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Eminem’s daughter, Hailie Jade, announced on Friday (April 4) that she gave birth to her first child in March — and she revealed her son’s name, which pays homage to her “Rap God” father. Explore Explore See latest videos, charts and news See latest videos, charts and news Slim Shady is officially a grandpa. “Happy […]
Some call it “the festival of the future” due to its eclecticism and bold approach to creating lineups aimed at a multigenerational audience. For others, AXE Ceremonia brings together major alternative music shows in inclusive spaces, where the distinction from other festivals is evident — from the outfits attendees choose for the occasion to the sonic acts showcased during the marathon event.
But for Diego Jiménez, director and co-founder of the festival, it’s the place that provides the opportunity to host the creator of the popular corridos tumbados genre, Natanael Cano, as a headliner one night — and the next day, the two-time Grammy-winning American rapper Tyler, Tyler The Creator. Amidst all that, attendees can hear trip-hop veterans Massive Attack, British sensation Charli XCX, South Korean boy band Tomorrow X Together, and Argentine experimental trap duo Ca7riel y Paco Amoroso.
“We like to differentiate ourselves from other festivals by focusing on youth culture rather than a specific genre or musical style,” Jiménez tells Billboard Español about the festival, whose 12th edition will take place this Saturday and Sunday (April 5 and 6) at Parque Bicentenario in Mexico City.
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“Seeing Tyler, The Creator on a lineup at major festivals around the world is more common, but seeing him one day and Natanael Cano the next doesn’t happen often elsewhere. That gives AXE Ceremonia a very strong personality,” adds the organizer.
Produced by the company ECO Live, this year’s festival lineup is rounded out by a diverse group of international bands and solo artists — including Parcels, Gesaffelstein, Nathy Peluso, The Marías, Meme del Real, pablopablo, Lil Yachty, Artemas, Hanumankind, A.G. Cook, NSQK, The Dare, Simpson Ahuevo, Brutalism 300, and Luisa Almaguer — making it one of the most innovative offerings of the spring festival season.
The 12th edition of the festival will mark the return of Natanael Cano to Mexico City, who previously performed as an emerging artist in 2022. This time, he will take center stage as a headliner after becoming one of the stars of Mexican regional music and delivering a sold-out concert at the Estadio GNP Seguros in August 2024.
“Watching an artist grow like that is very exciting, and it speaks to this dialogue that exists between this city and the rest of the world — of becoming a cultural capital — and how the vision of culture and music from a Mexican perspective has an international impact,” Jiménez observes.
Additionally, this year the festival introduces K-pop to its musical offerings for the first time by inviting South Korean boy band Tomorrow X Together, allowing it to cater to another segment of the audience —Generation Alpha, or those born in the early 2010s. “We like to seek balance, those connections between the past and the present, to create a snapshot of what’s happening today,” Jiménez notes.
The organizer also highlighted the introduction of a new space dedicated to tropical music, salsa, merengue, bachata, and cumbia in this year’s edition of the festival, which will feature two iconic dance halls from Mexico City: Miki’s and Barba Azul.
“Speaking of the present and the past, if you listen to Bad Bunny’s album (Debí Tirar Más Fotos), it’s based on sounds from the past — that distinctly Latin sound. How does youth interact with these sounds? You create a new space,” he explains.
The festival’s organizers expect to gather 55,000 people per day, totaling 110,000 attendees over the weekend. In past editions, the festival’s stages have hosted prominent figures in music such as Björk, Rosalía, Kendrick Lamar, LCD Soundsystem, Travis Scott, James Blake, Wu-Tang Clan, A$AP Rocky, Aphex Twin, Snoop Dogg, Animal Collective, Underworld, Nicolas Jaar and Fuerza Regida.
The Jonas Brothers are kicking off their upcoming 20th anniversary tour at New Jersey’s MetLife Stadium this summer. To celebrate, the sibling trio visited their hometown venue to join former New York Giants quarterback, Eli Manning, for his YouTube talk show. Explore Explore See latest videos, charts and news See latest videos, charts and news […]
Disturbed‘s “I Will Not Break” rises a rank to No. 1 on Billboard‘s Mainstream Rock Airplay chart dated April 12, giving the band its 13th ruler.
The David Draiman-fronted act moves into a three-way tie with Godsmack and Van Halen for the sixth-most leaders since the tally began in March 1981.
Disturbed first led Mainstream Rock Airplay in 2006 with its cover of Genesis‘ 1987 hit “Land of Confusion.” The rockers first appeared on the list with “Stupify” (No. 12 peak, 2000).
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Most No. 1s, Mainstream Rock Airplay:20, Shinedown18, Three Days Grace15, Five Finger Death Punch14, Foo Fighters14, Metallica13, Disturbed13, Godsmack13, Van Halen12, Linkin Park11, Papa Roach
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Concurrently, “I Will Not Break” bullets at its No. 4 best on the all-rock-format, audience-based Rock & Alternative Airplay chart, thanks to 3.7 million audience impressions (up 6%) in the week ending April 3, according to Luminate. The track is also bubbling under Alternative Airplay, where Disturbed last charted in 2016 with its No. 22-peaking cover of Simon and Garfunkel’s 1966 classic “The Sound of Silence.”
On the most recently published multimetric Hot Hard Rock Songs chart (dated April 5, reflecting data March 21-27), “I Will Not Break” placed at No. 5, following its debut at No. 1 on the March 8 ranking. In addition to its radio airplay, the song earned 1.2 million official U.S. streams.
“I Will Not Break” is currently a standalone single that follows Disturbed’s eighth studio album, Divisive. The LP debuted at No. 1 on the Top Hard Rock Albums chart in December 2022 and has earned 184,000 equivalent album units to date.
All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.
New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.
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Eladio Carrión, DON KBRN (Rimas Entertainment)
Eladio Carrión’s DON KBRN lands with razor-sharp intent, cementing his role as a dominant figure in Latin trap. With an ambitious 22-track lineup inspired by Yakuza mystique and Samurai discipline, according to the press release, the LP packs raw lyricism, relentless ambition, and next-level collaborations. The star-studded release includes Myke Towers (“Vetements,” a braggadocious anthem of success), Peso Pluma (“Tiffany,” a flashy ode to street hustle), Jessie Reyez (“Call My Line,” a bilingual R&B lament), and Big Sean (“Branzino,” an old-school hip-hop gem). Contributions from Young Miko, Cris Mj, Quevedo, and others also make for a riveting listen.
Solo tracks like “Ohtani” and “Harmonía” further highlight the artist’s range, where he embraces trap, melodic rap, and introspective cuts. Lebron James is even seen bumping “H.I.M.” on his IG Story. The production — by Hide Miyabi, Finesse, Deadts, OZ, G.O.K.B., and more — marked by bold experimentation, also brings DON KBRN to life as a daring statement of intent, showcasing Eladio Carrión’s linguistic mastery while setting a new standard for Latin trap. — ISABELA RAYGOZA
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Pipe Bueno, Majo Aguilar & Mariachi Sol de Mexico, “Bailar Contigo” (PB Entertainment/Warner Music Latina)
Pipe Bueno, a renowned Música Popular artist in Colombia, has joined forces with breakout mariachi songstress, Majo Aguilar, and the legendary Mariachi Sol de México for a heartfelt Carlos Vives tribute. In a new rendition of “Bailar Contigo,” a cumbia-rock classic released by Vives in 2013, Bueno showcases his charming vocals alongside Aguilar’s captivating style, interlaced with vibrant mariachi guitars and lively trumpets. This release marks the launch of Bueno’s upcoming EP, Homenaje a Carlos Vives, which celebrates the enduring legacy of one of Colombia’s most cherished artists. The music video for “Bailar Contigo” was beautifully filmed in the picturesque landscape of Jalisco, a region renowned for its rich cultural heritage of tequila production and mariachi music.— INGRID FAJARDO
Yandel, Sinfónico (En Vivo)(Y Entertainment/Warner Music Latina)
The Puerto Rican hitmaker reimagines some of his career-defining songs — from “Abusadora” to “Rakata” — in Sinfónico, a 29-track set recorded live in Miami with the Florida International University Symphony Orchestra. While it’s not the first time an urban artist records with an orchestra, Sinfónico is truly a grand experience offering a different approach to música urbana fusing reggaetón and symphony. Giving his iconic catalog a whole new sonic identity, Yandel launched his reggaetón-meets-orchestra concept back in October when he performed at the Florida International University with the school’s symphony orchestra. The album precedes his Sinfónico Tour, which is set to kick off May 10 in San Juan, Puerto Rico and wrap June 21 in Houston, where Yandel will perform his biggest hits alongside local symphony orchestras. — GRISELDA FLORES
Luis Figueroa & Christian Alicea, “Si Llamas” (Sony Music Latin/Magnus Media)
In a surprising yet pleasing collaboration, Luis Figueroa and Christian Alicea (two former Billboard Latin Artist on the Rise) deliver “Si Llamas.” Both Puerto Rican artists are paving the way for the new generation of salsa stars, respectively, but this is the first time that they join forces to further solidify the movement. Produced by Venezuelan hitmaker Motiff, who is also betting on the new sound of salsa music, “Si Llamas” blends traditional salsa rhythms with Latin urban tones — the two genres that best characterize La Isla del Encanto’s musical flavor. Lyrically, the song is sensual and flirty, telling the story of an unexpected encounter that leaves a lasting impression and begs to be re-lived. A music video accompanies the track, spotlighting Figueroa and Alicea’s potent vocals, playful bromance and killer dance moves. — JESSICA ROIZ
Estevie, “Un Error” (Nice Life Recording Company”
Racking up co-signs from artists like DannyLux, Eslabon Armado and Cuco since her breakthrough in 2022, Estevie is among a handful of rising female artists in the música mexicana space that are offering a fresh take on the genre. Best known for her hip-swiveling cumbias that will promptly get you on your feet, her latest release is no exception. “Un Error,” co-produced by hitmakers like Ulises Lozano and Ernesto Fernández, is powered by an infectious, thumping cumbia beat accompanied by the norteño accordion. In “Un Error,” Estevie sings in her signature velvety vocals about a mistake that might affect her relationship. “I ask you to please forgive me … whatever happened I just want your love but I made a mistake,” she exclaims. — G.F.
Check out more Latin recommendations this week below:
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Source: Getty Images / Nintendo / Nintendo Switch 2
Donald Trump and his stupid tariffs are already having an unfortunate impact on regular American lives. If you were one of the excited gamers hoping to preorder the Nintendo Switch 2, we have some bad news.
Orange Mussolini continues to show his financial incompetence, especially regarding tariffs and how they work. After Trump’s masterclass in tanking the global economy following his bonehead announcement of “reciprocal tariffs aimed at countries, mainly our allies, he feels have treated us “unfairly.”
Anyway, it’s no secret the tech space, mainly the gaming community, was apprehensive about the effect of Trump’s looming tariffs, and low and behold, we are seeing just how impactful they will be.
Nintendo is gearing up to launch the Switch 2, with preorders in the US set to go live on April 9. However, the Japanese-based company has taken the unprecedented step of delaying preorders because of the tariffs imposed on Japan and Vietnam.
Nintendo spoke on its decision sent to Gamespot:
“Preorders for Nintendo Switch 2 in the US will not start April 9, 2025 in order to assess the potential impact of tariffs and evolving market conditions. Nintendo will update timing at a later date. The launch date of June 5, 2025 is unchanged.”
Bruh.
Gamers Are Not Happy
As you can imagine, gamers who were excited to preorder the Nintendo Switch 2 are unhappy with their decision. The Nintendo Switch 2 is already expensive, but the 46% tariff on Vietnam, where the company has shifted the manufacturing of the console, could raise the price even more.
The 24% tariff on Japan is also significant because that’s where the physical cartridges are made.
“Once again if you are a gamer who voted for Trump you are stupid as shit. Get ready video game fans. You think these shits are expensive NOW?!? BWAHAHAHAHA we’re f****d,” one user on X, formerly Twitter wrote.
Another post on X read, “Not only is the Switch 2 preorder delayed, it is also possible Nintendo will increase the price for the US market. This is a HUGE mess.”
Bruh.
It hasn’t been a year with this man, and he is already ruining our lives.
You can see more reactions in the gallery below.
Federal prosecutors have unveiled an updated indictment against Sean “Diddy” Combs, adding new charges to the sex trafficking and racketeering case just over a month before trial. In a superseding indictment filed Thursday (April 3) in Manhattan federal court, prosecutors made several tweaks to the sweeping case against Combs, which claims that the hip-hop mogul […]
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Source: FOX/Getty / FOX/Getty
The Masked Singer just revealed that “Stud Muffin” was none other than the legendary Method Man.
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Yup, the Wu-Tang icon himself was behind the mask, and when he hit the stage for his performance of Bell Biv DeVoe’s classic “Poison,” he absolutely shut it down. The energy was electric, and Meth’s stage presence was undeniable, reminding everyone why he’s one of the greatest to ever do it. The judges were completely stumped, scratching their heads and trying to guess who it was. But Rita Ora wasn’t fooled for long. She quickly called it, saying, “I knew it was you! Your voice is so distinct — and you moved like a pro!” She knew right away, and she was right.
For Meth, the experience was all about doing something unexpected. He told the show, “I had fun with it. I’m always down to do something unexpected, and The Masked Singer let me just go out there and play. That’s what it’s about.” And that’s exactly what he did. He gave the fans a whole new side of himself, showing that even after decades in the game, the legend still knows how to keep it fresh. Method Man proved once again that he’s not just a rap icon; he’s a true entertainer.
Cage the Elephant notches its 13th No. 1 on Billboard’s Alternative Airplay chart, tying for the second-most rulers in the tally’s history.
“Metaverse” is the band’s latest leader, jumping three spots to the top of the April 12-dated survey.
The Matt Shultz-led band moves into a tie with Green Day and Linkin Park. Red Hot Chili Peppers lead with 15 Alternative Airplay toppers, dating to the list’s September 1988 inception.
Most No. 1s, Alternative Airplay:15, Red Hot Chili Peppers13, Cage the Elephant13, Green Day13, Linkin Park12, Foo Fighters11, Twenty One Pilots8, U28, Weezer7, The Black Keys7, Imagine Dragons
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“Metaverse” gives Cage the Elephant its fourth No. 1 in a row, the band’s longest streak, besting two other runs of three straight (in 2010-11 and 2015-16). The current stretch dates to 2021, also encompassing “Skin and Bones” that year and “Neon Pill” and “Rainbow” in 2024. The band first topped the chart in 2010 with “Back Against the Wall.”
Concurrently, “Metaverse” bullets at its No. 6 best on Adult Alternative Airplay. On the all-rock-format, audience-based Rock & Alternative Airplay chart, it lifts 9-7 with 3.3 million audience impressions (up 8%) in the week ending April 3, according to Luminate.
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“Metaverse” is the third single from Neon Pill, Cage the Elephant’s sixth studio album. The set debuted at No. 7 on the Top Alternative Albums chart last June and has earned 89,000 equivalent album units to date.
All Billboard charts dated April 12 will update Tuesday, April 8, on Billboard.com.
Elton John is good at a great many things. But on Thursday night (April 4), the pop superstar found out that one thing he has not quite mastered is the art of the late night game show. Appearing on The Tonight Show with his longtime friend and Who Believes in Angels? collaborator Brandi Carlile, John, 78, was paired up with host Jimmy Fallon for a game of “Password” against Carlile and Sinners star Hailee Steinfeld.
Things started off easy enough with Fallon and Carlile pulling a card reading “Grass,” which prompted John to guess “marijuana.” Brandi went with “greener,” which stumped her partner, who guessed “plant.” Fallon pivoted to “mow,” which made John crack up at the thought of doing lawn work himself. The Rock and Roll Hall of Famer quickly put it together, thought, and correctly guessed the answer.
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That’s when things went sideways. When it was John’s turn to give Fallon a clue for “Sunday,” he waited patiently as Steinfeld offered up “Saturday” and a gentle nod toward the next day to Carlile, who could only hazard a guess at “night.” John then looked at his card, cockily shook his head and said, “Sunday!” Game host Steve Higgins cracked up, gently reminding the rock icon that he can’t actually say the clue out loud.
As The Roots busted out a sad trombone, John looked embarrassed, but quickly joined the laughter at his slip-up, clarifying that what he meant to say was “weekend.”
And to think the night had started off on such a high note. After his monologue, Fallon moved over to his desk to tee-up the duo’s appearance later in the show and just couldn’t help himself in enthusing about John’s deep catalog of hits. That inspired Jimmy to start reading off a list of Elton’s hits, segueing into singing the choruses of “Your Song” and “Tiny Dancer” a cappella before cueing the Roots to give him a beat for “Rocket Man,” and proving with that song and “Daniel” that he loves the classics, but might not always know all the lyrics.
After first trying “Daniel” with what sounded like an Irish accent, Fallon requested a reggae rhythm from the Roots, prompting a switch to a rasta accent. He then moved on to scatting the lyrics to “Goodbye Yellow Brick Road,” beatboxing the piano intro to “Bennie and the Jets” and busting out his Mick Jagger impression for “I’m Still Standing” during the six-minute supercut bit.
John and Carlile then came out to talk about their first joint album, with John recalling how the “Broken Horses” singer wrote him a letter expressing her admiration, long before they finally were introduced in person during his Las Vegas residency at a time when John knew who Carlile was, but had never crossed paths with her. “She wrote me a letter and explained that she’d been a fan of mine ever since she was a kid,” John said. “And I was the reason she wanted to make music and Bernie’s [Taupin] lyrics were the reason she wanted to write lyrics.”
Carlile asked if he’d ever consider a collaboration, and John, a longtime supporter of new and emerging artists, said he would definitely be down. The minute the two finally met up in the studio, John said, “I fell in love with her. And I fell in love with her talent, her voice. But more than that, I fell in love with the person. And we’ve become firm friends. We’re like family.” After that, collaborating, he said, was a “no-brainer,” because ever since that first intro he’d wanted to record with her; the pair first collaborated on John’s pandemic-era The Lockdown Sessions LP on the song “Simple Things.”
They finally got in the studio in L.A. in Oct. 2023 with Taupin and producer Andrew Watt with “nothing” written beforehand. John described the first few days as “very anxious” because he was doubting his ability to create on the spot, despite the blank sheet method being his preferred way of collaborating lately. Though Carlile said she too was anxious, things pretty quickly clicked and after recording the epic album opener, “The Rose of Laura Nyro,” the parts seamlessly fell into place.
“It just turned out exactly the way I wanted it,” John said. “It sounded fresh. It’s the best album I’ve made since the early ’70s.”
Watch John and Carlile on The Tonight Show below.