djfrosty

Beastie Boys Exhibit Drawn From Band’s Archives to Open in L.A. in December

Beastie Boys fans who want to immerse themselves in the world and ethos of the pioneering rap band will get a chance to in Los Angeles next month.

Beginning Dec. 10, street art gallery Beyond the Streets will mount an exhibition of archival items and memorabilia spotlighting the raucous hip-hop group, who became the first rap act to chart a Billboard top album with 1986’s Licensed to Ill, which included the songs “Brass Monkey”, “(You Gotta) Fight for Your Right (To Party!)” and “Girls.”

The exhibit, which will be free to the public and open through Jan. 23, is set to include a trove of items from the personal collections of Adam “Ad-Rock” Horowitz and Michael “Mike D” Diamond. (After the death of third member Adam “MCA” Yauch in 2012 from cancer, the group disbanded.)

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Titled Exhibit and presented in partnership with Goldenvoice (the promoter behind most of the band’s California shows), the exhibition will showcase everything from original handwritten lyrics and clothing worn by Beastie Boys in their music videos to musical instruments, such as an 808 drum machine, and vintage merch. Also on view will be a “handwritten note from Madonna from when they were on tour with her,” says Beyond the Streets founder Roger Gastman.

Many things in the show, which will encompass around 4,000 square feet of the gallery, have never before been seen by the public.

“Not only are we honored to be a part of Beyond the Streets, we’re happy that someone besides us appreciates all the weird shit we’ve collected, and made music on for the past forty years that will be on display,” says Horovitz in a statement.

Gastman — also the cofounder of the adjacent Control gallery with Sky Gellatly — tells The Hollywood Reporter he was inspired to pursue creating the exhibit after reading Beastie Boys Book, Diamond and Horovitz’s 2018 history of the band, and seeing photos within of some of the ephemera associated with the group’s history.

Gastman connected with the band’s management, asking, “‘Where’s all this stuff? You know, where’s the lyrics? Where’s this flyer? Where’s this t-shirt?,’” he recalls. “And they’re like, ‘We have bits and pieces of it. It’s in the guys’ houses. It’s in a storage unit. It’s in an old apartment. Some of it’s in this office. It wasn’t centrally located and archived is a nice, clean way to say it.”

Eventually, Gastman visited Diamond and Horovitz — “I just went over to their houses and did a handwritten inventory,” says the gallerist — and over the course of months worked with the band and their management to sort through items and curate the show. (The band was also the subject of the 2020 Spike Jonze/Apple TV+ documentary Beastie Boys Story.)

“Beastie Boys were a part of so many people’s lives. It was hard to be anywhere in the ’80s through the early 2000s without seeing, hearing or having something to do with Beastie Boys. We’re excited to tell their story in an authentic, real way that the fans can relate to,” says Gastman, adding “I remember when License to Ill came out — watching the videos on TV. I was in grade school. I probably still have the cassette tape at my mom’s house in storage. And then I remember Paul’s Boutique came out and so many didn’t like it at first. And then the next record [Check Your Head] came out. I was like, ‘Holy shit, this is amazing!’ And then I listened to Paul’s Boutique again and I was like, ‘Roger, you’re an idiot. This is one of the best records.’ They’ve just continued to stay so relevant in my life.”

While items in the exhibition will not be for sale, Beyond the Streets (located at 434 N. La Brea Ave.) will debut exclusive new Beastie Boys merchandise in its gift shop, including zines, collectibles and apparel.

Timed-entry tickets for the show — which Gastman curated with Michael Delahaut and Tim Conlon — are now available via AXS.

This article originally appeared in THR.com.

Taylor Swift Extends Chart Reign In Australia

Taylor Swift retains the chart double in Australia with Midnights and “Anti-Hero,” as Louis Tomlinson beats Bruce Springsteen to the runner-up spot on the national albums chart.

Explore

See latest videos, charts and news

See latest videos, charts and news

Tomlinson can claim bragging rights in his duel with the Boss, as the former One Direction star debuts at No. 2 on the ARIA Chart with Faith In The Future.

The British pop singer’s second album manages to outrun Bruce Springsteen’s latest effort Only The Strong Survive, which opens at No. 3 on the ARIA Chart.

Faith In The Future bags a solo career best for Tomlinson, bettering the No. 6 peak for 2020’s Walls. Springsteen, however, has racked up five No. 1 ARIA Albums over the course of his decades-long, 21-album career.

Making a noteworthy splash is King Stingray’s self-titled album, which returns to the top 10, at No. 6.  It’s shaping as a big month for the Yolŋu indie-rockers, who are in the hunt for several ARIA Awards, including album of the year, best group, the Michael Gudinski breakthrough artist, best rock album and best cover art, with the winners announced next Thursday (Nov. 24) in Sydney.

Also new to the albums chart is Noiseworks’ Evolution, the Aussie pop-rock act’s first album in 30 years. It’s new at No. 25.  

Over on the ARIA Singles Chart, Swift enters a fourth week at No. 1 with “Anti-Hero,” one of a string of Midnights tracks still impacting the national survey (most, however, are losing traction).

No new releases appear on the ARIA top 40, published Nov. 11, though Meghan Trainor can feel brand new with “Made You Look.” The doo-wop number cracks the top 10 for the first time in its third week, lifting 12-7. Trainor’s profile is set to soar in these parts, with the U.S. pop star appearing in the ad campaign for free-to-air Channel 7’s new season of Australian Idol, for which she will serve as a judge alongside Harry Connick Jr, Amy Shark and shock-jock Kyle Sandilands.

Which Was The Best Performance at the 2022 Latin Grammys? Vote!

A total of 18 musical performances took center stage at the 2022 Latin Grammys on Thursday night (Nov. 17) including from heavy hitters such as Romeo Santos, Karol G, and Rosalia, to name a few.

Explore

See latest videos, charts and news

See latest videos, charts and news

Thalia, Luis Fonsi, Laura Pausini, Sin Bandera, Carin Leon, Gente de Zona, Goyo, and Aymee Nuviola joined forces on stage for the evening’s grand opener, a tribute to person of the year Marco Antonio Solis.

An eclectic medley by Rauw Alejandro followed with his bangers “Lejos del Cielo,” “Mas de Una Vez,” “Desesperados,” and “Punto 40;” Christina Aguilera and Christian Nodal wowed the crowd with their power-vocals in “Cuando Me Dé la Gana;” and Karol G had the entire venue on their feet with her certified club bangers “Gatubela,” “Provenza,” and “Cairo;” to name a few.

In a soulful performance that united two generations of musicians, Carlos Vives, Camilo, Nicole Zignago and Silvana Estrada — who shared the best new artist win with Ángela Álvarez — gave the audience a new, more instrumental version of “Baloncito Viejo” that marked Vives’ and Camilo’s first-ever collaboration.

What was your favorite performance at the 23rd annual awards? Vote below!

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Nov. 17 in the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision. 

7 Things You Didn’t See on TV at the 2022 Latin Grammys

While artists graced the red carpet, gave memorable speeches, and took center stage during the televised 2022 Latin Grammys on Thursday night (Nov. 17) via Univision, here’s what Billboard observed behind the scenes.

Explore

See latest videos, charts and news

See latest videos, charts and news

Check out the things you didn’t see on TV below:

1. A heartfelt moment. Yahritza y Su Esencia, the youngest-nominated best new artist at 15, and Angela Alvarez, the oldest best new artist nominee at 95, interchanged hugs and kisses on the red carpet. Later in the night, Alvarez and Mexican singer-songwriter Silvana Estrada tied for the coveted best new artist award.

2. Also on the carpet, Estrada expressed that one of her best moments of 2022 so far was when Rosalia DM’ed her on Instagram. “I did a poem and tagged her on my stories, and a couple of weeks later, she responded. I totally fangirled! Now I imagine us being the best of friends,” she laughed.

3. Meanwhile, we asked Nicki Nicole to describe the ultimate girl group if she were to be in one with two of her colleagues. “It would have to be Emilia Mernes because she’s a great dancer, and going to think very big here, but I would love it to be Karol G. She’s amazing!”

4. At the media center, best new artist nominee Angela Alvarez crooned the crowd with her powerhouse vocals. “I never took singing lessons. This is my natural voice,” she said to the press. Estrada, who said backstage that she dedicates the award to her mom and women everywhere, felt honored to share the best new artist award with Alvarez. “She reminds me a lot of my mother, who abandoned so many things to become a mom. And this award is a call to hope that there are no limits.”

Silvana Estrada; Angela Alvarez

Silvana Estrada; Angela Alvarez

Mindy Small/WireImage; Frazer Harrison/GI

5. The night’s big winner, Jorge Drexler, expressed backstage how he’s a big admirer of Bad Bunny’s work and even joked about wanting to do a reggaeton album himself. “I like it a lot,” he said of the genre. “We are a continent that has a wide musical record.”

6. Rauw Alejandro was rooting for his girlfriend Rosalia from afar while she talked to the press at the media center. The Spanish singer, who nabbed the coveted album of the year for Motomami, expressed how important it is for her to have the support of her loved ones.

7. The media backstage loudly chanted and sang to Los Bukis‘ “Tu Carcel” as we watched their special closing performance from the media center.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Nov. 17 at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision. 

Rosalía Wins Big, Sebastián Yatra Performs With John Legend, Christina Aguilera Belts Out With Christian Nodal & More | Billboard News

Rosalía wins big at the Latin Grammys, Sebastián Yatra who won Best Pop Album for ‘Dharma’ performs ‘Tacones Rojos’ which won Best Pop Song, Christina Aguilera belted out ‘Cuando Me Dé la Gana’ with Christian Nodal and also took home Best Traditional Pop Album for ‘Aguilera’ and more!

BROCKHAMPTON Bids Farewell to Fans With ‘The Family’ & ‘TM’: Stream Now

After 12 years as a group, hip-hop collective BROCKHAMPTON is saying goodbye with their final album, The Family, released on Thursday (Nov. 16), and TM, which dropped on Friday (Nov. 17) and is billed as a “parting gift” to fans.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The release comes seven months after the band announced that their next album would be their last during a much-hyped Coachella set in April. During the performance, they played a clip of Kevin Abstract sitting everyone in the band down and telling them he’d made a “group album” in New York, before showing a screen that read “THE FINAL ALBUM 2022.”

The Family has 17 tracks and was recorded in the spring of 2022 by Abstract, Bearface and Romil Hemnani of BROCKHAMPTON with artist and producer boylife serving as the executive producer alongside Bearface. The album features previously released singles “Big Pussy” and “The Ending” and is available in three limited edition box sets. 

TM, meanwhile, is made up of songs that were started by the group during a two week trip to Ojai, Calif., in 2021, but were never fully completed. Earlier this year, the group’s Matt Champion took on the role of EP and finished the album.

To commemorate the group’s final releases, Abstract took to social media to share a statement in which he reflects on moving on and how BROCKHAMPTON has changed his life. “I think about all of the good that came from my pain. That pain, those dreams – that was the coal in the furnace of my creativity – and still, as we got big and cool s— started happening, those embers never left,” he wrote. “The pain has found a way to adapt for the new life. Maybe that s—’s just the human condition or whatever. This project is the culmination of all that. And all that smoke from that furnace was making us all cough, for all our sakes it was time to air it out, to move into the future. Fresh air.”

Listen to both The Family and TM in full below.

Romeo Santos Drinks His Sorrows Away During 2022 Latin Grammys Performance

Romeo Santos was as vulnerable as ever during his 2022 Latin Grammys performance where he took the stage, with bottle in hand, to perform “Bebo.”

The bachata anthem is a sorrowful and emotional heartbreak track. Santos was playing into the song, by drinking his sorrows away onstage. “I know I’m a bit drunk but a drunk person always tells the truth,” he said in the middle of his performance. Of course, pretending to be drunk was part of his performance but the bachatero proved to be a great actor and stuck to the role to the very end when he fell onstage.

The track is part of art of the “King of Bachata’s” newest album Fórmula, Vol. 3, which was released in September and is home to 21 tracks. The new set flaunts the ever-experimental Santos taps into hip-hop, trap, tango, merengue and regional Mexican without losing touch of his bachata essence.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Bad Bunny leads this year’s list of nominees with 10 nods. Mexican songwriter and producer Edgar Barrera followed closely with nine nominations. Other top nominees include Rosalía and Rauw Alejandro with eight; and Christina Aguilera, Jorge Drexler and Tainy with seven.

The Latin Grammy Awards — which “promise to honor the legacy, celebrate the present and embrace the future of Latin music, with deliberate consciousness, paying-it-forward to the next generations of music creators,” according to a press statement — were held Thursday (Nov. 17) at the Michelob Ultra Arena at the Mandalay Bay Resort and Casino in Las Vegas, and aired live on Univision.

TEN Talks Embracing New Sides of His Personality on New Single ‘Birthday’

While some of history’s greatest artists have a distinct look for fans to recall instantly, many musical greats are shape-shifting chameleons, finding different looks, styles and eras throughout their careers.

Explore

See latest videos, charts and news

See latest videos, charts and news

TEN falls strictly in the latter category, with the Thailand-born K-pop star using his songs and music videos to express the different creative concepts, characters, and, at times, confusion inside his mind.

After trying out shouty punk-pop with “Paint Me Naked,” festival-ready EDM on “New Heroes,” and the hypnotic “Dream in a Dream” with fusions of traditional East-Asian instruments, TEN has paired sultry R&B sound with vigorous group choreography. His new single “Birthday” dropped as part of the NCT LAB project under K-pop super-label SM Entertainment to spotlight the different members in its ever-expanding NCT boy-band project that currently boasts 23 members.

While TEN has already proven his superstar status as a part of groups like WayV and NCT U, as well as one of seven members in SM’s K-pop supergroup SuperM that hit No. 1 on the Billboard 200, TEN refuses to sit comfortably as an artist.

“I get bored easily and the audience will get bored of me doing the same thing,” the singer says during a Zoom call from Seoul. “So I keep finding what kind of stuff I haven’t done yet.”

Wrapped in a flannel shirt for this giggly Billboard interview, TEN’s bubbly warmness strays far from the seductive, slithering soloist rocking chains and veils throughout the “Birthday” video. Even as TEN speaks with a lightness, there is compelling duality in his seriousness in accepting who he is while simultaneously wanting to level up in his work. Even when the star admits he’s lost inspiration, there’s still a guiding force pushing TEN into new, creative areas.

Read more from TEN on all the vocal, thematic and dance elements behind “Birthday” and what else is on the way.

Billboard: Congratulations on the new song. “Birthday” is your fourth solo single, what’s the difference this time compared to past releases?

TEN: This song has no connection with my past singles or whatever you see in “Paint Me Naked” or “New Hero.” They’re different in genre, style, makeup, and choreography. Even the use of my vocals changed. I’m not really interested in doing the same thing over again, like this deep and strong vocal that’s at the same time very soft. If you listen to the verses, I’m using a lower register and then a high falsetto on the chorus. I want to show the contrast between strong and soft.

I’m glad you brought that up because it was a great vocal performance and something we haven’t heard from you before. Was it a challenge or did you know how to approach it?

I did find recording the vocals very challenging because R&B is different, you know? “Paint Me Naked” is a pop song so you just hit the melody, which is simpler than R&B because when you sing R&B you need to have that delay and draw things out. At first, I was singing it similar to “Birthday,” but I thought, “This is not how I want it to sound.” So, we re-recorded after I listened to more R&B songs to see how they ride the rhythm. And I was trying too hard at first, but the next session was just chill; I just felt the lyrics, listened, and laid back.

There are many NCT members and a lot of SM Entertainment artists, but it seems like we can always look forward to a TEN single each year. Do these opportunities come because you always try to show something new?

I keep finding new concepts by watching movies, looking at tattoo pictures from Instagram, other artists’ photoshoots, fashion shows. If you see luxury brands’ fashion shows, they have their own concept and each year it changes. I’m into that. I’ll say, “Okay, I like this kind of stuff so let me keep it to myself, look at other stuff and mix it together.”

Do you save a lot of things on Instagram? 

I take a lot of screenshots on my phone! I was even watching an animation recently and was like, “Okay, I like this concept, let me do it like this guy here, then let me use this color as an outfit…”

How much of your inspirations came out in “Birthday”?

I was very lucky at this time with all the people that help me make “Birthday.” They really asked for my opinions, “What kind of stuff do you want to represent? How do you want to express yourself?” I chose all four outfits. There’s the suit because I want to show a mature side of me. Another one had the chain on my chest, an essential look; I need one look that is very sexy. The other one is an outfit where I wear a hat and there’s a black sheet covering my face. It’s a traditional, flowy kind of outfit because I don’t want to only show mature sides.

I wanted to show the fluid side of me too. It was very hard to find a lot of references at that time, it took me a week to find everything that I wanted, but I sent it to my stylist and video directing team. They just say, “Okay, let us figure everything out for you.” We had a lot of talking going on during the making.

Tell me about the choreography.

This one is mainly by my friends Bada Lee and Jrick [Baek]. They really helped make my vision come to life. I told them how there are a lot of K-pop groups out there with choreography that has a signature move. But for this one, I didn’t want it to be like that, I wanted it to be like artwork. I want fans to see little sparkles in the choreography and say, “Oh, I like that moment.”

Do you have a favorite moment throughout the whole video? 

Well, the first verse is very challenging for me. You can see the full choreography in the dance video and in the first verse there are so many B-boy-like moves. I got bruises all over my body, it’s very hard. But what was best about that is that I was working with my dancer friends on moves I can’t do alone. We’re all in contact as they pull me up, I kick out, there’s like a wave—it’s not just me doing the work but we are all connected as a team.

Like “Birthday” or “Paint Me Naked,” your songs are confident in their elements of sexuality. It’s not raunchy but very free and open. How do you prepare your mindset in these kinds of performances?

Wow, well, I don’t really think about that much. It’s like, “Okay, I want to wear these clothes.” It’s just me. This is my body and this is how I want to express it. Wearing too many clothes sometimes in dancing can block your body line. I don’t want to feel like I’m not confident with my body so I was like, “Let’s just do it.” That’s why I don’t really do fitness or try to build muscle for certain clothes. I’m skinny so that’s just me. I don’t need to build it up to impress someone else.

You want to show your natural self.

Yes, but maybe a little exercise for my belly fat. [Laughs] Just a little!

Oh, come on! Don’t worry about that. It sounds that you’ve found confidence in your own body which is great because many struggle with that.

It’s like, everyone has a charm, but I’m still trying to learn how to use mine. I also think about being seductive, right? In music videos, you can try everything—you can’t really do that in real life but there’s no right and wrong in the music video. It’s just, “Let’s try.”

It’s your opportunity to try things because everyone knows TEN’s personality as very bubbly. But on stage, you become very different.

Thank you. It just speaks to a different character of myself and the right time for me to express myself. I can’t do it at any time.

You mentioned you don’t want to be too covered up when dancing. I was wondering about the hat and veil look. Was it difficult to master that look? 

The veil was not the problem, but the hat kept falling off while dancing. I had to fix my hat all the time, but it’s fun to dance with a hat like that. I felt like I’m a mystery guy and no one knows me.

Outfits can help people to feel more confident. A different outfit helps you represent yourself and your personality differently. It helped me become that character. Every outfit has its own reason that I choose it, and I like every outfit, but this time the hat outfit is what I really enjoyed wearing. It really helped me embrace the concept. “Birthday” has a very strong drum and bass sound, but that outfit kind of helped to soften it down and become a bit more mysterious.

After “Birthday,” fans were saying they want a full album from you. Would that be something you’d be interested in?

Yes, I would. I love working as a team, but I also want to do my solo stuff because you can put in your thoughts and personality. Even though I sometimes didn’t write my song, I can check out the demos and say, “Okay. I want to try this or try that.” And when you read the lyrics, it’s like acting. You’re trying to change yourself for that song as you work on it. It’s like, a song can be very groovy or hip-hop or—can I say swag?—swag.

I can simply work on the song process and it’s going to be a lot of fun. As a group it’s also fun, but it’s different. As a team, you put in the element of yourself but you’re still trying to be in motion with your team. Both are fun for me to work so I have to do both.

Speaking of your teams, do you have any teasers about what’s coming with WayV and NCT?

Right now, WayV is preparing for their new comeback. And I can’t spoil anything about NCT yet. If I spoiled it, Mark will send me a text, “Hyung! Bro. What did you just say?!”

We can’t have Mark upset with us. But as we look to the end of the year, are there any ways you want people to remember you in 2022?

Right now, I’m just focusing on myself. To be honest, I don’t know what happened to me but I need more motivation right now. I need to inspire myself. After I filmed “Birthday,” I lost track of something that I don’t even know so I’m kind of figuring that out. I want to improve myself in singing and dancing so I can get to do more unique concepts and better songs in terms of a different genre.

If I don’t practice for that, it’s going to be harder for me to do different kinds of stuff. So, that’s my goal for this year to improve myself and figure out stuff that I’d been thinking about lately. The process for “Birthday” helped me to focus again and be more creative with my work. It was like a fuel that helped keep my engine moving.

That’s very honest. Many struggled with motivation during the pandemic, for example. Do you know what happened? Or do you have advice on how to get over the hump?

I think everyone has that moment in life. So, I don’t really think about it that much, I just need to figure it out. I don’t know what it is and I don’t know if I’d be able to give helpful advice to those who might be feeling down because realistically everyone has their own problems or confusion that only they can relate to.

But for me, I sit down, breathe slowly and talk to myself by asking myself questions in order to break down the situation into small fractions and better understand. That does help me figure things out most of the time! Sometimes I have these moments but it’s happening to me, like, now. So, let me figure it out and then I can tell you next time.