State Champ Radio

by DJ Frosty

Current track

Title

Artist

Current show

Lunch Time Rewind

12:00 pm 1:00 pm

Current show

Lunch Time Rewind

12:00 pm 1:00 pm


Author: djfrosty

Page: 76

Trending on Billboard Rolling Loud co-founder Tariq Cherif says they’ve made the “max offer” to Drake to perform at the festival, but no dice. In a livestream with Adin Ross and DJ Akademiks over the weekend, Cherif spoke about Rolling Loud headliners and took a minute to address why Drizzy hasn’t performed at the popular […]

Trending on Billboard

Spirit Music’s first catalog, which contains Pete Townshend’s publishing, T. Rex’s publishing catalog and masters, and Ingrid Michaelson’s music assets, might be coming up for sale, sources tell Billboard.

The catalog is currently owned by Northleaf Capital, which acquired it at some point since October 2021, when it provided $500 million in funding to Lyric Capital Group in a deal that was termed a “strategic alliance at the time. Lyric Capital was formed by Jon Singer and Ross Cameron, when they were still executives at Spirit Music, to buy Spirit Music and its catalog from original owner Pegasus Capital in 2018. Spirit Music is now the operational music company of Lyric Capital, and continues to serve as administrator for that catalog. 

Related

According to some sources, Northleaf received an unsolicited bid and, as a fiduciary for the institutional investors who invest in the fund that owns the Spirit catalog, it had to present that offer to the catalog’s shareholders to see if it should explore a sale. It sounds like the shareholders decided to see what the catalog could get on the open market — specifically, whether it could fetch a higher price than the unsolicited bid — because sources say Northleaf has hired Brian Richards and his financial firm Artisan to approach potential suitors to see if they would be willing to make a bid. Sources suggest that Northleaf is seeking $500 million or more.

The catalog coming up for sale was initially assembled by Spirit Music founder Mark Fried, who founded the company in 1995 and left it in 2014. Back then, the catalog included songs by James William Guercio, Graham Nash, and Marilyn and Alan Bergman. The catalog was supplemented by David Renzer, who served as Spirit Music Group CEO from 2014 to 2018 and, during his tenure, acquired the Cal IV Entertainment company and song portfolio, which may be the reason sources say the Spirit Music catalog up for sale has a strong country music presence. Although it’s unclear if the Cal IV catalog is part of the sale, when Spirit acquired it in 2014, its catalog included numerous country hit records, including Faith Hill’s “Breathe,” Keith Urban’s “Stupid Boy,” Tim McGraw’s “Watch The Wind Blow By” and Jason Aldean’s “Big Green Tractor.”

Related

When Billboard reported on Lyric Capital buying and recapitalizing Spirit Music in 2019, the catalog contained songs from such artists and songwriters as Billy Squier, Charles Mingus, Doc Pomus, Henry Mancini, Lou Christie, Louden Wainwright III, Marshall Tucker Band, Phil Coulter, Boz Scaggs, T Bone Burnett, Frank Rogers, Gregg Wattenberg, David Paich, Tim Hardin, and Richie Cordell, Jonny Coffer, Zach Crowell and James Bay. Again, it’s unclear if these songwriters and their music are included in the catalog up for sale. But at the time Lyric acquired Spirit Music, Billboard reported that the catalog was generating about $21 million in gross profit, or, in music publishing parlance, net publisher’s share, and that the deal supposedly carried a $280 million valuation, which at the time implied a 13.33 times multiple. 

When Lyric Capital came into the picture, sources suggested that it eventually became a significant majority owner of the first Spirit catalog, owning upwards of 95% or even more of the catalog, although sources suggest Lyric might still own a tiny sliver of it, in addition to retaining its role as the administrator following the Northleaf deal. Lyric Capital subsequently offloaded the backroom administrative functions to Downtown Music Publishing in 2024, although Lyric’s Spirit Music operation remains the official administrator and marketing force for the catalog’s music.

Related

Currently, sources suggest that the catalog is generating about $30 million gross profit, split between about 85% in net publisher’s share and about 15% in net label share from either owned recorded masters or recorded master royalties. If $500 million or more becomes the asking price for the catalog, at that amount of gross profit, that would imply Northleaf is seeking at least a 16.7 times multiple. However, just because Northleaf appears to be exploring a sale, that doesn’t mean it will sell. It will come down to what price the catalog can command from suitors and if the high bidder’s offer presents enough profit for the seller.

Beyond the first Spirit music catalog, Lyric Capital and its Spirit Music publishing arm remain active music investors, acquiring and managing music catalogs. In 2023, Lyric Capital raised $800 million to pursue further acquisitions. Recently, the Nashville arm of Spirit Music acquired select songs from singer-songwriter Hardy’s music publishing catalog while also signing the artist to a go-forward exclusive writing agreement with the firm.

Northleaf, Artisan and Spirit Music didn’t respond to requests for comment.

Trending on Billboard

Being part of HYBE’s conglomerate naturally puts artists in a position of visibility from day one. The company’s financial and structural size is undeniable, but in K-pop, where competition is fierce, money doesn’t buy talent or guarantee a lasting impact. With only two months in their career, CORTIS is attracting attention on its own merit.

With a sharp stage presence and charisma that breaks the rigid molds of the industry, the quintet formed by James, Juhoon, Keonho, Martin and Seonghyeon secured a prominent position among the year’s rookies with a lot of personality. Aged between 16 and 20, the young men form the first group launched by BIGHIT MUSIC in six years – after TXT in 2019 and BTS in 2013 – with the motto of being a creative team and self-producing.

The group’s first EP, Color Outside the Lines, was released on Sept. 8 and debuted at No. 15 on the Billboard 200 – the weekly ranking of the most popular albums in the United States. The project has been on the World Albums chart for 10 weeks. “It still seems surreal to think that we’re actually on the charts. We hadn’t even noticed. One day, our manager told us, ‘You’re on the Billboard chart!’ I was like… ‘Wait, really?’ And when I checked, we were at No. 15,” Martin tells Billboard Brasil in a video call for the new digital cover story. “It’s a matter of gratitude to our fans and listeners. I’m very grateful for all of this, and we want to continue growing and be remembered for a long time.”

For James, entering the charts has a positive impact on the group. “It represents a great milestone. And it’s just the beginning. We can only improve from here on out, and we’re working hard, as always, to make even better music.”

The success of their first EP raises expectations for CORTIS’ next steps. And they themselves acknowledge this. Martin describes the pressure as a responsibility that guides what they will do next. Seonghyeon admits that the pressure exists (“Without a doubt!” he says).

“The goal of the first project was to express our emotions, and that resonated with many people. Over these months, we’ve changed. With the second album, we’re thinking: ‘What do we have to say now?’ What story will we tell the fans, and how will we remain as authentic as possible? That’s the goal,” says James.

Even though they’ve only recently debuted, they already have thousands of fans in Brazil. On social media, they went viral for their passion for açaí and for reading the Brazilian nickname of their fandom, “Cortinas” (curtains in Portuguese), during a recent livestream. When asked about their interactions with the Brazilian audience, the question generates a slight commotion, and they speak at the same time.

“It’s incredible [to receive messages from Brazil],” says Keonho. “I can’t wait to visit Brazil,” says Juhoon. “We are big fans of Brazilian culture, especially the festivals [like Carnival]. We want to go to Brazil to do a show,” adds Martin. “We know you guys are fun,” adds James. “We know about açaí, we need to try it [in Brazil],” completes Seonghyeon.

The contrast between who CORTIS was before their debut and who they are today is discussed during the chat. For Martin, the biggest change is emotional. “It’s difficult because we’ve changed a lot since last year,” says the rapper. “When we were working on the album, nobody knew us. Now, we have fans and when we go out, people recognize us at the convenience store and everywhere. I’m enjoying the moment and very happy to see the reactions to my music.” For Keonho, the main difference is part of maturing. His biggest change? “My voice [laughs], the range of my voice.”

They seem to handle the group’s rapid rise well. James explains that, as cliché as it may sound, what keeps them grounded is remembering why they started. “I think we’ll never forget that. Although we have many different things happening along the way, ultimately, the reason we do this work is that we love music, and we love expressing ourselves in our unique way.”

Daily rituals like riding bikes, strolling in a park, listening to music, and playing basketball help the members deal with personal doubts and growing up in the public eye. They often talk about “embracing their awkward sides,” laughing at their own embarrassment to evolve, and using creativity as a way to discover who they are. “Over time, I’m starting to understand who I am. Now I know what I really love to do, what my musical taste is, what my taste is. This is making my personality more vivid and distinct,” says Juhoon.

“I think that accepting yourself in every way is also an important point, even your weird sides,” James says. “There’s a saying that goes ‘to be cringe is to be free’. It’s a great phrase. If you want to improve at something, you need to feel uncomfortable. You need to be ashamed of yourself to gain confidence. And I think that’s the mentality we bring to the music.”

“We’re still teenagers, and we’re growing up,” Martin adds. “Finding our style in music or visuals is like finding ourselves, investigating ourselves.”

CORTIS

Courtesy Billboard Brasil

Puzzle Pieces

Their individual stories reinforce the discourse of self-worth. Keonho uses the competitive mind-set from swimming to evolve as an artist, always focusing on surpassing himself. Seonghyeon moved to Seoul at a young age to be a trainee, and the process never intimidated him – it only motivated him more. Juhoon, on the other hand, sees his diverse background in sports, studies and fashion as a foundation that helped him better understand his abilities.

The quintet’s leader Martin is Korean-Canadian and spent six years working toward their debut in September. In addition to producing CORTIS’ music, he composed singles for other HYBE groups – such as “Magnetic” (ILLIT), “Deja Vu” (TXT), “Pierrot” (LE SSERAFIM) and “Outside” (ENHYPEN).

“To be honest, when I start to lose confidence or doubt myself, I try to focus on small things. I play basketball, ride my bike, do something fun, go for a walk, and listen to music,” says Martin. “It’s a goal I want to have. To remember that [music] is something I really want to do for the rest of my life, that I really love, and that I do it for fun. That’s why I chose this path. I never doubted myself, I never wanted to be anything else. So, trusting myself and finding small hobbies helps me distance myself from those insecure thoughts.”

James is Thai-Chinese. He was born in Hong Kong but grew up in Taiwan. He was a trainee for about five years before debuting with CORTIS. Besides choreographing and composing for his group, he was a backup dancer for Jung Kook (BTS) and also wrote for other groups like ILLIT and TXT.

“In general, my tastes and preferences are quite broad… To be honest, even food. Growing up in different countries, going back and forth between them, always encouraged me to try new things. It opened me up to new experiences and I think that really helped me discover new music, movies, and see things I had never seen before,” says James. “Was it difficult moving around so much?” I ask the singer. “No, but it’s difficult when part of the family speaks one language and the other half speaks another… You’re in the middle and become the link that speaks all the languages ​​and has to adapt every second.”

Juhoon was born in South Korea. A sports prodigy, he excelled in basketball and soccer. He was a child model and learned English at an international school. As a trainee preparing to debut with CORTIS, he underwent got classes and training for less than two years.

“Every moment influenced me in some way, and all these experiences made me who I am,” says the singer. “Playing sports taught me to be competitive, and at school I learned to communicate. Fortunately, I had the opportunity to explore various things and always focused on how much I enjoyed each one. I tried to discover what interested me, and that’s how I got into music.”

South Korean Seonghyeon was recruited on his birthday in 2018 while strolling through an amusement park. He is credited as a composer on all tracks of CORTIS’ EP: “What You Want,” “GO!”, “Joyride,” “Fashion” and “Lullaby.”

“When I moved to Seoul to be a trainee, it wasn’t very difficult. I really enjoyed the process, and my mother encouraged me by telling me to try,” recalls Seonghyeon. “The more I trained, the more interested I became. I want to be someone cool. Someone who is laid-back inside and out, and good at what they do, with confidence. I’m still figuring out what ‘cool’ means, but I hope to keep learning as I grow.”

Keonho spent three years as a trainee. The South Korean singer was a swimmer and participated in championships in the country before deciding to pursue a career in music. He also composed tracks for CORTIS’ first release.

“I learned that the real competition isn’t with others, but with yourself. And I think I always want to maintain that mindset and keep striving,” says Keonho, who smiles a lot. “I thought about it a lot because I wanted to be a swimmer and be part of the group. But my parents advised me: ‘It’s good to try new things, so why don’t you give it a try?’ I followed their advice and fulfilled my dream of becoming an artist. I’m really enjoying it.”

CORTIS’ members share the stage and also the dorm. They live together in Seoul and receive support from a dedicated team. The backstage routine also becomes content on their YouTube channel. “We grew closer naturally while preparing for our debut and also composing music. We live together 24/7,” says Seonghyeon. “Is it difficult living together?” I ask. “Yes, sometimes, but it’s fun. We usually resolve things by talking. For example, when it comes to washing dishes, we have a rule that each person washes their own after using them. This keeps things simple and fair.”

The advice they received from other artists also helps shape the group’s work. James keeps the phrase “one step at a time” as a mantra, a phrase he got from Teezo Touchdown’s autograph on a pair of sneakers.

“That’s my phone’s background. It always reminds me not to rush, and that sometimes you really don’t know what to do and end up rushing everything. You need to go slowly, one step at a time, and focus on what’s coming next,” says James.

“The most important thing for me is the passion and intensity I have on stage. I want every performance to have the same passion and intensity as the first time. It’s on stage where I feel most free. I want to remember that in the future, even if some days I’m not feeling well.”

Martin cites his meeting with the BTS members: remaining humble, caring for the team, keeping the passion alive even in the face of difficulties.

“They said, ‘Always be grateful and humble.’ And they also told us to take good care of the people around us, especially the team and those we will be working with for a long time. ‘Take good care of them, treat them with kindness, and keep the passion and energy alive. Even if big challenges arise, just keep persevering and enjoy the process.’ That’s what they said, and that’s how we’re living, day after day,” says Martin. CORTIS hasn’t gone on tour yet, but the “cortinas” in Brazil are already waiting for them with plenty of açaí.

—This article was written by Isabela Pacilio for Billboard Brasil

Trending on Billboard

Charli xcx reaches new heights — and not the wuthering kind — in the music video for her new song, “Chains of Love,” pulling off a number of gravity-defying stunts from way high up.

The monochromatic visual posted Monday (Nov. 17) finds Charli in a white dress and boots, dancing atop a large white dining table in a luxurious hall. Flipping her hair and writhing around in pain and ecstasy, the singer dodges plates and cutlery that fly at her face while battling mysterious, paranormal forces that throw her around. At one point, the long table tips over, forcing her to hang on for dear life while suspended many feet in the air.

“Shattering like glass/ Yes, they’re breaking up my heart/ The chains of love are cruel,” she sings. “I shouldn’t feel like a prisoner/ My face is turning blue/ I can’t breathe without you here.”

Following “House,” “Chains of Love” marks the second song and video Charli has created for Emerald Fennell’s Wuthering Heights film adaptation. Sharing a clip of the new visual on Instagram, the musician gushed of the partnership, “I’m here so permanently…”

Charli’s work on Wuthering Heights will eventually culminate in a full concept album of the same name, which will drop one day before the film’s premiere on Valentine’s Day next year. The adaptation stars Jacob Elordi as Heathcliff and Margot Robbie as Catherine, the two star-crossed lovers from Emily Brontë’s classic gothic romance.

“Chains of Love” dropped a few days prior to its musical video and soundtracked the first proper trailer for Fennell’s film.

In a recent post on Substack, Charli explained that she’s been loving immersing herself in the world of Wuthering Heights as a musical release, rather than focusing at all on topping the success of her 2024 breakout album Brat. “I wanted to dive into persona, into a world that felt undeniably raw, wild, sexual, gothic, British, tortured and full of actual real sentences, punctuation and grammar,” she wrote. “Without a cigarette or a pair of sunglasses in sight, it was all totally other from the life I was currently living.”

“This collection of songs is an album, and sure, my name’s on the credits, but is it a Charli xcx album?” she added at the time. “I don’t even know. Nor do I really care to find out.”

Watch Charli’s new music video for “Chains of Love” above.

Source: Olga Gasnier / Getty

Pusha T and his wife, Virginia Williams, might have to “Let God Sort ‘Em Out” when it comes to these bedtime schedules, because baby #2 is on the way. 

Virginia went to social media to announce the news with a photo of her holding her baby bump, writing, “2nd masterpiece on the way… God is good.” This is the second baby for the power couple. Their firstborn, Nigel Brixx Thornton, has made it clear he wanted a sibling, according to King Push. Well, his wish is coming true; Nigel has a sibling on the way.

Push followed up Wifey’s post with his own, giving her and Nigel a heartfelt message, “Nigel, you ask and you shall receive…but this time it was mommy who made it happen. She prayed day and night, she struggled with disappointments, but she never gave up on your wishes. You are gonna owe her big time!!”

Also adding a special thank you to his queen, “@Babyginny, thank you for my second baby boy…I hope you carry on with tradition and never teach me how to change a diaper, prep a meal, suck out a snotty nose, or anything else a Supermom does. You make things very easy for me, and I love and appreciate you for it all.”

Ending the message by confirming that they are expecting their baby boy in Spring 2026. Baby push is on the way.

Trending on Billboard The Game has opened up about his dating past and expressed regret over the way he handled some of his relationships. Game sat down with Snoop Dogg, Big Boy, Matt Barnes, and Deon Cole for Kirk Franklin’s latest Den of Kings episode. At one point, Game started reflecting on the women he […]

Trending on Billboard Just two years after singer-songwriter Dasha released her breakthrough hit “Austin (Boots Stop Workin’),” the dance-fueled song has surpassed one billion streams on Spotify, joining the streaming service’s Billions Club. Explore See latest videos, charts and news In reaching the milestone, Dasha becomes just the second solo female country artist to ever […]

So, they knelt to the ground and pulled out a ring. Now it’s time to pick some music.

11/17/2025

Trending on Billboard

Diddy‘s son King Combs has dropped a new video for his new song “Kim,” which honors his late mother Kim Porter and is produced by Ye.

The two-minute, Kaito-directed visual dropped on Sunday (Nov. 16) and contains haunting clips of King Combs crying, holding a rifle and painfully running in slow motion, among other recreative visual flashes of Combs as a child. All the while, Combs spits a few bars in a distorted baritone about his late mother’s passing.

“Kim, I love you, mama. Things ain’t been the same here without you, mama,” Combs spits. In a heartfelt post on Instagram, Combs said he wanted to “honor” his mother’s memory with his new video.

Explore

See latest videos, charts and news

“I miss you so much, Mommy,” he wrote. “Not a day goes by that I don’t feel your love watching over us. Today will forever mean something deeper, and I wanted to honor you with this video. I know you’re in Heaven, proud of everything we’re becoming. I love you forever.”

The new visual comes after Ye and Puff’s son dropped their Never Stop EP back in June. Ye served as executive producer, and North West — his eldest daughter with ex-wife Kim Kardashian — is featured on the song “Lonely Roads.” Another track that gained attention was “Diddy Free,” which includes the chorus, “N—as ain’t goin to sleep ’till we see Diddy free.”

In an interview with Billboard about the EP, Combs reflected on how Ye reached out to him during his father’s criminal trial, which concluded with Diddy being sentenced to over four years in prison for prostitution-related crimes and said the embattled rapper had reached out during “probably the worst times in my life.”

“He reached out to lend support and we talked about a Sean John collab,” Combs explained. “A lot of people may not know, we’ve been was gonna do a Sean John collab. Then we were gonna work on some music and stuff, but we never got a chance to. So, we started talking about the Sean John collab and he said he wanted to do a five-song EP with me. And then from there, I was like, ‘Yo, it’s no brainer, of course.; And we just made it happen.”

Check out the video below:

Trending on Billboard

For nearly 25 years, tech startups have tried to crack the code on a simple idea: Building a social network based on music. The timing wasn’t right for Napster, Imeem, MySpace Music, Lala, Apple’s Ping or Facebook’s Spotify integration, among others. “It’s like a math problem that goes unsolved for hundreds of years and one day a mathematician comes along and solves it,” says Matt Graves, a Marin County, Calif., communications consultant who was once an exec for music-streaming pioneer Rhapsody. “I’d like to think that brilliant young Turk exists.”

Gilles Poupardin, a San Francisco entrepreneur, believes he is that Turk (although he is French) — and believes that Airbuds, his app with 5 million monthly users and $10 million in venture capital, is that service. Airbuds allows friends to view what each other is listening to on Spotify, Apple Music and other music-streaming services in real time, and discuss the tracks or add emojis, “SLAY” stickers and cat gifs to now-playing pages. It’s all very Facebook-in-2009 or Snapchat-in-2015, only with music as the central focus and common user language.

Related

The timing is right, according to the Airbuds co-founder, some 15 years into the social-media and music-streaming eras. “Spotify is the access to the music. Airbuds is the social layer on top of it,” he says. “Gen Z, Gen Alpha, wants more than access. They want identity.”

The earlier music-plus-social services didn’t make it for several reasons. Some ran into technology-wary labels that, after winning battles against Napster and others over copyright infringement, were disinclined to license their content to startups. Others, like MySpace Music, lost out to more advanced tech models, like Facebook and Instagram, and wound up folding or selling out to bigger companies. Poupardin insists this won’t happen with his app. Airbuds connects to Spotify, Apple Music and others, so the company can piggyback on the music-streaming services’ content licenses and not have to worry about securing rights from labels and publishers.

Reps for all three major labels did not respond to requests for comment, but Seb Simone, Warner Music Group’s senior vp of global direct-to-fan services, is quoted in an Airbuds press release. “Airbuds isn’t just another app,” Simone said in part. “It’s a cult community of super-engaged fans expressing their love of music in a social, playful and creative way.”

Related

How does Airbuds make money? So far, mostly through venture capital investment — predominantly from Seven Seven Six, an investment firm run by Alexis Ohanian, a Reddit founder. In the future, Poupardin says, the app is working on a “one-stop shop for artist-superfan connection,” creating profiles for stars that will eventually enable merch and ticket sales. He adds that Airbuds is testing a subscription model that “unlocks customization features.” Also, he says, Airbuds “briefly experimented” with advertising before abandoning the plan. 

After attending college in Paris, Poupardin helped create tech ventures, including DrinkEntrepeneurs and Whyd, a voice-controlled speaker that preceded Amazon’s Alexa. After building Capuccino, a social app for sharing audio clips with real-life friends, he and co-founder Gawen Arab hit on the Airbuds idea, launching in October 2022. “It took up slowly at first,” Poupardin says. “We started adding more features and it started growing way faster.” 

Airbuds allows users to react to shared songs with stickers, badges and emojis — some of which are customized with artists’ images, including Pink Pantheress, Tame Impala and others. It also provides charts, Spotify Wrapped-style weekly recaps and, significantly, chat features. According to Poupardin, artists have picked up on fans sharing customized content on Airbuds and asked their managers and label reps to figure out how to work with the service. 

“You could have built Airbuds a few years earlier, but it didn’t have the critical mass of folks on streaming. It didn’t have the AI-slop-infested Internet. So the culture wasn’t quite ready for it,” Ohanian says. “This is a way to share what you’re listening to with your actual friends. It’s fundamentally human.”