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Jennifer Lawrence Regrets Not Taking Adele’s Advice About One of Her Box Office Bombs

Jennifer Lawrence was on an epic box office and awards run… until 2016. That’s when she pulled down a major payday and earned top-billing in the box office sci-fi dud Passengers, one of the last big-budget blockbusters she starred in before taking a break from the spotlight and slowing her pace for a few years.

According to a new New York Times profile of the Oscar-winning actress posted on Wednesday (Nov. 2), she might have avoided that ding in her resume if she’d just listened to her pal Adele.

“Adele told me not to do it! She was like, ‘I feel like space movies are the new vampire movies.’ I should have listened to her,” Lawrence said of the movie about two astronauts on a giant spaceship who are accidentally woken up 90 years early from hibernation that grossed more than $300 million globally but drew so-so reviews.

The piece opens at the Greenwich Village, New York gay bar Pieces, where we’re told Lawrence tackled the “Easy On Me” singer to the ground in March 2019 after she lost a heated game of musical shots. The original plan was for JLaw to meet Adele at a concert, but since Lawrence was already at Pieces, she suggested the singer meet her there instead. Though both women are careful about their public exposure while out on the town and frequently disappear for months, or years, at a time when not on-cycle, they decided Pieces was a fine place to let loose.

And, according to the article, they did just that, with Adele competing in an onstage drinking game that prompted the very competitive Lawrence to yell, “How could you lose?,” before the aforementioned public takedown. They even indulged in a bit of karaoke, which is a gutsy move when your partner is a Grammy-winning global superstar whose album releases are massive cultural events. Lawrence, however, is a frequent presence at Adele’s concerts, including a cameo at last year’s star-studded “Adele: One Night Only” special.

Lawrence, 32, will return to screens this weekend with the Apple TV+ drama Causeway. Speaking to the Times, she dove into the period in her mid-20s after her run as the star of the Hunger Games franchise when suddenly her movies were not clicking with audiences as much and she could feel like they were losing interest. “I was like, ‘Oh no, you guys are here because I’m here, and I’m here because you’re here. Wait, who decided that this was a good movie?’,” she said.

As she enters a period of higher exposure following the Feb. 2022 birth of her first child with husband Cooke Maroney, Lawrence told the Times her carefree night out with bestie Adele was proof that she’s moved on from being afraid of the tween Hunger Games fans who got too in her head for a while.

“I can tell things are different by my interactions in the real world, just by the way that I can move about life,” she told the paper. “There’s an occasional article about me walking out in Ugg boots, but other than that, the interest has lessened, God bless it.”

20 Questions With Gilberto Santa Rosa: New Album, Future for Salsa Artists, & More

For an artist who says music is his passion and the music of others is his hobby, it’s no surprise why Puerto Rican salsa icon Gilberto Santa Rosa released a conceptual album called Debut y Segunda Tanda. Both the Vol. 1 and a deluxe version were produced by his label B2B Music and distributed by Believe.

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The “Debut” part of its title, as he explains to Billboard, represents three of his original recordings, such as “Cartas Sobre La Mesaz” — while “Segunda Tanda” pays tribute to emblematic tracks recorded by his colleagues, such as Willie Chirino, Mucho Manolo and Carlos Vives’ “For Sale,” to name a few. 

“The first song that was created was ‘Cartas Sobre La Mesa,’ and that’s the one that sparked the concept of my album,” he says of his first set in two years. “This album came at the perfect timing.” 

Below, read 20 questions with El Caballero de la Salsa, where he opens up about his new album, being from Santurce, Puerto Rico, the movie that makes him cry and more.

1. This is your first album in two years — what’s the concept behind Debut y Segunda Tanda?

It’s simple. My new songs are the ones debuting and the second part is the covers. Half of the songs were originally recorded by me and the other half are songs that other artists lent me for the album.

2. On this album, you pay homage to your colleagues Willie Chirino, Mucho Manolo, Septeto Acarey, Grupo Bahia, Carlos Vives and Alejandro Sanz. Which of these covers was most challenging for you to interpret? 

Truthfully, I identify with all of them, even if they’re not my songs. But I would have to say “Cartas Sobre La Mesa” because it was originally recorded as an urban song. I’ve done tropical and romantic covers, but it’s the first time I did something urban. Even though salsa and urban have a lot of things in common, starting with their origin, this song was the most peculiar for me.

3. Of your original tracks on the album, which is your personal favorite? 

Without a doubt “En Defensa Propia.” It’s a very well-written song, very Santa Rosa. It’s a song made for expression and it gives the album a special touch.

4. Which song from Debut y Segunda Tanda are you most excited to perform live?

I like all of them! Since I select the songs for my shows, I would like to perform them all, because it’s an album I really want my fans to discover.

5. Why did you decide to release this album in two parts? 

The album was divided because I went into the studio and got excited. I realized I had a lot of songs, and we decided to work on the first eight. Besides, time passes by very fast, and a lot of music gets lost in the way. That’s when we had the idea of releasing it in two parts.

6. What’s at the top of your professional bucket list?

I don’t really have a bucket list. Who knows if in a couple of years I’ll focus on that list? But for the time being, I don’t have anything.

7. Who made you realize you could be an artist full-time?

I was six years old. There was a teacher in my school who unfortunately passed away very young, her name was Yenny Diaz. She was a science teacher, but she also led the music classes. She taught us to play the guitar. She encouraged me and taught me a lot. I remember her with great affection. She was the only person, of all the people who gave me a lending hand, who did not see me develop my career.

8. Which would you say is the most emblematic song of your career?

“Conciencia” and “Perdóname.” They are two songs that I have definitely had to sing in all the places since I recorded them.

9. What was the first concert you ever saw?

I started singing very young, so I had access to see almost all the artists for free. But, the first concert I went to which my uncle paid for the ticket was Las Estrellas de Fania — and the first concert that I paid for, where I worked and saved, was to see a great Cuban singer named Roberto Ledesma, a spectacular romantic singer.

10. What artist, dead or alive, would you like to see in concert?

Well, it’s going to surprise you, because I’ve seen almost every artist. But I would like to see John Legend, Alicia Keys, or Justin Timberlake, if possible.

11. How did being from Santurce, Puerto Rico shape your art?

Totally. A large number of musicians and singers who excelled in salsa music came from Santurce. At one time, the heart of entertainment was there including radio and television stations. The atmosphere in general is a very happy sector with a lot of music. I always remember my grandmother’s house, when you went out to the balcony and there was music everywhere, and you were nourished by all that. Being from there helped me with my training, of course.

12. What was the last song you listened to?

When I prepare for my concerts, I like to listen to music by other artists. Last night I was listening to a song called “Adolorido” by a Cuban singer named Tito Gomez who has already passed away.

13. What song or movie always makes you cry?

There is a movie that has it all! It has tears, it has suspense, and even quite a lot of violence but very well used. The first Godfather movie, I’ve seen it like 900 times. I always find something that I didn’t see the previous time. That movie talks about family, and loyalty, it goes beyond being a mobster movie. There are many interesting and deep messages.

14. Do you recall your first job ever?

I’ve always worked in music. I thank music for sustaining me all my life. But, the very first job I had was delivering newspapers for two weeks. The other time, I was a model for a car show. I had to drive one, but I’m usually not a good driver, so it didn’t go very well for me. Those were the last times I worked on something other than music.

15. Besides music, what’s another passion of yours?

I can be a bit boring because I’m passionate about music and nothing else. My work is music and my hobby is the music of others. In the last few years, however, I wasn’t much into going to the studio. For me, the recordings were very tedious, but about five years ago, I began getting involved and visiting the studio every once in a while to record things. That’s why I have many songs for this album.

16. What’s your all-time favorite vacation spot? 

Las Vegas. I love going there for the entertainment lifestyle. It’s a city where there is always something new going on. I’ve seen almost every artist in the residences. I have a good time even if it’s on a bench drinking coffee. It is an interesting desert.

17. Describe 2022 in one word? 

Spectacular!

18. With a more-than-40-year career, what’s one piece of advice you would give to younger salsa artists?

A genuine vocation and the stamina to move forward are important. It is not an easy road — life, in general — is not, but today, there is a contrast between all the advances that exist. And that seems to be an advantage, but sometimes it is not, because the competition is even stronger. It is more difficult for people to focus on an artist. So, you have to have the stamina and character to be able to fulfill a dream. There is always a door that opens, there will always be an opportunity, and there is always a person who helps you — but we cannot give up on the first failure or the first “no.” It is hard to start a project and defend it.

19. What’s the one word you always use? 

Everyone knows me because I use the phrase “Caminalo!” At first, it started out as a strictly rhythmic phrase, but today for me it’s almost a philosophy. It suggests going forward, not stopping, the future, and movement.

20. What do you hope to accomplish or experience in 2023?

We are going to start promoting both volumes of Debut y Segunda Tanda, and in 2023, we will begin planning the new tour that we hope will take us to Europe again.

Maroon 5’s ‘One More Night’ Joins YouTube’s Billion Views Club

Maroon 5 has “one more” accomplishment to add to its list of accolades. On Wednesday (Nov. 2), YouTube announced that the pop rock band’s video for “One More Night” has entered the Billion Views Club.

The video sees lead singer Adam Levine split between two scenes — one of him training at a boxing facility that later leads to him facing against an opponent for a match, and another of him juggling family life with a partner and their young baby girl. After emerging triumphant, Levine comes home to find his home empty save for a few family photos and a trophy — his partner and daughter nowhere to be found.

According to YouTube, “One More Night” is the band’s third video to reach the billion views mark. “Sugar” and “Girls Like You” are the other two visuals.

Maroon 5, in a collaborative Instagram post with Universal Music Enterprises, shared its excitement at the new milestone. “One More Night” hit 1 BILLION views on YouTube in ten years!! Third @maroon5 track to reach this milestone, we can’t believe it,” both accounts captioned a behind-the-scenes video from “One More Night” of Levine in hair and makeup.

In addition to being Maroon 5’s third video to hit one billion views, “One More Night” was also the band’s third No. 1 hit on the Billboard Hot 100 after singles “Makes Me Wonder” (2007) and “Moves Like Jagger” featuring Christina Aguilera (2011). “One More Night” spent a total of 42 weeks on the Hot 100, with nine of those weeks in the No. 1 spot.

Revisit Maroon 5’s video for “One More Night” above, and check out the celebratory Instagram post below.

UMPG Now Represents Irving Berlin’s Catalog and Brand Marketing Worldwide

Universal Music Publishing Group (UMPG) has signed an exclusive publishing deal with one of the most essential American songwriters of all time, Irving Berlin, to represent his catalog in all territories worldwide. This expands upon the major’s existing partnership with the Berlin estate, which began in 2012, which named UMPG as Berlin’s publishing administrator outside of the U.S.

Previously, Concord and Imagem (which the former purchased in 2017) handled North American publishing administration, but under the new deal, UMPG will now cover the continent instead.

Additionally, UMPG will take over duties for brand and social marketing efforts for the Berlin estate. This includes the launch of social media channels, including a new TikTok page, which promote the legacy of the songwriter and his legendary songbook — which includes “Anything You Can Do,” “Blue Skies,” “Cheek To Cheek,” “How Deep Is The Ocean,” “It’s A Lovely Day Today,” “I’ve Got My Love To Keep Me Warm,” “Let’s Face The Music And Dance,” “Puttin’ On The Ritz,” “Steppin’ Out With My Baby,” “The Song Is Ended (But The Melody Lingers On),” “There’s No Business Like Show Business,” Guinness World Records’ longtime best-selling single “White Christmas,” and many more — to the next generation of fans.

The company also launched a custom Film & TV industry site which will showcase Berlin’s catalog for sync and theatrical licensing consideration. It uses themed playlists, intuitive tagging and more to help potential licensors find the perfect match within his over 1,500 song catalog.

During his lifetime, publishing administration for Berlin, who was highly protective of his copyrights, was handled by an insular group of six individuals, working in an office on West 46th Street in Manhattan, as the New York Times reported, but in 1990, following his death at the age of 101, Berlin’s publishing administration went to the Rodgers & Hammerstein Organization (RHO) for further exploitation. Nearly two decades later, RHO sold to Imagem in 2009. By 2012, rights to worldwide administration ex-U.S. was given to UMPG while the North American administration was re-signed with Imagem and expanded to include brand management and grand rights exploitation globally. Then, in 2017, there was a major sale between Imagem and Concord Music Group, moving over these duties to the Concord umbrella.

Evan Lamberg, president of North America, UMPG, says of the deal, “I’ve been in the music publishing business my entire working life. It doesn’t get any better than UMPG having the honor of representing the timeless cultural songs of Irving Berlin, as well as working with the wonderful Irving Berlin family and Estate.”

“The family of Irving Berlin enthusiastically welcomes the expansion of their 10 year relationship with Universal Music Publishing Group and looks forward to continued collaboration as the exclusive global music publisher for Irving Berlin’s extensive catalog,” adds Mary G. Campbell of JPMorgan, on behalf of the Berlin’s estate.

Taylor Swift Recreates Iconic Looks From Past Eras in Capital One Commercial: Watch

The old Taylor can’t come to the phone right now — why? ‘Cause she’s busy starring in a Capitol One commercial. In a super nostalgic advertisement for the bank holding company’s Venture X credit card released late Monday (Nov. 1), Taylor Swift starred as a dozen versions of her past selves by recreating her most iconic looks from past album cycles, spanning 2006 to 2022.

In one scene, a Taylor sporting one of the sparkly outfits she wore back in 2015 — during the 1989 World Tour — tests out some headphones. “They’re noise cancelling!” she shouts, dancing to a beat only she can hear.

“You’re being too loud,” responds a second Taylor, referencing a lyric from Swift’s 2019 Lover track “You Need to Calm Down.”

The second Taylor — dressed in a purple dress and ponytail, one of Swift’s Speak Now Tour looks from 2011 — appears again in a later scene, in which she watches a Capitol One customer using his phone to book seat 13A on Flight 1989.

“Good choice!” says Speak Now Taylor, pointing at a number 13 painted on her hand. “My lucky number.”

All the Taylors are then shown crammed together in an elevator. “Going up?” asks one Taylor, dressed in the glitzy circus ringleader outfit she sported in 2013 on the Red Tour.

A Taylor wearing a unitard look from the “Look What You Made Me Do” music video, a Taylor wearing one of her famous Folklore cardigans, and a curly-haired Taylor from her debut self-titled album cycle proceed to join all the other Taylors on the elevator in an epic group selfie.

The commercial comes on the heels of Swift’s announcement that she’s going on tour next year, following a five-year break from live performances. Presented by Capitol One, the Eras Tour will see the 11-time Grammy winner stopping by stadiums in cities across the U.S. (international dates have not yet been announced) with guests artists including Paramore, Phoebe Bridgers, Beabadoobee, HAIM and more.

Watch Taylor Swift’s new Capitol One commercial above.

Rihanna’s ‘Savage x Fenty Show Vol. 4’: See Exclusive Photos of Anitta, Burna Boy & More Performers

Rihanna‘s Savage x Fenty Vol. 4 fashion show is just a week away, and the annual fashion experience will feature some high-production performances from global superstars AnittaBurna BoyDon Toliver and Maxwell.

In addition, the show will include some special appearances by Ángela Aguilar, Avani Gregg, Bella Poarch, Cara Delevingne, Damson Idris, Irina Shayk, Joan Smalls, Kornbread, Lara Stone, Lilly Singh, Marsai Martin, Precious Lee, Rickey Thompson, Sheryl Lee Ralph, Simu Liu, Taraji P. Henson, Taylour Paige, Winston Duke, Zach Miko and more.

The follow-up to the Emmy-winning Vol. 3 iteration of the fashion show will feature the latest Savage X Fenty styles from the music icon, and will stream exclusively on Prime Video in more than 240 countries and territories.

Ahead of the Savage x Fenty Vol. 4 show airing on Prime Video on Nov. 9, get in the mood for all the fun by checking out our gallery of photos featuring this year’s performers.

Macklemore Explains How His Sobriety Journey Inspired New Song ‘Faithful’: Watch

Macklemore is allowing himself to be completely transparent in his music. The rapper released his new song “Faithful” featuring NLE Choppa on Friday (Oct. 28), which sees him grappling with his sobriety journey. The 39-year-old sat down with Billboard News to discuss the track and shed light on the series of events that led up to him penning the song.

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“Recovery has been a huge part of my life the last 14 years. I first went to treatment in 2008. I’ve always had the allergy, the disease of addiction was present from my first drink of alcohol,” Macklemore explained. “Going into ‘Faithful,’ the pandemic happens. I was removed from my recovery community, everything’s on Zoom — I’m used to going to meetings and being a part of a community — all a sudden that’s stripped away from us and I relapsed. I relapsed in 2020.”

He continued, “I think I wrote ‘Faithful’ shortly after that and it came from a dark spot, and I think that there is such a void of music that talks about real issues, whether it be mental health, whether it be recovery or fighting the disease of addiction, I’m trying to go there. I don’t want to avoid it.”

The “Thrift Shop” rapper also revealed that his wife was an integral part in choosing the single, so much so that she offered to be a part of the video for “Faithful.”

“My wife, she heard the whole album and was like, ‘Yo, I want to do it. I want to direct the music video. ‘Faithful’ she felt passionate about and I love the record. I think the record is great. She saw a vision so I said, ‘I gotta go with wifey on this one.’”

Watch Macklemore’s interview with Billboard News above.

Adam Devine Reprises His ‘Pitch Perfect’ Role in ‘Bumper in Berlin’ Trailer

Peacock is gearing up to release its Pitch Perfect spinoff series, Bumper in Berlin, on Nov. 23, and the streaming service unveiled the official trailer for the show on Wednesday (Nov. 2).

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In the clip, Adam Devine reprises his role as Bumper Allen, the former leader of the Treblemakers. He gets a call from Pieter from Pitch Perfect 2‘s Das Sound Machine (played by Flula Borg), inviting him to come to Germany to launch his music career after a video of his went viral on the Internet. Devine then reunites with his Modern Family co-star Sarah Hyland, who plays his assistant. Lera Abova and Jameela Jamil also star in the series.

“To think this journey began over 15 years ago – from the discovery of Mickey Rapkin’s book, to three incredible films, and now a television series,” said Elizabeth Banks, who returns as an executive producer on the project after acting in all three Pitch Perfect films and directing Pitch Perfect 2. “We could never have imagined the life that this story would take on. It was really important to us that Bumper in Berlin be recognizable to the fans, for its irreverent comedy and phenomenal music, but also entirely distinct from what you’ve seen before.

“We wanted to honor The Barden Bellas and the Pitch Perfect world, while expanding into a fresh and brilliantly weird character journey,” she continued. “This story is about second chances, friendship, and the idea that your dreams can come true in unexpected ways – anywhere in the world, at any point in your life.”

Watch the new trailer below, and sign up for Peacock here.

https://www.youtube.com/watch?v=rIbx-Rj0MpY

Shakira & Ozuna’s ‘Monotonía’ Hits Top 10 on Hot Latin Songs Chart

Shakira and Ozuna’s “Monotonía” rallies 25-3 on BillboardHot Latin Songs chart (dated Nov. 5) after its first full tracking week. The track was released Oct. 19 via Sony Music Latin, and debuted in the top 30 a week ago with five days of airplay (during the Oct. 17-23 tracking week).

“Monotonía” pushes to No. 3 with gains in all metrics. It earned 9.4 million U.S. streams, up 205%, in the week ending Oct. 27, according to Luminate. That yields a No. 3 debut on Latin Streaming Songs. Sales, too, assist its position increase, with 2,000 downloads sold — up 38% — during the same period. (The song holds strong at No. 1 on Latin Digital Song Sales.)

Meanwhile, on the radio front, “Monotonía” generated 6 million in audience impressions, up 106%, earned in the week ending Oct. 30, which prompts a 36-13 surge on the all-genre Latin Airplay. On Tropical Airplay, the song lifts 8-4.

Further, “Monotonía” breaks up a Bad Bunny monopoly of the top three on Hot Latin Songs — the entire top three has been occupied by nothing but Benito’s songs since the May 21-dated chart, where he has ruled with songs from his Un Verano Sin Ti album.

“Monotonía’s” move earns Shakira her 32nd top 10. She continues to hold the record for the most top 10s among women since the tally launched in 1986. Ozuna adds a 28th top 10 to his career count.

Elsewhere, “Monotonía” also enters the all-genre Billboard Hot 100 chart at No. 65. It becomes Shakira’s highest debut since “Empire’s” No. 58 arrival in 2014.

On Global territory, Shakira secures her third top 20 title on the Billboard Global 200 ranking as “Monotonía” debuts at No. 18. Ozuna, meanwhile, captures his third top 20 on the Billboard Global Excl. U.S. survey, as the song soars 174-4 in its second week.