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John Lamparski
Actor Isaiah Stokes is living his own Law & Order: SVU episode and will spend the rest of his life behind bars.
New York-based actor Isaiah Stokes, who had appearances on Law & Order: Special Victims Unit, Boardwalk Empire, and Power, was sentenced to 25 years to life for the 2021 murder of Tyrone Jones in Queens, New York.
The 45-year-old actor’s sentencing comes after he was convicted earlier in the month on charges of second-degree murder and two counts of second-degree criminal possession of a weapon.
During the two-week trial, prosecutors detailed how Stokes ambushed 37-year-old Jones in broad daylight, firing off 11 shots into his vehicle and hitting him in the head and chest multiple times. He was pronounced dead at the scene.
As for the reasoning for the gruesome murder, Stokes was mad following an altercation at the victim’s birthday party.
Per The Blast:
According to Daily Mail, Queens District Attorney Melinda Katz said the fatal attack was the culmination of a months-long grudge Stokes held following an altercation at Jones’ birthday party in 2020, where Stokes had been removed for inappropriate behavior. Katz said the actor went so far as to place a GPS tracker on Jones’ car in the weeks leading up to the murder.
“Isaiah Stokes, embarrassed and upset that he was thrown out of a birthday party in October 2020, sought revenge on Tyrone Jones,” she said in a statement. “Months later, the defendant attached a GPS tracking device to his victim’s vehicle and stalked Jones for more than a week. Stokes tracked Jones down to Linden Boulevard and fired 11 times into Jones’ vehicle, striking the man in his head and chest.”
She continued, “Justice has now been served for the premeditated murder perpetrated by this defendant and he will now spend 25 years to life in prison as a direct consequence of his criminal actions.”
The Judge Didn’t Bite His Tongue During Sentencing
Judge Kenneth Holder didn’t hold back when talking to Stokes during his sentencing, who was described as looking “emotionless” as the judge read him for filth.
“You are more guilty than anyone I’ve seen in this courtroom,” the judge said while claiming Stokes of going into great detail in planning the crime and getting his revenge on Jones. “You thought staying in jail for as long as you can would do wonders for your movie career when you got out.”
Judge Holder continued, “But here’s the problem: you have to get out, and you’re not getting out, No one can intentionally plan a murder and carry it out as stupidly as you did. You were angry over a beatdown you got months earlier, you had all that rage consuming you for months and hatched this ridiculous plan. You hunted down Jones and shot him 11 times and ensured he would die… ironically the murderous rage you undertook presents you with the notoriety you hope for. You’re now an example of how one can completely ruin their life in the blink of an eye.”
Well damn.
Stokes tried to live out one of the plots on the shows he starred in, but in the end, he only ended up throwing his life away.
Longtime music manager Andrew Goldstone has joined the team at Milk & Honey as head of electronic music, the company’s CEO and founder Lucas Keller announced today (March 24).
With him, Goldstone brings manager Taren Smith along with clients including the dance/electronic artists Kream and Sullivan King.
Goldstone’s long history the electronic music space includes a run at the venerable dance label Astralwerks, where he signed artists including Fatboy Slim. He created his own imprint, F-111 at Warner Brothers before joining Ministry of Sound. After attending law school and serving at a legal firm, he left law and joined the team at Red Light Management, where he worked with dance icon Tiësto and others. Later at YMU, he worked with artists including 3lau, Lloyiso and Sullivan King.
“I’m thrilled to join a management company that’s so clearly focused on the breadth of electronic music,” Goldstone says. “Milk & Honey understands and provides what artists and managers need to thrive in today’s environment.”
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Smith has worked as a manager in the electronic space for more than a decade at companies including YMU and more. In 2022 she was on Billboard’s list of the top women executives in music. She will serve as manager in Milk & Honey’s electronic music department.
Goldstone and Smith will report to Milk & Honey’s head of artist management Dave Frank, along with Keller. The hirings mark Milk & Honey now having electronic music managers at its offices in Los Aneles, New York and London.
“Today is truly a full circle moment for me,” says Frank. “I first worked with Andrew in 2013 and now a decade later I’m thrilled to bring him and Taren Smith to Milk & Honey. Andrew and Taren’s deep and nuanced understanding of the electronic music industry and the artists that drive it is an invaluable asset for Milk & Honey’s continued growth.”
“We’ve been growing our global electronic music management business over the last nine years now and have plans to double our investment this year,” says Keller. “We predict that the genre will have another large acceleration over the coming years, and we’re building one of the best global infrastructures to support it. Milk & Honey clients will be at a huge advantage to have Andrew Goldstone, a seasoned vet in the space, at the helm.”
Milk & Honey’s existing electronic music management clients include Dutch star Oliver Heldens and his Hi-Lo alias, Italian stalwart Benny Benassi and British producer Joel Corry and underground phenoms including J. Worra, Massano and Chris Avantgarde. The company also represents Ian Asher, KAS:ST, Wuki and more in the artist space.
The company says its cross-genre clients will collectively play over 1,500 shows in 2025, with Keller citing the company’s 15-person creative team and A&R access as keys to its ongoing success. Founded by Keller in 2014, Milk & Honey is a global music management and sports agency. Its clients, which include artists, songwriters, producers and more, received a collective 19 nominations at the 2025 Grammys.
The company’s sports clients include Kansas City Chiefs star Travis Kelce and wide receiver Courtland Sutton of the Denver Broncos. The firm entered the sports world three years ago with Jake Presser and Rawleigh Williams alongside Dave Frank and Alex Harrow.
03/24/2025
This week we’re unfurling the dancefloor’s 100 most essential tracks, with 20 jams per day.
By 
Andrea Domanick, Andrew Unterberger, Elias Leight, Eric Renner Brown, Jason Lipshutz, Joe Lynch, Kat Bein, Katie Bain, Krystal Rodriguez, Lily Moayeri, Melinda Newman, Thomas Smith, Zel McCarthy
03/24/2025
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The family of The Notorious B.I.G. has struck a deal with Primary Wave Music for the late MC’s catalog and more.
As reported by Variety, the estate of Biggie Smalls has partnered with the music giant in an agreement that includes his publishing rights, master recordings, image, name and likeness. This would allow the agency to negotiate on the estate’s behalf and leverage the assets so The Notorious B.I.G.’s legacy lives on via strategic placements and arrangements.
While terms of the deal have not been publicly disclosed, the Wall Street Journal reports that Primary Wave Music is acquiring 50% into the estate, which the business magazine estimates being valued at $200 million dollars. In the feature, WSJ details the late Voletta Wallace’s journey to organize Biggie’s affairs ever since his passing in 1997, which included negotiating a higher split from Bad Boy Entertainment for his music publishing.
“The estate and Primary Wave will collaborate on all business moving forward in an effort to continue the incredible and innovative work done thus far with one goal in mind, to keep the legacy of the Notorious B.I.G. alive,” a press release reads. According to the Hollywood Reporter B.I.G.’s former management team Mark Pitts and Wayne Barrow will represent the estate. Voletta Wallace passed away Feb. 21 at the age 78.
Miley Cyrus has something beautiful in store for her fans, with the pop star announcing her highly anticipated new album is arriving this spring featuring 13 new songs. In an Instagram post Monday (March 24), Cyrus shared the project’s cover art — an ethereal headshot of the star gazing softly into the camera while modeling […]
It’s been nearly four months since Ethel Cain dropped her Perverts project in January. Now, the singer-songwriter is ready to show what she’s been doing in the time since then with a surprise new album announcement. On Monday (March 24), Cain revealed that her sophomore album Willoughby Trucker, I Will Always Love You will drop […]
Grimes was recently diagnosed with both ADHD and autism, the singer revealed in a lengthy X post sharing her thoughts on childhood learning disabilities.
While calling out what she sees as a social media “subculture” of “extreme infohazards” posing as helpful online mental health resources, the “Oblivion” artist wrote, “Got diagnosed w adhd/ autism this year and realized I’m prob dyslexic which is why I can’t spell at all without spellcheck.”
“I feel like, had we known this when I was a child I would have worked so much less hard, been on drugs, and so many of the weird obsessions and motivations I had would have been seen as pathological,” she continued. “I could have written off certain things that were very hard for me but I’m glad I over came them.”
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Noting that she thinks too many people are “self-diagnosing” mental health conditions, Grimes added, “My adhd symptoms were infinitely worse when I wasn’t an avid reader. An adhd account trying to pathologize one of the best things a child can do to help with adhd (and also become an auto didact and knowledgeable person etc etc) is so dark … I think the nature of this uninformed social media mental health subculture is rly a big concern.”
The Mayo Clinic defines ADHD, or attention-deficit/hyperactivity disorder, as a condition marked by difficulty paying attention, hyperactivity and impulsive behaviors, while autism spectrum disorder is listed as a condition “related to brain development that impacts how a person perceives and socializes with others.”
The American Psychiatric Association estimates that 8.4% of children and 2.5% of adults have ADHD, while the CDC says that about 1 in 36 children have been identified with autism spectrum disorder.
Grimes hasn’t released an album since 2020’s Miss Anthropocene, which reached No. 32 on the Billboard 200. She has, however, dropped a string of singles and collaborations in the years since, including her most recent track “Idgaf” — a recovered unreleased demo that the Canadian musician finally added to streaming services in February.
Around the same time as the new track dropped, Grimes once again addressed how ex partner Elon Musk brought their 4-year-old son, X, with him to the White House earlier that month. “I would really like people to stop posting images of my kid everywhere,” she told TIME in a Feb. 24 feature of the highly publicized ordeal. “I think fame is something you should consent to. Obviously, things will just be what they are.”
With RuPaul’s Drag Race bringing back their Rate-a-Queen system for season 17, Billboard decided to rate each of the new queens every week based on their performance. Below, we take a look at the show’s monologue-meets-interpretive dance challenge to see which queens thrived in this challenge. Spoilers ahead for episode 12. Since its debut nearly […]
This week’s collection of new music features a somber new track from Eric Church, who has set his upcoming album, Evangeline Vs. The Machine, for May. Jeannie Seely welcomes Hannah Dasher and Tiera Kennedy for a new collaboration, while Lukas Nelson, Valerie June and Riley Roth offer new music.
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Check out all of these and more in Billboard‘s roundup of the best country, Americana and bluegrass songs of the week below.
Eric Church, “Hands of Time”
Horns, guitars, passionate choral voices and Eric Church’s signature swaggering voice swirl together on this new release written by Church and Scooter Carusoe. The song builds into a punchy, rock-fueled anthem as Church sings of turning to simple pleasures — particularly music — to fend off the impact of the passing decades. “We ain’t as young as we used to be, but young at heart is so easy/ When you let some loud guitars and words and rhymes handle the hands of time,” he sings, giving praise to artists including Kris Kristofferson, Tom Petty and Bob Seger; suitably, the sound of a ticking clock winds down the song. “Hands of Time” is from Church’s upcoming new album, Evangeline Vs. The Machine, out May 2.
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Lukas Nelson, “Ain’t Done”
After parting ways with his longtime band Promise of the Real in 2024, Lukas Nelson transitions into his first solo outing with “Ain’t Done,” from his upcoming debut solo album American Romance, out June 20 on Sony Music Nashville. Written by Nelson and Aaron Raitiere, “Ain’t Done” pulls back on the hard-charging, full-band sound, opting for a more bare-bones sound bolstered by slabs of fiddle. He looks at life’s various shifts with an even-keeled perspective, in a song that seems in some ways to mirror his own current season of musical transition. “There’s a guarantee with every evening sun/ Nothing lasts and God ain’t done,” he sings. Though in a newly solo venture, Nelson’s new music still brims with the insightful songwriting and grizzled voice he’s known for.
Valerie June, “Sweet Things Just For You”
Valerie June previews her upcoming album Owls, Omens and Oracles (out April 11 on Concord Records) with this musical collaboration with Norah Jones (on backing vocals) and producer M. Ward. Breezy and straightforward, this romantic track finds June singing about absorbing the light and positivity from a significant other, and desiring to mirror that love and affection back toward them. Plucked guitar bolsters this sweetly sung piece of sincere affection, which offers a charming glimpse into June’s upcoming project.
Jeannie Seely, Hannah Dasher and Tiera Kennedy, “Who Needs You”
“Miss Country Soul” Jeannie Seely, who has performed more than 5,400 times on the Grand Ole Opry during her 58-year career, teams with a new generation of country artists — Tiera Kennedy and Hannah Dasher — on this twangy post-breakup anthem that feels perfectly suited for a girls’ night out. Written by Seely, “Who Needs You” features the three entertainers musing that 100-proof whiskey, a new romance and some moments of recreational smoking are all preferred alternatives to returning to an ex-lover. Seely’s voice brings in a slice of gritty wisdom, Dasher’s vocal purrs with sweetness, while Dasher offers up both humor and wit. “Who Needs You” is one of a slate of collaborations Seely is releasing, including work with Mae Estes (“Let’s Get Together”) and Madeline Edwards (“Anyone Who Knows What Love is (Will Understand)”).
Riley Roth, “Right Where We Left Off”
After releasing the 2024 TikTok wedding anthem “Give Me Away,” Riley Roth returns with a sentimental new song centered on paying homage to unbreakable friendship. Time and distance can’t chip away at the rock-solid bond these friends have forged over years of supporting each other through heartbreak, life pivots and a host of trials and triumphs. This sweetly sentimental track and churning, bubbly instrumentation fits her soft, conversational voice well. “Right Where We Left Off” was written by Roth with Lauren McLamb and Kyle Schlienger.
“I consider a hit song one that my 3-year-old knows,” Meghan Trainor says. The 31-year-old pop star and mother of two sons, Riley and Barry, says that her first-born has been jamming to Lady Gaga’s “Abracadabra” lately and also loves Billie Eilish and Miley Cyrus. When her own breakout single, “All About That Bass,” reached the top of the Billboard Hot 100 in 2014, she noticed that the song connected with both young children and adults. “So if I get kids involved in my songs as well as adults, I’m like, ‘Oh, that’s a hit,’ ” she says.
A decade removed from “All About That Bass,” a body-positive doo-wop riff that went viral years before TikTok, the former best new artist Grammy Award winner has fashioned a career as a chart stalwart with all-ages appeal. After her first two albums, 2015’s Title and 2016’s Thank You, produced six top 20 hits on the Hot 100 combined, Trainor spent the rest of the decade releasing one-off singles and collaborations, dabbling in film and TV projects and starting a family with her husband, actor Daryl Sabara. She returned to the Hot 100 in 2022 with “Made You Look,” which spawned a widespread dance trend online and peaked at No. 11, and “Criminals,” from her 2024 album, Timeless, reached the chart last year after serving as the theme song to the hit Netflix drama The Perfect Couple.
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Next on the to-do list for Billboard‘s 2025 Women in Music Hitmaker? Two more kids (“There’s so many dudes here — I want a baby girl”) and, maybe, leveraging her music career into a big-screen debut. “I want to be in a rom-com and then write the song for it,” she says. “Who do I have to talk to?”
Join us at Billboard Women in Music 2025 — get your tickets here.
Which of your own hits sticks with you the most?
I love the reactions I get from the audience. There’s nothing harder than when you’re onstage and you’re a songwriter and you’re like, “You don’t know this one?!” And when they do, you see me call out people who know every word. I know “Me Too” is always going to be fun. I know “Lips Are Movin’ ” is always going to be a blast.
BUNDÏ top and bra.
Munachi Osegbu
When you’re in the studio, do you think about what the potential hits will be?
Usually when I’m writing an album, I’ll have one song that’s my favorite and I’ll say, “This is the top girl. This is how I want the entire album to sound like and we need to beat her.” For [the 2022 album] Takin’ It Back, I had “Don’t I Make It Look Easy.” “Made You Look” came after, and every day we just tried to beat it.
Why do you think the TikTok audience loves you so much?
My songs are really hooky. My main thing when I’m trying to write a song is I want you to be able to sing the melody by the second chorus. I think my stuff was just catchy enough that [TikTok users] could use the sound or make a simple dance to it or have fun and show something. I’ve noticed “Made You Look” still being used to sell products. I’m like, “That’s my song!” I still freak out.
Annakiki top, Michael Ngo skirt, Silent Opus jewelry.
Munachi Osegbu
Hearing new artists like Chappell Roan and Sabrina Carpenter, what do you think a hit sounds like now?
I need you to answer this for me, Sir Billboard, because I’m literally about to start my next album. There’s so many open lanes. Chappell and Sabrina are bringing instruments in and beautiful melodies and taking risks. What Doechii is doing — she’s just changing the world through art and [her] talent is thriving. Going into my next album, I’m nervous but also excited because there’s no more rules.
Is there something to be said about writing for yourself versus working with others?
I love learning from others. I always [say], “Please put me in a room with a better tennis player than me so I can learn more about tennis.” And sometimes going into a session with new people is scary. It’s like blind dating. And then you have to go, “Let’s try to create magic together.” My goal on this album is to find as many writers I love that I can collaborate with. I love Daniel Nigro. I want to work with him so bad. If you’re reading this, that’s my dream. And Andrew Watt. Andrew, pick me, choose me, love me. We would do something magical.
Munachi Osegbu
This story appears in the March 22, 2025, issue of Billboard.
