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‘Girls5eva’ Renewed for Season 3, Moving to Netflix

Girls5eva is getting the band back together and hitting the road — to a new streaming home.

The star-studded comedy, which aired as a Peacock original for its first two seasons, has been renewed for a third round — on Netflix.

Stars Sara Bareilles, Renée Elise Goldsberry, Paula Pell and Busy Philipps will all return for the musical comedy’s third season on the streaming giant. The deal for the series also includes rights to Girls5eva’s first two seasons, which will stream on both Peacock and Netflix. The series is expected to arrive on Netflix sometime next year, ahead of the third season’s debut, in a move similar to what the streamer did when it acquired Cobra Kai from YouTube.

“Our deepest thanks to Peacock for bringing Girls5eva to life and supporting us creatively at every turn since the first pitch. And we are endlessly grateful to our partners at NBCU for their boundless commitment,” said executive producers Meredith Scardino, Tina Fey, Jeff Richmond and Robert Carlock. “Today, we are thrilled to announce that our reunited girl group will be re-reunited at Netflix. We are so thankful to everyone at the streamer who fell in love with our music-filled comedy. We cannot wait to introduce Dawn, Wickie, Summer and Gloria to the global Netflix audience. Well, not fully introduce, if you look closely, Girls5eva can be seen in the background of the Woodstock ’99 documentary setting a porta potty on fire.”

Sources say the show didn’t find an audience on Peacock, the NBCUniversal-backed streamer that also has struggled to cut through a crowded landscape and fierce competition from such other newly launched platforms as HBO Max and Apple TV+. Netflix, which previously rescued the Fey-produced Unbreakable Kimmy Schmidt after NBC passed on the straight-to-series comedy, stepped in and made a deal for a third season of Girls5eva with the hopes that its global platform could help the series find an audience in a way similar to the way it did with Pop’s Schitt’s Creek, Lifetime’s You and broadcast rejects Lucifer and Manifest.

Also helping matters was Netflix’s relationship with Fey and Kimmy co-creator Robert Carlock as well as with writers Meredith Scardino and Jeff Richmond. Girls5eva was created by Scardino, who earned an Emmy nomination for writing for the series. Fey, Carlock and Richmond are among the show’s exec producers. Netflix global head of TV Bela Bajaria developed Kimmy during her tenure atop Universal Television, where Fey has been based for years with an overall deal, and eventually sold the show to the streamer after NBC passed on the series that starred Ellie Kemper and ran for four seasons.

Sources also note that Netflix head of comedy Tracey Pakosta originally wanted to buy Girls5eva for NBC when she, alongside Lisa Katz, served as co-presidents of scripted for the broadcast network. Ultimately, the project was earmarked for Peacock and Pakosta, a former Universal TV comedy exec, wound up leaving NBCU to reunite for Bajaria at Netflix.

“We are so happy to bring Girls5eva to Netflix,” said Pakosta, vp comedy at Netflix. “Just like the show, we are so excited to reunite with this amazing team.”

Peacock, meanwhile, will continue to have streaming rights to the first two seasons of Girls5eva and will share them with Netflix. Season three will be exclusive to Netflix. The decision to drop Girls5eva comes as Peacock has struggled to find a platform-defining, must-watch show. Comedy has been especially challenging for the streamer, which canceled critical darling Rutherford Falls and its Saved by the Bell update after two seasons apiece. No comedy has made it to a third season at Peacock. The platform, overseen as part of a content group that includes NBC and various cable networks, has Pete Davidson comedy Bupkis, Ted reboot and a Pitch Perfect spinoff in the works, among others.

This article was originally published by The Hollywood Reporter.

You Have to See Kelly Ripa & Ryan Seacrest Dressed as These Two Pop Stars for Halloween: Exclusive

Halloween is just around the corner, and Kelly Ripa and Ryan Seacrest are gearing up for for the ultimate spooky daytime show special.

Live with Kelly & Ryan shared exclusively with Billboard on Thursday (Oct. 27) a photo of the duo dressed as Billie Eilish and Harry Styles, with Ripa rocking the “Happier Than Ever” singer’s signature oversized, monochromatic outfit while Seacrest channels the “Music for a Sushi Restaurant” star in a fluffy pink coat.

Ryan Seacrest Kelly Ripa

Kelly Ripa and Ryan Seacrest as Billie Eilish and Harry Styles.

ABC/Jenny Anderson

Live’s Multiverse Halloween: The Best in the Universe will air on Halloween (Oct. 31) and feature over 75 costumes and multiple secret celebrity guest cameos, creating fresh and hilarious spins on some of the most iconic moments in pop culture, per a press release. The daytime talk show powerhouse duo will take on looks from House of Dragons and Stranger Things to The Kardashians and The Bachelorette.

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Actor and former White House staff member Kal Penn will also be joining the episode, dressed in his own secret Halloween costume.

Additionally, the show is bringing back its popular audience costume contest, in which the final five finalists will get a chance to win an exciting grand prize.

Live With Kelly & Ryan airs weekdays at 9 a.m. ET on ABC.

Rihanna Debuts ‘Lift Me Up’ Cover Art

Rihanna has the Internet in a frenzy yet again. The music superstar/beauty mogul has debuted the cover art for her new single “Lift Me Up” on social media, from the upcoming Marvel sequel Black Panther: Wakanda Forever. The movie and song both arrive on Friday.

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“tonight… MIDNIGHT EST,” the singer captioned her post. “#LiftMeUp.”

The arrival of the song was announced Wednesday, preceded by cryptic billboards around New York and a teaser post on social media, which included the forthcoming movie title splashed onscreen before highlighting the first “R” in “Forever.”

Under the singer’s social media post, fans are expressing their excitement for Rihanna’s long-awaited return to music.

The song was written as a tribute to the late Panther star Chadwick Boseman, who died in 2020 at 43. Tems, Oscar winner Ludwig Göransson, Rihanna and Black Panther director Ryan Coogler all have writing credits on the track, which will be released on the songstress’ Westbury Road label in partnership with Roc Nation/Def Jam Recordings/Hollywood Records.

“After speaking with Ryan and hearing his direction for the film and the song, I wanted to write something that portrays a warm embrace from all the people that I’ve lost in my life,” Tems said in a statement. “I tried to imagine what it would feel like if I could sing to them now and express how much I miss them. Rihanna has been an inspiration to me, so hearing her convey this song is a great honor.”

The “Umbrella” singer hasn’t dropped an album since she released Anti six years ago. She spent two weeks at No. 1 on the Billboard 200 albums chart with the project, which featured three Billboard Hot 100 top 10 hits, including the No. 1 “Work,” featuring Drake. In July 2017, she hit No. 2 with Bryson Tiller on DJ Khaled’s “Wild Thoughts.” In April 2020, she logged the No. 23 spot with “Believe It” alongside PARTYNEXTDOOR. RiRi is also set to return to performing on Feb. 12, 2023, where she will take the stage for the Super Bowl halftime show.

The Wakanda Forever soundtrack — produced by Coogler, Göransson, Archie Davis and Dave Jordan — will be out next Friday.

See Tickets’ Credit Card Skimming Breach Caused by Malware in Tracking Software

Executives at one of the largest independent ticketing companies in North America believe malware hidden inside a tracking pixel used for sending customers target advertisements was the source of two-and-a-half-year credit card skimming operation. 

Company officials with See Tickets North America, a subsidiary of French entertainment conglomerate Vivendi, tell Billboard that criminals were able to operate a sophisticated credit card skimming fraud on See Tickets checkout pages. While See Tickets officials didn’t detail which events were impacted, the company is one of the largest ticketing sites for indie promoters in North America with clients that include Pitchfork Festival and Disco Donnie Presents’ Freaky Deaky festival, as well as venues like the Troubadour in West Hollywood, California. 

Tracking pixels are typically used to identify customers and share information about the consumer with ad networks and other large technology companies. One popular use of tracking pixels in the events business is to serve ads to fans who visited a music festivals website but did not purchase tickets, in hopes of enticing them to make a purchase.  

Company officials believe that an exploit in the pixel See Tickets was using allowed criminals to take snap shots of credit card transactions as they happened without having to break into See Tickets system or database. The malicious code first appeared on the site on June 25, 2019, about nine months before the COVID-19 pandemic forced the shutdown of the live entertainment industry.  

“At See Tickets we take securing customer information very seriously and deeply regret this incident occurred,” Boris Patronoff, CEO of See Tickets North America, told Billboard in a statement. “We also understand how this may have negatively impacted on our clients and their customers. We conducted an immediate investigation as soon as the issue was discovered and communicated with clients and customers the moment it was possible to do so. We have since taken additional measures to further strengthen our security,.”  

Company officials became aware of the security breach in April 2021 after being contacted by credit card investigators looking at fraudulent charges linked to purchases on See Tickets website site. Within days of being notified, the ticketing company hired two forensic investigation teams to investigate the breach. In January of this year, the malicious code was eradicated from the site.  

Last month, See Tickets concluded its investigation and began notifying state law enforcement officials with the details of the breach. While See Tickets’ own customer and promoter data was not accessed during the breach, criminals were able to obtain details from credit card transactions including full name, address, card number, expiration date and CVV. 

See Tickets says a majority of ticket buyers who used the site were not impacted by the breach and note that social security numbers, state identification numbers and bank account information was not exposed due to this incident, as they are not stored in its systems.  

The breach is the second major hack of a ticketing company in five years. In 2018, hackers briefly took over the Ticketfly home page and took parts of the company offline for months grinding much of the independent music industry to a halt. Ticketfly users and client data were stolen during the attack and wound up on the dark web because of the attack. 

Watch Kenshi Yonezu’s Mind-Bending Workout Routine in New ‘KICK BACK’ Video

Kenshi Yonezu dropped the music video accompanying his new song “KICK BACK,” the opener for the popular anime series Chainsaw Man.

The “Lemon” hitmaker’s latest track hit No. 1 on five Billboard Japan charts — the Japan Hot 100, Top Streaming Songs, Top Download Songs, Hot Animation and Top User Generated Songs — after its release on Oct. 12 at midnight.

Thirty-year-old music producer Daiki Tsuneta of King Gnu and millennium parade, who co-arranged the song with Yonezu, appears in the music video alongside the 31-year-old singer-songwriter. The visuals released Wednesday (Oct. 26) sees Yonezu frantically working out at a gym to outperform a cool rival played by Tsuneta, taking a mind-bending turn when Yonezu begins running on a treadmill and ending with a final, chilling twist.

The video was directed by 31-year-old photographer and visual artist Yoshiyuki Okuyama, who worked with Yonezu on his artist photos and the award-winning music video for “Kanden.”

Watch the “KICK BACK” video below:

Taylor Swift Drops Instrumental Versions of ‘Question…?’ & ‘Bejeweled’

It’s been nearly a week since Taylor Swift dropped her 10th studio album Midnights, but she’s hardly done rolling out treats for fans.

The star unveiled two instrumental tracks on Thursday (Oct. 27) for “Question…?” and “Bejeweled,” which are both available to order as digital singles on Swift’s website.

The instrumentals come on the heels of Swift’s freshly released music video for “Bejeweled,” which features cameos from Haim, Laura Dern and Jack Antonoff as the star-studded crew puts their own twist on Cinderella.

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“Midnight, what a storied and fabled hour… On this sparkling evening I’ll be releasing my twist on a fairytale we all know. The one about the girl and her step sisters and the clock striking 12…” Swift captioned her announcement of the clip, alongside a photo of herself as Cinderella, sitting in a dark room wearing a worn down dress while sewing a glittery, midnight blue gown. “This video is wild, whimsical and created SPECIFICALLY for you, my beloved fans who have paved this shimmering path.”

Since releasing Midnights, Swift also dropped a 3am Edition of the album featuring seven additional tracks, as well as the music video for “Anti-Hero.” According to initial reports to Luminate, the album has earned more than 1.4 million equivalent album units in the U.S. through its first five days of release (through Oct. 25). 

Midnights has the largest week for any album since Adele’s 25 debuted with 3.482 million in its first week (chart dated Dec. 12, 2015). And Midnights‘ traditional album sales total of 1.05 million continues to be the biggest sales week for a set since Swift’s own reputation album debuted with 1.216 million copies sold (chart dated Dec. 2, 2017).

What’s Your Favorite Harry Styles Music Video? Vote!

Harry Styles transforms into a tentacled, bearded sea creature in a fishy new music video for his latest single “Music for a Sushi Restaurant.”

The Harry’s House visual just might be the heartthrob’s most high-concept narrative yet, as he saves himself from the sushi chef’s knives by showing off his enviable pipes and becoming an amphibious lounge singer before, well, you just have to watch how the story ends.

While you’re contemplating making sushi out of Styles, we’ve been taking a stroll down the memory lane of his videography and want to know: Which of the singer’s solo videos do you love the absolute most?

Styles released only two music videos from his self-titled debut solo album back in 2017: the high-flying “Sign of the Times” and the elementary school food fight of “Kiwi” filled with kids, cupcakes and an adorable pack of puppies.

When it came time to introduce his sophomore album Fine Line, he opted for something more sensual in the touchy-feely nighttime party that played out in the “Lights Up” video. From there, he fell into hilarious, The Shape of Water-style love with a goldfish in “Adore You” and played a flooding piano in “Falling.”

The beachy “Watermelon Sugar” provided the perfect memories of summer for Harries around the world, and he later enlisted Phoebe Waller-Bridge to dance with him through the old-fashioned treatment for “Treat People With Kindness.”

So far, Styles’ most recent album has featured three music videos — that is, if you don’t count the one he made for just $300 on The Late Late Show With James Corden for album cut “Daylight.” Do you prefer the giant turntable of No. 1 hit “As It Was” or the magical pillow fort of “Late Night Talking”? Or perhaps you’re a fan of Harry as a sea monster with a golden voice.

Vote for your favorite Harry Styles music video in Billboard‘s poll below!