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BLACKPINK Wins Worldwide Fans’ Choice at 2022 MAMA Awards

Another accolade for BLACKPINK! The girl group, along with nine other acts in K-pop, managed to secure the worldwide fans’ choice top 10 award at the 2022 MAMA Awards, which took place in Japan at the Kyocera Dome Osaka on Tuesday, Nov. 29.

Though the girl group was not in attendance, they were honored with a “Pink Venom” dance tribute and a special segment that aired at the award show that also featured their music producer Teddy Park.

BLACKPINK was the only female group who won the worldwide fans’ choice top 10 award. The other nine artists who were victorious in the category are BTS, ENHYPEN, GOT7, NCT DREAM, PSY, SEVENTEEN, Stray Kids, TREASURE and TOMORROW X TOGETHER. Winners of the award were voted on by fans on the MAMA website in a series of polls that ended on Nov. 4.

Day 2 of the 2022 MAMA Awards is scheduled to take place on Nov. 30. BLACKPINK is up for another four awards at the ceremony in the best female group, best dance performance female group and song of the year “Pink Venom,” as well as artist of the year categories.

For BLINKs who were hoping to catch the quartet at the awards show, you’re out of luck. BLACKPINK is just one day away from starting the European leg of its Born Pink World Tour. The European leg will kick off on Nov. 30 in London, and will make stops in Barcelona, Paris, Berlin, Amsterdam and more before heading back to Asia in 2023.

Federal Trade Commission Comes Under Scrutiny Following Taylor Swift Ticketing Disaster

Just a week after Ticketmaster’s disastrous presale for Taylor Swift‘s The Eras Tour, Sens. Richard Blumenthal (D-CT) and Marsha Blackburn (R-TN) are asking the chair of the Federal Trade Commission (FTC) how the agency plans to combat bots in the online ticketing marketplace.

In a letter sent Monday (Nov. 28), Sens. Blumenthal and Blackburn — chair and ranking member of the Senate’s Subcommittee on Consumer Protection, Product Safety and Data Security, respectively — are requesting information from FTC chair Lina Khan about what steps the FTC is taking to enforce the 2016 law known as the Better Online Ticket Sales (BOTS) Act, which was designed to crack down on the kind of illegal bots that have plagued online ticket sales for recent tours by Swift and other major stars.

That law, which “prohibits the circumvention of a security measure, access control system, or other technological control measure used online by a ticket issuer” and the sale of tickets knowingly obtained through those means, grants the FTC and state attorneys general the authority to enforce violations, according to the letter. But since the BOTS Act became law, Blumenthal and Blackburn claim the FTC has taken only a single enforcement action despite numerous incidents involving the use of bots in online ticket sales.

“Given the numerous high-profile incidents in the online ticket marketplace, it would be helpful to understand how the FTC intends to act to address such conduct going forward,” the letter reads.

Monday’s letter follows Ticketmaster’s earlier claim that the Swift debacle was caused in part by tens of millions of uninvited users and billions of bots crashing the Eras presale, forcing the company to shut down the tour’s final onsale after more than 90% of ticketing inventory was snapped up.

In the wake of the fiasco, politicians including Sen. Amy Klobuchar — chair of the Senate Judiciary Subcommittee on Competition Policy, Antitrust, and Consumer Rights — and Rep. Alexandria Ocasio-Cortez suggested Ticketmaster and its owner Live Nation represent a monopoly and cried out for accountability, with the latter directly calling for the companies, which merged in 2010, to be broken up. Last week, Klobuchar and her counterpart on the Senate Judiciary Subcommittee, Sen. Mike Lee (R-UT), jointly announced they would be holding a hearing to examine the effects of consolidation on the ticketing industry. Live Nation and Ticketmaster are also reportedly under investigation by the Justice Department over whether the companies represent an illegal monopoly, though that probe is said to have predated the Swift incident.

In addition to the Swift debacle, in the letter Blumenthal and Blackburn point to various other recent online ticketing mishaps involving bots, including tours for Bob Dylan, Blake Shelton, Bruce Springsteen and Adele.

“While bots may not be the only reason for these problems, which Congress is evaluating, fighting bots is an important step in reducing consumer costs in the online ticketing industry,” the senators continued. They point out that the infiltration of bots, among other factors, creates an unfair environment that prevents regular fans from purchasing tickets, forcing them to resort to secondary sites where tickets are often marked up dramatically. “Some reports have found secondary ticket sales ranging from $1,000 (Bruce Springsteen) to $40,000 (Adele),” the lawmakers added.

Though Swift may benefit from Blackburn’s interest in addressing the ticketing bots issue, the two have not exactly gotten along in the past. The pop star made a rare-at-the-time political statement in 2018, denouncing Blackburn for her conservative voting record and urging voters to choose her opponent in the Senate race that year. She later called the lawmaker “Trump in a wig.” Last year, Blackburn addressed the tiff in an interview, arguing Swift would the “first victim” in a “socialistic government.”

In addition to asking whether the FTC has any “pending enforcement matters before it” with respect to the BOTS Act, Blumenthal and Blackburn are asking why only a single enforcement action has been taken to date; whether there are “obstacles preventing” the FTC from enforcing the law; and whether there are “other solutions that Congress needs to consider” to prevent bots from operating in the future.

You can read the full letter below.

Dear Chair Khan:

We write to ask for information about the steps the Federal Trade Commission (FTC) is taking to combat the use and operation of bots in the online ticket marketplace. As you know, the Better Online Ticket Sales, or BOTS Act, became law in 2016. This law prohibits the circumvention of a security measure, access control system, or other technological control measure used online by a ticket issuer. It also prohibits the selling or offering of an event ticket obtained through a circumvention violation if the seller participated in, had the ability to control, or should have known about the violation. The BOTS Act gives the FTC and state attorneys general the authority to enforce violations as unfair and deceptive practices.

Recently, several high profile incidents arose where consumers encountered serious difficulties purchasing tickets through online ticket vendors, including Ticketmaster and AXS. While bots may not be the only reason for these problems, which Congress is evaluating, fighting bots is an important step in reducing consumer costs in the online ticketing industry. For example, consumers reported trying to purchase tickets to see Bob Dylan at the Ryman Auditorium in Nashville, only to be told the tickets in their shopping cart no longer existed. Similarly, 22,000 fans preregistered to buy tickets for Blake Shelton, but only a few hundred actually got tickets. Finally, Ticketmaster/LiveNation pointed to online bots as a reason why fans could not get Taylor Swift concert tickets, leading the ticket seller to shut down sales to the general public.

While some consumers opt to purchase tickets on the secondary market, most fans cannot afford to pay thousands of dollars for a single concert ticket. Some reports have found secondary ticket sales ranging from $1,000 (Bruce Springsteen) to $40,000 (Adele).3 Preventing this type of consumer harm is exactly why Congress chose to enact the BOTS Act six years ago and why we both chose to sponsor that bill.

We understand that, in January 2021, the FTC took its first enforcement actions under the BOTS Act. However, given the numerous high-profile incidents in the online ticket marketplace, it would be helpful to understand how the FTC intends to act to address such conduct going forward. We request answers to the following, which may be provided in a confidential briefing if needed:

  1. Does the FTC have any pending enforcement matters before it with respect to the BOTS Act?
  2. Why has the FTC only undertaken a single enforcement action to date using its BOTS Act authority?
  3. Are there obstacles preventing the FTC from exercising its authority under the BOTS Act that Congress should be aware of?
  4. Are there other solutions that Congress needs to consider in conjunction with the BOTS Act?

We appreciate your timely attention to this issue.

Sincerely,

Marsha Blackburn
Ranking Member
Subcommittee on Consumer Protection, Product Safety, and Data Security

Richard Blumenthal
Chair
Subcommittee on Consumer Protection, Product Safety, and Data Security

‘Last Christmas’ Becomes Backstreet Boys’ First Adult Contemporary No. 1 Since ‘I Want It That Way’

Backstreet Boys’ remake of Wham!’s “Last Christmas” dashes to No. 1 on Billboard’s Adult Contemporary radio airplay chart (dated Dec. 3, reflecting plays in the Nov. 21-27 tracking week, according to Luminate).

The ever-youthful boy band notches its third AC No. 1 and first since its pop classic “I Want It That Way” reigned for 10 weeks beginning in July 1999. The act first led with “I’ll Never Break Your Heart” for seven weeks starting in October 1998.

Backstreet Boys’ triumphant return to the AC summit grants them the record for the longest break between No. 1s among groups: a week shy of exactly 23 years since the last frame on top for “I Want It That Way.” Among all acts, only Elton John has waited longer between time at No. 1 (23 years, 11 months and a week between “Something About the Way You Look Tonight” in 1998 and “Merry Christmas,” with Ed Sheeran, last holiday season). Among groups, Backstreet Boys pass the Eagles (a week short of 20 years between “Best of My Love” in 1975 and “Love Will Keep Us Alive” in 1995).

Backstreet Boys’ update of “Last Christmas” is from their first holiday LP, A Very Backstreet Christmas, which launched at No. 1 on the Top Holiday Albums chart in October. Another song from the set, “Christmas in New York,” rises to a new No. 19 AC high.

Released in 1984, Wham!’s “Last Christmas” — written and produced by George Michael — re-enters the all-genre, multi-metric Billboard Hot 100 at No. 23. The song hit the top 10 for the first time in the 2020 holiday season and reached a No. 7 best last season. On the Holiday 100, the carol ranks at No. 6 as the survey returns.

With the original receiving strong airplay, and streams, each holiday season – Wham’s version ranks at No. 5 on the Dec. 3-dated Holiday Airplay list with 19.8 million audience impressions – charted covers of “Last Christmas” have been rare, although all by high-profile acts.

Here’s a recap of remakes of “Last Christmas” on individual-format Billboard airplay charts:

  • Backstreet Boys, Adult Contemporary, No. 1 (one week to-date), 2022
  • Ariana Grande, Adult Contemporary, No. 26, 2013
  • Glee Cast, Adult Contemporary, No. 27, 2009
  • Taylor Swift, Country Airplay, No. 28, 2007

(Grande’s version also hit No. 1 in 2013 on Holiday Digital Song Sales, where covers have additionally charted, joining the Glee Cast’s and Swift’s, by Carly Rae Jepsen, Gwen Stefani and Meghan Trainor.)

Meanwhile, “Last Christmas” is the 28th holiday No. 1 on the AC chart since 2000, around the time that most stations in the format began playing seasonal songs heavily, or 24/7, between Thanksgiving and Christmas each year.

Here’s an updated recap of all the holiday songs that have hung atop the AC chart’s highest bough:

Title, Artist, Chart Date Reached No. 1, Weeks at No. 1

  • “Last Christmas,” Backstreet Boys, one (to-date), Dec. 3, 2022
  • “Merry Christmas,” Ed Sheeran & Elton John, one, Jan. 1, 2022
  • “Let It Snow! (10th Anniversary),” Michael Bublé, Dec. 11, 2021, three
  • “White Christmas,” Meghan Trainor feat. Seth MacFarlane, Dec. 12, 2020, four
  • “Like It’s Christmas,” Jonas Brothers, Dec. 14, 2019, three
  • “Cozy Little Christmas,” Katy Perry, Dec. 29, 2018, one
  • “Have Yourself a Merry Little Christmas,” John Legend feat. Esperanza Spalding, Dec. 8, 2018, three
  • “Santa’s Coming for Us,” Sia, Dec. 23, 2017, three
  • “Baby, It’s Cold Outside,” Brett Eldredge feat. Meghan Trainor, Jan. 7, 2017, one
  • “Have Yourself a Merry Little Christmas,” Josh Groban, Dec. 24, 2016, one
  • “This Christmas,” Train, Dec. 17, 2016, two
  • “This Christmas,” Seal, Jan. 2, 2016, one
  • “Baby It’s Cold Outside,” Idina Menzel duet with Michael Bublé, Dec. 20, 2014, three
  • “Underneath the Tree,” Kelly Clarkson, Dec. 2, 2013, four
  • “Let It Snow, Let It Snow, Let It Snow,” Rod Stewart, Dec. 8, 2012, five
  • “All I Want for Christmas Is You,” Michael Bublé, Dec. 10, 2011, five
  • “Oh Santa!,” Mariah Carey, Dec. 18, 2010, four
  • “A Baby Changes Everything,” Faith Hill, Dec. 20, 2008, three
  • “I’ll Be Home for Christmas,” Josh Groban, Dec. 22, 2007, three
  • “Frosty the Snowman,” Kimberley Locke, Dec. 15, 2007, one
  • “It Came Upon a Midnight Clear,” Daryl Hall John Oates, Dec. 30, 2006, two
  • “Jingle Bells,” Kimberley Locke, Dec. 23, 2006, one
  • “Up on the Housetop,” Kimberley Locke, Dec. 17, 2005, four
  • “Believe,” Josh Groban, Dec. 11, 2004, five
  • “Sending You a Little Christmas,” Jim Brickman with Kristy Starling, Jan. 3, 2004, one
  • “O Holy Night,” Josh Groban, Dec. 28, 2002, two
  • “Simple Things,” Jim Brickman feat. Rebecca Lynn Howard, Jan. 5, 2002, one
  • “The Christmas Shoes,” NewSong, Jan. 6, 2001, one

Dolly Parton Shines With ‘Diamonds & Rhinestones’ on Top Country Albums Chart

Dolly Parton achieves her 48th top 10 on Billboard‘s Top Country Albums chart (dated Dec. 3) as Diamonds & Rhinestones: The Greatest Hits Collection enters at No. 4. In the tracking week ending Nov. 24, the set — released Nov. 18 — earned 19,000 equivalent album units, with 15,000 in album sales, according to Luminate.

The 23-track album includes songs released between 1971 and 2019, including 10 No. 1s on the Hot Country Songs chart in 1974-89, from “Jolene” to “Why’d You Come in Here Lookin’ Like That.” Among those leaders are her two No. 1s on the all-genre Billboard Hot 100: “9 to 5” (1981) and “Islands in the Stream,” with Kenny Rogers (1983).

The newest cut is “Faith,” Parton’s collaboration with Swedish DJ/production duo Galantis and featuring Dutch vocalist Mr. Probz. The track debuted atop Dance/Electronic Digital Song Sales in November 2019, giving Parton her first No. 1 in the genre, and topped Dance/Mix Show Airplay that December.

Parton extends her record for the most Top Country Albums top 10s among women, pushing six ahead of Loretta Lynn’s 42. Parton also remains the only woman with top 10s in every decade since the list began in January 1964. Her top 10 totals by decade: 1960s – four; ’70s – 18; ’80s – 11; ’90s – five; 2000s – three; ’10s – four; and ’20s – three.

Parton has netted eight Top Country Albums No. 1s, most recently A Holly Dolly Christmas, which bowed on top in October 2020. In between that set and her latest, Run, Rose, Run debuted at its No. 4 best this March.

Parton boasts the second-most Top Country Albums top 10s among all artists, after Willie Nelson (the only other act with top 10s in seven decades), with 53. She first reached the tier with her second entry, Just Between You and Me, with Porter Wagoner (No. 8 peak, 1968).

More ‘Proof’ of a Hit

Morgan Wallen’s “You Proof” rebounds from No. 2 for a sixth week atop Country Airplay (26.6 million audience impressions, down 7%). The song, Wallen’s seventh leader on the list (dating its first week on top on the Oct. 15 chart), ties for the longest reign of the 2020s, matching Dustin Lynch’s “Thinking ‘Bout You,” featuring MacKenzie Porter (starting last December), and Luke Combs’ “Forever After All” (starting in June 2021).

Since Country Airplay started in January 1990, only seven songs have led longer, with two tied with a record eight frames at No. 1 each: Alan Jackson and Jimmy Buffett’s “It’s Five O’Clock Somewhere” (2003) and Lonestar’s “Amazed” (1999).

Meanwhile, “Proof” is the first song to return to the Country Airplay apex since Chris Lane’s “Big, Big Plans” hit No. 1 on Dec. 19, 2020, and revisited the top two weeks later.

Top 10 ‘World’ View

Jordan Davis banks his sixth Hot Country Songs top 10 as “What My World Spins Around” rises 12-10. The song, which he co-wrote, drew 7.7 million official streams (up 1%) and sold 2,000 downloads (up 98%) Nov. 18-24. On Nov. 17, he announced that his second LP, Bluebird Days, is due Feb. 17.

On Country Airplay, “Spins” ranks at No. 10, up by 7% to 18.7 million impressions in the week ending Nov. 27.

Davis last reached the Hot Country Songs top 10 with “Buy Dirt,” featuring Luke Bryan. The collaboration led for four weeks in January-February, becoming his first No. 1 (and Bryan’s 12th). It dominated Country Airplay for two frames, marking Davis’ third leader (and Bryan’s 26th).

Davis posted his first Hot Country Songs top 10 with his rookie entry “Singles You Up,” which hit No. 4 in April 2018, and followed with “Take It From Me” (No. 4, March 2019); “Slow Dance in a Parking Lot” (No. 6, April 2020); and “Almost Maybes” (No. 7, July 2021). “Singles” and “Slow Dance” also topped Country Airplay for a week each.

BTS‘ Suga Pours Out Some Drinks in Preview of ’Suchwita’ Talk Show Debut Episode Featuring RM

BTSSuga is not a light pour in the preview of the K-pop superstar’s new talk show, Suchwita. The first look at the series, which will debut next Monday (Dec. 5), finds Suga hanging with bandmate RM in a montage in which footage of the pop icon making his way to the couch is interspersed with glimpses of a turntable and a temple as he settles in with a glass and explains the definition of the show’s name.

Suchwita… time to drink with Suga,” he announces as the first glasses of liquor are filled. The old friends cheers and wonder “how serious are these folks about it,” seemingly in reference to people who are interested in both drinking and telling stories. The two also speculate about who might appear on the series in the future, with Suga teasing, “Can it really get that far?”

RM will drop his solo debut album, Indigo, on Friday (Dec. 2), just days before Suchwita rolls out. The latest project from the on-hiatus BTS will feature RM collaborating with Erykah Badu, Anderson .Paak, Kim Sawol, Mahalia, Colde, Tablo and parkjiyoon. The nine-track album’s lead single, “Wild Flower” (featuring youjeen) will coincide with Friday’s release.

Though Indigo will be RM’s first full-length solo album, the rapper previously released two mixtapes. He was the first of the BTS members to share solo material, dropping his self-titled mixtape in 2015, which contained singles “Do You,” “Awakening” and “Joke.” RM then released a second mixtape in 2018 titled Mono. “Forever Rain” was released as the only single from the latter body of work; the set debuted at No. 26 on the Billboard 200.

Suga has also been keeping busy on the solo front, releasing “Our Island” from the BTS Island: In the SEOM soundtrack and, earlier this summer, teaming up with K-pop superstar Psy for the dance-y single “That That.

Check out the first trailer for Suchwita below.

Apple Music Replay: Users Can Now View Their 2022 Listening Stats, Year-End Charts

Apple Music has released its revamped listening roundup, called Replay, which allows users to access a highlight reel of insights into their listening habits for 2022. This includes their total listening time, as well as their top songs, artists, albums, genres, playlists (both editorial and personal) and radio stations.

Released Tuesday (Nov. 29), Replay is rolling out with an updated color design and shareable assets for the top five of each user’s categories and will include a playlist of each user’s 100 most-played songs of the year. The most dedicated fans will also be clued in if they’re among the top 100 listeners for an individual artist or genre. Despite the fact that it rolls out before December hits, each user’s Replay will continue updating throughout the end of the year.

Apple has also released four year-end charts: Top 100 Global Songs, Top 100 Shazams, Top 100 Most-Read Lyrics and Top 100 Fitness Songs. The top songs for those respective playlists on the platform are The Kid LAROI and Justin Bieber’s “Stay”; Elton John & Dua Lipa’s “Cold Heart (PNAU Remix)”; “We Don’t Talk About Bruno” from the Encanto soundtrack; and Joel Corry’s “Head & Heart” feat. MNEK.

Among the Top 100 Songs, hip-hop still leads the way with 32 entries, though that’s down considerably from the 45 it had on that chart last year; with Apple surpassing 100 million tracks on its platform earlier this year, there is a more even distribution among genres than in years past. Pop came in second with 23 songs on the list, followed by R&B/Soul with 11, Latin with eight and J-Pop with six. Meanwhile, the top 10 Shazams list includes a number of African artists for the first time, including Rema (“Calm Down”) and Ckay (“Love Nwantiti”) in the top 10, while the lyrics chart includes four J-Pop songs. Perhaps predictably, the fitness songs chart was dominated by dance releases and remixes.

Earlier this month, Apple announced that Bad Bunny was its artist of the year, with his Un Verano Sin Ti the most-streamed album on its platform in 2022 and the most-streamed Latin album of all time. His ascension to that spot highlights the growing trend of non-English-language songs succeeding on the platform: overall, 21 non-English songs landed on the year-end Global Top 100, up from just nine last year.

Cardi B Says She’s ‘Feeling So Hopeless’ Trying to Make Husband Offset Happy After Takeoff’s Killing

Cardi B opened up about the overwhelming grief husband Offset is feeling in the wake of the killing of his Migos bandmate and cousin Takeoff. “We living our life normally, but deep down inside our hearts have been so heavy,” Cardi said in a since-deleted Twitter voice note according to People. “I feel like if I talk about the incident so desensitized, I feel like if we talk about how we really feel or what motherf—kers really been going through, y’all will start saying, ‘Oh, sympathy. Oh sympathy.’ And we don’t want no sympathy. We ain’t no charity case. But no lie, I have been feeling so hopeless trying to make my husband happy.”

Takeoff (born Kirsnick Khari Ball), 28, was shot and killed in a still-unsolved incident on Nov. 1 at a Houston bowling alley.

Cardi also said that she’s in no mood to be “playing around” with fans online who are trying to “get clout” by speaking on Takeoff’s death, as the past month has been very difficult for her and her family. “Trying to make him crack a smile, f—in’ seeing him randomly cry, see him trying to distract his mind completely, f—in’ schedules been changing, trying to keep up with work after everything that he’s been going through these past couple of weeks. We not in the mood to be f—in’ playin’ around with y’all. Dead a–,” Cardi said of her efforts to cheer up Offset in a recording of the note captured by The Neighborhood Talk.

Offset and Migos bandmate Quavo were on hand to pay tribute to Takeoff at a celebration of life event at Atlanta’s State Farm Arena on Nov. 11.

Kendrick Lamar, Rosalia, Calvin Harris, Blur, Halsey to Headline 2023 Primavera Sound Festival

The star-studded lineup for the 2023 Primavera Sound Festival was unveiled on Monday (Nov. 29), topped by Kendrick Lamar, Rosalía, Depeche Mode, Blur and Halsey. The event that will take place in both Barcelona (June 1-3) at Ciudad del Rock in Arganda Del Rey and Madrid (June 8-10) at the Parc Del Forum and also feature sets from Ghost, Darkside, Le Tigre, Turnstile, Sparks, Pusha T, Baby Keem, Skrillex, Bad Religion, The Mars Volta, Bad Gyal, Maneskin, St. Vince, the War on Drugs and many more.

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In addition, the Pet Shop Boys will play Wednesday’s (May 31) free show with Jake Bugg, Confidence man and La Paloma. Other acts slated to take the stage include: Japanese Breakfast, PinkPanthress, Christine and the Queens, Arlo Parks, The Voidz, Alex G, Built to Spill, The Moldy Peaches, Bleachers, Julia Jacklin, Caroline Polachek, Maggie Rogers, My Morning Jacket, Tokischa, Death Grips and more.

One-day and multi-day tickets will go on sale on Thursday (Dec. 1) at 12 p.m CET; more information on tickets here. Festival organizers announced earlier this year that 2023’s event would take place in Barcelona and Madrid for the first time, saying that the cities will “mirror” each other on consecutive summer weekends.

“Look for yourself in the Primavera Sound 2023 line-up… and find yourself,” organizers said in a statement in describing the mirror-image lineups. “Because we assure you that you are there. After twenty editions, the festival is the mirror in which the community that will come from near and far to Barcelona and for the first time to Madrid next June looks at itself and recognizes itself, but after everything it has experienced, this reflection goes in two directions, marking the richest musical itinerary we can think of: Primavera Sound also looks for and finds itself in its own audience.”

Check out the full poster below.

Bodie Shines With ‘Golden Hour’ Performance on ‘The Voice’

“Shine, it’s your golden hour.” Bodie knows what time it is, and he didn’t let the chance go slipping by.

During Monday night’s (Nov. 28) Live Top 10 Performances on NBC’s The Voice, the California native performed a modern classic, JVKE’s 2022 release “Golden Hour.”

The stirring number allowed Bodie to showcase his well of talents, from rapping to singing, with range and power notes.

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Performing with a string quartet, the 29-year-old got coach Camila Cabello on her feet. Afterwards, Blake Shelton remarked that it “may be the hardest song” he’d heard someone attempt to perform on The Voice. “I was also thinking,” he continued, “this may be the greatest performance I’ve ever seen on this show.”

He added, “You’re incredible, dude. I don’t even know what else to say.”

Shelton’s missus Gwen Stefani noted, “You definitely have your own lane. I’m always amazed by your voice.”

Many have been amazing by Bodie’s vocals and abilities throughout his journey on season 22 of The Voice.

During the blind auditions, all four coaches turned their chairs for the singer, after he performed The Fray’s “You Found Me”. Ultimately, he joined Team Blake.

He won through in a battle with Jaeden Luke on Justin Bieber‘s “As Long as You Love Me,” earning high praise from Cabello: “You were even better than I remember in your blind. Your runs were crazy, then your belts were masterful. You were flawless.”

And last week, during the Top 13 Live show, he impressed yet again with his transformation of The Proclaimers’ 1980s hit “I’m Gonna Be (500 Miles)”. Stefani was moved to say that she’s “in awe” of the singer. “I’m crying, first of all,” she remarked. “Second of all, you are so gifted, and so talented… I can’t believe you’re not a huge star yet.”

There’s still time.

Now, America can now vote for the artists to progress into the Top 8.

Watch below.