State Champ Radio Author: djfrosty
Page: 793
Ariana Grande‘s deluxe Eternal Sunshine album may promise that brighter days are ahead, but a new teaser for the superstar’s accompanying short film is, on the contrary, distinctly dark and moody. In a black-and-white Casablanca-esque clip posted Thursday (March 20), a fuzzy string lullaby plays over the sound of seconds ticking by on a stopwatch, […]
Primary Wave said on Thursday it partnered with The Notorious B.I.G.‘s estate to acquire a stake in the Brooklyn rapper’s music publishing and recordings, as well as certain name, image and likeness rights.
Terms of the deal were not disclosed. The Wall Street Journal reported earlier on Thursday that Biggie Smalls’s late mother, Voletta Wallace, reached the deal with Primary Wave shortly before her death earlier this year, and that it valued his estate at $200 million.
The celebrated MC was born Christopher Wallace on May 21, 1972, in Brooklyn, and while he was killed in 1997, his influence on hip-hop and rap and his role in launching the careers of artists like Lil Kim and Junior M.A.F.I.A. has led to the sale of more than 28 million albums in the United States and a steady rise in the value of his works.
Trending on Billboard
Biggie’s albums Ready To Die, Life After Death and the posthumously released Born Again spent the combined equivalent of more than 3 years on Billboard‘s top album sales chart, with Life After Death and Born Again both hitting No. 1.
The rap icon had 15 songs chart on the Billboard Hot 100, including “Mo Money Mo Problems” featuring Puff Daddy, Ma$e and Kelly Price, which was No. 1 for two weeks in 1997, “Hypnotize,” which spent three weeks at No. 1 the same year, “One More Chance/Stay With Me,” “Big Poppa/Warning” and “Juicy/Unbelievable.” Biggie was inducted into the Rock and Roll Hall of Fame in 2020.
Primary Wave’s portfolio of songs includes works by Whitney Houston, The Doors, James Brown, Stevie Nicks, Nirvana, Prince and Bob Marley. The company and estate described this as a “panoramic partnership that will encompass The Notorious B.I.G.’s music publishing and recordings, as well as his name, image and likeness.”
Name, image and likeness rights are needed to license an artist’s work for films. Known for its role in licensing music for biopics, like Bob Marley: One Love and Whitney Houston: I Wanna Dance With Somebody, Primary Wave is currently involved in biopics about Boyz II Men and Boy George—both of which are in production.
“The estate and Primary Wave will collaborate on all business moving forward in an effort to continue the incredible and innovative ork done thus far with one goal in mind, to keep the legacy of The Notorious B.I.G. alive,” the company said in a statement.
Approximately 100 years after the Grand Ole Opry launched when radio announcer George D. Hay invited fiddler Uncle Jimmy Thompson to play some of his fiddle tunes on the air on WSM-AM (the program was initially called the WSM Barn Dance and renamed the Grand Ole Opry in 1927), many of country music’s biggest stars came together to celebrate the Opry’s centennial anniversary Wednesday night (March 19) at the Grand Ole Opry House.
The three-hour show Opry 100: A Live Celebration aired on NBC and simulcast on Peacock, and feted the Grand Ole Opry’s 100-year evolution and unyielding devotion to promoting country music and its biggest talents.
A who’s who of country music musicians took part, including nearly 50 official Opry members. Among the artists taking part were Trace Adkins, Bill Anderson, Kelsea Ballerini, Dierks Bentley, Clint Black, Garth Brooks, Stephen Curtis Chapman, Luke Combs, Crystal Gayle, Alan Jackson, Jamey Johnson, Alison Krauss & Union Station, Barbara Mandrell, Ashley McBryde, Reba McEntire, Carly Pearce, Brad Paisley, Post Malone, Blake Shelton, Ricky Skaggs, Marty Stuart, Randy Travis, Carrie Underwood, Keith Urban, The War and Treaty, Lainey Wilson, and Trisha Yearwood.
Along the way, music both past and present was highlighted, from Luke Combs performing the George Jones classic “The Grand Tour” to Reba McEntire highlighting the music of Patsy Cline and Loretta Lynn, while Post Malone and Ashley McBryde paid homage to Johnny Cash and June Carter Cash with a rendition of “Jackson.” Lainey Wilson and Marty Stuart honored Hank Williams, Sr. with a rendition of “Lost Highway,” before Wilson performed her own breakthrough hit “Things a Man Oughta Know.”
The majority of the event aired live at Nashville’s Grand Ole Opry House, while some performances were held at Nashville’s Ryman Auditorium, the Opry’s home from 1943 to 1974 (the Ryman still often hosts Opry shows during the winter and on other occasions).
The evening ended with a video of Dolly Parton sending her best wishes to the Opry. Then, an all-sing concluded the event, with a multitude of artists showing their devotion to Parton — and the genre overall — as McEntire led the star-studded choir in performing “I Will Always Love You.”
The telecast was executive produced by Silent House Productions’ Emmy Award winners Baz Halpin, Mark Bracco and Linda Gierahn, along with R.A. Clark and Steve Buchanan. See Billboard‘s ranking of 10 of the best moments from the event below.
Bentley, Johnson and Secor Bring Fierce Tribute to Charlie Daniels Band
Sitting in a sun-drenched room at Los Angeles’ Beverly Hilton, Gracie Abrams is shaking her head “no.” She’s reflecting on a breakout 2024 — during which she scored her highest-charting Billboard Hot 100 hit to date and received her second Grammy Award nomination, for “Us,” a collaboration with none other than Taylor Swift. But Abrams still struggles to see herself as the superstar she’s become.
“It’s such a dream and a pretty wild ride to look back on the year and be able to reflect on all of these moments that I never could have imagined ever happening,” the 25-year-old says in quiet awe. When it comes to the matter of her smash hit “That’s So True,” it is true — she never saw it coming. After humming the song’s in-the-works hook and melody for months, she and her songwriting partner and roommate Audrey Hobert finished it in about 15 minutes one day after “laughing our asses off on the roof” of New York’s Electric Lady Studios.
Trending on Billboard
Join us at Billboard Women in Music 2025 — get your tickets here.
The catchy, stream-of-consciousness song was one of four additions to the deluxe version of Abrams’ second album, The Secret of Us (which arrived in October), but quickly surpassed the album’s previous hits, including “I Love You, I’m Sorry” and “Close to You” (which peaked at Nos. 19 and 49, respectively, while “True” reached No. 6). Such wins have helped Abrams, who co-wrote and co-produced every track on The Secret of Us and its deluxe edition, earn the Billboard‘s 2025 Women in Music Songwriter of the Year honor — but, with characteristic humility, she won’t say she’s mastered the craft just yet.
“F–k no! Sorry,” she says with a laugh. “I feel very far away from having mastered anything in my life. But I will continue to attempt to get closer to that point.”
Sami Drasin
Since you released your debut album in 2023, how have you grown as a songwriter?
What I can point to specifically that has broadened my horizons is the partnership I’ve had with Audrey. She’s my oldest friend and we very much grew up together, and then to fold in this collaborative [relationship] was not something either of us ever would have anticipated. But as a songwriter, to find someone who you feel so open with, who you trust so much, who knows everything about you, who knows what your conversational language sounds like, who knows if you’re lying about a feeling… it infused so much life into our album that we made together.
What’s an example of a time she called “bulls–t” on you?
Less like “bulls–t” and more [like] in the morning if I would come downstairs and she’s like, “How are you doing?” I’m like, “I’m fine.” And she’s like, “You f–king liar.” Or like, “I’m really over that person,” [and she’s like,] “No, you’re not, you liar.” We checked each other as much in our songwriting process as we did in our day-to-day friendship.
Sami Drasin
Sami Drasin
As we speak, you’re about to head out on your European/U.K. tour [which Abrams wrapped March 12]. How did you spend your time before returning to the road?
I have just come back from being at Aaron [Dessner’s studio, Long Pond, in New York] so I feel like… I’m in the middle of something. I don’t know what it is yet… We’ve been collecting a whole lot of music over the past few months, and he and I are both very curious about all of it because I think [the songs] belong in different worlds a little bit, which excites me. I think that means there are many possibilities for what either the singular project looks like or multiple [projects].
You said you haven’t mastered songwriting yet. Do you feel close?
No. Oh, my God, no. I want to broaden my vocabulary times a thousand. I want to spend the majority of my year reading so that I can do that. I feel nowhere near that level. I have a million people I want to continue to learn from. Taylor is a great example of someone I’ve been lucky enough to spend a lot of time around and every single time I’m like, “Tell me everything you know, please. Teach me how to be.” I want to live fully and do my best to capture what that feels like.
Gracie Abrams photographed February 1, 2025 at The Beverly Hilton in Los Angeles.
Sami Drasin
This story appears in the March 22, 2025, issue of Billboard.
Indie digital rights organization Merlin has announced the participants for its third annual Merlin Engage program, which is designed to help promote and support female leaders in the independent music industry. Over a six-month period, the program connects young women aspiring to careers in the music business with senior leaders within it, and this year it will expand to include community building.
The program, which began in 2023, saw a 70% increase in nominees for participation over last year. Mentees are offered one-on-one sessions with their mentors, receive peer support from other participants in the program and have the opportunity to go to skill-building workshops, according to a press release. Harvard Institute of Coaching fellow Miriam Meima will also return as program facilitator for a second year.
“The power of Merlin Engage goes beyond mentorship — it’s about building a community where women across the Merlin membership can find support, encouragement and guidance as they build their careers in the music industry,” Merlin CEO Jeremy Sirota said in a statement. “I’m incredibly proud that we continue to expand this program, the commitment to mentor from our most senior leaders, and support from the entire Merlin Board in driving positive change within the industry.”
Trending on Billboard
This year, mentors will include executives from companies like Exceleration, EMPIRE, Secretly, Domino, Beggars, Ninja Tune, Epitaph, BMG and more; mentees hail from companies like IDOL, OneRPM, Hopeless Records, Stones Throw Records, Better Noise, Sub Pop and Nettwerk. (A full list of mentors and mentees is below.) Merlin consultant Dan Nevin is also returning to help support the program.
“It’s incredibly important to support, encourage and empower women to expand their career paths in the music industry,” said Liz Erman — managing director at Nettwerk Music Group and a former mentee who is returning to the program this year as a mentor — in a statement. “We have so much to contribute and can elevate the level of success of any company if we can access the right leadership opportunities. I hope that by sharing my experiences and guidance, I can help others reach their goals more easily.”
Another former mentee, Exceleration Music digital operations manager Larissa Woss, called the program “a transformative experience” in a statement. “My mentor truly listened to me, taking the time to understand my challenges and goals, which gave me the confidence to take the next step in my career,” Woss said. “Equally valuable was the incredible network of people I connected with. This program is not just about developing skills — it’s about fostering a supportive, empowered generation of female leaders in the independent music industry. I’m proud to be a part of it.”
Below is the full list of participants this year.
Mentors: Amy Dietz (Partner, Exceleration), Anne Jenniskens (General Manager, Paradise), Bria Fisher (VP of Communications, EMPIRE), Chloé van Bergen (VP Operations, UK & EU, Secretly), Clare McKinney (Director, Commercial and Business Affairs, Domino), Dionna Johnson (VP of Marketing, EMPIRE), Emma Lomas (Head of Licensing & Creative, Beggars), Eniko Gallasz (Managing Director, WMMusicDistribution), Liz Erman (Managing Director, Nettwerk), Marie Clausen (Managing Director, US, Ninja Tune), Megan Jasper (CEO, Sub Pop), Narin Karadaghi (General Counsel, Amuse), Nitsa Kalispera (EVP Global Recorded Music Supply Chain Operations, BMG), Patra Sinner (General Counsel, Symphonic) and Sue Lucarelli (President, Epitaph).
Mentees: Allison Kleshefsky (DSP Editorial & Partnerships Lead – Americas, IDOL), Diana Schweinbeck (Senior Director, Artist & Label Services, Cinq Music, USA), Dominique de Solminihac (Artist Marketing Manager South Cone, ONErpm), Francesca Caldara (Vice President, Recorded Music, UNIFIED), Gianna Archetti (Head of Operations, iGroove), Jovana Medic (Director of IDJTV/Director, IDJDigital), Lexie Viklund (Director of A&R, Better Noise), Lisa Riepe (Head of Sales & Marketing, Zebralution), Maiko Okabe (Global Campaign Manager, Warp Records), Maya Kalev (Label Manager, UK & Europe, Stones Throw Records), Naomi Bressani (Head of Digital, Republic of Music), Nele Knueppel (Director, Digital Rights & Distribution, Nettwerk Music Group), Nicole Abea (Director of Influencer & UGC Promotions, Marketing/Promo, Hopeless Records), Phoebe Petridis (Senior Manager, Digital Operations and Technology, Domino Recording), and Rachel White (Director of Audience Development (Marketing), Sub Pop Records).
Just a few months after the Arcane League of Legends Season 2 soundtrack debuted and peaked at No. 2 on Billboard‘s Soundtracks chart, the musical world of Arcane is once again expanding thanks to a brand-new music video from Belgian superstar Stromae and acclaimed French musician Pomme.
Animated and produced by Fortiche Production, the new music video serves as the visual accompaniment to “Ma Meilleure Ennemie,” a winning duet that became both artists’ first Billboard Hot 100 entry late last year. The video combines live-action rendering and express animation, bolstering the work of Arcane‘s season 2 executive music producer Alex Seaver, who co-produced the new clip. Tom Gouill, who won the 2025 Annie Award for best character animation — tv/media, directed the music video.
Always bringing it back to the source material, the “Ma Meilleure Ennemie” music video builds on the notable dance sequence between fan-favorite characters Jinx and Ekko that occurs in the seventh episode of the second season. That experience significantly impacts Ekko later in the season, spurring him to help Jinx and further explore their connection.
Trending on Billboard
“My first reaction when I saw the scene was, frankly, I found it quite poetic,” Stromae said in a video to fans. “I understood the vision that the directors and all the animators had of the series. They clearly knew what they wanted. … I thought the music and everything worked well together, especially since it’s a pretty crucial moment.”
To combine fiction and real life, Fortiche Productions incorporated subtle references to both Stromae’s and Pomme’s visual identities. The music video also includes nods to album artwork from both artists: at 0:40, the team animated a shot re-creating Pomme’s À peu près album cover, and at 0:31 they referenced Stromae’s Multitude album cover. Interestingly, the Pomme nod also doubles as a reference to the music video for Imagine Dragons‘ JID-assisted “Enemy,” where a firefly emerges from Powder’s mouth. “Enemy” served as the lead single from the first Arcane soundtrack and reached the top five on the Hot 100.
In April, Riot Games and Virgin Music Group will team up for a deluxe version of the Arcane League of Legends Season 2 soundtrack, adding to a roster that already includes heavyweights such as Stray Kids, Twenty One Pilots and Sheryl Lee Ralph. The extended version of the album proves that, although Arcane ends with season 2, the series’ impact lives on across mediums.
“Even to this day, it’s a song that continues to exist in people’s lives, and I think what happened is really magical … I actually understood the people’s reaction and enthusiasm because there was a kind of beauty, romanticism, and sweetness that is actually quite rare in the series,” said Pomme. “There was something special about that episode.”
Watch the official “Ma Meilleure Ennemie” music video below.
HipHopWired Featured Video
Big U, an alleged top-ranking Rollin’ 60s Crips gang member and community activist, was arrested and charged with other individuals this week in connection to a RICO case. Big U, who was formerly connected to the late Nipsey Hussle, is accused of running a Mafia-like criminal enterprise by authorities, claims that U say are overblown due to Internet chatter.
In a report from the Los Angeles Times, Eugene “Big U” Henley, 58, was a massive influence on the Hip-Hop scene in Los Angeles, and his involvement with the gang world was notable considering he spent recent times as a community leader looking to quell violence on the streets. Now, Henley is facing charges of murder, kidnapping, robbery, and more.
As the Times notes, Big U was instrumental in boosting the career of Nipsey Hussle, who was also a member of the Rollin’ 60s. His connection with the music scene and his reported position in the Crips operation was framed by federal investigators as that of a mob boss with people visiting Los Angeles being required to “check in” with Henley to move untouched about the city. Henley is alleged to have put the “check in” requirement toward musicians and professional athletes alike.
In the 107-page federal complaint, officials say that Henley ran his self-styled enterprise similarly to how the Mafia operates, using his “stature and long-standing association with the Rollin’ 60s and other street gangs to intimidate businesses and individuals” across the city, according to the complaint.
When authorities first announced their intent to go after Henley, they named him a fugitive in a news conference but Henley eventually turned himself in. As reported by TMZ, Henley recorded a video ahead of turning himself in, stating that he’s done nothing wrong and has contributed heavily to his community. Over a dozen other individuals connected to Henley were also taken into custody.
U.S. Atty. Joseph T. McNally spoke at Wednesday’s news conference and said that Henley’s image as a music executive and community leader was false.
“[Henley] has maintained the image of an entertainment industry entrepreneur running a music label and of somebody who gives back to the community here in Los Angeles,” McNally said. “The facts alleged in the complaint paint a very different picture. It is one of a murderer, a thief, a liar and a cheat and the criminals that enabled him.”
Henley is accused of kidnapping and killing a young rapper and discarding his body in the Las Vegas desert. FBI investigators say that the hit was carried out due to disrespect and ordering a robbery of an unlicensed marijuana dispensary over unpaid extortion payments. Henley is also alleged to have taken charity donations from the likes of Shaquille O’Neal and Draymond Green, only to pocket the money for himself.
Sylvester Robinson, 59, allegedly Henley’s second-in-command, and alleged lieutenant Mark Martin, 50, are both accused of violating the Racketeer Influenced and Corrupt Organizations Act (RICO). Along with Henley, Termaine Williams, aka “Luce Cannon,” was charged with robbery, Armani Aflleje, aka “Mani,” was charged with transporting an individual to engage in prostitution, and Tiffany Hines was charged with bank fraud.
As seen in the videos above, Big U is claiming innocence.
—
Photo: Leon Bennett / Getty
Queen City music fans will have to wait a while to see Janet Jackson after the pop star announced on Thursday (March 20) that due to “personal matters” she will not be headlining the second night of this summer’s Cincinnati Music Festival.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
“To all my Cincinnati Music Festival fans…. I’m so sorry that I won’t be able to be with you all in July. Some personal matters have come up and I am unable to attend. I look forward to seeing you all soon!” Jackson, 58, said in a statement shared by promoters.
Jackson — who previously headlined the festival in 2022 — was slated to headline on July 26 at Paycor Stadium on a bill that also includes Lucky Daye, 112, The Bar-Kays and a tribute to one of the event’s most beloved perennial stars, late R&B legend Maze frontman Frankie Beverly featuring the TMF Band (formerly Maze) feat. Jubu, as well as special guests Ronald Isley, Joe, After 7, Dave Hollister and Raheem DeVaughn.
Trending on Billboard
“We just learned that Janet Jackson is unable to perform at the 2025 Cincinnati Music Festival presented by P&G due to personal matters,” the event’s promoters said in a statement. “Festival organizers are working quickly to fill her spot on the lineup.”
Night one of this year’s show (July 25) will be headlined by Earth, Wind & Fire and also feature Anthony Hamilton, PJ Morton, Jazmine Sullivan and a Zapp Band tribute to the King Records legacy featuring Dreion. The beloved summertime classic that draws fans from across the country first took place in 1959 in French Lick, IN with a lineup that included the Miles David Quintet, Duke Ellington’s Big Band, Count Basie and Sarah Vaughn.
It has changed names, and profiles, over the years, but has always remained one of the calendar highlights for both the city and music lovers.
After moving to Cincinnati in 1962, it began to shift from a jazz-focused gathering to one that also incorporated a wide range of blues, R&B and soul, featuring such 1970s headliners as Roberta Flack, Ray Charles, Ike & Tina Turner, Marvin Gaye. In the 1980s and 90s it welcomed everyone from Stevie Wonder and Luther Vandross, to New Edition, Natalie Cole and Patti LaBelle.
Though the 2000s have continued to focus on those genres with sets from D’Angelo, Erykah Badu, John Legend, Fantasia, Maxwell, Jennifer Hudson, Jill Scott and hometown hero Bootsy Collins, in recent years it has added a third night of programming at the adjacent Brady Music Center spotlighting hip-hop. This year’s opening night will feature sets from Scarface, Goodie Mob, the Sugarhill Gang and Young MC.
While Jackson will not be back this year, at press time the singer’s official site still listed a run of six weekend residency shows at the Theatre at Resorts World Las Vegas between May 21-31.
HipHopWired Featured Video
CLOSE
Is Will Smith now a Vamp? After cooking up some music in real-time on PlaqueBoyMax’s stream, Will stepped out of the booth for a break. Max saw the perfect opportunity to introduce him to “OPM BABI” from Playboi Carti’s new album. What happened next was pure comedy.
The second the beat dropped, Will looked lost. His face twisted up like he just smelled something foul, and you could tell he was fighting for his life trying to catch the rhythm. Carti’s chaotic production of wild 808s, distorted melodies, and baby-voice ad-libs was clearly throwing him off. The Fresh Prince tried to nod his head, but it was way off-beat like he was buffering in real time. After about 30 seconds of pain, Max hit him with the golden question: “So, what you think?” Will paused, probably gathering his thoughts, then hit Max with the most safe, media-trained answer ever “I like the rhythm.”
The chat lost it. The clip went viral instantly, with people clowning the generational gap. Max was vibing, but Will looked like he just went through a spiritual crisis. Safe to say, Carti won’t be making it to the Philly Legends personal playlist anytime soon, but at least he tried. The moment was legendary, though Hip-Hop’s past and future collided in the most awkward way possible.
Check out some of the funniest reactions to Will Smith listening to King Vamp, Playboi Carti.
It’s been a long road from Playboi Carti’s Whole Lotta Red to Music. King Vamp ended the drought with his first album in four-plus years on March 14.
The loaded 30-track album features superstar guests from The Weeknd to Travis Scott, and showcases Carti’s full artistic repertoire. Billboard Unfiltered returned on Wednesday (March 19) with a new episode covering Carti’s new LP from all angles.
“I think this Music album is probably the best showcase of all the different sides to Carti,” staff writer Kyle Denis said. “You get his pop sensibility side on records like ‘Backr00ms,’ and you get some of the rage rap stuff … I love how throw-everything-at-the-wall it was.”
Denis “sighed” every time Travis Scott popped up for a feature. “The best Travis verse for me that was on ‘Backr00ms,’ and that one wasn’t on the album,” he added. “I love how Kendrick kind of slid into Carti’s world. I think that was the highlight for me, seeing him adapt to the vamp stuff.”
Denis “had a great time with Music,” but thinks that it was way too long at 30 tracks. “There’s a great 16-track album hidden somewhere,” he said.
Music is expected to debut atop the Billboard 200, and all 30 tracks could possibly enter next week’s Billboard Hot 100.
Senior charts and data analyst Trevor Anderson highlighted “Evil J0rdan” as when the album really started to take off for him, and noted Kendrick Lamar’s performance in Carti’s world holding his own. “I think he does a good job of playing in the background, but obviously making his presence known,” he said.
He wonders if Carti can have that pop breakthrough run as a hitmaker, but couldn’t land on one track he thought would take off. “‘Rather Lie’ could be a radio record,” Denis said. “Both Kendrick joints will probably do fine. ‘Fine Shit’ is one that popped out to me.”
Lizzo returned last week with her “Still Bad” single as she plots her comeback for 2025. That didn’t come without an X rant, in which she clapped back at haters of the track and called out the mistreatment of Black women artists.
“This is not the first time she has had records that haven’t connected. Right after ‘About Damn Time,’ she tried to push ‘To Be Loved,’ and that didn’t really pop off in a way remotely comparable to ‘About Damn Time.’ I don’t think the culture’s moved beyond corny pop songs,” Denis said. “There’s always going to be an audience for that.”
Watch the full episode above.
