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Longtime Fleetwood Mac guitarist Lindsey Buckingham has teamed up with former bandmate Mick Fleetwood once again, with the pair reuniting in the recording studio recently.
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News of the pair’s musician reunion was detailed by Swedish producer Carl Falk, who took to Threads recently to share a photo from the studio where Fleetwood has been working on a new solo album. The sessions have ostensibly also seen Fleetwood working with The War on Drugs’ Adam Granduciel.
“Slightly unreal moment to sit with Lindsey Buckingham and Mick Fleetwood to play Lindsey the album we have been working on,” Falk wrote. “And to see his genuine happiness for Mick to finally do his own album and offering to play guitar and to sing on it. Can’t wait to finish this one.”
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Another post shared by Falk captured Buckingham in the studio with his guitar in hand. “Mick and Lindsey together again, what a flawless guitar player,” the caption wrote. Currently, no official details from Fleetwood have been announced in regard to the content or release of the forthcoming album.
Fleetwood served as one of the founding members of Fleetwood Mac alongside guitarist Peter Green and bassist John McVie, serving as the group’s percussionist for the entirety of their career. Buckingham joined as guitarist and vocalist alongside singer Stevie Nicks in 1974, completing the band’s most famous lineup, which also included McVie’s then-wife Christine.
Buckingham departed the group in 1987, but rejoined in 1997 as part of the band’s classic lineup reunion. Buckingham remained with the band until the 2018 announcement he would no longer be touring as part of Fleetwood Mac.
“I have sadly taken leave of my band of 43 years, Fleetwood Mac. This was not something that was really my doing or my choice,” Buckingham later explained during a live concert. “I think what you would say is that there were factions within the band that had lost their perspective.”
“It harmed the 43-year legacy that we had worked so hard to build,” he added of the group’s decision, “and that legacy was really about rising above difficulties in order to fulfill one’s higher truth and one’s higher destiny.”
The guitarist was replaced by former Tom Petty and the Heartbreakers member Mike Campbell, and Crowded House’s Neil Finn for the band’s final years. Fleetwood Mac would officially split in 2022 following the passing of Christine McVie.
Buckingham’s departure from Fleetwood Mac occurred almost a year after the release of Lindsey Buckingham Christine McVie, an album which featured the band’s lineup with the exception of Nicks. Until 2025, it was the most recent collaboration between Buckingham and Fleetwood.
English art pop musician FKA Twigs has announced the cancellation of her upcoming North American tour dates after her production team failed to obtain the necessary visas..
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FKA Twigs (whose real name is Tahliah Barnett) shared the news via social media on Tuesday (March 25), explaining that while previous shows on her current Eusexua Tour have been “absolutely incredible,” she conceded the experience “has been challenging with production and the more practical side of putting this tour together.”
One of those challenges has now been the news that her upcoming North American tour dates have been cancelled days before they were supposed to take place. The affected dates include a March 26 date in Chicago, two dates in Toronto from March 30-31, and a pair of shows in New York City from April 3-4.
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“Today I was informed that production did not fill out the correct paperwork in a timely manner for us to have our visas to come to the USA and perform,” the singer explained. “So that means by no choice of my own I will have to pull out of my New York, Chicago, and Toronto shows.”
“For those of you who are wondering why I have to pull out of Toronto because it’s not part of the United States, it’s because of routing and just the complex beast that touring is,” she added. “I don’t take this lightly. I’m completely devastated, to be honest with you. Completely heartbroken. All I want to do is be there with you and bring Eusexua to you.”
She continued by noting she was “looking into how and why this happened,” and promised that information regarding rescheduled dates would be announced shortly.
FKA Twigs has been touring off the back of her long-awaited third album, Eusexua, which was released on Jan. 24 and reached a career peak of No. 24 on the Billboard 200. The record itself followed on from her 2022 mixtape Caprisongs, though it was her first full-length album since 2019’s Magdalene.
The current tour was scheduled to launch on March 8 with a show in Prague, but this and its follow-up date in Berlin were both cancelled with “shipping issues” cited as the reason. FKA Twigs is currently scheduled to perform at the Coachella Valley Music and Arts Festival in California next month, along with an additional date in San Francisco on April 19, though no updates have been given as to whether these shows may be affected by her current visa issues.
Lynyrd Skynyrd signed a label deal with Frontiers Music Srl, which will release the iconic rock band’s live album and DVD, Celebrating 50 Years – Live At The Ryman, taped at its 50th anniversary concert at Nashville’s Ryman Auditorium in 2022. The show featured the final performance of founding member Gary Rossington. The band is managed by Vector Management.
Downtown Neighboring Rights will manage and represent Jason Mraz‘s neighboring rights. Mraz’s catalog includes such hits as “I’m Yours,” “Lucky” featuring Colbie Caillat, “I Won’t Give Up” and “I Feel Like Dancing,” the lead single from his latest album, Mystical Magical Rhythmical Radical Ride.
Nashville-based singer-songwriter Sydney Rose (“Turning Page,” “We Hug Now”) signed to Mercury Records and will release her new EP, I Know What I Want, on the label on April 4. “We Hug Now” went viral on TikTok earlier this year. Rose is booked by CAA.
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Thelma & James (“Happy Ever After You”), a duo composed of married Nashville-based singer-songwriters MacKenzie Porter and Jake Etheridge, signed with Big Loud Records. The label released the duo’s new song, “First Love,” on March 14. Thelma & James is currently in the studio working on new music.
R&B singer JayDon signed a label deal with Usher and L.A. Reid‘s mega. The label released his single “I’ll Be Good” — which samples Usher’s “How Do I Say” — on March 14 ahead of his forthcoming EP Me, My Songs and I, which is set for release this spring. Under the name JD McCrary, JayDon is known for voicing Young Simba in 2019’s The Lion King and starring in films and TV shows including The Paynes and Little. He also appeared on Beyoncé’s The Lion King: The Gift soundtrack.
Country singer-songwriter Cole Phillips signed with WME for global representation. The Oklahoma native will release his EP Steel Toes and Texacos on April 11 on RECORDS Nashville. The EP will feature five songs he co-wrote, including “West Tx.” Phillips is repped by WHY&HOW for management. – Jessica Nicolson
Singer-songwriter Alexandra Savior signed with RCA Records and released a new single, “Unforgivable.” Savior previously released two albums, Belladonna of Sadness and The Archer, on Columbia and 30th Century Records, respectively.
Concord and Pulse Music Group’s Pulse Records signed Nashville-based singer-songwriter Elizabeth Nichols, who released her debut single, “I Got a New One,” on Dec. 6. Pulse released her latest single, “Bad Taste,” on Friday (March 21). Nichols is managed by Dylan Bourne and James Martin at Bourne Creatives and booked by Meredith Jones Long and Cheryl Paglierani at CAA.
Third Man Records signed Austin, Texas, rock band Die Spitz. The quartet, which has previously supported Amyl and the Sniffers, Sleater-Kinney and OFF! on the road, is slated to embark on a world headlining tour starting May 28, including slots at The Governors Ball and Bonnaroo.
Mexican pop group ALMAS — composed of Alegría, Dae, Dany and Steph — has signed to Universal Music Latino. “Being welcomed to the Universal Music Latino family is more than just a milestone for us — it’s a celebration of our journey, our voices, and the strength of women in music,” the band said in a statement. “We are excited to share our story with the world and continue to push innovative boundaries while staying true to who we are.” – Griselda Flores
Also signing with Universal Music Latino was emerging Colombian artist Annasofia. Based out of Miami, Annasofia is also a musician and producer, and the signing marks “the next step” in her career, according to a press release. The 24-year-old is a graduate of Art House Academy under the mentorship of renowned producer Julio Reyes Copello. – Griselda Flores
Billy Ray Cyrus and Scott Adkins (who manages Cyrus) signed Native American guitarist, songwriter and producer Micki Free as the flagship client of the duo’s newly-formed Roam Man Management. Free, who recently released an EP, Dreamcatcher, won a Grammy for his contribution to the Beverly Hills Cop soundtrack.
Americana artist Connor Daly signed with Burning Ground Entertainment for management. Daly released his debut album, Colors Fade, in July. Daly, who counts Jason Isbell, Zach Bryan and Ed Sheeran as inspirations, recently released a new single, “Curtains Never Close.” Burning Ground Entertainment also represents artists including Mic Drop, The Pretty Wild, and Tayiha. – Jessica Nicholson
Before we celebrate our Billboard Women in Music honorees this Saturday night — including 2025 Woman of the Year Doechii — the Billboard charts team put together the Top 100 Women Artists of the 21st Century chart (encompassing women soloists, all-women groups and groups with prominent women’s vocals). On the new Billboard Pop Shop Podcast, […]
Interscope Records rules the top of the latest Billboard 200 albums chart, as the company holds the top three titles on the list dated March 29. It’s the first time Interscope has held the top three concurrently in over 20 years. Further, Interscope is one of only two labels to have claimed the top three […]
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Source: NurPhoto / Getty / Pete Hegseth / Signal
Donald Trump’s second presidency continues to be a hot a** mess, largely thanks to the people in his administration, like Pete Hegseth.
Trump’s cabinet is full of DEI hires who never miss an opportunity to show the American people they have no business being in the positions that Republicans stupidly allowed them to have.
Former Fox News host Pete Hegseth, now Secretary of Defense, a position he has no business in, stupidly attacked the reporter who blew the lid on what could be one of the biggest blunders in national security history.
Jeffrey Goldberg did his job when he reported on the massive blunder of Trump’s national security team members sharing classified war plans on Signal, an unsecured messenger app.
In response, Republicans, especially of the MAGA variety, did what they do best: not take accountability for their actions. Pete Hegseth took things even further and attacked Goldberg even after his Boss’ administration did admit to Goldberg being in the group chat when he he he talking to reporters fresh off a flight to Hawaii.
Per Crooks & Liars:
You’re talking about a deceitful and highly discredited so-called journalist who’s made a profession of peddling hoaxes time and time again to include the, I don’t know, the hoaxes of Russia, Russia, Russia, or the fine people on both sides hoax or suckers and losers hoax.
So this is the guy that peddles in garbage. This is what he does. I would love to comment on the Houthi campaign because of the skill and courage of our troops.
I’ve monitored it very closely from the beginning, and you see, we’ve been managing four years of deferred maintenance under the Trump administration.
Our troops, our sailors were getting shot at as targets. Our ships couldn’t sail through. And when they did shoot back, it was purely defensively or at shacks in Yemen.
President Trump said no more. We will reestablish deterrence. We will open freedom of navigation, and we will ultimately decimate the Houthis, which is exactly what we’re doing as we speak, from the beginning, overwhelmingly.
Republicans have been downplaying the incident all day, with Trump’s national security team doing a piss poor job answering questions during an Intelligence Committee grilling session on Capitol Hill.
The calls for Hegseth to be fired have been very loud, as have other reactions to the incident. You can see them in the gallery below.
Over the weekend, Chicago rapper Vic Mensa posted a video on his social media accounts about the time he got into it with some Italian mobsters in a club and how he had to pay them to leave him alone.
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Vic starts things off by painting a picture. He was on his tour bus already drunk, in an undisclosed city, when he decided to check out a club that a friend was DJ’ing at, and mentioned that he was supposed to make an appearance in that same club the very next day.
Once he gets to VIP, he was handed a blunt, a fifth of Dusse, and a bottle of Ace of Spades before he noticed a friend on the dance floor asking him for some backup. “So, I start going down there,” he recalled. “He like, ‘G, they just choked me and dragged me out the club! And they not even security!’ I’m like, ‘Who? Who did this to you?’”
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After his friend pointed the culprit out, Mensa claims that he hit he hit him with the bottle of Ace of Spades. “I’m a nut so I already had bottle of Ace of Spades in my hand,” he said. “Boom! I crashed his ass. Immediately, this shit turned into a melee. I told you, I only got one friend in the building. Now this shit is not going well. I’m getting punched up and down like cartoon fists in a cloud.”
Adding that once he got away and made it to his hotel, a friend called him to inform him that the people he fought were made men. “My mans called me, who I didn’t even know was in that city at that time,” Vic began. “He was like, ‘Man, that was the Italian mob. They finna kill you!’
Vic then had to give one of his “big homies” in Chicago a call to help him out and said he had to pay $10,000 to make things right and made his scheduled club appearance with extra security. “Long story short, I get the bread, I pay the mob,” he continued. “Oh yeah, but that’s another one of the reasons why I don’t drink.”
Vic talked about his journey on the road to sobriety on Instagram in 2023, saying that he had to “learn the difference between fun and joy.”
Check out his “Italian mob” story below.
Snoop Dogg will deliver the 2025 commencement address at the University of Southern California’s Marshall School of Business graduation ceremony, the university announced Tuesday (March 25). “I am deeply honored to join USC Marshall’s commencement in celebrating the remarkable achievements of these graduates,” the Long Beach rapper said in a statement posted to the school’s […]
Wolfgang Spahr, whose tenure as a Billboard correspondent covering the German music business lasted from 1973 to 2020, died Friday (March 21). He was in his mid-80s.
Spahr was well known in the German music industry for running a newsletter, in addition to writing for Billboard, and perhaps even better known for being a true character, a gregarious figure who seemed to know, and joke around with, most of the people he covered. Besides his work as an industry journalist and communications consultant, he oversaw public relations for a theater festival dedicated to the works of the German author Karl May, who wrote Westerns without ever visiting the U.S., and wrote the lyrics for the Udo Jürgens schlager song “Aber bitte mit Sahne” (Translation: “But please with cream),” a No. 5 hit in 1976 that is regarded as a classic of the genre.
“Wolfgang was a very keen and passionate observer of our industry,” said Frank Briegmann, chairman/CEO of Universal Music Group Central Europe, in a statement. “I was always happy to welcome him to our events and I enjoyed his often-humorous comments on our business. He leaves a gap in the music business, and he will be missed deeply.”
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Spahr “was full of energy and he was very friendly to everyone,” remembers Hille Hillekamp, a music publisher and close friend of Spahr’s for decades. Many of his professional relationships were measured in decades, and he became a trusted advisor for many industry executives, both formally and informally.
“He was a great character and knew absolutely everyone in the German music business,” says Adam White, a former Billboard international editor and then the magazine’s top editor. “Yet he was a modest man with considerable charm and a warm sense of humor.”
Spahr may have been the longest-serving writer at Billboard. Although it is hard to determine exactly when he started, he is listed on the masthead as early as 1973 — as the correspondent for West Germany — and he kept contributing until 2020. During that time, he covered the rise of the country as one of the top global recorded music markets, the entry of Bertelsmann into the U.S. recording business and the industry’s digital transition. His access to sources was unparalleled. “You could call him and ask him about anything regarding the German industry and he would know it, and when he did not, he would always quickly get back to you,” remembers former Billboard international editor Emmanuel Legrand.
Legrand remembers seeing Spahr twice a year. “First at MIDEM, where we would share a few drinks, most of the time with his lovely wife Gabriele [Schulze-Spahr, a longtime lawyer at Warner Chappell], and then at the German Echo awards. At the afterparty, he would navigate between the various labels, and it was like seeing royalty. Everybody knew Wolfgang and he knew everybody.”
Over the years, whenever I met Spahr at a restaurant, he always seemed to know one of the owners, one of the chefs and at least a couple of other people — whether they had anything to do with the music business or not. More than a decade ago, at the Reeperbahn Festival in Hamburg, I spent about 20 minutes with him walking the length of a city block, because he knew so many people and stopped to greet all of them.
His success as a songwriter, which he never mentioned, was no small thing. “Aber Bitte mit Sahne” was a defining hit for Jürgens, a German superstar from the 1960s to the end of the 1990s and beyond. Spahr is said to have written the words with the lyricist Eckart Hachfeld, but it is not entirely clear what exactly his role was. The song was an instant hit, and it aged into a classic — covered by numerous artists, used in a commercial with the name of the cream substitute Rama and remembered by millions of German music fans.
Spahr’s role in the annual Karl May theater festival in Bad Segeberg was substantial, too. May’s stories about a cowboy and an Apache chief became part of German pop culture, made into movies and TV shows – think Little House on the Prairie with the popularity of the X-Men comics – and the festival attracts hundreds of thousands of fans a year. Every year, it produces a new play, based on one of May’s stories, and Spahr would help recruit talent, plus work on marketing and communications.
Over the course of the last decade, especially as he reached his 80s, Spahr contributed fewer articles. (He died at 84 or 85, but even his close friends aren’t sure what year he was born.) As his health worsened, he withdrew from the industry. He died at home, in his sleep, of a lung infection. He is survived by his wife, Schulze-Spahr.
This is an S.O.S. — the Jonas Brothers are turning 20, and they’re celebrating in a massive way.
To kick it all off, thousands of fans gathered at New Jersey’s American Dream Mall on Sunday (March 23) for the first-ever JONASCON, a free fan event filled with performances, surprise guests, themed activations (like G.I. Jonas laser tag and Jonas Pizza), branded merch and much more. Joe, Nick and Kevin were of course in attendance — making multiple appearances throughout the mall all day long. It was a full-circle experience for the three brothers from Jersey — whose first performances ever (before they became who we know now as “the Jonas Brothers”) were in this same mall, but to much smaller audiences.
“This is, in a lot of ways, is 20 years in the making, and just a culmination of a lot of things going right and a lot of people believing in us,” Nick tells Billboard about the event right before their first performance of the day at Jonas Beach, which took place at the mall’s DreamWorks Water Park.
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Later in the day, the Brothers welcomed previously-announced performers, The All-American Rejects and Franklin Jonas, to the stage, but also had several other surprises up their sleeves. Big Time Rush traveled to Jersey for a mall-ready performance of “Boyfriend,” while Camp Rock cast members M Dot, Meaghan Martin, and Anna Maria Perez de Tagle joined podcasters Chicks in the Office on stage for a surprise chat down memory lane.
During their final keynote performance, Joe, Nick and Kevin treated fans to a slew of other special announcements — meaning much more for fans to get excited about for the band’s 20th year. The band revealed that their next studio album, Greetings From Your Hometown, will arrive on Aug. 8. They also announced the release date for Joe’s long-awaited solo album, Music For People Who Believe in Love, on May 23, their Disney+ film A Very Jonas Christmas (arriving later this year), a new song celebrating Disneyland’s 70th anniversary, a London Live album (out June 13) and a new song in collaboration with ESPN for Sunday Night Baseball called “I Can’t Lose.”
Even with so much to look forward to in their 20th year, the lessons they’ve learned aren’t lost on them — and they hope to pass on what they’ve learned to the next generation.
“I think speaking to any musicians and artists, really believe in your craft and what you’re creating. We had people around us that really lifted us up and [let us] go in the studio and create them. It’s important to have that, because even after time, 20 years later, people are still gonna have opinions,” Joe tells Billboard. “You have to be able to just remember that: This is why you love it, and you create something for yourself.”
Read their full interview with Billboard below.
I’m sure there are countless memories over the past 20 years, but do you have any favorites?
JOE: We can’t pick one, but I think probably […] the van/trailer that we also would drive around the Northeast playing in front of anyone that listened to us — usually in malls. We started in malls, and we would sound check at about 4 or 5 a.m. and mall walkers would yell at us, and then we perform about 10 times throughout the day in front of Build-A-Bear. And now we’re doing it again, just a different size of mall.
KEVIN: There are so many to count. We walked through the Jonas Museum last night while it was completely empty and so fun to see memories from so long ago. My Takamine guitar is there. That was like my first purchase of a guitar ever. It’s the [guitar] we wrote “Please Be Mine” on all together. So it was pretty cool to see that.
NICK: [JONASCON] has actually got to be up there, just seeing the excitement from the fans … and our family is here today with us. Our parents are here. Our dad’s doing a sing along later with the fans, and [our brother] Franklin is performing.
What do you remember about recording your first album?
JOE: Well, I’m gonna go with the album that John Fields recorded with us [Jonas Brothers], because that was one of the launching pad albums for us — we had It’s About Time earlier. But I think when we were really able to define our sound as a band, and those were some of the most heartwarming memories for us […] we had our buddy John Taylor doing belly flops in the pool almost every day. The pool was like 102 degrees. It was our first real experience in Los Angeles.
NICK: I think the early memories of recording and writing music, we really didn’t know what we were doing, to be honest … we still don’t know what we’re doing. We had a bunch of people, to Joe’s point, that just said, you can do it and pushed us. And that was our dad, John Fields, our record label at the time Hollywood and John Lind. We were surrounded by people that just said, ‘You can do it,’ and believed in us, and that’s what took us to the next stage.
Even now, looking up and seeing what these songs mean to people so many years later, even though they were written when we were teenagers, is so incredible to us, and they resonate for us in different ways as we look out and see how the fan base has grown and changed and evolved over the years.
You guys started out around the same time social media started popping off. How do you reflect on having that personal connection with fans from the jump and those early days making YouTube videos?
KEVIN: Short-form content on YouTube. We figured it out quickly.
JOE: If only we were smart enough to create an app. We missed out on that … Our writers room was great, which was actually that van. We flipped the two back seats facing each other, and we’d come up with all these fun ideas. We would always be pitched things that we’d need to promote, but we felt kind of weird trying to sell ourselves like that. So we always said, ‘Let’s just make it fun and come up with stupid ideas.’ Jackass was really popular time. A lot of fake injuries, sometimes that became real injuries, and trying to make it feel natural and put into our own words. Our fans really, I think, gravitated towards that. We still do that stuff.
What do you remember about “Bounce,” the song/music video you put out while filming Camp Rock 2?
NICK: Sidebar — One of funniest checks I ever received was for “Bounce,” and it was for like $10 [because I was credited as the producer].
JOE: Did it go Gold or Platinum?
NICK: I think it went Gold.
JOE: We have a Gold plaque for “Bounce,” which is ridiculous … It was literally made on Garage Band in our Camp Rock dressing room. We had a lot of hours spent on that set, which we didn’t realize at the time, it was our first real movie to be a part of. You’re sitting around a lot, so “Bounce” was created.
Will there be a “Bounce” part 2?
JOE: There is time, you know. We’ll see, the next 20 years might have it.
KEVIN: Only time will tell.
You guys announced your massive JONAS20: LIVING THE DREAM tour, kicking off at MetLife Stadium. What does it mean to be headlining that massive venue in your home state? And do you have plans to bring the tour internationally?
JOE: We do have plans to bring the tour internationally. We also are overwhelmed to be playing MetLife Stadium. We’ve done it with radio shows and things like that, and popped up here and there, we’ve seen countless New York Giants football games there. I remember buying nosebleed seats when we had just enough in our allowance to go and watch a game. So to be Jersey guys who grew up 10, 15 minutes away from the stadium, MetLife. It’s a dream come true — to celebrate with our fans as well. And then we’re starting there, it’s now tradition. We have to start with New York.
[Note: This interview has been condensed and edited for clarity.]