Author: djfrosty
Page: 71
All Sheryl Crow wants to do is listen to Kelly Clarkson‘s new cover of “All I Wanna Do” on repeat. After the talk-show host sang a gorgeous rendition of the early ’90s hit for the latest installment of The Kelly Clarkson Show‘s Kellyoke segment, the guitarist had nothing but praise when commenting on a video […]
The negative response to the song “+57” by Karol G, J Balvin, Maluma, Feid, Blessd, Ryan Castro and DFZM reached a new peak on Tuesday (April 9), when a high court in Colombia ruled that it violated the rights of children because its lyrics “sexualized” minors, reports the Associated Press.
The Council of State, the supreme court for administrative litigation in Colombia, ordered the reggaetón stars to refrain from publishing music that violates the rights of children and teenagers. “Sexualizing minors reduces them to becoming objects of desire, and exposes them to risks that can affect their development,” the court said in a 14-page ruling, according to AP.
The track received a barrage of criticism since its release on Nov. 7 of last year. Rolling Stone En Español published an article titled “The Disaster of +’57′,” which Colombian President Gustavo Petro shared on his X account expressing that “it’s OK to have a cultural debate.” And the ICBF issued a statement saying that the song “reinforces the sexualization of childhood in our country” and that it “does not contribute to our fight against the commercial sexual exploitation of children and adolescents.”
Trending on Billboard
On Nov. 11, Karol gave a lengthy response to the criticism and apologized, saying, “I still have a lot to learn.” A couple days later, the lyrics were changed on the music video, saying “a hot mama since she was 18” instead of “14.”
“+57,” whose title is the international phone code for Colombia, was produced by hitmaker Ovy on the Drums and written by all of the aforementioned artists along with Keityn and newcomer DFZM. The name of the song, and the union of these superstars, had caused anticipation among fans eager for a new reggaeton anthem for Colombia.
The song was recorded in Karol G’s hometown of Medellin, a city that has become famous for nurturing several famous reggaeton singers. A main tourist destination, the city has also struggled to protect minors from sexual predators who visit the city in search of young women, reports the AP.
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Trump’s new and idiotic tariffs might’ve sent Nike’s stock spiraling down something ridiculous, but that’s not stopping them from continuing to release some much anticipated heat going forward. The next big drop is coming next week in the form of the SB Air Jordan 4 “Navy Blue.”
According to Sneaker News, the second colorway of the much beloved SB x Air Jordan 4 collaboration will see an April 15 release on Nike’s loathed SNKRS app just weeks after seeing its first drop via raffles from participating skate shops around the globe. Rumored to be only 50,000 pairs available worldwide (less on the SNKRS app after its first initial drop), the sneaker community has been eagerly waiting for their second chance to get a pair as millions of sneaker heads took L’s on the raffles the first time around.
Still, nothing is set in stone. And Nike could simply change up the release date at the last minute as they’ve been known to do.
Per Sneaker News:
Sneaker News can confirm that the Jordan 4 SB “Navy” will be available on April 15th, 2025 on SNKRS for $225. Although official release details have not yet been disclosed, it is possible that the Swoosh will employ the same procedure from the Jordan 4 SB “Pine Green” launch roughly two years ago.
Instead of the typical Draw, where users have a dedicated window of time to submit an entry, Nike could be employing an Exclusive Access Draw in which users have to meet a list of specific criteria to even have a chance at copping at retail. The criteria likely includes entering a certain number of Nike SB launches and/or minimum purchases of SB product. Again, this is not confirmed; we are merely reiterating what happened with the Pine Green SB release.
The way the SNKRS app be dishing out L’s like the point guard on your favorite team, we’re not sure how well this release will go. But best believe their will be many more losers than winners and everyone will take to social media to complain one way or another.
Regardless, we needs a pair so best believe we’ll be crossing our fingers and hoping Nike takes our money when release day comes around.
Will you be trying to cop a pair? Let us know in the comments section below.
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During a recent appearance on Cam Newton’s show, Bow Wow opened up about the influence Karrine Steffans, also known as SuperHead, has had on his life.
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The conversation took an unexpected turn when Newton asked Bow Wow to give his “Baseball lineup” of women he’s been involved with, a playful reference to the number of attractive women Bow Wow has dated or been linked to. Without hesitation, Bow Wow mentioned Karrine Steffans, but not for the reasons many might expect.
Bow explained that when people hear her name, their minds often jump to her well-known past in the entertainment industry, particularly for her controversial relationships and work. However, Bow Wow emphasized the importance of looking beyond the surface. He pointed out that Karrine is much more than what the public perceives, noting that she possesses a unique ability to remain influential in one’s life without being physically present. He described it as “a different type of power,” a skill that makes her stand out.
The most surprising detail Bow Wow shared was that Karrine Steffans had taught him how to do laundry, which he described as a life lesson that has stuck with him. Every time he passes by a laundromat, Bow Wow says he is reminded of Karrine. This small yet significant moment highlights a side of their relationship that many would not associate with Steffans, revealing a deeper connection beyond the superficial fame and controversy often tied to her name. It also serves as a reminder that even in the most unlikely places, people can impart lasting wisdom that shapes others in unexpected ways.
What is the scent profile of Duran Duran? It’s an intriguing question that, until now, didn’t have a definitive answer. It feels safe to assume that the members of the always well-appointed new wave group would never leave the house with an unbecoming scent (or their hair just so).
But now you can get the actual eau du Duran thanks to the band’s collaboration with Italian luxury perfume house Xerjoff on two unisex perfumes created with Singer Simon Le Bon and keyboardist Nick Rhodes, along with bassist John Taylor and drummer Roger Taylor. Rhodes tells Billboard that the two scents, NeoRio and Black Moonlight, are the perfect parfum essences to encapsulate the long-running group’s dueling musical personas.
“We’ve spent our entire careers dealing with two senses: sounds and vision, which we’ve primarily used to communicate and try to excite other people’s sense,” says Rhodes, 62. “And the thought of adding a third, sense of smell in this case, was enormously appealing.” Rhodes says his band was inspired to work with Xerjoff after the company’s 2021 collaboration with Black Sabbath guitarist, and fellow Birmingham, U.K. native, Tony Iommi on his Monkey Special scent.
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Rhodes says the band approached the idea of a scent just as they would songwriting, with a “blank sheet,” providing the Xerjoff team with a list of smells they liked. “Some people like the smell of freshly cut grass, nobody doesn’t like that,” Rhodes says. “But it doesn’t mean you want to smell like that all day.”
Working with brand founder Sergio Momo, Rhodes says he and Le Bon were counseled to not just think of flowery scents like roses or gardenias, but to instead open their noses to anything from the smell of paint drying on the wall or that unmistakable whiff of a new book when you first crack it open to aromas you might not associate with a fragrance such as petrol or leather.
“It was more abstract, like if you’re in a room at a museum and staring at your favorite painting and getting the essence of that,” he says, with the discussion then moving on to imagery Momo gleaned from the feelings and moods Rhodes and Le Bon described, such as the funk of a nightclub or a field of flowers.
They narrowed their scent preferences down to five or six, three of them dark and mysterious and the other three sparkly, bright and full of energy, which resulted in two “radically different” fragrances, NeoRio and Black Moonlight. Rhodes says the latter — described as “an homage to the eerie and mysterious world that they so often explore through their music and videos, with a scent that oozes intrigue and sensuality” — was closer to his personality, while Le Bon was more tugged toward the sunshine.
That explains why the profile of Black Moonlight promises to wrap you in a “veil of sophistication” thanks to a mix that includes: “Bergamot and mandarin awaken the senses, whilst saffron, lavender, Sambac jasmine and hazelnut envelop you in an intimate embrace.” The scent is also grounded by base notes of patchouli, vetiver, Tonka bean, and benzoin “to create a rich, timeless scent that mirrors Duran Duran’s ability to blend art, innovation, and emotion.”
In an effort to mirror DD’s career-long musical balance of hopeful optimism with a darker, slinky feeling, the exhilarating NeoRio is described as being as “magnetic and unpredictable as the band itself,” [combining] an “irresistible burst of candied fig and rum with the sparkling freshness of elemi absolute, before unfolding with the fiery warmth of saffron and the elegance of soft rose oil, all anchored by the creamy richness of Tonka bean and the timeless depth of balsam from Peru.”
Rhodes says working with chemist Momo was a revelation, as the “Willy Wonka of perfume” brand boss “seems to have this lexicon of every single scent in the world at his fingertips.” In the end, he says the pair followed their instincts like they do when recording an album, with the resulting fragrances so perfectly representing the identity of the band that Rhodes thinks they could be two songs in DD’s catalog.
“Duran Duran have shaped music and style for over four decades, making them the perfectpartners for not just one, but two Xerjoff Blends creations. Their innovative spirit helped inspire every element of this project, from the scent to the packaging,” said Momo in a statement announcing the two fragrances, which are available to buy here now. “Both scents embody the essence of Xerjoff Blends – where artistic visions unite to create a truly unique, multisensory experience. Collaborating with the band members on every detail of this project has been a very special experience.”
As for the most important real-world test, Rhodes confirms that he’s worn his preferred scent out in the world and that at present he and his partner have been at odds over who gets to wear which one. “We have a battle at home because I’ve usually got the one on and my partner’s got the other one on and when we pass in the corridor they intermingle and some days we both end up with the the same one,” he says.
Duran Duran are gearing up for a run of European arena and festival shows this summer beginning on June 3 with the kick-off gig at the Nokia Arena in Tamepere, Finland.
Check out the promo videos for the fragrances below.
At last month’s Billboard Women in Music ceremony in Los Angeles, Breakthrough honoree Ángela Aguilar took a moment to express her solidarity with the Latin immigrant community, dedicating her award to women who cross the border to the United States “with nothing but hope in their hearts, only to find themselves living in uncertainty and fear,” she said in a poignant speech that prompted a standing ovation. “You deserve safety, dignity, the right to dream.”
Aguilar is part of a growing group of Latin artists — including Shakira, Maná and Alejandro Fernández — who are using their platforms to speak up for immigrants after President Donald Trump took office in January and immediately launched an aggressive crackdown on immigration, pledging to carry out mass deportations.
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But it was perhaps regional Mexican artist Tony Aguirre who addressed the situation more bluntly. “I’m scared that no one will show up to my shows,” he said during an interview with a Mexican podcaster when asked how things were going with Trump as president. Aguirre tells Billboard he is genuinely worried.
“Regional Mexican events have been directly impacted, and it’s not just me going through this, many of my colleagues feel this way,” says Aguirre, who tours mainly in the U.S. “When it all started, we were reaching out to each other just to see how things were going and everyone was saying the same thing, low attendance. People are scared to go out because of mass deportation threats, and I wanted to speak up because it seems like no one in our industry is willing to really to talk publicly about how this has impacted our industry, and it’s important that we do.”
While the effects of Trump’s policies on Latin music still remain to be seen on a larger scale, there is a real concern about the impact.
Abel DeLuna, California-based member of the veteran Mexican music association Promotores Unidos and founder of Luna Management, is once again dealing with a situation that’s historically effected regional Mexican bailes, which are small but mighty shows (and for many years the backbone of the genre) predominantly held in nightclubs catering to a specific demographic and booked by indie promoters. In 2007, Billboard’s Leila Cobo interviewed DeLuna about “stepped up” immigration enforcement under the George W. Bush administration, where he said then that the immigration situation alone accounted for 20% to 25% of the drop in his concert promotion business. He relived the same scenario 18 years later when Trump took office for a second term earlier this year, with that fourth week of January and first week of February being particularly brutal. DeLuna says shows in those weeks sold only around 10% to 15% of tickets, which ultimately led him to cancel some shows in Northern California.
“Our people are worried,” says DeLuna, speaking over the phone just weeks after Trump took office. “Many are afraid to go out, afraid to go out to work, afraid to go to the bailes, concerts, several having to get canceled because people are not buying tickets. I don’t know how long this is going to last, if it is really going to calm down soon or if it is going to go on for a long time and if it does, then our people are going to suffer a lot and the whole business is going to suffer.”
Low concert attendance aligns with a decrease in foot traffic in predominantly Hispanic neighborhoods around the country since Trump took office, says Maria Teresa Kumar, president of Voto Latino, a non-profit organization that aims to encourage young Hispanic and Latino voters to register to vote.
“People are scared that they’re going to be targeted and rounded up, creating a chilling effect happening around a community that is getting internalized mentally but also physically in their decisions to not go shopping or go to concerts,” says Kumar, who in the past has teamed up with artists like Maná and Los Tigres del Norte to get Latinos more politically involved.
The Latin music industry thrives on a diverse fan base, and while it’s reaching a global audience now more than ever, its core listeners are still Latinos, and a significant portion of them are immigrants. Just as with previous administrations, when there are increased reports of immigration raids in U.S. cities, businesses inevitably suffer. That includes everything from flower shops and restaurants in Chicago seeing a notable decline in sales to schools and churches feeling the “chilling effect,” as The New York Times put it in a report about “immigrants in hiding” over fear of deportation.
DeLuna says the sobering topic came up at the annual conference for Promotores Unidos, a long-standing Latin concert promotion association with more than 300 members, in Las Vegas in January.
“[Immigration] is the most important conversation right now,” DeLuna says categorically. “With those I have talked to among the association, I recommend the same thing: We must take care of ourselves, but we have to work harder and try to do better promotion to get people to come to our events, even if that means keeping prices low. What I’m personally doing is lowering prices to see if people feel encouraged to come out.”
Enrique Ortiz of Luz Record, a management, promotion and booking agency based out of L.A., also attended the Promotores Unidos conference in Las Vegas and says that while misinformation on social media about alleged raids in certain cities has also affected concert attendance, he’s been following the situation closely. “We’ve been noticing that ICE is arresting those with a criminal record, yes, but also those who don’t [have one]. And that’s concerning. It has a direct impact on all of us as managers, promoters, musicians.”
Billboard’s reporting confirms that this is an ongoing topic of conversation in important Latin music spaces and is top of people’s minds — although many in the industry prefer not to speak on the record about it. Over the course of two months, Billboard reached out to more than a dozen industry leaders, from managers to agents to promoters, for this story, with the majority declining to give an interview about just how much the Trump administration could impact the business of Latin music. Some who agreed to speak on background on the condition of anonymity expressed the same sentiment: uncertainty. One source, a manager to a well-known regional Mexican act, said they had already seen the impact on live shows in certain markets, particularly concerts that mainly book more traditional (i.e. older) regional Mexican acts.
Josh Norek, president of Regalias Digitales, refuses to stay silent and blasted a wide email to his contacts in March with the subject line: “Latin music industry — the time to speak is now.”
“From venues and record labels to artists and crews, deportations create instability that threatens the economic power of Latin music,” Norek’s email reads, with messaging crafted by Voto Latino for artists and executives to share. “If our audiences and communities are at risk, our industry suffers.”
Norek is particularly focused on the impact Trump’s administration will have on royalties should his promise of mass deportations come to fruition. “I project in the next four years we’ll see a significant decrease in earnings,” he tells Billboard. “I care tremendously on a humanitarian standpoint, but when you think about the economic impact, it’s very simple math: A stream coming from Mexico is worth about 2% of a stream coming from the U.S. So, if you deport 5 million streamers and put them in places like Mexico, Guatemala or Venezuela, you go from paying $10 a month for Spotify to [the] free ad-supported tier in Mexico, and it will generate almost nothing. Meanwhile, Pandora exists only in the U.S. and if you take away those users, it will impact SoundExchange royalties. You shouldn’t have to be a Democrat, Republican or independent to be thinking about the economic impact of deportations.”
Adding to the precariousness of it all, Trump’s global tariffs, announced on April 2, could also affect the U.S. music industry, from musical instrument manufacturers to the vinyl business. They could also lead to a potential decrease in local tourism, directly impacting concert and festival attendance in the U.S.
“During these times [of uncertainty], people are double-thinking how to spend their expendable income and, sadly, concerts are one of those pieces that are disposable income,” adds Kumar. “It’s been only two months and we’re already seeing the implications in the music industry, in hospitality, retail industry — this is not tenable.”
Norek reached out to Voto Latino to help craft messages for industry leaders and artists to share, although the shareable posts have yet to garner wider traction. “I understand that it’s tough for some people to speak out because they don’t want to be demonized,” says Norek. “However, now there’s just outward hostility toward Latinos and immigrants. The least we can do is show our clients that we care. This is our audience.”
Metallica dropped the first trailer for their upcoming fan-focused documentary on Tuesday (April 8). Metallica Saved My Life, directed by the band’s longtime collaborator, Grammy-winner Jonas Åkerlund, will be screened in select cities on the band’s ongoing M72 world tour.
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In a statement, the group wrote, “Not quite finished yet, we want YOU to be among the first to see our latest film project by award-winning director Jonas Åkerlund, all about the lifeblood of this band: the fans. This documentary explores our world through the lives of fans who have supported each other through highs, lows, trials, and triumphs for over four decades.”
In the one-minute preview, drummer Lars Ulrich states, “Metallica is a state of mind” over mournful piano as the band’s other members begin the sentence “Metallica is…” as a series of fans offer up their thoughts on what the group means to them. “Unapologetically real, and vulnerable,” says one man, while a woman adds, “hope, freedom, escape.”
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A montage of long-time die-hards then open up about how the band gave them an identity as they describe themselves, variously, as a “dork… loner… a weirdo,” with one Black fan recalling how people would ask him, “why are you listening to this white people music?”
“I wanna hear ’em, I wanna hear ’em all,” singer/guitarist James Hetfield says of the variety of stories in the film directed by Åkerlund, who was also behind the camera for their 1998 video “Turn the Page,” as well as 1999’s “Whiskey in the Jar” and 2016’s “ManUNkind.” “Whatever you want to put on that… religion, cult, family, whatever label. I don’t care. It’s a gathering of like-minded people that are there to celebrate life.”
In a statement the band said, “As a few of you may know, we’ve been working behind the scenes the last couple of years on a new film that will be released later this year starring you guys! Metallica Saved My Life explores our world through the lives of fans who have supported each other through highs, lows, trials and triumphs for over four decades. And yeah, we’re in it a little bit too.” The full doc, which will feature all four band members as well as actor Jason Momoa, is slated for release later this year.
Click here to find out more details about the locations and dates for the North American screenings of the unfinished film from April through June, which will be phone-free and have a two ticket per person limit.
Metallica will get back on the road for the continuation of the M72 tour on April 19 at the JMA Wireless Dome in Syracuse, N.Y. This week the band also announced a collaboration with the American Red Cross for blood drives on their upcoming 2025 U.S. dates. Donors of all blood types are encouraged to make an appointment to give by clicking here; donors must be 17 in most states (or 16 with parental consent where allowed by state law) and weigh at least 110 pounds and be in general good health to be eligible to donate.
Check out the trailer for Metallica Saved My Life below.
Nashville based singer-songwriter Jamie MacDonald scores her first chart-topper on Billboard’s Christian AC Airplay survey as “Desperate” ascends three places to No. 1 on the list dated April 12.
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The single increased by 3% in plays March 28-April 3, according to Luminate. MacDonald co-authored it with Jonathan Gamble and Jordan Sapp, the latter of whom produced it.
“It’s been life changing to carry a song that’s not only bringing healing to others, but deeply healing for me, as well,” MacDonald tells Billboard. “That was a promise God gave me for my music, and it’s been incredible to finally see it happening. In my weakness, He is showing Himself to be so strong, and that verse is what I’m clinging to and rejoicing in right now.”
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Meanwhile, as “Desperate” hits the summit in its 12th week, it completes the quickest trip to No. 1 by a female artist (not counting holiday songs) since September 2018, when Lauren Daigle’s crossover smash “You Say” needed just 10 weeks to sprint to the penthouse. It went on to rule for 15 weeks.
Plus, “Desperate” is MacDonald’s first Christian AC Airplay chart entry. It’s the first rookie single to reign since last April, when Seph Schlueter’s “Counting My Blessings” led for four frames. It’s the first freshman No. 1 by a woman since Jordin Sparks’ collaboration with for King & Country, “Love Me Like I Am,” dominated for five frames beginning in February 2023.
On the Christian Airplay chart, “Desperate” pushes 6-5 for a new best (3.4 million in audience, up 1%).
Hammond, Station & Cole Command Gospel Airplay
Three veteran gospel artists – Fred Hammond, Keith Staten and Marcus Cole, joining forces as FKC – ascend to No. 1 on Gospel Airplay with “Change Your Mind.” The single increased by 8% in plays.
The three artists co-wrote the song from their album Time Capsule-The Trilogy, released last August. The LP is the first of a three-part release, with the second expected this summer.
“Change Your Mind” is Hammond’s fifth No. 1 and first since “Hallelujah” led for two weeks in July 2022. He first led with “They That Wait,” with John P. Kee, for 15 frames beginning in December 2009.
As for Staten and Cole, “Change Your Mind” marks their first appearance as solo artists, but all three were part of iconic gospel act Commissioned. The group scored 11 top 10s on Top Gospel Albums, from I’m Going On (No. 5 peak, 1985) through The Commissioned Reunion “Live” (No. 3, 2002).
The Broadway cast album from Hamilton: An American Musical was inducted into the National Recording Registry this year. It’s the 15th Broadway cast album to receive this honor, and the first from a show that premiered after 1979.
Of the 15 cast albums in the National Recording Registry, four were released in the 1940s and four more in the 1950s, decades that are often thought of as the heyday of Broadway cast albums. That number dropped to just two in the 1960s and two more in the ’70s. And no cast albums at all from the ’80s, ’90s or ’00s have made it yet.
This makes Hamilton‘s achievement all the more impressive. The show’s creator, Lin-Manuel Miranda, is going against the tide here. Miranda is also going against the current political tide. Hamilton was scheduled to return to the Kennedy Center for the Performing Arts for the third time in March and April of 2026. The show’s producers canceled the run due to President Trump’s recent takeover of the performing arts institution. “Given the recent actions, our show simply cannot, in good conscience, participate and be a part of this new culture that is being imposed on the Kennedy Center,” lead producer Jeffrey Seller said in a statement shared to the official Hamilton X page.
In 2018, the Kennedy Center Honors broke format to recognize the creators of Hamilton – Miranda, Thomas Kail, Andy Blankenbuehler and Alex Lacamoire. Historically, the Kennedy Center Honors have recognized artists near the end of their careers. Here, they gave an award to talents mid-career to honor a specific achievement. (The National Recording Registry is administered by the Library of Congress, not the Kennedy Center for the Performing Arts.)
Miranda wrote both music and lyrics for the songs in Hamilton. The songs in five other cast albums in the National Recording Registry were the work of a solitary songwriter. Stephen Sondheim wrote both music and lyrics to all the songs in Sweeney Todd, as did Charlie Smalls (The Wiz), Frank Loesser (Guys and Dolls), Cole Porter (Kiss Me, Kate) and Marc Blitzstein (The Cradle Will Rock).
Sondheim and his mentor, Oscar Hammerstein II, both wrote songs for three of the 15 cast albums in the Registry. Sondheim wrote the lyrics for West Side Story and Gypsy before serving in both capacities on Sweeney Todd. Hammerstein collaborated with Jerome Kern on Show Boat before teaming with Richard Rodgers for Oklahoma! and South Pacific.
If you’re wondering why The Sound of Music (also by Rodgers & Hammerstein) isn’t listed here, that’s easy to explain. The 1965 film soundtrack with Julie Andrews is in the Registry, but the 1959 Broadway cast album with Mary Martin is not. At least not yet. We’ll update this list as more Broadway cast albums are saluted.
Here are all the Broadway cast albums that have been inducted into the National Recording Registry. They are listed in chronological order by show date. We show Billboard 200 peaks for albums that were released since that chart originated in March 1956.
Show Boat (1932)
FanDuel’s Kentucky Derby Party is returning to Louisville this year with Shaboozey headlining the event, Billboard can exclusively reveal. The exclusive, invite-only event is set to take place May 2 at Paristown Arts and Entertainment District in Louisville, Kentucky. “I’m hyped to be part of the Derby this year,” Shaboozey said in a statement. “It’s […]