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Shakira experienced a slight mishap during her Las Mujeres Ya No Lloran Tour stop at the Bell Centre in Montreal, Quebec, on Tuesday (May 20).
While performing her 2001 hit “Whenever, Wherever,” the Colombian superstar slipped and fell onstage. Fan-captured footage shows Shakira just about to launch into the song — which peaked at No. 6 on the Billboard Hot 100 — when she lost her footing, slid forward and tumbled sideways onto the stage.
The “Hips Don’t Lie” singer quickly got back on her feet and continued the performance like a pro.
“She handled it like the boss that she is,” one fan wrote on X. Another added, “A great example of resilience! I hope she didn’t get injured. Such falls cause pains and injuries the next morning.”
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This isn’t the first setback of Shakira’s Las Mujeres Ya No Lloran Tour. Back in February, she was forced to postpone back-to-back shows at Lima, Peru’s Estadio Nacional due to a health issue.
“I am sorry to inform you all that last night I had to go to the ER for an abdominal issue and am currently hospitalized,” she shared on Instagram at the time. “I am very sad to not be able to take the stage today,” she added, expressing how much she had been looking forward to reuniting with her fans in Peru.
Since its launch on Feb. 11 in Rio de Janeiro, the Las Mujeres Ya No Lloran Tour has featured surprise guest appearances from musical heavyweights like Grupo Frontera, Carlos Vives, Maluma, Wyclef Jean, Alejandro Sanz, Ozuna and Rauw Alejandro.
The global trek landed Shakira at No. 1 on Billboard’s Top Tours chart for March. She previously led February’s list with $32.9 million in reported earnings and doubled that figure in the another recent update. As of late April, the tour had brought in $70.6 million from 11 reported shows, according to figures reported to Billboard Boxscore.
The North American leg continues with upcoming stops in Toronto, Boston, Washington, D.C., Atlanta, Houston, Los Angeles, Las Vegas and San Francisco. The tour heads to Mexico in August and September, followed by a return to Peru in November for the two resculed shows.
Kenan Thompson is teasing the possibility of casting changes for the next season of Saturday Night Live. Following the conclusion of the iconic sketch comedy show’s 50th season on May 17 — hosted by Scarlett Johansson with musical guest Bad Bunny — the 47-year-old comedian and longtime SNL cast member called the season’s end “bittersweet” […]
Charlie Rangel, the former congressman who represented several New York districts across his four-decade career, died on Monday (May 26) at the age of 94. Rep. Charlie Rangel’s storied career also included a stint in the military, where he became a decorated war veteran before completing his high school studies and going on to earn a law degree, culminating in a long life of public service.
Charlie Rangel was born Charles Bernard Rangel on June 11, 1930, in Harlem, N.Y. Rangel’s father was a native of Puerto Rico, and his mother was Black. As a young man, Rangel, who was raised primarily by his mother, took odd jobs before dropping out of high school at 16. Rangel enlisted in the United States Army, serving between 1948 and 1952. He was a member of the all-Black 503rd Field Artillery Battalion in the 2nd Infantry Division.
Fighting in the Korean War as part of a racially segregated unit, Rangel’s actions led his fellow soldiers to safety, earning him the Purple Heart, Bronze Star, and three battle stars. Rangel returned home and completed his high school studies, then enrolled in the New York University School of Commerce. From there, Rangel went on to earn a law degree from St. John’s University School of Law in 1960.
Rangel was named the Assistant U.S. Attorney in the Southern District of New York by U.S. Attorney General Robert F. Kennedy, staying in the role for a year. Rangel, under the tutelage of civil rights activist and Assemblyman Percy Sutton, would later serve as a state assemblyman, beginning his life in public office.
In 1970, Rangel challenged longtime congressman Rep. Adam Clayton Powell Jr., who fell out of favor in the public eye with some due to an ethics scandal, losing his seat in 1967 but regaining it in 1969 after a U.S. Supreme Court decision detailed in the Powell v. McCormack case.
Rangel would go on to serve 23 terms in Congress before retiring in 2017. Along the way, he was a founding member of the Congressional Black Caucus and became the first Black chairman of the powerful Ways and Means Committee in the U.S. House of Representatives.
One of the hallmarks of Rangel was his no-nonsense approach to working for his constituents and his ability to work across the aisle with the opposing parties to get bills moved through the chamber. Rangel also had an affable personality that resonated well with his colleagues, and his distinctive New York accent was hard to miss.
As a member of the Gang of Four, which included David Dinkins, Basil Paterson, and the aforementioned Sutton. The quartet was notable for its ascension in the political realm.
In 2024, Rangel’s wife of 60 years, Alma Carter, passed away. He is survived by two children, Steven and Alicia, and three grandsons.
On X, reactions to the passing of Rep. Charlie Rangel have cropped up. We’ve got them listed below.
[h/t CNN]
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Billy Joel’s daughter is speaking out in support of her father following his recent health diagnosis.
Alexa Ray Joel — the daughter of the “Piano Man” and his ex-wife, model Christie Brinkley — took to Instagram on Sunday (May 25) to thank fans for their support and share an uplifting message after her father revealed he had been diagnosed with normal pressure hydrocephalus (NPH), a type of brain disorder.
“SOUND UP 🕊️ We love you and we got you, Pop!” Alexa wrote alongside a black-and-white illustration of a father holding his young daughter’s hand. “I just wanted to thank you all for the beautiful outpouring of love and support amid the recent news of My Father’s health diagnosis.”
She continued, “My Dad is the strongest and most resilient man I’ve ever known… and he’s entirely committed to making a full recovery with ongoing physical-therapy treatments as he continues to regain his strength.”
Last week, Joel announced the cancellation of all upcoming performances due to complications related to NPH.
“This condition has been exacerbated by recent concert performances, leading to problems with hearing, vision and balance,” he said in a statement. “Under his doctor’s instructions, Billy is undergoing specific physical therapy and has been advised to refrain from performing during this recovery period. Billy is thankful for the excellent care he is receiving and is fully committed to prioritizing his health.”
The cancellations include several scheduled appearances throughout summer and fall 2025, as well as early 2026, including joint shows with Sting, Rod Stewart, and Stevie Nicks.
Alexa Ray concluded her message with a touching quote from her father’s 1993 ballad, “Lullabye (Goodnight, My Angel),” from his River of Dreams album.
“The genuine care, empathy, and concern from everyone means so much to him… it means a lot to me, too,” she wrote. “‘Someday We’ll All Be Gone / But Lullabies Go On And On / They Never Die / That’s How You And I Will Be.’ ⚓️ The music continues…”
A singer, songwriter and pianist in her own right, Alexa Ray has shared the stage with her father on several occasions, including shows in recent years during his historic residency at New York’s Madison Square Garden.
Christie Brinkley, Alexa’s mother, also shared a message of support for her ex-husband on Saturday (May 24).
“Dear Billy, the whole Brinkley gang is sending you lots of love and good wishes for a full and speedy recovery,” she wrote on Instagram. “I’m sure I’m speaking for everyone in that room when I say please take good care of yourself, we all want you back in that white hot spotlight, you’re OUR piano man.”
See Alexa Ray’s full tribute to her father on Instagram here.
Twenty-five years ago, the self-proclaimed La Chica Dorada bid farewell to the old millennium in unparalleled style. With the release of her fifth studio album, Paulina, on May 23, 2000, in the U.S., Paulina Rubio reaffirmed her status as a Latin pop icon. It was the evolution of an artist who, despite an already impressive […]
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As Diddy is currently undergoing trial for sex trafficking and racketeering in New York City, conspiracy theories of his alleged activities with other celebrities have run rampant. Jamie Foxx made it a point to dispel one that claimed the mogul tried to kill him, resulting in the medical emergency he had a couple of years ago. The Oscar-winning actor addressed it during a roundtable for The Hollywood Reporter which was published on Thursday (May 22).During the roundtable, Foxx spoke about dealing with rejection as he was recovering from a stroke and seeing the chatter online. “[But] I snuck in my phone because I didn’t know what the outside world was saying and I couldn’t get my mind around the fact that I had a stroke. I’m in fucking perfect shape. [I see things like,] “Puffy tried to kill me.” No, Puffy didn’t try to kill me,” he said.He wasn’t as upset about that as he was about a conspiracy theory that said he was being cloned. “When they said I was a clone, that made me flip. I’m sitting in the hospital bed, like, ‘These b—h-ass motherf–—s are trying to clone me,’” he joked, adding: The psychiatrist says, “Are you all right?” And I say, “Am I all right or am I all white? I saw you trying to get the white motherfucking Jamie Foxx and it ain’t going to happen.” He just calmly goes, “I think we’re going to lower your dosage.”Foxx has already poked fun of the disgraced Bad Boy Records founder in his Netflix comedy special, What Had Happened Was, which premiered last December. “The internet said Puffy was trying to kill me, that’s what the internet was saying,” Foxx said to the audience. “I know what you thinking, ‘Diddy?’ Hell no, I left them parties early.” He’d go on to joke that he would make sure to be “out by 9” since “something [didn’t] look right” at Diddy’s parties which have been alleged to have turned into debaucherous sex parties called “Freak Offs”.The trial, which is currently in its second week, has already seen explosive testimony from Diddy’s former partner, Cassie Ventura as well as singer Dawn Richard. Rapper and actor Kid Cudi has been on the witness stand for the last few days, testifying about Diddy allegedly destroying his car with a Molotov cocktail in retaliation for him dating Ventura.
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OneRepublic are heading back Down Under. The GRAMMY-nominated band led by Ryan Tedder will return to Australia and New Zealand in early 2026 for their Sweet Escape Tour, joined by Swedish pop powerhouse Zara Larsson.
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The tour kicks off at Auckland’s Spark Arena on Feb. 4, followed by stops at Sydney’s Qudos Bank Arena (Feb. 6), Gold Coast’s HOTA Outdoors (Feb. 11), Brisbane’s Riverstage (Feb. 12), Melbourne’s Sidney Myer Music Bowl (Feb. 15), and wrapping at Perth’s RAC Arena (Feb. 18). In addition to the headline shows, OneRepublic will also appear at Lookout Festival in Lake Macquarie on Feb. 7 and Torquay on Feb. 14.
Known for their cinematic pop anthems, OneRepublic’s return comes off the back of their sixth studio album Artificial Paradise, released in 2025, featuring tracks like “Hurt,” “Sink or Swim,” and their recent collab with Kygo, “Chasing Paradise.”
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The band’s extensive catalogue includes global hits like “Counting Stars,” “Apologize,” “Good Life,” and their Top Gun: Maverick smash “I Ain’t Worried,” which has now surpassed 3 billion streams globally.
Over the years, OneRepublic has carved out an impressive Billboard chart legacy. Their breakout single “Apologize,” with Timbaland, peaked at No. 2 on the Billboard Hot 100 in 2007, remaining on the chart for 47 weeks. In 2013, “Counting Stars” also reached No. 2, spending a massive 68 weeks on the chart. Other notable entries include “Good Life” (No. 8 peak), “All The Right Moves” (No. 18), and “Secrets” (No. 21).
Joining them on the road is Zara Larsson, making her highly anticipated live debut in the region. With a platinum-selling discography that includes “Lush Life,” “Symphony,” and “Never Forget You,” Larsson’s addition to the lineup promises a night of powerhouse vocals and pop precision. She’s expected to preview new material from her upcoming fourth international album, teased by recent single “Pretty Ugly.”
Presales begin May 28, with general on-sale kicking off May 30 at 2 p.m. local time. Visit livenation.com.au or livenation.co.nz for more information.
Neil Young revisited one of the most personal songs in his extensive catalog during a special benefit concert on Friday night (May 23), delivering the first live performance of “My Boy” in more than four decades.
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The show, a solo acoustic set held on the grounds of Ontario’s Lakefield College School, marked Young’s first full performance of 2025 and supported restoration efforts for a historic 116-year-old cottage nearby. Despite the cold and rainy conditions, attendees paid up to $1,500 for tickets to witness the intimate 18-song performance.
While the set featured classics like “Heart of Gold,” “Comes a Time” and “Sugar Mountain,” it was the mid-show performance of “My Boy” that drew audible emotion from the crowd. Originally released on 1985’s Old Ways, the banjo-led ballad is a tribute to Young’s eldest son, Zeke. The song had not been performed live since the 1983 Solo Trans tour.
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“Why are you growin’ up so fast, my boy?” Young sang. Hours earlier, he had posted a vintage photo on social media of himself with Zeke and his late father, renowned Canadian journalist Scott Young. “Practicing for Lakefield, I was playing ‘My Boy,’ thinking about my own dad. I knew he must have heard this song,” Young wrote.
“My dad was a great guy and Zeke is a wonderful son. I think ‘My Boy’ is my favorite recording of all the ones I have done.”
Young also surprised fans with rarely played tracks like “Love/Art Blues” (last performed in 2008) and the CSNY deep cut “Name of Love,” which hadn’t been seen on a setlist since 2014. He closed the show with “Old Man,” although a printed setlist hinted at two intended encore tracks — “Throw Your Hatred Down” and “Rockin’ in the Free World” — that were likely scrapped due to inclement weather.
The show comes ahead of Young’s Love Earth Tour, which launches June 18 in Sweden. The U.S. leg kicks off Aug. 8 in Charlotte, North Carolina. While the setlist remains under wraps, the tour is expected to spotlight tracks from his upcoming album Talkin’ to the Trees, which arrives on June 13 via Reprise Records.
Drawing in a massive crowd on day two of Sueños Music Festival, Don Omar cemented his icon status delivering a jam-packed setlist to wrap the fourth edition of the event in Chicago’s Grant Park.
On Sunday, the reggaetón powerhouse came out on stage just a few minutes before his 9 p.m. start time, eager to sing to the crowd — significantly larger than yesterday’s — that had gathered to see him perform. Don Omar did not disappoint and he knew exactly which songs would get his fans going.
From “Dale Don” to “Hasta Abajo” and “Dile,” the Puerto rican hitmaker started with a bang. “Latinos make some noise,” he said at the top of his one-hour set. He was a man of a few words, letting the music speak for itself. “Are we having fun?” he asked at one point. It’s safe to say the crowd was indeed having fun with groups of friends perreando and singing along with the self-proclaimed King of Kings.
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He went on to sing “Pobre Diabla,” Hector y Tito’s “Morena,” “Salió El Sol,” “Se Menea,” “Taboo,” “Danza Kuduro” and “Bandoleros.” But a highlight of the night was when he sang “Ella y Yo,” his 2005 hit duet with Romeo Santos. “You guys know this song, right?” he asked, almost rhetorically.
One of the most memorable collaborations of the 21st century, Santos and Don Omar engage in a call-and-response of sorts to tell a story of lust, infidelity and betrayal in “Ella y Yo.” Don Omar asked the Sueños crowd to play the part of Santos and they promptly followed his orders, making for an epic duet between Don Omar and his fans.
Don Omar most recently wrapped his Back to Reggaetón World Tour, which marked his grand return to the stage in celebration of his decades-spanning career.
Day two of Sueños Music Festival also included riveting performances by Kapo, Bellakath, Omar Courtz, Jhayco, Tito Double P, Grupo Frontera and Wisin.
Australian duo Royel Otis have issued an apology relating to the lyrics of their latest single, “moody.”
The single, which was released on May 9 as the first taste of their new era, was written by the pair (comprising Royel Maddell and Otis Pavlovic) alongside Grammy-winning songwriter Amy Allen.
However, the track has reportedly attracted criticisms of misogyny, largely due to the chorus line which states, “My girl’s a b–h when she’s moody.” In a press release issued alongside the song, Royel Otis remained relatively tight-lipped, simply noting “It’s a song about a girl,” in keeping with the text featured on the single’s artwork.
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In a report from Australian outlet news.com.au, a former school friend of Pavlovic claimed the band were “deleting [social media] comments that call out the lyrics and video, while only replying to the positive ones.” The friend added, “In 2025, it’s disheartening to hear a local Australian artist – someone I know or I knew – casually refer to women as ‘b–hes’ in their lyrics.”
A statement received from the publication by Kay and Hughes Art and Entertainment Lawyers quoted the track’s recent successes while downplaying the lyrical content present within.
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“This song is written from a specific perspective, it is not intended to convey a broader view or standpoint about women in general,” Royel Otis said in the statement. “We apologise if anyone understood those lyrics otherwise.”
Royel Otis first formed in 2019, releasing a series of EPs between 2021 and 2023 before issuing their debut album, Pratts & Pain in 2024. Though their “Sofa King” track reached No. 12 on the Alternative Airplay chart in 2023, the band found widespread fame last year following their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor” for Australian radio station triple j’s Like a Version series.
The cover topped the Alternative Airplay charts and also peaked at No. 41 on the Hot Rock & Alternative Songs chart. The group’s penchant for covers was again felt when their SiriusXM session rendition of The Cranberries‘ “Linger” was released, giving them their first appearance on the Hot 100 when it reached No. 94.
In late 2024, Royel Otis won four ARIA Awards from eight nominations, including best group and best rock album, while producer Chris Collins won best produced release and best engineered release for Pratts & Pain.
More recently, the pair performed two sold-out shows at the Troubadour in Los Angeles before announcing an additional run of U.S. dates for September and October as part of their Meet Me in the Car tour.