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Former En Vogue memberDawn Robinson has revealed that she has spent the past three years living in her car, describing the unconventional choice as both a challenge and a personal awakening.
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The R&B singer opened up about her situation in a candid YouTube video posted on Tuesday (March 11), where she admitted, “You guys, for the past three years, I have been living in my car… I said it, oh my gosh, it’s out.”
Robinson explained that after living with her parents in Las Vegas in 2020, she moved to Los Angeles based on advice from her former manager, who initially offered her a place to stay. When the arrangement fell apart, the singer explained she found herself in a hotel for eight months while trying to secure an apartment.
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She alleged that her manager interfered with her housing search, saying, “Sometimes people want to trap you and keep you in a situation where you’re vulnerable and depending on them.”
Frustrated by the roadblocks she encountered, she started exploring alternative lifestyles and found herself drawn to “car life.” Instead of continuing to struggle for an apartment, she made the decision to live out of her vehicle, eventually settling near Malibu.
“I felt free,” she said, adding, “It was like being on a never-ending camping trip. It just felt right.” She continued, “This isn’t a sob story. This is about me learning who I am, as a person, as a woman.”
She admitted there were difficult moments, particularly after the loss of her dog Max, who passed away in the car. “I really am on my own,” she said, adding that while she misses her family, this period of isolation has been something she needed to experience.
Still, she acknowledged that she would take a more stable living situation if the opportunity arose. “If I could have an apartment, I would,” she said. “But I wouldn’t trade what I’ve learned from this experience. I’m proud of what I’ve accomplished.”
Robinson ended the video with an unapologetic message to her viewers: “Be spontaneous. Do the scary. F— fear.”
One of the original members of En Vogue, Robinson played a key role in shaping the group’s sound. Formed in 1989 alongside Cindy Herron, Terry Ellis, and Maxine Jones.
Their debut album, Born to Sing, released in 1990 and peaking at No. 21 on the Billboard 200, produced several hit singles, including “Hold On,” which peaked at No. 2 on the Billboard Hot 100. Their follow-up album, Funky Divas, solidified their dominance, with “My Lovin’ (You’re Never Gonna Get It)” reaching No. 2 on the Hot 100 and “Free Your Mind” earning them another Top 10 hit. “Don’t Let Go,” their 1996 hit, also peaked at No. 2 on the Billboard Hot 100.
Robinson left the group in 1997 to sign with Dr. Dre’s Aftermath label and later had brief reunions with En Vogue in 2005 and 2009. Outside of music, she made appearances in films and was featured in the first season of R&B Divas: Los Angeles.
As Chappell Roan prepares to release her highly-anticipated new song “The Giver,” she’s assured fans that this doesn’t mean her pop music is a thing of the past.
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Roan confirmed earlier week that her new single – the first since the release of 2024’s “Good Luck, Babe!” – would arrive on Thursday, March 13, with the fresh track inspired by her lifelong exposure to country music.
“I have such a special place in my heart for country music,” she wrote on Instagram. “I grew up listening to it every morning and afternoon on my school bus and had it swirling around me at bon fires, grocery stores and karaoke bars.”
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“Many people have asked if this means I’m making a country album???” the Missouri native continued “My answer is.. hmm right now I’m just making songs that make me feel happy and fun and The Giver is my take on c–try xoxo may the classic country divas lead their genre, I am just here to twirl and do a little gay yodel for yall.”
Now, the Grammy-winning musician will be appearing on the March 14 episode of Apple Music’s Today’s Country Radio with Kelleigh Bannen, with E! News sharing a new teaser clip that sees Roan expound upon her love of the country genre.
“I wanted to write a country song because I just thought it would be funny,” she explained succinctly. “It’s campy and fun.
“I’m from southwest Missouri,” she continued. “[I] grew up on Christian and country, and then found ‘Alejandro’ by Lady Gaga and I was like, ‘I think I like this, too.’ So, I have kept country in my heart. And it’s so incredibly nostalgic to drive in West Hollywood and have Jason Aldean [playing] or Alan Jackson’s ‘Chattahoochee.’”
According to Roan, one of the biggest inspirations for her pivot to the world of country came by way of Tennessee duo Big & Rich and their Grammy-nominated 2004 single “Save a Horse (Ride a Cowboy).”
“I was like, ‘I want to feel that way on stage. I want to feel that,’” she explained. “Because that’s how I write. I’m like, ‘How do I want to walk around on stage and sing?’ And I was like, ‘I want to write that song, but Chappell’s version.’”
In keeping with her previous comments about the decision to venture into the world of country music, Roan also again assured fans they’ll be hearing plenty of the pop music they’re used to moving forward. “I really just did it for fun,” she added. “I’m not switching genres or anything.”
The imminent arrival of “The Giver” will mark Roan’s first release since “Good Luck, Babe!,” which she dropped in April last year. The track — which remains the only song she’s released since breakthrough 2023 album The Rise and Fall of a Midwest Princess — peaked at No. 4 on the Billboard Hot 100 in September.
Roan has been teasing the arrival of “The Giver” for weeks, rolling out a series of characters — a lawyer, a plumber, a private investigator, and now, a construction worker — who can “get the job done” à la the lyrics on the track, which she debuted on Saturday Night Live in November. Fans have spotted the alter egos on billboards all around the country, as well as on Roan’s Instagram.
All of the personas correlate to different special versions of 7-inch single vinyls for “The Giver,” which are available for purchase on Roan’s website.
Nick Cave has responded to the viral comments he once made about the Red Hot Chili Peppers, clarifying his current stance on the band in the process.
Cave’s comments about the Los Angeles funk-rockers have circulated as something of a punchline for roughly 25 years now. Though their exact origins appear to have been lost to time, the quote is often attributed to Cave as, “I’m forever near a stereo saying, ‘What the fuck is this garbage?’ And the answer is always ‘The Red Hot Chili Peppers.’”
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Chili Peppers bassist Flea (who, like Cave, was born in the Australian state of Victoria) responded to Cave’s scathing remark in 2006, noting that it initially hurt his feelings since he’s a huge fan of the Bad Seeds frontman.
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“I don’t care if Nick Cave hates my band because his music means everything to me,” Flea said. “He is one of my favorite songwriters and singers and musicians of all time. I love all the incarnations of the Bad Seeds. But it only hurt my feelings for a second because my love for his music is bigger than all that shit and if he thinks my band is lame then that’s OK.”
Now, Cave has taken to his Red Hand Files website to respond to a fan asking about the truthfulness of the quote, referring to his comments as an “offhand and somewhat uncharitable remark” about the band.
“There was no malice intended, it was just the sort of obnoxious thing I would say back then to piss people off,” Cave explained. “I was a troublemaker, a shit-stirrer, feeling most at ease in the role of a societal irritant. Perhaps it’s an Australian trait among people of my generation, I don’t know, but that comment has followed me around for the last quarter-century.”
Cave also recalled how Flea’s own response had made its way to him, moving him and bringing forth the realization that “Flea was a human being of an entirely different calibre, indeed, of a higher order.” He also added that the pair have since apparently patched things up, with “pleasant” interactions following both on and off the stage in different iterations over the years.
The response closed with the revelation that Flea is apparently in the process of crafting a new album, with Cave noting he recently added his vocals to the new record which sees Flea’s trumpet-playing skills on full display.
“Last week, Flea sent me a song and asked if I’d like to add some vocals. It was for a ‘trumpet record’ that he is making,” Cave explained. “It is not for me to divulge what the song was, only that it is a song I cherish more than most, with arguably the greatest lyric ever written, a song of such esteem that I would never have dared to sing it had Flea not asked me to. I went into the studio on Wednesday and recorded my vocals.
“The track emerged as a beautiful conversation between Flea’s trumpet and my voice, filled with yearning and love, the song transcending its individual parts and becoming a slowly evolving cosmic dance, in the form of a reconciliation and an apology.”
LISA’s first full-length studio album, Alter Ego, debuts No. 1 on Billboard’s Top Album Sales chart (dated March 15). The set sold 28,000 copies in the U.S. in the week ending March 6, according to Luminate.
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LISA is the second member of the quartet BLACKPINK to notch a solo No. 1 on Top Album Sales, following ROSÉ’s rosie, which bowed atop the list dated Dec. 21, 2024. BLACKPINK itself has logged three top 10s, including two No. 1s: The Album (in 2020) and BORN PINK (2022).
Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album (TEA) units and streaming equivalent album (SEA) units.
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During the album’s release week, LISA performed on the Academy Awards (March 2), taking part in a tribute to the music of the James Bond film series, where she performed Wings’ “Live and Let Die.” She recently made her acting debut in the third season of HBO’s The White Lotus (which premiered on Feb. 16).
Alter Ego was available to purchase as a standard 12-song album (digital download, CD and vinyl), a 15-song set (with three bonus tracks, as a digital download) and a 19-track set (with three additional remixes and a voice note from the artist, sold as a digital download exclusively on LISA’s official webstore). The set was issued across nine CD variants (including a signed edition; with all containing collectible paper ephemera such as randomized photocards), six deluxe CD boxed sets (each containing a copy of the album on CD and a branded piece of clothing) and two vinyl variants (including one signed edition).
LISA’s Alter Ego is the lone debut in the top 10 on the latest Top Album Sales chart. Notably, a third member of BLACKPINK could capture her first entry on the chart next week (on the list dated March 22), as JENNIE’s Ruby was released on March 7.
With a matter of months to go before Oasis launch their long-awaited reunion tour, reports of the band’s line-up have seemingly begun to leak, and Liam Gallagher is having fun with it as always.
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Since the announcement that Oasis would be performing their first live shows since 2009, speculation has swirled in regard to who would be joining Liam and Noel Gallagher on stage.
At the time of their split, the band officially featured Gem Archer on guitar, with Andy Bell taking on bass, guitar, and keyboards. A series of touring drummers had sat behind the kit since the 2004 departure of Alan “Whitey” White, with Chris Sharrock holding the beat at their final shows.
Just a week ago, Liam took to X to share a jovial confirmation as to who would actually be on stage this summer. “Here we have it Peppa pig on drums Bert n Ernie on lead guitar n bass finger bobs on keyboard,” Gallagher tweeted, including beloved 1970s U.K. children’s program Fingerbobs in the mix. He added, “obv me n Rkid [his nickname for Noel] hope that clears everything up can’t wait to see you all who’s says RnR is dead.”
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However, a new report from NME has since put forth a more believable version of Oasis’ line-up, with “sources working closely with the band and tour” apparently providing the info. This version of the band features the Gallaghers joined by Archer and Bell, along with Oasis co-founder Paul “Bonehead” Arthurs, and Joey Waronker, who has previously performed with R.E.M., Beck, Roger Waters, and more.
“NME tell me who your source pots are that keep giving you info about OASIS and I’ll give you an exclusive interview about up n coming OASIS tour,” Gallagher wrote in response to the report. “You can have it all but how much do you want it.”
“It’s not the lineup reveal I’m bothered about I’ll reveal that to you in a minute I’m more bothered about the line where it says a source close to the band and tour that really causes me a great deal of concern,” he added an hour later.
Gallagher soon offered another message apparently confirming who would be appearing on stage, claiming the line-up would be “Tony Mc drums Alan white bass guitar Zak lead guitar Chris Sharrock keys.”
However, eagle-eyed fans would note that founding drummer Tony McCarroll, his successor White, and touring members Zak Starkey and Sharrock are all in fact previous percussionists in the band. “That’s a BANGING line up,” Gallagher added.
He further added humor into the mix by claiming that Bonehead and founding drummer Paul “Guigsy” McGuigan would be serving as “pole dancers either side of stage there idea not mine bfore you all start on the faministik nonsense.” When pressed about the identity of the vocalist, Gallagher swiftly replied by noting, “ME you lunatic.”
To date, Oasis have lined up more than 40 dates for their Live ’25 outing, which will hit stadiums in the U.K., North America, Asia, Australia and South America from July through November. So far, the only confirmed participants are the Gallaghers — who have not shared a stage since August 2009.
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Wendy Williams is set to make a rare public appearance this week as the former talk show host sits down for an interview with the hosts of The View.
Williams’ episode airs this Friday, March 14 at 11 a.m. ET/PT on ABC and marks her first television interview since she was reportedly removed from her assisted living facility for a mental evaluation this week. It’s not clear whether the TV personality will appear in-person at the ABC studios in New York or if she’ll be dialing in (some reports have leaned towards the latter).
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And while The View panel features Whoopi Goldberg, Joy Behar, Sunny Hostin, Sara Haines, Ana Navarro and Alyssa Farah Griffin, Goldberg is normally absent from Friday dates, and is not expected to be part of Williams’ episode.
Want to watch Wendy Williams’ appearance on The View? You can watch The View on TV through your local ABC affiliate with a digital antenna, or with any basic cable package.
You can also livestream The View online without cable using a streaming service like Fubo or DirecTV Stream. Both streamers carry a live feed of ABC that you watch from home on your TV, phone, computer or tablet. Even better: both Fubo and DirecTV Stream offer free trials that you can take advantage of to watch Wendy Williams on The View online free.
Fubo’s free trial includes free DVR, so you can record Williams’ View episode to watch back on-demand later. Since The View is a daily live talk show, the episode is not expected to repeat or replay on air.
Williams has been relatively missing from the public eye ever since she was put under a guardianship a few years ago (the host and former radio DJ has compared it to feeling like she’s “in prison”). Her eponymous daytime talk show, The Wendy Williams Show, meantime, finished its run in 2022.
Though she is expected to speak to the hosts of The View live on air, Friday’s show won’t be the first time fans have seen the star on TV in recent years — the Lifetime documentary, Where Is Wendy Williams? premiered to huge ratings last spring, giving viewers a glimpse into Williams’ life under her financial conservatorship. It also documented her health journey, after Williams was diagnosed with frontotemporal dementia and primary progressive aphasia, a brain condition that affects memory and mobility. Williams was an executive producer on the documentary along with her son, Kevin Hunter Jr.
The following story contains spoilers about the celebrity revealed on Wednesday night’s (March 12) episode of The Masked Singer.
Space Ranger made his debut on last week’s Masked Singer, bounding out with his neon-tinged swagger and a silver space suit topped by a glowing, planet be-decked cowboy hat. It was a fitting ‘fit for what came next: an electrifying performance in which he bounced around, dropped to his knees and flashed finger guns with so much rizz that judge Jenny McCarthy-Wahlberg was convinced he must be a famous comedian.
If you were paying any attention at all, the clues (and his one-of-a-kind voice) made it pretty obvious: He’s futuristic, lives on his own planet and a childhood report card included an A+ in, ahem, “PE.” Oh, also, sometimes, he said, you have to show them all that you’re “worth the hype,” as he showed off a belt that appeared to have a clock face on it.
His debut performance, of a track by his “bestie,” was a spirited run through Taylor Swift’s “Bad Blood” that left judge Ken Jeong dumbstruck, while host Nick Cannon knew right away that it was one of his “favorite people” on the planet.
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Both Robin Thicke and Jenny McCarthy-Wahlberg agreed that it could be comedian/actor Tracy Morgan, while always-wrong Jeong — who said he’s opened for Morgan on the road — thought the space case was retired boxer Floyd Mayweather Jr., and Rita Ora suggested a showman like actor/comedian Marlon Wayans.
Wednesday night’s Ghostbusters-themed episode was back with more super obvious clues, including one about his gig “schlepping furniture” in New York as a young man before he and his partner came up with a crazy idea for a career change with help from a “beastly band of boys” who boosted their career.
For his second song, he went in another direction with the swinging Busboys’ Ghostbusters soundtrack album tune “Cleanin’ Up the Town,” which further showcased his showmanship and vocal dexterity. The second performance made Jeong think it was DJ Jazzy Jeff, even as Thicke doubled down on his Morgan guess, while Ora and McCarthy-Wahlberg totally figured out that it was none other than Public Enemy hype man rapper Flavor Flav.
Before his elimination, Billboard spoke with Flav, who described the joy of getting the special dispensation to cover Swift, his shock at the judges’ guesses, and why he wanted to hang around just a bit longer.
You said being on the show has been on your bucket list for years. Why? What took you so long?
I don’t know what took it so long ’cause I’ve been wanting to do this show for years! So when I was asked to be on the show, I said, “Wow! Finally? OK, let’s go!” One thing about me is I love surprising people, I love amusing people, and I love keeping people in suspense. So this show put me on that platform to do all of these things.
People know you as the hype man from PE, but were you nervous to try singing on national TV, especially a Taylor Swift song?
One thing about Flav — Flav is never, ever nervous. I always love being the center of attention. I love being the most positive, talked-about. I’m the biggest hype man, I’m the original hype man, so I could not wait to get out there on that stage and hype up the world.
You are the self-proclaimed “King Swiftie” and there’s never been a Taylor song on Masked Singer. Was that an extra layer of pressure?
Nah, I wasn’t nervous at all, and I was honored that Taylor Swift and them did clear the song for me to do. Because Masked Singer been trying to get a Taylor Swift song cleared for years and they could not get one cleared, until Flavor Flav, King Swiftie, came on their show. [A spokesperson for the show confirmed that it was the first-ever Swift cover on the series.] They cleared it for King Swiftie. I’m honored and proud that Taylor Swift and them cleared me to do “Bad Blood.” I said, “I’m gonna have fun with this song and I know I’m gonna do a good job with it.” I ain’t gonna lie, I am my biggest fan and I do amuse myself and I love watching me on TV.
Did she approve it because she knew you were going to do it?
They knew I was going to do it, that’s why the song got cleared. They only cleared it because of me! They weren’t clearing it for nobody else! And you know what? I don’t think they’re gonna get another Taylor Swift song after this.
You have an iconic, signature look. So how did it feel to be in that ridiculous costume? Did it help you relax to be covered up?
It was real fun jumping in and out of that costume. When I first seen the costume, I was like, “Wow, how am I gonna pull this off?” But, you know, I can make anything work, I can pull this off. I really had fun… but it was a little hot and muggy up in there and I was running out of fresh air. But I said, “Keep it going. KIM — keep it movin’ Flav, you got this!”
Not gonna lie, I’ve been covering you for 30 years and so this was the easiest mystery to guess in the history of the show. From the way you walked out , to the super obvious clues and your one-of-a-kind voice it seemed almost too easy.
What do we say when we pick up the phone? “Heloooooooo?” C’mon now, it was the biggest, easiest giveaway! My voice is distinctive like James Earl Jones, like Samuel L. Jackson, like Morgan Freeman. I have the most sampled voice in the history of music and my voice is very, very recognizable. So when you take my voice and match it up with them easy-ass clues… the easiest clues! The first one was “PE.” C’mon now, everybody knows Flavor Flav is Public Enemy! Everybody knows that I’m famous for my hardware that I wear around my neck [holds up giant clock pendant]. It’s clocks. And also the other easy giveaways was the clock belt and they showed the belt twice! I’m like, “C’mon man, everybody knows that’s Flav!” I was trending number 3 on Twitter [after his first episode] and everybody on Twitter was like, “Man, that was the most easiest giveaway ever!” I think they should have did me better.
Be honest: Did you want to win?
I didn’t go on that show to win. I went on that show to have fun. Did I expect to win? No. But I did want to last a little longer than I did and last as long as I can. At least I could say I had fun. At least I could say I was onstage with one of my favorite people on the planet too, Nick Cannon. I’ve always been a Nick Cannon fan and when Nick said “I know who this is! This is one of my favorite people on the planet!” When he said that, you don’t know how honored I was and how proud I was to hear those words come out of his mouth. ‘Cause before Nick Cannon was Wildin’ Out, I was wildin’ out first, since 1986! The surprising thing was when the judges were trying to guess me… where the hell did they get Tracy Morgan from? [Laughs] The weirdest one was Floyd Mayweather. What in the world is Floyd Mayweather going to be doing in a costume?
It’s been almost a year since Benson Boone opened for Taylor Swift at London’s Wembley Stadium during her record-breaking Eras Tour, and while he’s a big fan now, that wasn’t always the case. Explore See latest videos, charts and news See latest videos, charts and news The 22-year-old singer sat down with Rolling Stone for […]
Morgan Wallen reaches another Billboard chart milestone, as his latest studio album, One Thing at a Time, collects its 100th nonconsecutive week in the top 10 on the Billboard 200 chart (dated March 15). It’s his second album to notch at least 100 weeks in the region, following his previous studio set, Dangerous: The Double Album, which surpassed 100 weeks on the Dec. 24, 2022-dated chart, and currently has 158 total weeks in the region – the most of any album by a singular artist.
Wallen is the only singular act with two albums (or even one album) with at least 100 weeks in the top 10.
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On the March 15, 2025-dated chart, One Thing at a Time holds at No. 9, while Dangerous climbs 15-12. Both titles debuted atop the list, with One Thing at a Time spending 19 weeks at No. 1 in 2023-24, and Dangerous notching 10 weeks in the lead in 2021.
Since the Billboard 200 began publishing on a regular weekly basis, with the March 24, 1956-dated chart, the album with the most weeks in the top 10 is the original cast recording of the stage musical My Fair Lady, with 173 weeks in the top 10 between 1956-60. Of the six albums with at least 100 weeks in the top 10, four are either cast recordings or film soundtracks.
The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multimetric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album.
Albums With Most at Least 100 Weeks in the Top 10 on the Billboard 200 Chart
Weeks in Top 10, Artist, Title, Year First Reached Top 10173, Original Cast, My Fair Lady, 1956158, Morgan Wallen, Dangerous: The Double Album, 2023109, Soundtrack, The Sound of Music, 1965106, Soundtrack, West Side Story, 1962105, Original Cast, The Sound of Music, 1960100, Morgan Wallen, One Thing at a Time, 2023(March 24, 1956-March 15, 2025-dated charts)
Because of how the Billboard 200 chart is now compiled, where streaming activity is blended with album sales and track sales, albums tend to spend a longer time on the list thanks to continued streaming activity. The chart only began utilizing streaming information in its methodology in December 2014. Previous to then, the chart was based solely on traditional album sales.
Also, a lengthy tracklist with multiple popular songs can help accrue large streaming totals, so albums like One Thing at a Time and Dangerous (each with more than 30 songs apiece) benefit from the continued weekly streams of their long tracklists.
Further, older albums (known as catalog albums; generally defined today as titles at least 18 months old), were mostly restricted from charting on the Billboard 200 from May 25, 1991-Nov. 28, 2009. After that, catalog and current (new/recently released) albums chart together on the Billboard 200. In turn, older albums now regularly spend hundreds of weeks on the chart. On the March 15, 2025-dated list, for example, there are more than 30 albums with least 400 total weeks on the chart. Before the rule change in December 2009, allowing catalog albums back onto the chart, only three albums had spent more than 400 weeks on the list – led by Pink Floyd’s chart-topping The Dark Side of the Moon. Today, it continues to hold the record for the most weeks on the list, with 990.
Sure, Carrie Underwood is the country star behind hits like “Before He Cheats” and “All-American Girl,” but turns out, she’s also a huge fan of nu-metal. In a clip from season 23 of American Idol, in which Underwood took over for Katy Perry on the judges panel alongside Luke Bryan and Lionel Richie, an 18-year-old […]