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Author: djfrosty

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03/21/2025

What was new compared to last year’s run of Dead Forever shows?

03/21/2025

Playboi Carti has landed his first-ever No. 1 on the ARIA Albums Chart with Music, the rapper’s third studio album and most ambitious release to date.
The 30-track project not only marks his first chart-topper in Australia, but also his first entry into the ARIA top 10, following previous peaks at No. 49 with Die Lit (2018) and No. 15 with Whole Lotta Red (2020).

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Music features an all-star lineup of guest collaborators, including Kendrick Lamar, Travis Scott, The Weeknd, Future, Young Thug, and Jhené Aiko, adding to the hype that’s surrounded the long-anticipated release.

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Over on the Singles Chart, Doechii rises to No. 1 with “Anxiety,” marking her first-ever chart-topper in Australia. The viral hit samples Gotye and Kimbra’s 2011 smash “Somebody That I Used To Know,” which itself spent eight weeks at No. 1. Doechii also places at No. 23 with “Denial Is A River,” and is featured on Sleepy Hallow’s version of “A N X I E T Y,” currently at No. 41.

Australian singer-songwriter Mia Wray makes an impressive debut, landing at No. 26 on the albums chart with her first full-length release Hi, It’s Nice To Meet Me.

The Melbourne-based artist, who won the People’s Choice Award in the 2012 Telstra Road To Discovery program, has previously toured with acts like Vance Joy, The Rubens, The Teskey Brothers, and Maisie Peters.

Elsewhere on the Singles Chart, Alex Warren jumps into the top 5 for the first time as “Ordinary” rockets up the chart. Chappell Roan also continues her breakout run with “The Giver,” debuting strong, while her earlier single “Pink Pony Club” hits a new peak this week.

The Jonas Brothers have officially kicked off their 2025 with the release of their brand-new single, “Love Me To Heaven.”
The track arrived at midnight on Friday (March 21), serving as the trio’s first new release of the year, following previous collaborations with Marshmello and Rascal Flatts.

Released just ahead of their inaugural fan convention, JONASCON, taking place at New Jersey’s American Dream on Sunday (March 23), the song arrives as part of the band’s 20th anniversary celebrations. The upbeat pop tune, first performed during their anniversary show in Toronto last month, sees Nick, Joe, and Kevin lean into romantic euphoria.

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“Could give me everything, but it ain’t enough / You can’t put a price on the human touch / I could be down, but you love me to heaven / Turns out the Northern Lights don’t impress me much / Guess I’m just a fool for the human touch / I could be down, but you love me to Heaven,” they sing in the track’s soaring chorus.

The Jonas Brothers previously hinted that 2025 would bring a full slate of releases, including a live album, a holiday soundtrack, solo music, and a new Disney+ holiday movie titled Jonas Brothers Christmas Music.

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“Love Me To Heaven” marks the next step in what’s shaping up to be a major year for the band. With JONASCON promising live performances, Q&As, immersive fan experiences, karaoke, merch exclusives, and even a Camp Rock bar, the Jonas Brothers are going all-in to celebrate two decades of music and fandom.

Stream “Love Me To Heaven” now on all major platforms.

Jack Harlow has called on Doja Cat for his newest collaboration, the flirty “Just Us,” which arrived on Friday (March 21). I wish it was just us in this b—h/ But they can’t trust us in this b—h,” Harlow raps on the track. “Because I’m tryna bust nuts in this, huh/ Let’s keep it on the hush-hush in […]

J-Hope has delivered his latest piece of art. The BTS superstar unveiled his newest single, “Mona Lisa,” on Friday (March 21). In a statement, the singer’s label, BIG HIT, described the new song as exuding his “smooth, laid-back charm… expand[ing] his musical spectrum, solidifying his status as one of the most dynamic and sought-after global […]

Selena Gomez and Benny Blanco are both romantic and musical partners! The recently engaged couple teamed up for their new joint album, I Said I Love You First, which arrived on Friday (March 21).

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The project features previously released singles “Scared of Loving You,” “Sunset Blvd,” “Younger and Hotter Than Me” and “Call Me When You Break Up” featuring Gracie Abrams. The rest of the tracklist includes “Ojos Tristes,” “Don’t Wanna Cry,” “Cowboy,” “Bluest Flame,” “How Does It Feel to Be Forgotten,” “Do You Wanna Be Perfect,” “You Said You Were Sorry”,” “I Can’t Get Enough” and “Don’t Take It Personally.”

Leading up to the project, Gomez discussed working with her fiancé in an interview with Apple Music’s Zane Lowe, sharing, “It just felt like it was a little taste of what we are and how we made this together, and how much we loved it and how much we love each other. And it just felt like it was meant to be.”

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Blanco then gushed over Gomez in the same interview, noting, “She’s had such a journey in life, both personally, medically, so many other things. She makes you just believe it. She’s like, ‘I’m not scared of dying young or anyone,’ but she’s scared of the fact of losing someone that she’s finally created a bond with where she feels comfortable enough. And somehow by God’s grace, I happen to be that person. I have no idea why, but I am.”

The couple began dating in June 2023, and got engaged late last year. Gomez shared the happy news with a Dec. 11 Instagram carousel featuring her marquise-cut engagement ring, along with the caption, “forever begins now..”

Listen to I Said I Love You First in full below.

Revered Indian composer, producer, and songwriter A.R. Rahman has announced a 16-date tour of North America for this summer.
Dubbed The Wonderment Tour, the run of shows will be Rahman’s first in North America since 2022. The immersive live concert experience launches in Vancouver on July 18 and sees Rahman performing at arenas throughout the country until the tour’s completion in Boston on Aug. 17. Tickets to the upcoming dates go on sale from 10am ET on Friday, March 28.

Rahman’s career in the music industry began in 1992, and over the ensuing three decades has composed scores for more than 150 films, resulting in record sales of more than 200 million in the process. 

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A celebrated figure within the Indian film and music industry, Rahman’s international breakthrough came about thanks to Danny Boyle‘s 2008 film Slumdog Millionaire. At the 2009 Academy Awards, Rahman took home the award for best original score, and shared the best original song statue with Gulzar for the song “Jai Ho.” In 2009, a collaboration with American group The Pussycat Dolls saw a version of the song reach No. 15 on the Hot 100.

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Rahman would again collaborate with Boyle on the 2010 film 127 Hours, while that year’s Grammy Awards would also see him take home two trophies for his work on Slumdog Millionaire. Alongside his prolific composing career, Rahman has also released numerous studio albums under his own name, and also expanded his sights further into the world of film as a producer, writer, and director in recent years.

A.R. Rahman – The Wonderment Tour Dates

July 18 – Pacific Coliseum, Vancouver, BCJuly 20 – Tacoma Dome, Tacoma, WAJuly 25 – Oakland Arena, Oakland, CAJuly 26 – Crypto.com Arena, Los Angeles, CAJuly 29 – Smart Financial Centre, Sugar Land, TXJuly 30 – TTCU Theatre, Grand Prairie, TXAug. 2 – Lenovo Center, Raleigh, NCAug. 3 – EagleBank Arena, Fairfax, VAAug. 5 – Gas South Arena, Duluth, GAAug. 7 – Seminole Hard Rock Hotel & Casino Hollywood, Hollywood, FLAug. 8 – Amalie Arena, Tampa, FLAug. 10 – Grand Ole Opry, Nashville, TNAug. 12 – Scotiabank Arena, Toronto, ONAug. 14 – NOW Arena, Hoffman Estates, ILAug. 16 – Prudential Center, Newark, NJAug. 17 – Agganis Arena, Boston, MA

Fontaines D.C. have paid tribute to both Bring Me the Horizon and Nirvana during a recent cover performance.
The Irish rockers unveiled their cover of Bring Me the Horizon’s 2013 single “Can You Feel My Heart” as part of an appearance on Like a Version, the long-running covers segment from Australian radio station triple j.

The performance was recorded earlier in the month, during the band’s recent tour of Australia, though it was broadcast on the morning of Friday, March 21 (Australia time). Though triple j have long presented the covers as being live, Fontaines D.C. vocalist Grian Chatten told fans on Monday (March 17) the band were forced to cancel a run of shows in Mexico and Latin America after he suffered a herniated disc which left him unable to perform. 

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As is standard for Like a Version, Fontaines D.C.’s  appearance launched with a rendition of an original, with the band tearing through 2024’s “Starburster” before debuting their Bring Me the Horizon tribute. Though officially billed as a rendition of “Can You Feel My Heart,” the performance shifts focus after the first chorus and sees Chatten instead singing the lyrics to Nirvana’s 1993 single “Heart-Shaped Box.”

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“I think the sound of that song, the electronic elements, and just the general vibe of it kind of reflects stuff that we were touching on our last album, Romance,” explained guitarist Conor Curley in a post-performance interview. 

“It kind of seemed like a good place to start, and it’s a moody, beautiful song. I always get a little a bit nostalgic about that band just because it reminds me of reading and crying as a teenager and stuff like that, so I’ve always kind of kept tabs on them.”

“‘Heart-Shaped Box’ is an absolute classic,” he added in reference to Nirvana’s appearance in the performance. “Grian just started singing it when we were getting the sounds, and it was almost kind of like, ‘Do we switch it to that and use the instrumentation?’ So, it kind of just made sense.”

Notably, it’s not the first time that Fontaines D.C. have been the focus of the Like a Version studio in recent months. In February, Porter Robinson used his appearance on the segment to cover the band’s 2024 single “Favourite.”

“’Favourite’ was, no pun intended, one of my favorite songs of the last year,” Robinson said after the fact. “It was the song that made me a fan of Fontaines D.C. I just love it. I love major-key music. I love music that’s extremely catchy and extremely hooky. And I love the way that this song feels like it’s constantly tumbling forward.”

Having first launched in 2004, the Like a Version series has gone from being a near-impromptu acoustic affair to featuring larger studio productions. Numerous artists have taken part over the past two decades, with the likes of Billie Eilish, Childish Gambino, Arctic Monkeys, and more reinventing classic tracks in the process.

Ukrainian Neil Young fans will have to wait even longer to see the musician in person, with Young cancelling a recently-announced free concert in the country.
Young had previously shared word of the forthcoming gig earlier in the month, revealing that his European tour with The Chrome Hearts would be preceded by his debut performance in the country. “We are currently in talks and will make the announcement of details here at NYA,” Young wrote on his Archives website.

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While specifics were not forthcoming, the tour is set to begin in Rättvik, Sweden on June 18, meaning the as-yet unannounced Ukrainian show would have ostensibly occurred in the immediate lead-up. However, Young has since provided a disappointing update to reveal that the show is no longer going ahead as initially planned.

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“We had a good venue, close to a shelter, but the changing situation on the ground was too much,” Young shared on his Archives page on Thursday (March 20). “I could not in good conscience take my crew and instruments into that area. My apologies to all. Ukraine is a great country with a good leader. Slava Ukraini.”

The initial announcement of the performance felt rather pertinent, given the outpouring of global support received by President Volodymyr Zelenskyy following his meeting with U.S. President Donald Trump on Feb. 28. The highly-contentious meeting resulted in widespread criticism of Trump, and took place only days after Young himself focused on the President in a post titled “Leader of the Free World No More.”

“Under 47’s leadership, the US has lost its standing,” Young wrote. “Loyalists will never be stronger than Patriots, and Patriots are in the majority here in the USA. Our Patriots will take to the streets to peacefully demonstrate. There will be a moment of truth in our country and we will show the world who we really are. The USA will again be the leader of the Free World.”

Young’s Ukrainian cancellation follows on from his announcement that future performances would no longer feature the sale of ‘Platinum’ tickets, having been inspired to axe the option after being inspired by an interview with The Cure’s Robert Smith.

“It’s the story of the bad thing that has happened to concerts world-wide. It’s this story that really helped me to realize that I have a choice to make and can make a difference for my music loving friends,” Young explained. “My management and agent have always tried to cover my back on the road, getting me the best deals they could.

“They have tried to protect me and my fans from the scalpers who buy the best tickets and resell them at huge increases for their own profits. Ticketmaster’s High priced Platinum tickets were introduced to the areas where scalpers were buying the most tickets for resale. The money went to me. That did not feel right.”

Young’s upcoming tour will see him accompanied on all shows by the Chrome Hearts band, featuring his longtime collaborator keyboardist/organist Spooner Oldham, as well as Promise of the Real members Micah Nelson (guitar/vocals), Corey McCormick (bass) and Anthony LoGerfo (drums). The group released the grungy anthem “Big Change” in January. Young debuted the Chrome Hearts band last year and has said an album from the group is tentatively slated for release in April.

Drake’s lawyers are quickly firing back after Universal Music Group’s recent attacks on the rapper’s defamation lawsuit over Kendrick Lamar’s diss track “Not Like Us,” arguing that “millions of people” around the world think the song was literally claiming Drake is a pedophile.
In a motion filed in federal court Thursday (March 20), Drake’s team hit back at UMG’s core defense against the star’s libel lawsuit: That scathing lyrics are par for the course in diss tracks and that most listeners wouldn’t take such “outrageous insults” as statements of fact.

That argument is “doomed to fail,” Drake’s lawyers say in the new filing, because many people really did come away from Lamar’s song believing that he was — as a matter of fact — calling Drake a pedophile.

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“UMG completely ignores the complaint’s allegations that millions of people, all over the world, did understand the defamatory material as a factual assertion that plaintiff is a pedophile,” Drake’s attorneys write. “UMG also ignores [the lawsuit’s claim] that the statements in question (and surrounding context) implied that the allegations were based on undisclosed evidence and the audience understood as much.”

Thursday’s filing came in response to a motion from UMG, filed earlier this week, that seeks to halt all discovery in the case. In it, the music giant argued that Drake’s case was almost certain to be dismissed, meaning that handing over evidence would be a waste of time — particularly since his lawyers are allegedly demanding a vast swath of sensitive materials, including Lamar’s record deal.

But in the new response, Drake’s lawyers say that motion “does not come close” to showing that the discovery in the case is the kind of “undue burden” that must be halted: “UMG has not stated how long it expects discovery to take, the costs associated with discovery, or any other indicator that might demonstrate why discovery will be overly burdensome.”

Lamar released “Not Like Us” last May amid a high-profile beef with Drake that saw the two stars release a series of bruising diss tracks. The song, a knockout punch that blasted Drake as a “certified pedophile” over an infectious beat, eventually became a chart-topping hit in its own right and was the centerpiece of Lamar’s Super Bowl halftime show.

In January, Drake took the unusual step of suing UMG over the song, claiming his label had defamed him by boosting the track’s popularity. The lawsuit, which doesn’t name Lamar himself as a defendant, alleges that UMG “waged a campaign” against its own artist to spread a “malicious narrative” about pedophilia that it knew to be false.

This week has seen UMG mount its first formal counterattack — first by filing a motion to dismiss the case on Monday (March 17), then seeking the halt discovery on Tuesday (March 18). In the strongly-worded request to toss the case out, UMG argued not only that the lawsuit was “meritless,” but that the star filed it simply because he was embarrassed: “Instead of accepting the loss like the unbothered rap artist he often claims to be, he has sued his own record label in a misguided attempt to salve his wounds.”

Drake’s attorneys have said in public statements that the label’s motion to dismiss the case is a “desperate ploy by UMG to avoid accountability” and that it will be denied. They will file a formal response in opposition to that motion in the weeks ahead.