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Alicia Keys, Blake Shelton, Gwen Stefani & More to Perform at ‘Christmas In Rockefeller Center’
The holiday season is officially upon us, and to kick off the most wonderful time of the year, the iconic Rockefeller Center tree lighting ceremony will take place on Nov. 30.
As usual, the Christmas in Rockefeller Center special is set to have an all-star lineup of major performers including Alicia Keys, Jimmie Allen, Andrea Bocelli along with Matteo Bocelli and Virginia Bocelli, David Foster and Katharine McPhee, Brett Eldredge, Mickey Guyton, the Muppets of Sesame Street, Dan + Shay, The Shindellas, Louis York and more.
Additionally, Blake Shelton and Gwen Stefani will perform their festive, romantic duet, “You Make It Feel Like Christmas,” at the 90th annual event. “This is one of those things you grew up hearing about,” Stefani told Today. “I was from Los Angeles, so I never went to New York when I was a little girl. So it’s even a bigger deal for me to be here and be part of this.”
The Christmas in Rockefeller Center special, hosted by Today‘s Savannah Guthrie, Hoda Kotb, Al Roker and Craig Melvin, airs on Nov. 30 starting at 8 p.m. ET on NBC. After the ceremony, the tree will be lit in Rockefeller Center in New York City every day from 6 a.m. to 12 a.m.
Buy tickets and check out more information about the event here.
‘Tis the Season! Here’s How You Can Stream ‘Spirited’ for Free
‘Tis the season for Christmas movies! Spirited, a fresh spin on a holiday classic starring Will Ferrell, Ryan Reynolds, and Octavia Spencer, premiered on Apple TV+ on Friday (Nov. 18).
Ferrell plays the Ghost of Christmas Present and Reynolds portrays Clint Briggs, a Scrooge-like character who turns the tables in this new take on the Charles Dickens classic, A Christmas Carol.
The Ghost of Christmas Present chooses a “dark soul” to reform every year on Christmas Eve, but he soon finds out that transforming Briggs into a “more positive force for humanity” is easier said than done.
Read on for details on how to stream Spirited for free.
How to Watch ‘Spirited’ for Free on Apple TV+
Spirited is an Apple Original, which means that you’ll need a subscription to stream. Luckily, Apple TV+ offers a one-week free trial, so you can watch Spirited and more without paying anything up front. Apple TV+ is $6.99 a month after the free trial ends.
Apple TV+
$6.99/month after 7-day free trial
Want a longer free trial? Get three months free with the purchase of an eligible Apple device or join Apple One, which bundles Apple TV+ with up to five other services, and get your first month free. T-Mobile customers can also get free Apple TV+ included with the Magenta Max plan.
You can stream Apple TV+ on Samsung, LG, Sony, VIZIO, TCL, Amazon Fire, Toshiba and other smart TVs, in addition to iPhone, iPad, Android devices, PayStation, and Xbox.
Find must-watch movies, documentaries and hit TV shows such as Ted Lasso, Severance, Carpoole Karaoke: The Series, The Problem with John Stewart, Bad Sisters, Schmigadoon!, Selena Gomez: My Mind & Me, The Morning Show, Pachinko, Central Park, They Call Me Magic, The Greatest Beer Run Ever and more on Apple TV+.
Watch the Spirited trailer below.
Lil Nas X Shows Off His First Tattoo: See the ‘Montero’-Inspired Ink

Looks like Lil Nas X got inked! On Thursday (Nov. 17), the hip-hop star used social media to give fans a look at his very first tattoo.
“Juh got my first tattoo,” he wrote on Instagram alongside a carousel of the process. In the first pic, his face is writhing in pain in a head-to-toe Dior ensemble as a tattoo artist is bent over his wrist. In subsequent photos, however, he seems quite pleased with the results, flashing his wrist to the camera from multiple angles.
And while some fans were left flummoxed in the comments section as to what the five-pointed symbol stands for — some thought it was a representation of Aries, Lil Nas X’s astrological sign, while others joked it looked like an IUD — it’s clearly important to the rapper as he also used it on the single artwork for 2021’s “Montero (Call Me By Your Name).”
Elsewhere in the post, which was geotagged from Barcelona, Spain, the rapper shared a video of himself performing another Montero single, “That’s What I Want,” on stage at San Jordi Club during the European leg of his ongoing Long Live Montero Tour. Next, he’ll head to Mexico City on Sunday (Nov. 20) before picking up the trek at the end of 2022 in Australia.
Earlier this week, the recent Coach model posted a nude, pre-tattooed selfie with his enviable abs on full display in a bubble bath while in Brussels, Belgium.
Check out Lil Nas X’s brand new tattoo and performance from his tour stop in Barcelona below.
First Spin: The Week’s Best New Dance Tracks From LP Giobbi, Gordo & Feid & More

the dance charts, GRiZ revealed the events schedule for his annual holiday charity extravaganza, Beyoncé, RÜFÜS DU SOL, ODESZA and more got nods in the dance/electronic categories at the 2023 Grammy Awards, Gryffin’s “Alive” debuted at No. 3 on Dance/Electronic Albums and we broke down what the heck phonk is, what it sounds like and why you should care.
Beyond all that, it’s a big week for new electronic music. Let’s dig in.
LP Giobbi Feat. Monogem, “Body Breathe”
Have you ever chased an idea or a goal so hard that it only seemed to get further away? Sometimes the best thing you can do for your problems is let them go. When you stop, slow down, free your mind, inhale, exhale and allow yourself to do literally anything else; you’ll often find the solution meets you in a sudden rush of inspiration.
LP Giobbi’s latest track is an invitation to enter that freeform state; to close your eyes, get lost in the rhythm, and see what you might find. “Body Breathe” is a calming sort of invigorating melody. It’s a little bit psychedelic, a lotta bit dreamy, and it features a magical vocal mantra from Los Angeles-based vocalist Monogem. The two met when Giobbi booked her for a show in LA, with their shared love of jazz leading to this jam.
“I booked Monogem way back in the day to play W Los Angeles after discovering her on a Spotify playlist,” Giobbi says. “I loved her voice, and she turned out to be a really kind and wonderful person. We stayed in touch and set up a studio session in my studio in L.A. My studio doors were open, and I was at the piano playing [Bill Evans’] ‘Peace Piece’ warming up and killing time before Monogem got there. She walked in while I was playing, and we started talking about our shared love for jazz. As I continued to tinker around on those chords, she started singing ‘take all the time you need, open up your body breathe…’ Although those chords weren’t right, they got us to her amazing vocals—and that vocal got us to the track.” – KAT BEIN
Romy & Fred Again.., “Strong”
Back in January, Romy and Fred Again.. (alongside HAAi) made magic with their rousing collaboration “Lights Out,” which set a high bar for 2022. Just as they opened the year, the pair are closing it by teaming back up again for Romy’s new single “Strong.” A nostalgic trance throwback, “Strong” is music that moves your heart before it moves your body. “You’ve been so strong for so long / You learned to carry this on your own,” begins Romy in her wistfully haunting voice. From there, the emotion and sonics build up to a glorious, stadium-sized swell of strobing synths, cascading strings and out-of-body euphoria. With a message as healing as its production is piercing, “Strong” is, quite simply, a bonafide banger.
“‘Strong’ came from a moment in my life when I was processing past grief,” says Romy. “Whilst writing the lyrics I was thinking about my cousin Luis, we both have the shared experience of our mums passing away when we were young. I recognize in him the same trait I have which is to try and hold emotions down and put on a brave face. The song was a way to connect with these feelings, offer support and ultimately find a sense of release in the euphoria of music. Luis is with me on the single cover and in the music video too which was really special.” — KRYSTAL RODRIGUEZ
Gordo & Feid, “Hombres y Mujeres”
Having retired his Carnage alias, the producer born Diamonté Blackmon hasn’t waded into his new Gordo project so much as cannon-balled. On the heels of co-producing multiple tracks on Drake’s Honestly, Nevermind, Blackmon is back and collaborating with another global star, Feid, on new single “Hombres y Mujeres.” The Colombian singer talks naughty over Gordo’s tech-house production, which bumps hard and feels appropriately grimy, like a club floor at 4 a.m. with its sticky percussion and eerie synths. According to Gordo’s Twitter, “Hombres y Mujeres” is the first single from his forthcoming third studio album, which he says has been four years in the making. — K.R.
Nico Losada, “Waking Love”
Wait for it. After slowly coming to life with a full minute of shimmery synths and then a lightly tapped hi-hat, “Waking Love” by Colombian born, Brooklyn-based producer Nico Losada then explodes into bright complexity with not just the addition of a beat, but handclaps and a pair of vocal samples that both chant and sing. Altogether giving Sixteen Oceans-era Four Tet vibes (which is to say it’s very good), the song comes from Losada’s debut album Nueva Generación set for release via Ultra Records on in March 2023. — KATIE BAIN
Tibasko, “Hawt”
It was only a month and a half ago that U.K. duo Tibasko dropped its debut EP, but there’s already more where that came from. After teasing the euphoric-rave vibes of “Hawt” on social media, the energetic anthem is officially unleashed, bringing with it a saucy mix of melodic bounce, pitched-up vocals and pumping rhythms. It’s spicy, but it goes down smooth, and it was directly inspired by the rush of excitement Tibasko’s Ken Petalcorin and Andy Bowden felt while traveling the U.S. on their first Stateside tour. “We’re finally dropping our most requested track to date,” the duo says on Instagram. “We’re so excited to share this track to the world, this has been an absolute weapon in our sets.” – K. Bein
NERVO Feat. Ace Paloma, “Is Someone Looking For Me”
This past summer NERVO dropped an unreleased song during their Tomorrowland set that featured the refrain “is someone looking for me?” Not only were the lyrics delivered by Liv Nervo’s three-year-old daughter, Ace Paloma, the question she posed in the driving progressive house production alluded to the track’s deeper meaning. Now out in full, “Is Someone Looking For Me” is a collaboration between NERVO and Hopeland, a New York-based organization that works to prevent children from becoming separated from their families and to help prevent children who’ve experienced such separation from being trafficked. Released via SPINNIN, the track comes ahead of UNICEF’s World Children’s Day this Sunday (Nov. 20), with all proceeds from the song (and a NERVO show VIP experience being raffled off in conjunction with its release) going to Hopeland. — K. Bain
How Post Malone Re-Connected With Fans for Some of His Biggest Shows Yet

In a week when everybody seems to be talking about touring, Post Malone pulled off his biggest feat yet: wrapping his 39-date Twelve Carat Tour with four sold-out shows in Los Angeles, the most he’s done in the city in his career. The run marked his return to touring, after a pandemic pause, and featured the hitmaker re-connecting with a fan base that has only grown with the release of his latest album, Twelve Carat Toothache, which he released this year.
Across the first 33 shows of the tour that were reported to Billboard Boxscore, Post moved 413,000 tickets between Sept. 10 and Nov. 6, bringing in $59.7 million, according to Billboard Boxscore — with the L.A. dates not even factored into those totals as yet. And it helps Post’s agent, UTA partner Cheryl Paglierani, earn the title of Billboard’s Executive of the Week.
Here, Paglierani — who also reps clients like Dominic Fike, who played the Palladium this week, and Flo Milli, who just wrapped her own tour at The Roxy — speaks about booking the Post Malone tour, the challenges caused by the pandemic and the return to live music, and the differences in booking an artist as their career grows from the club level to arena headliner. “We’ve seen a lot of success by not skipping any steps and staying focused on consistent growth with each tour,” she says.
This week, Post Malone wrapped his Twelve Carat Tour with four sold out shows in L.A., after having sold 413,000 tickets across the tour’s first 33 dates. What key decisions did you make to help make that happen?
It’s always a team effort amongst myself, his managers Dre London and Austin Rosen, and our tour promoter Colin Lewis. Each tour starts with mapping out the markets we want to play and then building out a strategy that allows us to hit all the major cities while also making sure we’re able to weave in smaller markets we may not play as often. Post already has such a massive fanbase, but the goal is to always continue expanding and make sure that we’re reaching more people each time than we have in the past. On the last tour, we did two nights in L.A. and New York and now we are doing four. We’ve seen a lot of success by not skipping any steps and staying focused on consistent growth with each tour.
This was Post’s first tour since the pandemic. How did you want to re-introduce him to audiences with this tour?
Post is an artist who needs no introduction. This tour was more about a re-connection with the fans after three years of being out of the spotlight. He really stepped up the production and put his all into creating not just an incredible show visually, but an experience that fans will remember forever. The stage is set up with two GA pits that allow fans to get right up against the stage. During the entire show, he is dapping their hands, taking items from the crowd and truly engaging with them in a way I have never seen an artist do. When the show ends, he stays on stage for an extra 30 to 40 minutes signing autographs and taking pictures with fans as the venue is clearing out. It’s truly mind blowing to watch one of the biggest stars in the world show so much love to his fans and go above and beyond. I think it’s a big part of what differentiates him from other artists.
How has touring changed since the pandemic?
At first there were a lot of new hoops to jump through to follow vaccination policies and COVID regulations. We are starting to see a lot of regulations that were put in place post-pandemic get lifted and touring feels to be on its way back to normalcy. I can’t say there’s any one thing I could point to that is drastically different as a result of the pandemic.
What challenges are you facing with routing, pricing and venue selection these days that perhaps weren’t there in the past?
The biggest challenge has been avails and oversaturated markets. With so many artists looking to get back out on the road we saw so many tours going out during the same time periods. You always want to make sure your clients are playing the right venue and we would often encounter venues that had no avails for weeks, so routing became a lot more challenging. We are starting to see things level out a bit but I think it will take another 12 to 24 months to truly go back to normal.
How is booking an arena tour different from booking theater or club outings these days, as for some of your other clients?
The booking process is very similar but there are more intricacies to work through as an artist grows into larger rooms on the deal-making side. As the show grows, so does the production, the amount of crew that needs to be out on the road, and the amount of money being offered to the artist. There are more deal points that need to be negotiated than at the club level. Ticketing also becomes a lot more complex at the arena level where you’re scaling rooms at different price levels versus general admission clubs. Paying attention to the ticketing and how fans are buying is crucial to maximizing show grosses and needs to be done in real time. If you’re doing it right it can be very time-consuming but also greatly impact the amount of money the artist makes, and as agents it’s our job to ensure that we get the best deal for our clients.
Elton John & Britney Spears Unveil Acoustic Version of ‘Hold Me Closer’
Elton John and Britney Spears are continuing to celebrate the success of their collaboration, “Hold Me Closer,” by unveiling an acoustic version of the track on Friday (Nov. 18).
Along with the release, the superstar pop duo unveiled a music video for the acoustic cut, in which Olympic Gold Medalist Nathan Chen is seen ice skating to a stunning, emotion-filled routine that he choreographed. Chen has been a longtime fan of John, as he has often incorporated the legend’s songs into his skate routines and even attended one of John’s Farewell Yellow Brick Road Tour performances in Charlotte, North Carolina.
“Elton John’s music means something to anybody who’s ever listened to it. ‘Rocket Man’ has always intrigued me — it’s otherworldly, but it’s just as much about our lives on Earth, love and loneliness, dreams and disappointments,” Chen said in a press statement. “In a way, ‘Rocket Man’ captures what my own journey has felt like — and getting to skate to it at the Olympics was one of the most special moments of my life. I couldn’t believe it when I heard Elton thought of me for this video. Elton and Britney created something really beautiful with this version of ‘Hold Me Closer’ — and I’m so honored to be a part of it.”
Combining elements of Sir Elton’s past hits 1971’s “Tiny Dancer” and 1992’s “The One,” “Hold Me Closer” peaked at No. 6 on the Billboard Hot 100. Thanks to its top 10 debut, the song marked Spears’ highest-charting single since 2012’s “Scream and Shout” with will.i.am. The track has also given both singers new milestones on Billboard‘s various radio charts, including top 10 on Adult Pop Airplay and the top spot of Dance/Mix Show Airplay.
Watch the acoustic version’s music video below.


