many of Swift’s assertions in the past, said simply on Friday (May 30), “I am happy for Taylor.”
In Shamrock’s statement after announcing its acquisition back in 2020, the company expressed admiration and respect for Swift’s work and professionalism, describing her as a “transcendent artist” with a “timeless catalog.”
“We made this investment because we believe in the immense value and opportunity that comes with her work,” Shamrock said in a statement at the time. “While we hoped to formally partner, we also knew this was a possible outcome … We hope to partner with her in new ways moving forward.”
At least publicly, that was that for about five years. But behind the scenes, Swift kept Shamrock abreast of her plans to re-record albums, according to statements from Swift. And privately, Shamrock explored selling Swift’s catalog, according to sources.
What prompted the sale now is not known. While Swift’s Taylor’s Versions of four of the albums Shamrock held the original recordings to had pulled some fans away from the originals, Swift’s overwhelming dominance as a global superstar resulted in the catalog held by Shamrock still generating nearly $60 million in average annual global revenue between 2022 and 2024, according to Billboard’s estimates based on Luminate data.
“The way they’ve handled every interaction we’ve had has been honest, fair, and respectful,” Swift wrote in her letter on Friday (May 30). “This was a business deal to them, but I really felt like they saw it for what it was to me: My memories and my sweat and my handwriting and my decades of dreams.”
Shamrock did not respond to requests for comment.
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The 2025 WNBA Commissioner’s Cup series pits conference rivals — the Dallas Wings and the Seattle Storm — against one another in an in-season competition to win the Commissioner’s Cup Trophy.
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In the Western Conference, Dallas Wings vs. Seattle Storm takes place at Climate Pledge Arena in Seattle, Washington, on Tuesday (June 3).
When Does Dallas Wings vs. Seattle Storm Start?
Dallas Wings vs. Seattle Storm broadcasts live, with a start time of 9:30 p.m. ET/6:30 p.m. PT.
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Where to Watch Dallas Wings vs. Seattle Storm Online
The Dallas Wings vs. Seattle Storm game airs on ESPN. It will be available to livestream on Hulu + Live TV. Keep reading for more details on how cord-cutters can watch the Wings-Storm game online with Hulu + Live TV.
How to Watch Dallas Wings vs. Seattle Storm with Hulu + Live TV
Dallas Wings vs. Seattle Storm on ESPN is available to watch with Hulu + Live TV. Prices for the cable alternative start at $82.99 per month, while each plan comes with Hulu, Disney+ and ESPN+ at no additional cost. Sign up for a 3-day free trial to try out the streaming service for yourself.
Hulu + Live TV might be best for those who want all of these streaming services together in one bundle. It also features many other networks, including MLB Network, ESPN2, Fox Sports, CBS Sports Network, ABC, Hallmark Channel, BET, CMT, Disney Channel, NBC and many other channels.
Which Celebrities Are Making Appearances During WNBA Game?
It’s likely there may be a few celebrities and famous recording artists in attendance during the WNBA Commissioner’s Cup game, such as rapper A Boogie Wit Da Hoodie, who is a Paige Bueckers fan. Tune in to the games to find out who’s sitting courtside.
Starting at 9:30 p.m. ET/6:30 p.m. PT, the Dallas Wings vs. Seattle Storm airs on ESPN on Tuesday (June 3). The game is available to livestream with Hulu + Live TV.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
Looking to give your skincare regimen a makeover this summer? We’ve got you covered.
We’re helping you beat out the heat, taking charge of your skincare game by replacing those winter products with tried and true cleansers, serums and masks worthy of a shout-out or two. With so many products to choose from, it’s important to be smart about what you end up putting on your face.
Each pick on this list caters to a specific step in your routine and a variety of skin needs, so there’s bound to be something you’ll fall in love with. We’re talking about top brands like Lancome, Glossier, Ilia, Dieux and OLEHENRIKSEN.
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Bi-Facil Double Action Eye Makeup Remover
A eye makeup remover that starts your skincare journey off right.
Sometimes taking off eye makeup feels more like a punishment than anything. Tugging and rubbing at the eyes just to get that waterproof makeup off isn’t cute. With Lancome’s Bi-Facil Double Action Eye Makeup Remover, fighting to get your makeup off is a thing of the past. What’s great about this product is it’s perfect for all skin types from oily to dry, normal to combination.
OLEHENRIKSEN Violet Ice Cold Plunge Pore Mask
A whipped clay mask that clears pores and keeps skin squeaky clean.
Face masks are a must-have for those days when you just can’t commit to a 12-step skincare routine. OLEHENRIKSEN Violet Ice Cold Plunge Pore Mask is an all-around winner, cleansing and controlling acne all in one product. This mask is made of fluffy whipped clay made of three key ingredients kaolin + purple clay, salicylic acid and Danish purple willow ferment.
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The kaolin and purple clay extract and clear up dirt and grime, targeting pesky blackheads, while the salicylic acid keeps acne at bay. While it sounds fancy, the Danish purple willow ferment simply clarifies and cleanses, controlling surface oils for a clean skin feeling. We recommend slathering this mask on clean dry skin and letting it sit for around 15 minutes. Once it’s sat, rinse with warm water. Say hello to clear and clean skin every time.
Ilia The Base Face Milk Facial Essence + Lightweight Moisturizer
A milky moisturizer in a milky bottle.
Moisturizers are an extremely important step in your skincare routine. Even oily skin girls need to moisturize. It’s especially essential to add hydration back into your skin after cleansing. Ilia’s The Base Face Milk Facial Essence + Lightweight Moisturizer offers supple but lightweight hydration for daily use.
Dieux Forever Eye Mask Reusable 100% Silicone Patches
Under-eye patches for reducing the apperance of dark circles.
While some dark under-eye circles can be genetic, the condition can also be attributed to diet, lack of sleep and even underlying health conditions. Whatever the case may be, Dieux’s Forever Eye Mask Reusable 100% Silicone Patches can help combat those dark rings indefinitely. These under-eye patches are 100% reusable, made of durable silicone and promote plumping fine lines and boosting hydration.
Glossier Futuredew Oil Serum Hybrid
A oil and serum hybrid with a pink glow.
Ever wanted super glossy skin with little to no effort? Glossier Futuredew Oil Serum Hybrid offers an instant dewy glow that’s long-lasting. The product is made with four oils, jojoba, grape seed, evening primrose and rosehip oils that are suspended in an oil and water emulsion.
The combination makes the formula ultra-silky, leaving the skin hydrated and plush. Light-reflecting minerals are also jam-packed into the formula to leave a non-glittery sheen that works on all skin tones. Finally, plant-based sugarcane squalane locks in moisture, keeping the skin fresh and moisturized after use.
On Friday (May 30), Taylor Swift both announced that she has finally acquired the masters to her first six albums and gave an update on the long-awaited Reputation re-record — but fans suspect that, to top it all off, she also subtly teased her 12th album.
In a letter posted to her website, the pop star revealed that she finally has control over her entire body of work after purchasing back her masters from Shamrock Capital (for somewhere around $360 million, sources tell Billboard). The sale comes six years after Scooter Braun acquired her catalog from Scott Borchetta in 2019, after which the music manager sold his ownership of Swift’s music to Shamrock in late 2020.
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“I’m trying to gather my thoughts into something coherent, but right now my mind is just a slideshow,” Swift wrote in her message, emphasizing how meaningful the acquisition is to her. “A flashback sequence of all the times I daydreamed about, wished for, and pined away for a chance to get to tell you this news.”
But what caught fans’ eye was what the 14-time Grammy winner wrote next. “All the times I was thiiiiiiiiiiiis close, reaching out for it, only for it to fall through.”
The statement may seem innocuous — and for all Swifties know, it is — but it’s hard not to focus in on the fact that she included no less than 12 “i”s when writing out the word “thiiiiiiiiiiiis.” Swift has released 11 albums over the course of her career, the last of which, The Tortured Poets Department, arrived in April 2023 and spent 17 weeks at No. 1 on the Billboard 200. That would make her next LP her 12th, a fact that has fans thinking she just teased the upcoming project with her note.
“THE LETTER HAS 12 I’s TS12 IS COMING SOON TOO OMG IM SO HAPPY FOR TAYLOR,” one fan wrote on X, sharing a screenshot of the letter.
“IT’S A TS12 SUMMER!!!” another fan posted, while a third Swiftie shared a screenshot of the letter and wrote, “I feel like ts12 just got so much closer.”
The 12-count “i” situation is just the latest suspected clue fans have picked up on ahead of the “Fortnight” singer’s predicted 12th album. Much fanfare was also made when Swift attended the 2025 Grammys wearing earrings with exactly 12 red jewels apiece, and in March, she used a sequence of 12 “D”s when praising Selena Gomez and Benny Blanco’s I Said I Love You First album on Instagram.
“I LOVE THIS ALBUM SO MUCH OH MY GODDDDDDDDDDDD,” Swift wrote on her Story at the time.
Sharing screenshots of the earrings, the Gomez-Blanco post and the letter about her masters, one Swiftie wrote Friday, “SUDDENLY LIFE IS WORTH LIVING TS12 TRUTHERS RISE.”
But while fans may be excited about the prospect of Swift’s 12th album coming soon, it’s just one of many things they are celebrating. Social media has seen an outpouring of Swifties rejoicing over the musician finally owning her life’s work, something she wrote in her letter is her “greatest dream come true.”
The purchase comes after six years of publicly feuding with Borchetta and Braun over the way the original sale was handled, as well as the re-releases of four of her first six albums: Fearless, Speak Now, Red and 1989. In her letter, Swift emphasized how thankful she was to fans for sticking with her every step of the way.
“You’ll never know how much it means to me that you cared,” she wrote. “Every single bit of it counted and ended us up here. Thanks to you and your goodwill, teamwork and encouragement, the best things that have ever been mine… finally actually are.”
Source: Catherine Powell / Getty
Offset is making it clear he has no plans to walk away from the luxurious life he’s grown used to, and now, he wants Cardi B to help fund it.
In an updated response to their ongoing divorce, the rapper is asking the court to grant him spousal support, though he hasn’t attached a specific dollar amount to the request. This marks the first significant update in their divorce proceedings since Cardi filed back in August 2024. While the process has moved slowly, Offset’s new demand could add fresh tension to an already complicated situation.
Despite this new financial ask, Offset is standing by his original position when it comes to their kids. He’s still pushing for joint custody, but he’s asking that Cardi’s home be established as their primary residence — potentially a sign of his recognition that she provides a more stable day-to-day environment.
The couple, who were once one of hip-hop’s most talked-about pairs, now find themselves locked in a legal battle that’s becoming more layered. Offset’s request for financial support suggests he’s not just looking to move on — he wants to maintain the high-rolling image that’s become part of his brand. With this latest twist, the divorce could be entering a more contentious phase, and all eyes are likely to stay on how things unfold from here.
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Most people don’t have to worry about hiding a growing baby bump while modeling in a seductive lingerie shoot. But then again, Rihanna is not most people.
The superstar took to social media on Friday (May 30) to share a look at the creative ways she kept her pregnancy a secret while shooting Savage X Fenty’s latest campaign.
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“It’s me playing ‘hide the baby bump’ whole shoot!” the megastar captioned the carousel showing off her menagerie of clever poses before adding, “Boutta be a cheeky summer” with a pair of sun and peach emojis.
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In one snap, RiRi poses with her stomach flat against a wall made up of vibrant, blue pool tiles; in several others, she stands with her back to the camera altogether, offering a series of tantalizing smizes from over her shoulder. Still, the mom of two couldn’t avoid taking pictures from the front for the entire shoot, so when the time came, she opted to lean back in a plastic chair, wisely covering her stomach with her right arm while slinging the opposite leg across her right knee.
Naturally, the mogul also used the post to plug the gorgeous lingerie she was sporting in the photo shoot, adding, “New mosaic floral lace @savagexfenty just dropped!”
Many members of the Navy were quick to hype up their queen in the comments section, with one writing, “And the body stay bodying, even if it’s growing another body” while another declared, “My phone is overheating now.” Others couldn’t help but joke about the singer’s elusive ninth album, commenting, “R9 is winning the hide and seek though.”
Earlier this month, Rihanna announced her third pregnancy with partner A$AP Rocky on the carpet of the 2025 Met Gala, where she put her sweet baby bump on display in a custom tailored ensemble by Marc Jacobs. Since then, she’s also released “Friend of Mine,” her first single in three years, off the Smurfs soundtrack.
Check out Rihanna’s cheeky, pregnancy-hiding photo shoot here.