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Nashville’s Exit/In Nears End of Indie Status as Longtime Operator Chris Cobb Announces Departure

Later this month, Chris Cobb, longtime independent operator of revered Nashville music venue Exit/In for nearly two decades, will conclude his work at the 51-year-old music venue due to the lease ending at the conclusion of 2022, as Nashville-based development firm AJ Capital Partners (which purchased the Exit/In property in 2021) are set to begin overseeing operation of Exit/In.

“It looks like 51 years of local, independent ownership and operation have come to an end,” said a statement from Chris and Telisha Cobb. “We are humbled to host this last run of concerts with friends from many eras gracing our stage again. There have been too many incredible moments to count over the 18 years we’ve stewarded Exit/In. It’s an incredibly special place that we are so fortunate to have been a part of.” 

The final 2022 concert at Exit/In is slated for Nov. 23, with the second of a pair of shows from Diarrhea Planet.

A statement from AJ Capital Partners, which recently moved its headquarters from Chicago to Nashville, provided to Billboard says, “The Exit/In will remain open, as it has under the stewardship of dozens of operators over the past 51 years, as its irreplaceable self: an iconic Nashville venue and gathering place for music lovers from all over. We spent the last year securing historic protections for this special and sacred space, which we’re committed to preserving while providing some long overdue physical improvements. We look forward to the next half-century of moments and memories, and to announcing 2023 show dates very soon.”

In 2021, AJ Capital filed a request to designate the Exit/In as a historical landmark, and historic overlays were approved for a section of the property this year.

Last year, the Cobbs launched a GoFundMe campaign with the aim of purchasing Exit/In, shortly after the venue went under contract. The fundraiser received over 4,000 donations and accumulated over $270,000 from supporters. In his statement, Cobb said that the money will be donated to National Independent Venue Association (NIVA) and to Music Venue Alliance (MVAN).

Exit/In, which celebrated its 50th anniversary last year, opened in 1971 and is located at 2208 Elliston Place, as the anchor of “The Rock Block,” which over the years has been home to businesses including The End, Elliston Place Soda Shop and The Gold Rush. Exit/In quickly became known for the diverse slate of artists who have performed there — with many of their names scrawled on its Wall of Fame at the front of the building. Those artists have included Billy Joel, Etta James, Johnny Cash, Muddy Waters, Paramore, the Red Hot Chili Peppers, Chuck Berry, The Allman Brothers Band, Jason and the Scorchers, Cage the Elephant and R.E.M., among many others.

Jimmy Buffett was the first performer at the venue when it opened in 1971.

The Rock Block was commemorated with a historical marker in 2020.

Billy Corgan Has Laryngitis, Smashing Pumpkins Cancel Portland Show

The Smashing Pumpkins have had to cancel one of its recent shows. In a statement posted to the band’s official Instagram on Sunday (Nov. 13), the rock band revealed that its Portland concert — scheduled to take place at Moda Center that day — was canceled after lead singer Billy Corgan came down with laryngitis.

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“It is with great disappointment that tonight’s show in Portland, OR has been cancelled due to laryngitis. William, Jimmy, James and Jeff are deeply saddened but this decision was not made easily and was far beyond their control,” the statement read. “They look forward to returning to you all next summer. Refunds will be available at your point of purchase.”

A rescheduled date has not yet been announced.

Following the announcement, Corgan gave fans an update about his condition via his personal Instagram account. “At the voice doctor. Lots of love,” he captioned a pictured of himself giving an optimistic thumbs-up, with Portland as his geotag.

The Smashing Pumpkins are on its joint Spirits on Fire tour with Jane’s Addiction. The 32-date trek kicked off on Oct. 2 at American Airlines Center in Dallas, and made stops in Houston, Austin, Tampa, Nashville, Atlanta, Boston, New York, Philadelphia, Pittsburgh, Toronto, St. Louis, Detroit, Chicago, Denver and Vancouver before its Portland stop.

The bands have four more dates left in the tour starting on Nov. 15, before concluding at the Hollywood Bowl in Los Angeles on Nov. 19.

See the Pumpkins’ and Corgan’s instagram posts below.

GAYLE Spills the Tea on How Taylor Swift Asked Her to Open for The Eras Tour: ‘I Feel Like This Is a Dream’

GAYLE went to the 2022 MTV Europe Music Awards on Sunday (Nov. 13) and dished about how she ended up as an opener on Taylor Swift‘s upcoming Eras Tour.

“Obviously I’ve known about Taylor, for forever, like my whole entire life — I can’t remember a time where I didn’t know Taylor Swift,” the teen sensation told Entertainment Tonight from the red carpet in Düsseldorf, Germany. “My best friend and I went to [an] awards show and Taylor Swift happened to be there, and I did a performance and some very cool things happened after that.”

The awards show she’s referring to was September’s Nashville Songwriter Awards, where she performed her breakout hit “abcdefu,” which was voted one of the 10 “songs I wish I’d written” by the NSAI Professional Songwriter Members. Honored as the organization’s Songwriter-Artist of the Decade, Swift also happened to be in attendance at the show, and the pair ultimately snapped a cute selfie together.

“She was just like, ‘You did a great performance — I’m gonna call you,’” GAYLE went on. “Now I’m here, and I can’t believe it. I feel like I’m lying. I feel like this is a dream. I don’t know where I am. I don’t know what I’m doing.”

GAYLE is one of many openers on Swift’s tour — including Paramore, Beabadoobee, Phoebe Bridgers, Girl in Red, MUNA, HAIM, Gracie Abrams and OWENN — but don’t expect to hear a Taylor song in her own setlist for the shows. “I’m not gonna do a Taylor Swift cover, I feel like for obvious reasons,” she told ET. “She does it all great. I can’t do it any better.”

Harry Styles Helps Pregnant Fans Reveal Their Babies’ Sex During Concerts: Watch

Harry Styles had the crowd at Los Angeles’ Kia Forum in the palm of his hand Friday (Nov. 11). During his Love on Tour concert, one fan convinced the 28-year-old pop star to make a huge announcement on her behalf — reveal the sex of her baby on the way — and he absolutely reveled in creating suspense before delivering the news.

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“She’s about to do the single hardest thing in the world there is to do,” Styles began. “I’m sure it’s going to be fine — the most beautiful thing there is to do in the world!”

The Grammy winner also checked with the fan named Sydney on how far along she was: four months. “Are you sure you want me to do this?” he continued. “Los Angeles, this is a Friday night you will never forget.”

“Can I please get some tense gender reveal music,” he added to his band. Slyly twirling and dancing around the stage, Styles had his audience contribute to the anticipation by leading them in a round of “Ooooohs.”

“I know something you don’t know!” he teased. “What do you want it to be? OK, here we go. This is … very nice. Something for the fourth album, perhaps.”

“This is called edging,” he said, drawing out the moment once again, before finally announcing the news. “It’s … a … girl!”

The “As It Was” singer has been stationed at the Forum for about three weeks, performing a residency of 15 shows at the venue in support of his May-released third studio album Harry’s House. One could argue, though, that he’s now beginning a residency of conducting reveals for parents-to-be, as he did a second one just one night after Sydney’s.

On Saturday (Nov. 12), an expectant mom once again asked an obliging Styles to reveal her baby’s sex. “‘Tis the season for gender reveals, we had one last night!” he proclaimed, taking a sealed envelope from the fan named Shawna.

Once again, Styles drew out the suspense for as long as he could.

“How much longer would you like me to make this go on for?” he asked Shawna. “It’s a girl!”

Watch Harry Styles’ recent baby reveals at the Kia Forum below:

2022 Latin Grammys: Complete List of Performers, Presenters, How to Watch & More

The 2022 Latin Grammy Awards ceremony is taking place Thursday (Nov. 17) live from the Michelob Ultra Arena at Mandalay Bay Resort and Casino in Las Vegas. The telecast will air on Univision at 8 p.m. ET, and it will also be available on HBO MAX.

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Colombian powerhouse performer Karol G and king of bachata Romeo Santos have been added to the roster of performers of the 23rd annual ceremony. Additional artists performing for the first time are Latin Grammy Cultural Foundation scholarship recipients Xavier Cintrón, Valentina García, Nicolle Horbath and Sergio de Miguel Jorgequera, who will join Latin Grammy winner Nicky Jam on stage.  

The three-time Latin Grammy-nominated Karol G is up for record of the year and song of the year for “Provenza,” as well as for best urban song with “MAMIII.” Romeo Santos is nominated for best long-form music video for his documentary Romeo Santos: King of Bachata; as the frontman of Aventura, he garnered a nod for best urban fusion/performance. 

On Sept. 20, the Latin Recording Academy announced this year’s nominees, with Bad Bunny leading the way with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven. Last year’s big winner, Camilo, garnered six nominations this year. 

Performers 

The following artists are among those who are confirmed to take center stage at the 2022 Latin Grammy Award Show: 

  • Ángela Aguilar
  • Aymée Nuviola
  • Banda Los Recoditos
  • Camilo
  • Carin León
  • Carlos Vives
  • Chiquis
  • Christian Nodal 
  • Christina Aguilera
  • Elvis Costello
  • Gente de Zona
  • Goyo
  • Jesse & Joy 
  • John Legend
  • Jorge Drexler
  • Julio Reyes Copello
  • Karol G
  • Los Bukis 
  • Marc Anthony
  • Marco Antonio Solís
  • Mariachi Sol de México de José Hernández
  • Nicky Jam
  • Nicole Zignago
  • Nicolle Horbath
  • Rauw Alejandro
  • Romeo Santos
  • Rosalía
  • Sebastian Yatra
  • Sergio de Miguel Jorgequera
  • Silvana Estrada 
  • Sin Bandera
  • Valentina García
  • Xavier Cintrón

Presenters

  • Adrián Uribe
  • Alison Solís
  • Becky G
  • Cami
  • Eden Muñoz
  • Farina
  • Fito Páez
  • Fonseca
  • Georgina Rodríguez
  • Kany García
  • KURT
  • Ludmilla
  • Luis Figueroa
  • Luisa Sonza
  • Macarena Achaga
  • María Becerra
  • Marla Solís
  • Miguel Ángel Muñoz
  • Tainy
  • Victor Manuelle
  • Yalitza Aparicio

Hosts

  • Anitta 
  • Luis Fonsi
  • Laura Pausini
  • Thalía 

Person of the Year 

  • Marco Antonio Solís

Prior to the Latin Grammys, the Latin Recording Academy will honor Mexican icon Marco Antonio Solís as Person of the Year. The gala in his honor will take place the day before, on Wednesday, Nov. 16. “Marco Antonio Solís is a living legend and one of the most emblematic figures in Latin music,” Manuel Abud, CEO of the Latin Recording Academy, said in a statement.

How to Watch

The telecast will air on Univision Thursday, Nov. 17, 2022, at 8 p.m. ET. It will also air on cable channel TNT and on Televisa Channel 5. The ceremony will also be available on HBO MAX in Spanish only. 

Dave Chappelle’s ‘SNL’ Monologue on Antisemitism Slammed by ADL Leader: ‘Why Does Our Trauma Trigger Applause?’

Saturday Night Live has reliably tapped Dave Chappelle three times to offer some of his patented unfiltered commentary following recent major national elections. But this weekend the leader of a prominent Jewish civil rights group said the envelope-pushing stand-up went too far in an opening monologue in which he took on the recent rash of antisemitic statements and controversies surrounding rapper Kanye West (now known as Ye) and suspended NBA player Kyrie Irving.

“We shouldn’t expect @DaveChappelle to serve as society’s moral compass, but disturbing to see @nbcsnl not just normalize but popularize #antisemitism,” tweeted ADL CEO Jonathan Greenblatt of the 15-minute show opener that critics said perpetuated Jewish stereotypes while seemingly attempting to humorously demystify them. “Why are Jewish sensitivities denied or diminished at almost every turn? Why does our trauma trigger applause?”

Chappelle — who has repeatedly courted criticism in a series of stand-up specials in which he engaged in what critics have labeled hurtful transphobic and homophobic stereotypes — opened the bit by unfolding a piece of paper and reading a statement. “I denounce antisemitism in all its forms. And I stand with my friends in the Jewish community,” he said. “And that, Kanye, is how you buy yourself some time.”

Chappelle then reeled off a series of recent incidents in which Ye has been accused of antisemitism and the harsh responses to his actions and words while joking that in his 35-year career in comedy he learned one very important lesson: never say the words “the” and “Jews” in sequence. It was one of several lines that amplified a Jewish stereotypes instead of decrying in a manner that many Jewish leaders and commentators did not find amusing during a time of heightened antisemitic sentiment. The provocative Lenny Bruce-style mono was repeatedly undercut when the bit steered directly into the same dark territory Chappelle thought he was shining a light on according to critics.

“I’ve been to Hollywood and — no one get mad at me — I’m just telling you what I saw… It’s a lot of Jews,” Chappelle whispered. “Like a lot.” Chappelle then doubled and tripled-down on his line of logic, suggesting that the “delusion that Jews run show business” is not a “crazy thing to think,” but that “it’s a crazy thing to say out loud in a climate like this.” The suggestion that the thought is okay, but the action is not got even more muddled when Chappelle pivoted to another recent antisemitic controversy surrounding Nets player Irving.

In the comedian’s telling, despite the persecution of Jews all over the world, “you can’t blame that on Black Americans,” a stunning line that drew silence from the normally raucous studio audience; Irving has been suspended by the Nets after posting a link to an antisemitic, Holocaust-denying film and then refusing to apologize for his actions. The Jerusalem Post succinctly summed up their feelings about the Chappelle monologue in a tweet that read, “Chappelle said during his SNL monologue that he ‘denounces antisemitism in all its forms’… before promptly engaging in antisemitic stereotypes.”

His opening was also denounced by Carly Pildis, a contributor to Jewish magazine The Forward and director of community engagement for the ADL, who said Chappelle’s mono was off-base because it merely further stoked the flames of division. “Here is the thing, Dave Chapelle wants to joke about antisemitism but he isn’t living with the consequences of it,” she wrote. “Antisemitic incidences are at a historic high in America, but that doesn’t get mentioned. Probably cause it’s not actually funny. It’s scary as hell.”

NPR TV critic Eric Deggans said he wasn’t sure what a professional athlete posting a link to an antisemitic film with no context and then taking “several long days” to disavow the film’s anti-Jewish content has to do with whether you can “blame” Black Americans for the plight of Jewish Americans. “What I do know, is that one of comedy’s boldest and most incisive voices had a chance to lend insight to the long struggle Black America has had with antisemitism,” Deggans wrote. “But instead, his monologue seemed filled with justification and minimization – failing to mention, for instance, allegations that Ye has expressed admiration for Nazi leader Adolf Hitler.”

In April, the Anti-Defamation League, which tracks anti-Semitic behavior nationwide, reported a 34% rise in anti-Semitic incidents in 2021 (to 2,717), which averaged out to more than seven such incidents per day. At press time it did not appear that Chapelle had reacted to the criticism of his SNL monologue and a spokesperson for the comedian had not returned a request for comment.

See Greenblatt’s tweet below.

BTS Expertly Hits Choreography in ‘Run BTS’ Dance Practice Video: Watch

Missed BTS in concert? Fear not, ARMY, the Bangtan Boys have got you covered. On Sunday (Nov. 13), BTS shared a video of them practicing their choreography for the high-energy track “Run BTS” with full support from a large group of backup dancers.

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After taking turns showing off their moves solo and in pairs, members Jin, Suga, J-Hope, RM, Jimin, V and Jung Kook convene and hit complicated footwork and arm movements as the audio from the chorus blares, “Run (don’t tell me bye, bye)/ Run (you made me cry, cry)/ Run (love is a lie, lie)/ (Don’t tell me, don’t tell me, don’t tell me bye, bye).”

“Run BTS” charted at No. 73 on the Billboard Hot 100 and spent a week on the chart in June. The track is on the K-pop group’s anthology album, Proof. The LP — a collection of the group’s hits, demos and fan-favorite tracks — was released in June and spent a total of 21 weeks on the Billboard 200, where it peaked at No. 1.

Proof was dropped as a celebration of BTS’ ninth anniversary. BigHit Music, the group’s management company, said in a statement, “The BTS anthology album that embodies the history of BTS will be released as they begin a new chapter as an artist that has been active for nine years to look back on their endeavors … The anthology album Proof that consists of three CDs includes many different tracks — including three all-new tracks — that reflect the thoughts and ideas of the members on the past present and future of BTS.”

Watch the “Run BTS” dance practice below.

Lizzo Announces Second North American Leg of Her ‘Special’ Tour

Lizzo is making North America feel doubly special. On Monday (Nov. 14), the three-time Grammy winner announced that she’s circling back through the United States and Canada next year for a second leg of her 2022 Special Tour, adding 17 new dates to her schedule.

The second leg — dubbed The Special 2our — will kick off April 21, 2023, in Knoxville, Tenn., just over a month after Lizzo’s European stint is set to conclude. She’ll make stops in Montreal, Chicago, Phoenix, San Diego and more before closing out in Palm Desert, Calif., at Acrisure Arena.

Just as she did for Lizzo’s first North American leg, Latto will join the “Truth Hurts” musician as a special guest for the second round of U.S. and Canadian shows.

The “About Damn Time” singer-songwriter first toured through North America in support of her album Special this fall, embarking on a nearly 30-date trek beginning in September. In fact, that initial leg isn’t even over yet — Lizzo still has two more shows lined up for Nov. 18 and 19 at the Kia Forum.

After that, the Yitty founder will take a few months off before returning to the stage in February, when she’ll begin her run of shows in Europe.

Ticket sales for the second leg dates will begin Friday (Nov. 18) at 10 a.m. local time on Lizzo’s website. See the full list of newly announced North American shows below:

The Special 2our 2023

  • April 21 – Knoxville, TN – Thompson-Boling Arena
  • April 22 – Lexington, KY – Rupp Arena
  • April 25 – St. Louis, MO – Enterprise Center
  • April 26 – Memphis, TN – FedExForum
  • May 04 – Montreal, QC – Bell Centre
  • May 06 – Hartford, CT – XL Center
  • May 09 – Baltimore, MD – CFG Bank Arena
  • May 10 – Raleigh, NC – PNC Arena
  • May 12 – Cleveland, OH – Rocket Mortgage FieldHouse
  • May 13 – Pittsburgh, PA – PPG Paints Arena
  • May 16 – Milwaukee, WI – Fiserv Forum
  • May 17 – Chicago, IL – United Center
  • May 19 – Omaha, NE – CHI Health Center
  • May 20 – Tulsa, OK – BOK Center
  • May 24 – Phoenix, AZ – Footprint Center
  • May 25 – San Diego, CA – Viejas Arena
  • June 02 – Palm Desert, CA – Acrisure Arena

With a Looming Recession, Will Music Fans Still Buy Concert Tickets?

This past summer, the second-largest U.S. bank, Bank of America, looked at how its customers’ spending on entertainment for the month of May compared with a year ago. What researchers found was surprisingly positive for the touring industry, and there are signs the good news is holding steady, at least for now.

Spending on concert, theater and movie tickets in May was up across all income groups. Moderate- and high-income earners — households bringing in over $50,000 and over $125,000 in annual income, respectively — exhibited the most pent-up demand, with spending levels up more than 40% in May compared with May 2021.

Demand among lower-income consumers — households earning less than $50,000 a year — was up almost as much, rising roughly 38% year to year.

In October, Bank of America surveyed its customers again to ask if they expect to increase spending in the next 12 months in a number of categories including in-home entertainment. With inflation cutting into or erasing most Americans’ pandemic cash buffers, credit card spending is on the rise, and with companies proactively laying off staff in anticipation of a recession, 21% said they plan on reducing what they spend on in-home entertainment either moderately or significantly in the next 12 months. (Sixty percent said they planned no change to their spending.)

Bank of America does not have current data on whether consumers plan to cut back on concerts and other entertainment outside their homes, so the live-music industry will have to hope that consumers will pare down their audio and video streaming service subscriptions so that they can continue seeing their favorite acts at local venues while enjoying their concession fare and buying merchandise.

Goldman Sachs analysts expect they will. Although they predict growth in the global live-music industry to slow somewhat next year, they forecast it will still put up a 4% compound annual growth rate from 2023 to 2030.

In 2022 so far, the industry has seen 5% growth in revenue despite a number of high-profile tour cancellations. Growth this year is on par with the 5% compound annual growth rate the industry experienced from 2007 to 2019.

Looking at the numbers on a more granular level reveals that the global live-music industry grew most sharply between 2007 and 2009 at the onset of the global financial crisis.

During that time, industry revenue rose from $17 billion in 2007 to over $20 billion in 2009, according to research by Goldman Sachs. But between 2010 and 2015, the industry had several years of essentially no growth as the effects of the crisis — unemployment above 10%, nationwide foreclosures — caused deep financial pain.

Even then, the live-music industry grew overall by roughly $3 billion, from $22 billion to $25 billion, during that period of austerity.

Music is often called recession-proof, and while that may hold true, the touring industry feels vulnerable, given the on-again, off-again reality that artists, promoters, venues and their support have had to contend with through the pandemic. For now, industry experts say consumers continue to spend, the industry’s revenue will continue to grow, and even in a worsening economic climate, the shows will go on.