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Kanye West and his wife, Bianca Censori, joined forces to sue a Beverly Hills dentist for malpractice earlier this week. According to the complaint, Kanye West alleges that the dentist supplied the producer and rapper with high amounts of nitrous oxide, causing him to become addicted.
As reported by E! News, Kanye West and Bianca Censori, previously reported as split apart, are seemingly still an item. In documents obtained by the outlet, West says that Dr. Thomas Connelly allegedly gave West high amounts of nitrous oxide while getting cosmetic dental work done starting last year into 2025, sparking an addiction to the anesthetic.
“You repeatedly administered or supplied nitrous oxide (‘laughing gas’) and/or other sedative substances to Ye in quantities and frequencies that had no legitimate dental or medical justification,” West and Censori’s legal team wrote in a formal notice of an intent to sue sent on the couple’s behalf by Golden Law. “Notably, you went so far as to deliver large ‘surgical-size’ nitrous oxide tanks to Ye’s personal residence (including the residence he shared with Ms. Censori), effectively enabling and encouraging him to inhale nitrous oxide outside of any medical setting.”
In addition to nitrous oxide, the couple is also accusing Connelly of giving him a sedative intravenously, and said that he discharged him before ensuring West’s “medical soundness” was intact. Further, West’s attorneys added that because of the claims of addiction, it has caused a divide in his marriage with Censori.
“Instead of enjoying a healthy married life, she [Censori] was forced to witness Ye’s physical and mental distress and deterioration and to assume the burden of caring for him under extremely distressing circumstances,” the attorneys wrote.
Connelly has not publicly responded to the letter, nor have there been further comments on the matter from Kanye West or Bianca Censori.
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Photo: Jeff Kravitz / Getty
ZOMBIES 4: Dawn of the Vampires — the upcoming fourth film in Disney‘s supernatural series — is all about the battle between light and dark, and we see that back-and-forth come to life with the debut of the new original song “The Place to Be” and its music video, premiering exclusively on Billboard.
The first single from the ZOMBIES 4 original soundtrack showcases Freya Skye as Nova, leader of the Daywalkers, and Malachi Barton as Victor, leader of the Vampires. Skye tries to convince Milo Manheim’s Zed that the “light side” is “The Place to Be,” while Victor lobbies Meg Donnelly’s Addison toward the “night side.”
ZOMBIES 4: DAWN OF THE VAMPIRES
Disney/Matt Klitscher
“The Place to Be” is one of nine new original songs (plus two reprises of earlier songs) on the Walt Disney Records soundtrack, which is now available for pre-order (all pre-orders include an instant download of “Place”). A Music from ZOMBIES green vinyl album will be released on July 11 and is also available for pre-order.
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Below, watch “The Place to Be” music video and find the full track list for the ZOMBIES 4: Dawn of the Vampires original soundtrack.
• “Legends In The Making” – Performed by Milo Manheim, Meg Donnelly, Chandler Kinney, Kylee Russell
• “The Place to Be” – Milo Manheim, Meg Donnelly, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “Dream Come True (Intro)” – Performed by Freya Skye, Malachi Barton
• “Don’t Mess With Us” – Performed by Milo Manheim, Meg Donnelly, Chandler Kinney, Kylee Russell, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “Dream Come True” – Performed by Freya Skye, Malachi Barton
• “Kerosene” – Performed by Milo Manheim, Meg Donnelly, Chandler Kinney, Kylee Russell, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “My Own Way” – Performed by Freya Skye
• “Possible” – Performed by Milo Manheim, Meg Donnelly, Chandler Kinney, Kylee Russell, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “Someday (Reprise)” – Performed by Milo Manheim, Meg Donnelly
• Show the World – Performed by Milo Manheim, Meg Donnelly, Chandler Kinney, Kylee Russell, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “Ain’t No Doubt About It (Reprise)” – Performed by Milo Manheim, Meg Donnelly
• “Together as One” – Performed by Meg Donnelly, Freya Skye, Malachi Barton, Swayam Bhatia, Julian Lerner, Mekonnen Knife
• “Score Suite” – Performed by Tom Howe
ZOMBIES 4: DAWN OF THE VAMPIRES
Disney
The soundtracks for the first three ZOMBIES movies all hit the top five on both Billboard‘s Kid Albums and Soundtracks charts, with the original film’s album spending 10 weeks at No. 1 on Kid Albums and the most recent soundtrack spending two weeks atop the chart.
ZOMBIES 4 premieres July 10 on Disney Channel and streams starting July 11 on Disney+.
Beyoncé had the whole family — including the the tens of thousands of Beyhive members at the second show of her Cowboy Carter Tour — congratulate Tina Knowles on her recent accomplishment Thursday night (May 1).
In a sweet moment from the performance at SoFi Stadium in Inglewood, Calif., the “Texas Hold ‘Em” singer is joined on stage by her mom, whose memoir, Matriarch, debuted this week atop the New York Times nonfiction hardcover bestsellers list. Standing with an arm around her mom and joined by her own daughters, 13-year-old Blue Ivy and 7-year-old Rumi, Bey first praises the author for “working so hard on her book.”
“She has the No. 1 book on the New York Times bestsellers,” the 35-time Grammy winner continues proudly as Rumi jumps up and down excitedly, prompting big sister Blue to lovingly shush her. “Everybody, please say, ‘Congratulations, Mama T.’ One, two, three!’”
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As the crowd indulges Bey’s request, Tina blows a kiss before exiting the stage with her granddaughters, holding Rumi’s hand.
The day prior, the Destiny’s Child alum had also personally congratulated her mom with a post on Instagram. “The Mama T was that good??” Bey wrote Wednesday (April 30). “You deserve it, I’m so proud!”
Tina’s achievement comes a little over a week after Matriarch hit shelves, giving fans an intimate look into her life raising one of music’s biggest stars as well as the designer’s battle with breast cancer in 2024. In addition to NYT‘s nonfiction hardcover bestsellers, the book is also No. 1 on the publication’s combined print and E-book nonfiction list.
Thursday’s performance marked the second of five shows slated for SoFi, after which Bey will travel around the United States and Europe through the end of July. The Cowboy Carter Tour kicked off three nights prior on April 28, featuring cameos from both Blue and Rumi during “Protector.”
Watch Bey’s Cowboy Carter Tour crowd join her in congratulating Mama T below.
98 Degrees knows what you want. The long-running boy band has made heart-melting ballads its calling card since signing to Motown Records in the late 1990s.
Now, the quartet featuring brothers Nick and Drew Lachey and bandmates Jeff Timmons and Justin Jeffre are preparing to release their first non-Christmas album in more than a decade, Full Circle (May 9) — and to hear Nick tell it, Taylor Swift kind of had something to do with it.
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“She [Swift] was definitely an inspiration to us, and probably to a lot of musicians out there who felt like they just didn’t have ownership of their own creativity, of their own career to an extent,” says Nick, 51, in a recent group Zoom call with his bandmates about their decision to include six “98°’s Version” updates of their biggest hits on the album. The move follows Swift’s decision in 2021 to begin issuing “Taylor’s Version” remakes of (to date) four of her most iconic albums following the sale of the masters of her first six albums to former Justin Bieber manager Scooter Braun.
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“We were certainly inspired by her to do it, to great success and acclaim [and] we felt it was the right time in our career to make that move and take some ownership back over the songs that have paved the way for our success over the years,” says Lachey of the band, which had a hand in writing a number of the songs on their initial four-album run from 1997-2000. Admittedly, like Swift’s re-records, the fresh 98 takes don’t sound radically different, and Timmons, also 51, says that was the point.
“We decided we wanted to keep them true to their original form that people fell in love with,” he says of the spruced-up recordings of their Billboard Hot 100 top 20 hits “I Do (Cherish You)” (No. 13), “Invisible Man” (No. 12), “Because of You” (No. 3), “The Hardest Thing” (No. 5) and “Give Me Just One Night (Una Noche)” (No. 2).
“Over the past 20-plus years we’ve developed vocally in different ways, but we wanted to keep the songs with the integrity of the originals, because that’s what people fell in love with,” says Timmons, admitting that sometimes fans will give them feedback if the group messes around with the arrangements or melodies of its top hits. “We wanted them to sound almost exactly like the originals.” He also stresses that there was “no dispute” with former label group Universal Records that led to the decision, but rather a desire to have more control over how and where their most cherished songs appear.
“Some of the things that started irritating me was if I wanted to use my own music, our own music on a video post, Universal striking my own post for copyright infringement… it’s our own songs!” Timmons says. Like with the Swift remakes, Nick Lachey says he thinks it would be “great” if these new takes become the standard versions for their fans.
In addition to the revamps, the album features the first new non-holiday songs from the guys since their 2013 2.0 album. Again knowing their lovestruck lane and happy to hang out in it, they say the five ballads are 100% fan service. The album kicks off with the mid-tempo bubbler, and recently released single, “Stranger Things (Have Happened).” The bouncy pop tune was inspired by Netflix blockbuster Stranger Things and, like that show, it employs vintage synths alongside the quartet’s signature interwoven vocal melodies.
The classically keening 98 ballad, “Got U,” was co-written by Nick along with Soulshock & Karlin (Usher, Whitney Houston) with Alex Cantrall (JoJo) and produced By Anders Bagge (Madonna, Jennifer Lopez), while “Same Mistake” and “Tremble” are heartbreaking tales of regret over the one(s) that got away.
One of the most intriguing fresh cuts is “Mona Lisa,” which plumbs the mysteries of Leonardo da Vinci’s smiling painting in a super 98 Degrees way. “A portrait of a fairytale/ So we cover canvas like/ The colors mask the pain/ We only ever let them see/ The picture that we paint,” they sing before the uplifting chorus, “Is Mona Lisa smiling, or is there pain in her eyes/ Is it just an illusion?/ What is she hiding behind?/ Was she trying to put on a show?/ Not let Leonardo know/ That in between the cracks of the brush strokes/ Lies the truth only Mona Lisa knows.”
That song also features additional vocals from Filipino vocalist Janine Teñoso in what Timmons says is a nod the one of two territories where the band first broke nearly 30 years ago; the other one is Canada. “We didn’t break in the U.S. right away… and we wanted to get back into the Philippines because we knew we were going to tour there,” he says of the band’s upcoming first shows in the country that has been a stalwart supporter for decades.
The album also spotlights another team-up with a Filipina singer, Katrina Velarde, on a Taglish version of “I Do (Cherish You),” which should get the crowds on their feet when the guys perform in Manila on May 30 and 31. “They love love songs there [in the Philippines], it’s a very passionate, romantic culture and when we’ve been there we also noticed everyone can sing, really well! Like even the valet at the hotel!” Timmons says.
Listen to some of the new mixes and a preview of “Stranger Things (Have Happened) ” below.
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Maroon 5 and LISA aim for the charts, Ed Sheehan stumbles through memories and Don Toliver and Doja Cat are ready to race. Check out all of this week’s picks below:
Maroon 5 & LISA, “Priceless”
From Christina Aguilera to Cardi B, Maroon 5 have teamed up with A-list solo stars on singles that have reached the top of the Hot 100 over the years; they’ll attempt to do the same with “Priceless,” a lightly funky, easy-listening pop track featuring LISA, hot on the heels of her debut album and Coachella performances, balancing out Adam Levine’s romantic crooning with airy sing-rapping.
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Ed Sheeran, “Old Phone”
After kicking off his new era with the global anthem “Azizam,” Ed Sheeran returns to the wistful, emotionally piercing pop-rock of previous eras with “Old Phone,” on which the singer-songwriter keeps strumming as he stumbles upon a long-dormant phone and gets flooded with the photos, texts and memories stored inside, searching for resolution within the discovery.
Don Toliver feat. Doja Cat, “Lose My Mind”
The upcoming Brad Pitt-starring racing drama F1 will boast one of the most high-profile soundtracks of 2025, and the compilation rollout gets kicked off with “Lose My Mind,” a shimmering, synth-drenched club track (courtesy of producer Ryan Tedder) that showcases Don Toliver’s silky melodic streak and Doja Cat’s chest-thumping rhyming, a few years after the latter scored a top 10 hit with her Elvis theme “Vegas.”
Bailey Zimmerman feat. Luke Combs, “Backup Plan”
“Getting back up — that’s the only backup plan you need,” Bailey Zimmerman declares on “Backup Plan,” the empowering new single that seems tailor-made for end-of-workout playlists to give you that extra bit of motivation. After Zimmerman teamed up with BigXThaPlug on the top 10 hit “All the Way,” Luke Combs serves as his co-pilot here, with the fellow country star’s rumbling voice turning into the perfect foil.
Selena Gomez & Benny Blanco, I Said I Love You First… And You Said It Back
In addition to a few stray tracks and remixes, the real appeal of I Said I Love You First… And You Said It Back, the deluxe edition of Selena Gomez and Benny Blanco’s collaborative full-length from March, is “Talk,” a cheeky new single that reanimates Cake’s beloved 1998 single “Never There” for a new generation of pop fans, complete with halting lyric delivery and slinky alt-rock arrangement.
Quavo feat. Takeoff, “Dope Boy Phone”
The tirelessly prolific recording run of Migos in the 2010s and early 2020s has resulted a slew of unreleased material seeing the light of day following the tragic passing of Takeoff in 2022, and “Dope Boy Phone,” Quavo’s new single featuring a posthumous appearance by his nephew and group mate, sounds as fresh as any of the rap group’s earth-rattling hits, including those on the pair’s underrated joint project Only Built for Infinity Links.
Fuerza Regida, 111XPANTIA
A press release for Fuerza Regida’s 111XPANTIA describes the new project as “pure Fuerza from start to finish”: with 12 songs and zero features, the album does indeed offer an unadulterated version of the Mexican music superstars’ aesthetic, full of carefully constructed arrangements and harmonies that encourage the listener to join in after a few listens.
Editor’s Pick: Key Glock, Glockaveli
Key Glock’s excellent new album may include an update of Three 6 Mafia’s “Stay Fly” on the single “Blue Devil,” but the rapper was already carrying on the tradition of Memphis hip-hop long before Glockaveli: through his recent mixtapes and particularly his critical work with Young Dolph, Key Glock has demonstrated an unflappable delivery and ear for effective production, and his new album feels like the mainstream arrival for an artist who’s already been putting in the work.
Apple approved Spotify’s app update in the U.S. on Friday (May 2), marking “a significant milestone for developers and entrepreneurs everywhere who want to build and compete on a more level playing field,” according to the streamer.
The announcement followed the news that a judge told Apple to stop collecting a commission on some app sales. “After nearly a decade, this will finally allow us to freely show clear pricing information and links to purchase, fostering transparency and choice for U.S. consumers,” Spotify wrote in a blog post. “We can now give consumers lower prices, more control, and easier access to the Spotify experience.”
Epic Games, the company behind the wildly popular game Fortnite, sued Apple over its App Store policies — which ensured that Apple took a 30% cut of any payments — in 2020.
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Epic Games was not the only company that disliked this arrangement: Horacio Gutierrez, Spotify’s chief legal officer, said in 2020 that Apple “acts as the stadium owner, referee and player, and tilts the playing field in favor of its own services.”
The following year, Yvonne Gonzalez Rogers, a judge in the U.S. District Court for the Northern District of California, ruled that Apple had violated the state’s laws prohibiting unfair competition.
Despite that ruling, the same judge said this week that Apple put a new system in place that required apps with external sales to pay a 27% commission. The company “sought to maintain a revenue stream worth billions in direct defiance of this court’s injunction,” the judge wrote.
The judge demanded that Apple stop collecting that commission. “We strongly disagree with the decision,” an Apple spokeswoman told The New York Times. “We will comply with the court’s order, and we will appeal.”
Spotify hailed the development as “a great day” for its U.S. users. “The ruling made it clear that Apple deliberately abused its market power to intentionally harm others and benefit only itself,” the company wrote.
Moving forward, Spotify said U.S. users will now have visibility into “pricing details on subscriptions and information about promotions that will save money,” have the option to pay for subscriptions outside of Apple’s system, and have the ability to easily upgrade from their account or change their subscription plan.
“The fact that we haven’t been able to deliver these basic services, which were permitted by the judge’s order four years ago, is absurd,” Spotify added.
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Cruise vacations offer relaxing fun on the high seas en route to visiting exotic destinations with hopes of creating vivid memories. Until the fights break out.
It’s not like the occasional argument that escalates into fisticuffs is relegated to one particular cruise line—and there are plenty, from Disney Cruise Line to Royal Caribbean International to Norwegian Cruise Line, and so and so forth. But oftentimes, at least according to footage on the Internets, when there is momentary anarchy onboard a ship, it usually goes down during a Carnival cruise. Respectfully.
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Case in point, recently, footage made it online of passengers from a certain cruise line throwing hands and feet. Newsweek reported that “dozens” of particants in a brawl found themselves banned on a “do not sail” list with the Carnival cruise line. Apparently, the universal beatdown occurred at the disembarkation point in Galveston, Texas. A couple of men in white seem to be the main combatants but then others join in. At one point, one man hits the floor and proceeds to get stomped out while security comes in to intervene—but really, it looked like the dudes doing the kicking just got tired.
But that’s right, folk caught the beats after the trip was over and they were on their way home. Talk about a welcome back.
Where they won’t ever be back, is on a Carnival Cruise. “So many of you wrote to me about an incident in the terminal building at the Port of Galveston involving a group of despicable, deplorable people,” said Carnival Cruise Line Brand Ambassador John Heald in a statement online. “The people involved will, like anyone who is involved in any physical altercation with other guests, or our crew, never, ever be allowed to cruise with us again.”
With this in mind, check out more infamous Carnival beatdowns in the gallery.
1. Pizza Fade
A man claims he was minding his business looking for pizza when happened upon a brawl on a Carnival Cruise to Central America. We gotta hear both sides.
2. Wigs & Weaves
This battle on the high seas, reportedly on the Carnival Sunrise, featuring wigs and weaves, was allegedly sparked over a lounge chair. It couldn’t have been that comfortable beloved. Also it looks like a dude was wailing on a woman, which is bitchasness personified.
3. Another angle…
Still all bad.
4. ?
Who reallys knows what happened, but we know the venue. Respectfully.
5. South Pacific Smoke
This classic from 2018 features “security” being way too comfortable with the free kicks.
6. Respectfully.
7. Not A Flex
If we’re keep it a been, being proud of such behavior tracks.
8. Elevator Bank Brutality
We can’t confirm if this is or is not on a Carnival Cruise ship. We can confirm that son got mollywhopped.
9. Club Carnival
If the Coast Guard is involved, you’ve lose the vacation plot.
10. Not The Kids
Man alive. Where are the adults?
“Back in the day,” Chubby Checker tells Billboard from his home in New Jersey, “I said, ‘I don’t want to be in the Rock Hall when I’m dead. I want to smell my flowers when I’m here.’ And I’m smelling my flowers…a little late in the game, I would admit, but I’m still alive to see Chubby Checker in the Rock & Roll Hall of Fame.”
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Eligible since the first Rock Hall class in 1986, the 83-year-old responsible for “The Twist” and other dance sensations will finally arrive in the shrine during the Nov. 8 induction ceremony in Los Angeles — on his first nomination, no less. That’s come as a surprise, even shock, to many fans since the news broke about Checker’s induction, but the South Carolina native (born Ernest Evans) says it’s not something he’s been fretting about over the years.
“It’s another milestone — and the beat goes on,” he notes.
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Nevertheless, Checker famously protested outside of the Rock Hall museum in Cleveland back in 2002, but he clarifies that it wasn’t simply about his exclusion from the ranks. “I wanted people to know that Chubby’s music was not being played, that’s all it was,” he explains. “The protest was, ‘Please play Chubby’s music.’ The best thing for any artist is to get his music played, and my music wasn’t getting played and I was a little upset about it. You can walk into the supermarket and hear (sings) ‘Bennie and the Jets’…but not ‘The Twist,’ and you look around the supermarket and every company’s got some kind of twist product, you know? I did it very nicely. I didn’t try to cause any problems. I never protested anything in my life except that.”
Checker will, of course, enter the Rock Hall with ample credentials as a groundbreaker and architect. Inspired to pursue music after seeing country great Ernest Tubb perform at a South Carolina fair when he was four years old, Checker and his family moved to South Philadelphia and he began singing doo-wop as a youth. Nicknamed Chubby by a boss at the produce market where he worked, he auditioned as a teen for American Bandstand host Dick Clark, whose wife Barbara added Checker as a surname as a salute to Fats Domino.
Checker imitated Domino, Elvis Presley and other poplar singers at the time for a 1959 single called “The Class,” after which Clark suggested he take on “The Twist,” which was written by Hank Ballard — based on dances he saw teenagers doing in Tampa, Fla. It was only a modest success for him and his band, the Midnighters. Adding dance moves to his performance, Checker took the song to No. 1 on the Billboard Hot 100 during September 1960 and then for a second time in January 1962 — the only single to do that until Mariah Carey’s “All I Want For Christmas Is You” decades down the road.
“‘The Twist’ gave us what we have on the dance floor — and is still giving us that,” says Checker, who despite his Philadelphia roots was a supporter of the Rock Hall being built in Cleveland, in deference to pioneering radio DJ Alan Freed. “Before (‘The Twist’), Elvis and Little Richard and Bill Haley and Fats Domino and Jerry Lee Lewis and Buddy Holly, they were doing the swing to their songs. Then Chubby Checker comes along and…the whole world changed.” Checker followed “The Twist” with other dance songs, including “Pony Time,” “The Fly,” “Limbo Rock,” “Let’s Twist Again” and a resurrection of the late ‘40s dance “The Hucklebuck.”
“Chubby Checker never left the dance floor,” he says. “I used to call myself the wheel that rock rolls on, because anyone after Chubby Checker who had a song that you could dance to, they were in my world, that I brought to the dance floor. Dancing to the beat is what we brought, and it’s still there — no matter what it is. It’s called the boogie, and the boogie is still going on. Someone once said, ‘Chubby, you want to do a disco song?’ ‘Why? I did that already.’”
In all, Checker has had 32 songs (and seven top 10 hits) on the Billboard Hot 100. In 2008 Billboard honored “The Twist” as No. 1 on the Greatest of All Time Hot 100 Songs list, which it held until the Weeknd’s “Blinding Lights” took the honor in 2021. Nevertheless, Checker notes, “it will always be the No. 1 song. There will be a number two No. 1 song, a number three No. 1 song, but (‘The Twist’) was the first and will always be the first.”
“The Twist” has also been inducted into the Grammy Hall of Fame and the Library of Congress’ National Recording Registry. The Rock Hall honored “The Twist” in 2018 by inducting the single as part of a new initiative — a practice that has not been repeated since.
Checker has no intention of recording anything new — “How am I gonna invent the wheel twice?” he asks — but still performs regularly. And that continuing demand, he says, has mitigated any disappointment he may have felt while waiting for his Rock Hall induction.
“Listen, I’m a blessed human being,” Checker says. “In spite of everything, my dreams come true every day. Every time I go on stage my dream comes true, my dream is renewed — that’s what keeps me going. I’m a blessed man in this world.”
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Welp, many predicted this day was coming. GTA 6 was once poised to be the biggest video game release of 2025, but will now be the biggest release of 2026.
Rockstar Games confirmed many analysts’ and gaming journalists’ predictions when it officially announced today that it would be delaying GTA 6 by six months.
The video game studio confirmed the news in a statement shared on its social media profiles, telling disappointed fans that the game needs more time to cook and will not arrive on May 26, 2026.
“We are very sorry that this is later than you expected,” Rockstar announced on X, formerly Twitter. “The interest and excitement surrounding a new Grand Theft Auto has been truly humbling for our entire team. We want to thank you for your support and your patience as we work to finish the game.”
Games of this magnitude needing more time isn’t unusual, but with GTA 6 being YEARS in development, it’s not crazy for some eyebrows to raise and people to overreact. Take-Two Interactive, Rockstar Games parent company, saw its shares take a hit with the announcement of the delay, losing over nine percent in the market.
“With every game we have released,” the statement continues, “the goal has always been to try and exceed your expectations, and Grand Theft Auto VI is no exception. We hope you understand that we need this extra time to deliver at the level of quality you expect and deserve.”
Bummer.
Take-Two Still Has Some Heat On The Horizon
While this news stings, Take-Two still has some big realeses to look forward to this year like Mafia: The Old Country and Borderlands 4 which just recently pushed up its release date due, and, of course, NBA 2K26.
But, we can’t front, GTA 6 was high on everyone’s list and now that we have to wait even longer to experience what could be the greatest game ever made not named GTA V, stinks.
Oh well, if these means we will only be getting a more perfect game, then Rockstar take as much time as you need to deliver us the game we have all come to expect from you.
You can see more reactions to the news in the gallery below.
1. Parris knew
2. Pretty much all of our reactions
4. Tears, also why does this account exist?
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Roc Marciano burst onto the scene with his debut album, Marcberg, in 2010 and has blazed several trails since the release of what many consider to be a modern classic. Roc Marciano fans can now rejoice as Marcberg is available for the first time on streaming services in honor of the project’s 15th anniversary.
Hailing from Hempstead, Long Island, N.Y., Roc Marciano made his first splash as a member of Busta Rhymes’ sprawling Flipmode Squad before breaking away from the collective to form The U.N. He embarked on a solo career, delivering Marcberg on May 4, 2010. The sound of the album was a shift in sound as dusty, sample-heavy Hip-Hop was pushed to the side as something only so-called “backpackers” were into.
What Marciano did, however, was take New York City slick talk and place it atop soulful production that highlighted the relentless and highly visual lyrical ability of the producer and rapper. Handling all the production on Marcberg, Marciano, alongside other innovators like Hus Kingpin and Westside Gunn, helped usher in the current wave of sparsely produced tracks that emphasized the lyrics instead of the drums.
The album only has one feature, with the late, great Sean Price appearing on the remix for “Snow,” who sounded at home over Marciano’s powerful production. Roc Marciano is still delivering music at a high clip, dropping the stellar Marciology and The Skeleton Key, the latter of which features The Alchemist handling all production.
On X, fans are celebrating 15 years of Marcberg. Check out the reactions below.
Find Marcberg at your preferred DSP here.
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Photo: Sean Zanni / Getty
2. Gotta Keep Scrollin’…
6. Mans Ain’t Search…
