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A Colombian court has ruled that Karol G, J Balvin, Maluma, Feid, Blessd, Ryan Castro and DFZM violated children’s rights in their song “+57.” Keep watching for the full story. What do you think of the court’s ruling? Let us know in the comments below. Tetris Kelly: A Colombian high court has ruled a song […]
At the end of last year, Bobby Pulido announced his retirement from music to pursue a career in politics starting in 2026. But the norteño-tejano music icon still has much to offer.
In an exclusive interview with Billboard Español, Pulido reveals that he has signed with Fonovisa/Universal for a double album and an additional new project he’ll release before officially closing his chapter as a singer.
“I wanted something special with my friends, something where I could invite the people I admired and respected,” Pulido explains about Bobby Pulido & Friends – Una Tuya y Una Mía, the title of the set that will kick off this partnership. “Normally, it’s customary for guests to sing the other person’s songs, but in this case, I wanted it to be one of mine and one of theirs.”
The recording took place in December 2024 during the Mexican-American singer’s performances at the Auditorio Cumbres in Monterrey, Nuevo León, Mexico, where he was joined by guests such as Alicia Villarreal, Bronco, Kinky, Caloncho, Majo Aguilar and David Bisbal, among other stars.
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The concept will begin to unfold on April 22 with the release of Pulido’s hit “Desvelado” in a duet with Bisbal. Two days later, a norteño-tejano version of the Bisbal’s song “Dígale” will be available on streaming platforms.
Antonio Silva, managing director of Fonovisa Disa US & México, tells Billboard Español: “For the team and personally for me, having worked with him at the start of his career, it’s very emotional to reunite at such a special moment, working on a product that represents the legacy of a lifetime of success.”
The first part of Bobby Pulido & Friends – Una Tuya y Una Mía includes 14 songs that will be released in pairs on a weekly basis, starting on April 22 and continuing until May 30. Starting June 17, the 16 songs of the second set will begin to launch, concluding on Aug. 7.
L to R: Antonio Silva (managing director Fonovisa-Disa US/México), Bobby Pulido, Alfredo Delgadillo (CEO & president, Universal Music México/US), José Luis Cornejo (manager Bobby Pulido)
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Born in Edinburg, Texas, Pulido — the performer of hits like “Se Murió de Amor,” “Le Pediré” and “Ojalá Te Animes” — belongs to a successful subgenre of regional Mexican music that emerged in the mid-’90s and includes groups like Intocable, La Firma, El Plan, and Duelo — all U.S.-born with Mexican roots. “We made our own music by blending cultures. I feel very honored to have represented this movement for so many years and to mentor new generations,” Pulido adds. “I’m happy with what I’ve achieved in my career. I never wanted to be just the artist of the moment.”
In addition to the double set, Pulido is preparing a studio album for next year, aiming to leave new music for his fans before running for an unspecified public office in Texas.
Fans will still have the chance to see Pulido live throughout 2025 during his Por La Puerta Grande Tour, which kicks off on April 25 in San Antonio, Texas. The trek includes a show on Aug. 9 at the Auditorio Nacional in Mexico City. For more dates and details, click here.
HANA‘s “ROSE” blasts in at No. 1 on the Billboard Japan Hot 100, on the chart released April 9.
HANA is the seven-member group born from the BMSG x Chanmina girl group audition No No Girls. The brand-new group’s major-label debut single launched with 12,870 downloads (No. 2 for the metric) and 8,781,853 streams (also No. 2), while topping video views and coming in at No. 17 for radio airplay. Also, HANA’s pre-debut song “Drop” jumped 68-29 as a result of this release.
Mrs. GREEN APPLE’s “Lilac” continues to hold at No. 2. The Oblivion Battery opener has charted for 52 consecutive weeks (a year), and marks its 37th week in the top 3. The three-man band’s new single “KUSUSHIKI,” the opening theme song for the anime series The Apothecary Diaries Season 2 Part 2 debuts at No. 6 on the Japan Hot 100 this week, ruling downloads and coming in at No. 14 for streaming and No. 4 for video. The hitmakers continue to make their presence felt, taking up half the top 10 this week — “Darling” at No. 5, “Que Sera Sera” at No. 8, “Soranji” at No. 10 — and charting 18 songs in the top 100.
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AKB48’s “Masaka no Confession” bows at No. 3. The 65th single by the long-running girl group celebrating its 20th anniversary sold 512,791 copies in its first week to rule physical sales and came in at No. 45 for radio.
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Sakanaction’s “Kaiju” drops a notch to No. 4. The previous record for longest consecutive run in the top 10 by the three-man, two-woman band led by frontman Ichiro Yamaguchi was seven weeks with “Shintakarajima,” and “Kaiju” has now tied this record. “Shintakarajima,” the band’s hit from 2019, has re-entered the Japan Hot 100 for the first time in about 4 years and 10 months, with streams up to 101% compared to the previous week, radio to 239%, and video to 104%.
The No. 1 song for the radio metric this week is BILLY BOO’s “Rhapsody,” featured as the ending theme song for the anime show The Dinner Table Detective, and the track debuts at No. 77 on the Japan Hot 100. Meanwhile, as songs about cherry blossoms continue to climb the charts, Aimyon’s “Sakura ga Furu Yoru wa” re-enters after a year with streams gaining by 111%, radio by 308%, karaoke by 107%, and video also showing increase from the week before.
The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.
See the full Billboard Japan Hot 100 chart, tallying the week from Mar. 31 to April 6, here. For more on Japanese music and charts, visit Billboard Japan’s English X account.
Ava Max is leaning into the art of reverse psychology ahead of the release of her new music, which the singer cleverly teased via a fake petition posted online Wednesday (April 9).
The premise was simple: On her social media accounts, Max shared a photo of herself with her face half-painted in theatrical makeup along with a link to a website called “DontClickPlayOnAvaMax.com.” She also posted a picture of a roadside “Don’t Click Play on Ava Max” billboard.
Once on the site, visitors were shown a “Sign the Petition” button, which, upon being clicked, rather than taking people to an actual online petition, gave the option of listening to a snippet of Max’s new song via Apple Music, Spotify or email. On the unreleased track, the vocalist sings over an angelic swell of synths, “I don’t need nobody, I’m loving myself/ Tonight, it’s all about me, it’s good for my health/ I know how to please me, I don’t need no help/ Nobody can love me like I’m loving myself.”
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The unorthodox promotional tactic comes about two months after the dance-pop star dropped her latest single, “Lost Your Faith,” which followed October’s “1 Wish.” Max last dropped an album in 2023, with sophomore effort Diamonds & Dancefloors debuting at No. 34 on the Billboard 200 — only after its release was delayed due to the musician struggling with people leaking her music, a problem she recently said she’s facing again.
“ok yes I have a lot of demos I’ve written that are not finalized records, and I’d appreciate it if you stop leaking these records,” she wrote on her Instagram Story in January. “A lot of records I write do not ever see the light of day and I understand your frustration, but this is not right. I write a lot of records I wish I could put out … I will find out who did this. Like I usually do. So plz Stop.” A
She added at the time, “I’ve never posted about this since the leak of my second album prematurely. Plz respect my art so I can keep working on making the songs I wanna put out that make sense for my project, and who I am perfect for you.”
See Max’s “Don’t Click Play” campaign below.
Two new members were inducted into the National Association of Broadcasters (NAB) Hall of Fame on Tuesday (April 8): BMI singer/songwriter John Oates (in radio) and the National Football League, or NFL (in TV). The inductions were the highlight of a dinner at Encore in Las Vegas that was jointly presented by BMI and the NAB.
The event marked the end of BMI’s run hosting the dinner, with plans for NAB to continue the Hall of Fame tradition moving forward.
Oates, who first signed with BMI in 1972, was inducted into the NAB Radio Hall of Fame for his contributions to American radio, chiefly as the co-founder of Daryl Hall & John Oates, one of the most successful duos in music history. Hall & Oates amassed 16 top 10 hits on the Billboard Hot 100 — including seven that Oates co-wrote — including “Sara Smile,” “She’s Gone,” “You Make My Dreams,” “I Can’t Go for That (No Can Do),” “Maneater,” “Adult Education” and “Out of Touch.”
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Oates had previously received the BMI Icon Award and the BMI Troubadour Award. He has also received 10 BMI Pop Awards and 30 BMI Million-Air Awards for his songs’ repeated airplay. In addition, as a member of Hall & Oates, he received five Grammy nominations and was inducted into the Songwriters Hall of Fame in 2004 and the Rock and Roll Hall of Fame in 2014.
In accepting the award, Oates thanked the NAB for the honor and talked about the importance of radio in his life, sharing that the music played on the stations he listened to growing up was “indelibly printed on my soul, my mind, and it’s the music that made me. I owe everything to radio.” He then performed six songs: the Hall & Oates hits “Out of Touch” and “She’s Gone;” three solo songs, including “A Ways Away,” from an album slated for release later this year; and a rendition of the 1954 Ray Charles classic, “I Got a Woman.”
The NFL was inducted into the NAB Television Hall of Fame for its pioneering influence on sports broadcasting, from its early days to its role as a cultural powerhouse today. Since the first televised NFL game in 1939, the league has consistently broken barriers in the broadcasting world.
Rich Eisen, NFL Network broadcaster and host of The Rich Eisen Show, accepted the award on behalf of the NFL, acknowledging the league’s far-reaching impact on sports broadcasting and TV culture. A video produced by NFL Films was shown, highlighting the NFL’s journey in TV history, leading into Eisen’s acceptance speech and a video message from NFL commissioner Roger Goodell.
On BMI’s last time hosting what has become a highlight of the NAB Show, BMI CEO/president Mike O’Neill said, “In celebration of 75 amazing years, I can think of no better time or way to preserve the tradition of this evening than for BMI to hand it over to our incredible partners from the start, the NAB. We believe that the broadcasting industry and the creative community will always enrich one another, and BMI is honored to facilitate that vital relationship long into the future.”
Lil Durk clinches a milestone 10th top 10 project on Billboard’s Top R&B/Hip-Hop Albums chart as Deep Thoughts opens at No. 2 on the list dated April 12. The set, released March 28 through Alamo Records, starts with 64,000 equivalent album units earned in the U.S. for the week ending April 3, according to Luminate.
Streaming activity fuels almost all of Deep Thoughts’ first week, with 63,000 units deriving from the sector, equaling 85.9 million official on-demand U.S. audio and video streams of the album’s songs. 1,000 units are from traditional album sales, with a negligible amount of track-equivalent unit (TEA) activity. (One unit equals the following levels of consumption: one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.)
Lil Durk, who is currently incarcerated amid federal murder-for-hire charges, lands his 10th top 10 effort two months short of his 10th anniversary on the Top R&B/Hip-Hop Albums chart. He arrived on the list dated June 20, 2015, when Remember My Name began at No. 2.
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Here’s a full review of the rapper’s top 10s on the Top R&B/Hip-Hop Albums chart:
Album Name, Artist (if other than Lil Durk), Peak Position, Peak DateRemember My Name, No. 2, June 20, 2015Lil Durk 2X, No. 5, Aug. 13, 2016Signed to the Streets 3, No. 8, Nov. 24, 2018Love Songs 4 the Streets 2, No. 2, Aug. 17, 2019Just Cause Y’all Waited 2, No. 2, July 11, 2020The Voice, No. 1 (two weeks), Jan. 16, 2021The Voice of the Heroes, with Lil Baby, No. 1 (one week), June 19, 20217220, No. 1 (five weeks), March 26, 2022Almost Healed, No. 1 (two weeks), June 10, 2023Deep Thoughts, No. 2 (to date), April 12, 2025
Elsewhere, Deep Thoughts launches at No. 2 on the Top Rap Albums chart and at No. 3 on the all-genre Billboard 200.
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Alongside Deep Thoughts’ debut, 14 of its tracks flood the Hot R&B/Hip-Hop Songs chart. “Vanish Mode” leads the pack with a No. 16 start and was the album’s most-streamed track for the week, at 7.9 million clicks. Of the 14 cuts, 11 make their debut, while “Turn Up the Notch” (No. 30) and “Monitoring Me” (No. 32) return for their second weeks on the list – after each charted for one week last October – and achieve new peaks. Lastly, “Can’t Hide It,” featuring Jhene Aiko, rallies 34-24 in its second week.
Carlos Bautista, a music manager for artists including Omega and Chimbala, went to Jet Set nightclub on Monday night to watch his friend Rubby Pérez perform. He was standing near the stairs leading to the stage when the club’s roof collapsed. Both Bautista and his brother survived the tragedy. Here’s Bautista’s story, in his own words.
I’m a close friend of Rubby. I produced his last album, and we’ve worked together on business projects. I went to see him perform that night. I was standing near the stairs by the stage.
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A piece of the roof fell onto the corner of the club, landed on a table, and shattered it. That’s when a hole appeared in the roof. People started recording it and looking at it, and within seconds, the entire roof caved in. At first, we thought it was a fight in the club because everyone started running, and we assumed it was some kind of altercation. But five seconds later, the roof collapsed. I was right there in front. I didn’t even have time to run. When I turned to leave, the roof fell on me — on my head, back, arms and knees. I was completely buried.
My brother and I were both trapped under the rubble. Nearby, there was a couple, and they managed to create a space and said, “Carlos, help me get out.” I’m a big guy — 6 feet tall and over 200 pounds — so I was able to move a chair, and they got out. My brother was still trapped, so I went to get help to get him out of the rubble. When things like this happen, you don’t really think about anything. While I was trapped, I thought about my mom, my family. I prayed to God, asking Him to let us make it out alive, but I also surrendered to His will. I was calm — 100% calm. But it wasn’t me; it was God who made that possible.
I never thought about dying. I was trapped for over an hour. I didn’t lose consciousness because I kept talking to my brother to keep him alert since he was on the verge of having a claustrophobic attack. Neither of us passed out. The people near me made space for us, and I was able to get out. I walked out barefoot because my shoes got stuck under the rubble. I was careful not to step on nails or anything sharp. I ran into someone my mom knows — a cop — and a firefighter. My brother had his phone with him and used the flashlight so they could find him and remove the debris to get him out. He was trapped for three to four hours. Rubby didn’t make it, and I think being trapped for so long is what ultimately took him.
When you’re in that kind of situation, your mind starts to wander, and it’s not easy to process what’s happening. At first, I thought it was an earthquake. But when I got out and saw everything was fine outside, I realized it wasn’t. What impacted me the most was seeing people outside desperately waiting for their loved ones to come out alive. That stayed with me — seeing their faces, knowing that most of the people trapped inside had already passed away. God had called them.
I live with my brother and my mom. She was at home and only found out what had happened when I called her from the hospital. My mom wakes up every day at 4 a.m. to pray, and I called her at that time to tell her not to worry when she woke up and realized I hadn’t come home. My brother spent the night in the hospital, but he’s here with me now. I didn’t break any bones, but my mind feels fractured after everything I saw. My heart feels broken because I’m human, and I feel the pain of others. I lost a lot of people I knew that night.
Life can change in an instant. I woke up this morning thanking God for giving me more time, for showing mercy to us, for not leaving my mom alone in this moment, for letting her keep her two sons. That’s just how I am — always calm, always composed. But I didn’t survive just because I’m calm. Everything is in God’s hands. I keep thinking about this phrase: “It wasn’t the universe, it was God. And it wasn’t random; it was part of His plan.”
Now that this has happened, I want humanity to take God’s existence more seriously. We’re seeing the signs of the end times, and God is real. I’ve always believed, but now even more so. I’ll continue to talk about His existence for the rest of my life. This doesn’t affect my career — not at all. I work in music, and I’m mentally prepared for whatever comes my way.
Welcome to Billboard Pro’s Trending Up newsletter, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip.
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This week: The biggest HBO drama gets big streaming numbers following its season finale, and a pair of new artists experience their first big TikTok breakouts.
‘White Lotus’ Finale, and Composer Controversy, Spur Streaming Gains
In a convergence of fictional and real-life drama, season 3 of the smash HBO series The White Lotus concluded on Sunday night (Apr. 6), during the same week in which creator Mike White engaged in a war of words with the series’ music composer Cristóbal Tapia de Veer, who announced last week that he would not returning for season 4. One conflict involved a shootout, the other included the phrase “b—h move” — and both produced significant streaming spikes for music related to the show.
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Without spoiling the end of season 3, Billy Preston’s “Nothing From Nothing” and Cathedral Singers’ “Lo, How a Rose E’er Blooming” are both featured prominently in the finale — and while “Nothing” earned 64,000 official on-demand U.S. streams on the day after the finale premiered (Apr. 7), up 353% from the previous Monday, “Lo” scored an even greater percentage bump, up 867% to 6,600 streams following the finale, according to Luminate. Meanwhile, Tapia de Veer’s “Enlightenment (Main Title Theme),” which introduced each of the eight episodes of the Thailand-set third season, doubled in daily streams following the finale, from 27,000 streams on Mar. 31 to 55,000 streams on Apr. 7. (“Renaissance (Main Title Theme),” the season 2 theme, was also up 74% week over week.)
This will likely be the final week in which a Tapia de Veer composition introduces a new episode of The White Lotus, but who knows? Maybe White and Tapia de Veer can pull a Jacqueline and Laurie, and hug it out on a day bed. – JASON LIPSHUTZ
Lululemon Gets Hip-Hop Approval With Viral TikTok Hit “Whim Whamiee”
Atlanta-based rappers Pluto and YK Niece have completely taken over TikTok – and the rest of social media – with their infectious, viral hit “Whim Whamiee.”
Released on Feb. 3, the song features a line nodding to Lululemon, the popular athleisure fashion brand that signifies relatively high status in certain social circles. On Feb. 19, TikTok user @lifeofjordan_ shared a clip dancing to “Whim Whamiee,” specifically the lines, “He want me bad, heard he a duck, can’t get no c–chie out the queen, put some Lulu on this butt” and the “Lululemoooon” ad-lib. His clip has since earned nearly 250,000 views, helping the song take off across the app. In the weeks that followed, those lines have continued to be the song’s most popular part, but Pluto’s “I’m talkin’ ’bout in it” ad-lib during YK Niece’s verse has also gained ample traction. Just five days after he posted his TikTok (Feb. 24), the Red Mic District dropped the official live performance video for “Whim Whamiee,” further boosting the song’s profile.
During the period of Feb. 28-Mar. 6 – a little over a week following @lifeofjordan_’s post — “Whim Whamiee” earned just over 247,000 official on-demand U.S. streams, according to Luminate. Streaming activity continued to rapidly increase, with the song earning over one million official on-demand U.S. streams during the week of March 14-20, according to Luminate. By the following week (March 21-27), that figure leapt 32% to 1.38 million streams, thanks, in part, to the release of the song’s official music video. The next week (March 28-April 3), “Whim Whamiee” streams exploded 84% to over 2.5 million streams. Over the past four weeks, streaming activity for “Whim Whamiee” has risen a gobsmacking 929%.
With everyone from Latto and Alabama Barker to JT and Flo Milli co-signing the “Whim Whamiee,” the song very well could become Gen Z’s very own Lululemon theme song. Just don’t tell its founder. — KYLE DENIS
Malcolm Todd Spins “Chest Pain” Into a Certified Hit
It’s been a journey for Malcolm Todd’s latest hit — nearly half a year, to be exact.
Todd first started teasing “Chest Pain (I Love)” in his live shows last winter, with a fan account sharing one of those clips (overlayed with a seemingly studio-quality snippet of the song) in a Nov. 15 TikTok that has since been viewed over 405,000 times on the app. Four days later, Todd used that fan’s sound to share a TikTok post of him in the recording studio. This particular sound showcases the second half of the chorus — in which he repeatedly sings “I love” — gifting TikTok it’s latest viral trend.
As he did with past singles like “Comfort Me,” Todd quickly inundated his TikTok following with posts soundtracked by “Chest Pain,” specifically the part of the chorus he teased in his initial snippet. The official “Chest Pain” TikTok sound currently boasts just under 400,000 posts, while the sound attached to his initial snippet currently plays in over 1.5 million clips. Users have since used the song to pay tribute to everything that they love – from pets and home-baked cookies to relationship green flags and volleyball.
“Chest Pain” finally landed on DSPs on Dec. 4, 2024, and found a home on Todd’s eponymous debut album, which dropped April 4. Building on the success of his previous single and TikTok’s eternal penchant for heartfelt ballads, “Chest Pain” earned over 1.23 million official on-demand U.S. streams during the week of March 14-20, according to Luminate. The following week (March 21-27), streams jumped 70% to 2.1 million. The week preceding his album release (March 28-April 3), streaming activity for “Chest Pain” leapt a jaw-dropping 153% to over 5.32 million streams.
Already having peaked at No. 2 on the now-defunct TikTok Billboard Top 50, “Chest Pain” now has its sights set on even grander (and active) Billboard charts. — KD
No offensive language will be tolerated on Celebrity Big Brother UK.
Mickey Rourke was issued a warning from the reality television series’ producers after a series of comments he made toward fellow competitor JoJo Siwa, according to BBC. During the 24th season, the actor asked Siwa if she liked “girls or boys,” to which the “Karma” singer explained that she’s attracted to women and that her partner Kath Ebbs is non-binary.
“If I stay longer than four days,” the 72-year-old then responded, “you won’t be gay anymore.”
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Siwa replied by assuring, “I can guarantee I’ll still be gay and I’ll still be in a very happy relationship.”
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Later in the series, when the cast mates were called to vote someone out of the house, Mickey explained that he’s “going to vote the lesbian out real quick,” to which Siwa — who overheard the comment, replied, “That’s homophobic, if that was your reasoning.”
At one point in the series, Rourke said that he needed a “f–,” and gestured to the 21-year-old star and said, “I’m not talking to you.” When fellow competitor Chris Hughes called him out for the language, the actor said, “I know. I was talking about a cigarette.”
After using the slur, which is slang for a cigarette in the U.K., he was warned by the ITV series’ Big Brother about his actions in the confessional room. “Big Brother thinks your language was offensive and unacceptable,” he was told. “As a result, Big Brother is giving you a formal warning. Further language or behaviour of this nature could lead to you being removed from the Big Brother house.”
Ultimately, the actor explained that he didn’t have “dishonorable intentions” and apologized to Siwa. “I want to apologize. I’ve got a habit of having a short fuse,” he told her. “And I don’t mean nothing by it. I do mean it [sorry]. If I didn’t, I wouldn’t say it to you.”
“I appreciate your apology,” she replied. Siwa has yet to publicly address the situation.
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Rapper Slim Thug’s Houston apartment was recently hit in a serious burglary, and the thieves made off with a ton of cash, jewelry, and other valuables.
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According to cops, security noticed a door had been kicked in, and it didn’t take long for them to realize the crooks had taken multiple items from inside the crib, including expensive jewelry and stacks of cash. Luckily, Slim Thug wasn’t home when the robbers broke in, so there were no injuries. Still, it’s a big loss for the Texas legend, who’s been making moves in the rap game for years. The cops are on the case, checking security footage and following up on leads to track down the thieves, but so far, no word on arrests.
Slim Thug recently went viral for some wild comments about a woman he saw rocking revealing clothes. He basically said that women who step outside showing off their shape and then call men “creeps” for looking are guilty of “entrapment.” According to him, it’s “false advertising” if you got your body out there but aren’t giving anything up. His take had the internet buzzing, with some folks defending him, while others slammed him for being disrespectful and objectifying. The whole thing sparked a big debate about how people dress and the expectations they set.