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For the first time in what feels like a century, the temperature in NYC broke 80 degrees — time to break out Amerie’s “Why Don’t We Fall In Love”! Funnily enough, the Grammy-nominated singer is back this week with her first new song in seven years. But before we get into that track, let’s recount the past week in hip-hop and R&B — one filled with several controversy-streaked MCs making major moves.
The evening before Lyrical Lemonade announced that Young Thug would be headlining the third night of their forthcoming Summer Smash Festival (June 22) — marking his first live performance since his release from jail last fall — the NFL sent out a memo banning the “nose wipe” gesture in touchdown celebrations. Thugger, alongside rappers like Future, popularized the gesture and its accompanying slang, further cementing how central to the culture Young Thug continues to be. The “Digits” rapper has yet to comment on the ban, but maybe he’ll allude to it at Summer Smash.

Last Friday (March 28), Academy Award-winning actor and Grammy-winning rapper Will Smith dropped his first LP in 20 years, on which he addressed his marriage to Jada Pinkett Smith and, yes, the infamous Oscars slap. On the other end of the hip-hop spectrum, Lil Durk dropped a 17-track set as he remains behind bars awaiting trial for murder-for-hire charges related to the 2022 killing of Saviay’a “Lul Pab” Robinson. As Chicago and Philly enjoyed marquee releases from hometown stars, ATL mourned yet another pillar of their iconic 2010s trap scene: According to a report in the Atlanta Journal-Constitution and details from Atlanta Police, Scooter died after sustaining injuries while attempting to flee police.

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With Fresh Picks, Billboard aims to highlight some of the best and most interesting new sounds across R&B and hip-hop — from Amerie’s comeback to YG’s silence-breaking triumph. Be sure to check out this week’s Fresh Picks in our Spotify playlist below.

Freshest Find: YG feat. Buddy & The Gang, “2004”

“When I was young, I got raped by a b–ch twice my age/ Picked me up from school to meet at hers and got laid/ Ever since that day, I never looked at s–t the same/ F—-d up in the brain, p—y what I blame,” spits YG over a jazzy beat built by DJ Swish, Ya Boy N.O.I.S. & SmokeyBeatz. It may only be the tail-end of March, but you’ll likely be hard-pressed to find such a hard-hitting pair of couplets to open a rap song this year. Assisted by Compton rapper-singer Buddy, YG holds ample space for one of the most complicated and nuanced discussions when it comes to Black men, masculinity and hip-hop: the sexual abuse of young boys by older women.

Expertly weaving through the double consciousness that comes with existing as a survivor within a culture that, at times, celebrates the early sexual development of young boys as proof of their manhood, “2004” further cracks open a conversation that’s taken several turns recently — from the backlash Boosie Badazz got for promising to gift his underage son time with sex workers for his birthday to Phonte’s heartbreakingly revelatory verse on Black Milk’s 2023 LP. — KYLE DENIS

NAV feat. Playboi Carti, “Unlimited”

The Opium-XO bond strengthens. Carti pops up to power OMW2 Rexdale’s headlining track as he teams up with NAV for “Unlimited.” The Atlanta native mixes up his deep-voiced flows over the uplifting melody before passing the baton to NAV, who brags about making $10 million from VLONE and jokes he could “go deep-voice just like I’m Carti.” Carti fans might be familiar with the “Unlimited” beat as it was previously Offset’s track, but was missing from the Migos rapper’s last project and somehow ended up in NAV’s hands. The Weeknd pops up to deliver a grand finale, lending his croon to the cinematic outro. — MICHAEL SAPONARA

Coco Jones, “You”

Coco Jones is back with another single from her highly anticipated album Why Not More? “You” is a heartfelt celebration of love that feels like fate. She reflects on finding someone who restores her faith in love, describing the connection as effortless and healing. With poetic lyrics and soulful vocals, she compares their bond to rare and perfect pairings, like “a drink in the Sahara,” emphasizing how refreshing and necessary this love feels. More than just romance, “You” is about gratitude, trust and the joy of feeling truly seen. — CHRISTOPHER CLAXTON

Crimeapple, “Sabado Gigante”

The lead single off Crimeapple’s latest tape Jaguar on Palisade 3, “Sabodo Gigante” highlights why the Jersey rapper remains one of the game’s most underrated artists. Produced by Loman, the song has an infectious hook and features Crime spitting lines like, “Sous chef, I used to prep the onion,” which could make it into the next season of The Bear. Stop sleeping on Rap Game Don Francisco. — ANGEL DIAZ

Mahalia feat. Masicka, “Different Type of Love”

Between her recent collaborations with Lila Iké and Bayka, Mahalia is prepping what’s sure to be the year’s sultriest dancehall-R&B project — and her new single, “Different Type of Love,” is further proof that she has something excellent in store for the summer. Assisted by Jamaican dancehall star Masicka — who’s enjoying a massive hit of his own right now with “Whites” — Mahalia’s flirtatious tone floats across a beat that blends steady dancehall drums with a synth line that recalls the harp on Brandy and Monica’s “The Boy Is Mine.” With two verses from Masicka, “Different” feels more like a true collaboration than the scores of rent-a-rapper moments that inundate the mainstream scene; the two artists perfectly match each other fly and capture the energy of a frisky night out. — K.D.

Mynameisntjmack, “Lemon/Ginger”

It’s easy to get lost in the haziness of Mynameisntjmack’s music. The Virginia native returned with his Bookmark 2 project on Friday, which finds him recounting his turbulent journey from the East Coast to Los Angeles while looking to cash in on his music dreams. “Lemon/Ginger” finds him introspectively reflecting on his travels and the pressures of trying to make it from friends and family while stretching a dollar. There’s a certain discipline needed to never get too high from the wins but not too low from the losses along the way. Now on tour with Tommy Richman, it’s all starting to pay dividends for the L.A.-based rhymer. — M.S.

Ivory Scott & Tink, “Control it”

Ivory Scott has been shaping the sound of today’s music, writing for superstars like Beyoncé, Latto and Fabolous. Now, he’s stepping out on his own with his debut album, Mud. A standout track from the project is Ivory Scott and Tink’s “Control It,” a seductive anthem about confidence, power and fiery connection. The repeated line “control it” underscores the track’s theme of dominance and desire, with Scott and Tink asserting their authority in the relationship. Lyrics like “You a boss, you so cold, you a cough” reflect deep admiration and respect for their partner. The track blends sensuality with confidence, capturing an irresistible chemistry that’s impossible to ignore. — C.C.

Amerie, “Mine”

Where there’s springtime, you’ll find Amerie. The DMV crooner is back with her first new music since her 2018 double-single “4AM Mulholland”/”After 4AM,” and it’s a winner. Co-written with Troy Taylor, who also produced the track, “Mine” is a soaring ballad accented by her trademark upper register, twinkling harp-like strings, and subtle bassline peppered with syncopated finger-snaps. “The way your lips fill in tonight, the way they pressed against mine/ The way you pulled me closer, closer, under the moonlight/ This is how it could always be, you and me/ More than friends, we could be everything,” she delicately coos in the intro. — K.D.

Naomi Sharon, “Can We Do This Over”

Naomi Sharon returns with her first single of 2025 to kick off her anticipated follow-up era to Obisidian. Dealing with an emotionally unavailable partner is a tireless obstacle to climb — and the First Lady of OVO vulnerably opens up about her own experience, as her stirring vocals capture what can be a helpless feeling. Still, Sharon remains direct and steadfast in not playing these games and running in a circle, as her silky flow ventilates the warm acoustic production. Even though our hopes of a guest appearance on Drake and PND’s $$$4U didn’t materialize, her sophomore album’s arrival should be marked on every R&B fan’s calendar. — M.S.

Ari Lennox, “Soft Girl Era”

Ari Lennox is fully embracing her Soft Girl Era, and to celebrate her birthday, she dropped her new single, “Soft Girl Era.” The track serves as a celebration of luxury, self-care and embracing a carefree, feminine energy. Produced by hitmakers Jermaine Dupri and Bryan Michael Cox, The track embodies the idea of prioritizing your own comfort and well-being while indulging in the finer things in life. With playful confidence, Ari declares that she’s here for the “soft girl” lifestyle — pampered, relaxed, and loving every minute of it. Lyrics like “a million dollars in the mirror” and “Ain’t tryna do nothing but look pretty in here” capture the essence of self-worth, while the track’s carefree vibe encourages women to revel in their worth and enjoy the luxury of being unapologetically themselves. — C.C.

Xowié, “Nobody’s Fool”

Recently named Apple Music’s Up Next in South Africa artist for April, rising star Xowié has unleashed the lead single from her forthcoming EP ALLO (A Little Long Overdue). “Nobody’s Fool” finds Xowié using a neo-soul-steeped soundscape to pick up the pieces and build herself up after allowing a disappointing romance to “waster her time.” Frank and vulnerable, her restrained vocal performance is the perfect pairing for Sundae Beats’ lush, ethereal soundscape. — K.D.

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
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Winning Global Force at the 2025 Women in Music event? That’s just like JENNIE. Surrounded by some of the industry’s most acclaimed female artists and executives, the BLACKPINK star accepted this year’s international honor on stage at Los Angeles’ YouTube Theater Saturday (March 29), giving special shoutouts to her bandmates, Woman of the Year Doechii and more.
Confessing that she was feeling “really nervous right now,” the Idol star — looking glamorous in a sparkling deep red gown — breathlessly gave her acceptance speech as passionate fans in the crowd screamed with excitement for her. “This is so special,” she said. “I’m inspired by all the women in this room and around the globe who continue to break barriers and make their mark on the world stage. This award is a tribute to every woman who dares to dream, create and shape the world with her vision,” JENNIE continued. “Women are such a powerful force, and when we come together, we uplift each other every step of the way.

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“I’m so lucky and fortunate to work with so many talented people in my career—singers, songwriters, producers,” she added. “Doechii, I love you, and Kali (Uchis), I love you. I had these amazing women be on my album, and words cannot express how thankful I am.”

JENNIE also gave shoutouts to her team, label, and of course, “my BLACKPINK girls — without them, this journey would’ve never happened.”

Several other women were also honored at Saturday’s show, including Songwriter of the Year Gracie Abrams, Group of the Year aespa and Impact Award-winner Tyla. Of her prize, JENNIE told Billboard on the red carpet before the ceremony that “to be honored as Global Force is just so special.”

She also spoke about how meaningful it’s been to step into her solo era while her BLACKPINK bandmates also pursue their own independent projects. JENNIE’s debut album, Ruby — featuring the Doechii-assisted “ExtraL” and “Damn Right” with Uchis and Donald Glover — arrived March 7 and debuted at No. 7 on the Billboard 200. ROSÉ, LISA and JISOO have also dropped solo music in the past year-plus since the girl group has been on break.

“We talk about this all the time,” said the “Mantra” singer. “It’s amazing how we’re all doing our own thing. We have each other’s backs no matter what, and that’s such a special feeling. I miss them.”

JENNIE won’t have to miss her bandmates for long, though, as the foursome is set to reunite this summer for a global tour and is currently working on new music.

You can watch the 2025 Billboard Women in Music ceremony here starting at 7 p.m. ET on Monday (March 31) and on VIZIO TVs and the VIZIO app.

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President Donald Trump famously quipped on the campaign trail that voters would never have to visit the polls again if he wins, signaling to his critics he intended to run for a third term. President Trump doubled down on his desire to seek a third term even though the U.S. Constitution bars this, prompting many on X to get #Obama2028 trending in support of President Barack Obama on the social media network.
In a Sunday morning (March 30) phone call appearance on NBC News, President Donald Trump was asked if he was joking about seeking a third presidential term despite the 22nd Amendment of the Constitution allowing just two four-year terms as a maximum. Lawmakers loyal to Trump have been examining resolutions and pathways to give Trump a third term, but some viewed the past comments as humorous at root.

However, Trump told host Kristen Welker, “A lot of people want me to do it. But, I mean, I basically tell them we have a long way to go, you know, it’s very early in the administration.”
Trump did say he’s focused on his time in office now, but Welker pressed about the matter, and Trump said that there are “methods” his side could examine. One is that JD Vance could run and win the presidency and hand over the reins to Trump, which the president seemed to suggest as a plan. He did not elaborate on other methods of seeking the unprecedented move for a third term.
President Barack Obama served two terms in the White House and left as one of its most popular and most criticized presidents in history. The charismatic politician has stumped for people in his party since leaving office, but has never said that he wants to return to elected office.
Still, the hope that President Obama could come back and run the nation has pushed the aforementioned hashtag along on X with additional commentary. We’ve got those reactions below.

Photo: Meg Oliphant / Getty

Drake is back with another earworm, and we have the producer Elkan to thank for it. This week, Drizzy’s latest hit “Nokia” sneaks back into the top 10 of the Billboard Hot 100 — reaching a new peak of No. 7 — as fans are waiting with baited breath for the arrival of the song’s IMAX music video, dropping later today (March 31). Appearing on Drake and PARTYNEXTDOOR‘s joint album $ome $exy $ongs 4 U, “Nokia” emerged as the leader of the pack amongst three other chart-topping songs off the project: “Die Trying,” “Gimme a Hug” and “Somebody Loves Me.”

While “Nokia” is littered amongst 20-other lusty heartbroken R&B slowburns, the song commands listeners to dry their tears and hit the dance floor. Drake’s “Who’s calling my phone?” catchphrase is already breaking the internet, and will undoubtedly crash every karaoke bar this summer, as soundtracked by Elkan’s bouncy beat. The producer, who’s from Sierra Leone and is based out of the United Kingdom, graces Drake with a disorienting backdrop, which disintegrates from a sweaty and pummeling Atlanta bass beat into a slithering synth-driven funk groove.

Trending on Billboard

So who is Elkan, and how long has he been honing this unique style? Here’s everything Billboard knows about the buzzing producer behind The Boy’s latest hit.

When Did Elkan Start Producing?

The 21-year-old producer began his production journey back when he was between the ages of eight and ten. His uncle, an artist based out of Sierra Leone at the time, introduced him to FL Studio. Elkan admitted in an interview with wavs.com that he wasn’t interested in the software at first, but eventually began tinkering around in FL’s demo version. He then fully locked in with producing after taking a class led by a professional producer named Eli Brown.

“I saw Eli Brown post a sample on Twitter and it blew me away,” he said in an interview with the Spill Your Sauce podcast in 2023. “I reached out to him about his class and I’m so grateful for the opportunity to learn from him. It completely changed my perspective on what could be achieved with samples.”

From there, Elkan became obsessed with making samples, with his first official release being a sample from Tory Lanez’ “Joke’s on Me” when he was 17. After getting some praise online, Elkan decided to pursue production full time.

How Did Elkan Break Out?

His claim to fame became meshing nursery rhymes within his samples, and he got his official start producing as part of a well-established group called the Rucker Collective. One of Elkan’s samples from 2020, titled “Dead or Alive,” caught the attention of Lil Baby, who was seen on TikTok rapping over the beat in the studio. The sample eventually made its way to Metro Boomin, who added drums and tinkered with it a bit more to make his Heroes & Villains cut “Metro Spider” with Young Thug in 2022.

The rest was history, as Elkan continued to produce for well-known rappers including Russ, Nemzzz and Lecrae, the latter collaboration of which led to his first Grammy win in 2024, for his work on Church Clothes 4.

What Inspired “Nokia?”

While working on the beat for “Nokia,” Elkan said on Instagram in February the instrumental was just inspired by real-life events.

“NOKIA” came from people I love ringing my line asking if I was okay inviting me out to karaoke, clubbing, going to crazy food spots and just enjoying the finer things in life!” he wrote on IG. Elkan added that knew the result would be a smash hit.

“When Drake puts pen to pad onna elken ting you know it’s a special one!” he concluded.

GloRilla absolutely dominated 2024 as she cemented her status as one of the premier rappers in the game today. Following her massive year, Glo was honored with the Powerhouse Award at the Billboard Women in Music 2025 ceremony in Los Angeles on Saturday (March 29). Draped in a sleek black tux, the Memphis native was […]

With Monday (March 31) marking the annual International Transgender Day of Visibility, pop superstar Madonna took a moment to celebrate the community with a post to her social media. Sharing a series of photos from a fundraising fashion show she attended over the weekend to her Instagram account — including a photo with trans model […]

TAMLA Records, the Nashville-based reprise of the storied label founded by Motown Records icon Berry Gordy, is announcing its official re-launch. Having set the goal “to redefine the Christian music landscape,” TAMLA operates under the Motown Gospel/Capitol Christian Music Group banner and is helmed by Walter Thomas, senior vp for Motown Gospel & TAMLA.
“Our mission is to champion, uplift and inspire new generation cutting-edge artists,” Thomas tells Billboard, “by providing a platform to connect their music with fans around the world through innovation and culture. TAMLA is the new home of positive music.”

It was initially announced in 2023 that TAMLA — Gordy’s late ‘50s precursor to Motown — would be revamped as a “mainstream imprint specializing in positive R&B and hip-hop music.” The first partner signed then to the reimagined TAMLA was Thomas “Tillie” Mann and his label Encouragement Music. However, the early 2024 reorganization of Universal Music Group delayed TAMLA’s formal relaunch.

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Also working alongside Thomas at TAMLA will be Rodney “Darkchild” Jerkins. The Grammy Award-winning songwriter/producer has partnered with TAMLA to sign and develop emerging talent under his imprint, EVOLVE Music Group.

Rodney Jerkins / Credit: Andre St. Louis

“The history of TAMLA is very important,” Jerkins tells Billboard. “People need to know what TAMLA meant then but more importantly what it will mean now. To have the chance to help continue the legacy of what the great Berry Gordy started is what really prompted my decision to partner with TAMLA. We have a great opportunity to find new artists that can help continue its rich legacy.”

“I want to help bring to the world some cutting-edge Christian and gospel music,” added Jerkins. “I’ve always felt it should co-exist with mainstream. So my goal with Walter and Brad [O’Donnell, president of Capitol Christian Music Group] is to discover talent that we feel could do just that.”

In addition to the aforementioned Encouragement Music and its artist EmanuelDaProphet, TAMLA’s current roster now includes Childlike CiCi, Jordan L’Oreal and Lee Vasi. The label has also entered into a partnership with AMG Music Group (Anderson Music Group). Thomas’ label team at TAMLA includes senior director of A&R Alex Dollar, senior director of marketing Justin Tomlinson, director of A&R Justin Pearson and project manager, marketing Brianna Dowd.

“Right now, more than ever, I think we all need hope,” says Thomas. “And this music gives a lot of hope and uplift. It isn’t front tier in a lot of people’s minds because it’s religion-based. But if they can get past religion-based and get caught up in the whole messages that this music gives, people will connect more.”

“The more opportunities and platforms that these artists get on, I think people will want to hear it,” continues Thomas. “They just don’t know that it’s out. The main goal right now is to position these artists to be front and center so they can work in general market settings as well.”

Kendrick Lamar and SZA’s “Luther” rules the Billboard Hot 100 songs chart for a sixth total and consecutive week. The single, whose title fêtes late R&B icon Luther Vandross, who is sampled on the track, became Lamar’s sixth No. 1 and SZA’s third. Lamar and SZA each extend their longest career Hot 100 reigns with the song.

Meanwhile, “Luther” ties Jack Harlow’s “Lovin on Me,” in 2023-24, for the longest Hot 100 command for a rap hit since 24kGoldn’s “Mood,” featuring iann dior, led for eight weeks in 2020-21. The only longer domination for a rap hit this decade: 11 weeks, for Roddy Ricch’s “The Box” in 2020. (Rap titles are defined as those that have hit or are eligible for Billboard’s Hot Rap Songs chart.)

Plus, Morgan Wallen’s “Just in Case” launches at No. 4 on the Hot 100, marking the country star’s 14th top 10 – and record fifth from an album prior to its release; his I’m the Problem is due May 16 – and Chappell Roan’s “Pink Pony Club” trots to No. 5, becoming her third top five hit.

Browse the full rundown of this week’s top 10 below.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated April 5, 2025) will update on Billboard.com tomorrow, April 1. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

‘Luther’ Airplay, Streams & Sales

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For obvious rat-related reasons, Tekashi 6ix9ine is probably the most hated rapper in the game, so whenever we hear that he’s been dealt an “L” in a court of law, we low-key feel good whenever hearing about that kind of news.

According to documents obtained by AllHipHop, a court in D.C. has just ordered the pariah of a rapper to pay $250,000 to Hits Before Fame LLC and After Hours LLC due to his failure to appear for a sold-out show in 2018. Interestingly enough, the complaint filed by the aforementioned LLCs claims that not only did Tekashi not show up for his scheduled appearance and not inform them that he wasn’t going, but the man even went so far as to perform at a competing event the same night.

Talk about doing what you can to make people hate you.

Hits Before Fame LLC and After Hours LLC say they planned Tekashi’s performance at the Echostage, which was planned around Howard University’s homecoming.

Keep in mind, this is when Tekashi was crowned the “King of New York” and was dominating Billboard charts on a weekly basis. Then he ended up getting kidnapped and beaten up by his crew and ultimately decided to turn state’s evidence and snitch on half of Brooklyn.

Now, all these years later, Tekashi is being held accountable for his other douche-ish move and will have to come out of pocket for his transgression.

AllHipHop reports:

According to the complaint, 6ix9ine accepted nearly $60,000 in performance fees but ghosted promo ters and vanished—only to pop up hours later performing at Powerhouse NJ at the Prudential Center in Newark.

The court ruled that 6ix9ine violated the terms of his contract after months of rescheduling, renegotiating, and receiving wire transfers and cash—most of it funneled through his former manager, Kifano “Shotti” Jordan, who was later imprisoned for unrelated charges.

Documents show 6ix9ine’s team stopped communicating with the promoters just as ticket sales surged past $165,000, VIP tables sold out, and more than 3,000 fans waited outside in cold rain.

One of his own agents even threatened to cancel the event weeks before, but days later, 6ix9ine recorded a video hyping the rescheduled gig as a “make-up date for the Howard homecoming”—a clip that was never shared publicly.

When it became evident that Tekashi wasn’t going to show, the promoters canceled the event 30 minutes before show time to avoid a possible riot. Though the judges rejected the promoters’ claims of defamation and unjust enrichment, they did rule in favor of breach of contract and slapped Tekashi with a $250,000 bill.

We don’t feel bad for him at all. Just sayin’.

What do y’all think about this latest Tekashi 6ix9ine situation? Fair or not fair enough? Let us know in the comments section below.

Photo: Getty/Eric Espada


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