djfrosty

14 Dec 2022

Little Mix Just Had a Sweet Reunion for Christmas and ‘It Feels So Good’

Talk about a merry Little (Mix) Christmas! On Tuesday (Dec. 13), the three members of Little Mix got together to celebrate the holidays and showed their fans the reunion on social media.

“Reunited for a Christmas catch up and it feels so good,” the trio captioned the snap of themselves smiling and sandwiched together with their arms around one another. In the photo, Leigh-Anne Pinnock wears a cozy all-brown ensemble while Perrie Edwards opts for an oversized blazer in army green. Jade Thirlwall, meanwhile, gives a peek at the Egyptian tattoo on her ribcage in a crocheted white crop top and camo pants.

After announcing they’d be going on a hiatus last December, the British girl group spent the first part of 2022 on The Confetti Tour across the U.K. and Ireland in support of their sixth album of the same name. Since then, Thirlwall has inked a deal with RCA Records to launch her solo career and hopped into the studio with TWICE’s Nayeon to write album cut “Candyfloss” off the K-pop idol’s debut solo mini-album IM NAYEON.

Edwards got engaged to fiancé Alex Oxlade-Chamberlain in June, just months before the pair’s Cheshire County home was burglarized while they were home with their 1-year-old son Axel. (The intruders reportedly made off with designer bags and jewelry while the family was downstairs.)

Meanwhile, former member Jesy Nelson has yet to release a follow-up to her 2021 solo single “Boyz” featuring Nicki Minaj after exiting the girl group back in December 2020.

Get a look at Little Mix’s cozy Christmas catch-up below.

14 Dec 2022

Here Are Sadie Sink’s Top Tracks From Taylor Swift’s ‘Midnights’

Sadie Sink is a Swiftie through and through — and not just because she starred in Taylor Swift‘s All Too Well: The Short Film.

In a new interview with Elle, the Stranger Things actress revealed that she listened to Swift’s 10th studio album, Midnights, and her top tracks are “Labyrinth,” “Sweet Nothing,” and “You’re on Your Own, Kid.” The third one on the list, she explained, is “track five – it’s always the best one.”

Sink was hand-picked by Swift to star in the epic “All Too Well” short film alongside Dylan O’Brien, chronicling seven chapters of a couple’s relationship. The 10-minute, expanded version of the fan-favorite track was featured on Red (Taylor’s Version), released in November 2021. “Of course it’s such an iconic song and the way she brought that to life on screen was really special so it was an honor to be a part of it,” Sink previously told Glamour.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Swift’s recent album, Midnights, spent five nonconsecutive weeks atop the Billboard 200 albums chart, and was recently dethroned by Metro Boomin’s superstar-filled album Heroes & Villains on the Dec. 17-dated chart.

The last Swift album with more weeks at No. 1 is Folklore, which notched eight nonconsecutive weeks atop the list in 2020. Since then, she’s claimed four more chart-topping albums: Evermore (four weeks at No. 1 in 2020-21), Fearless (Taylor’s Version) (two weeks, 2021), Red (Taylor’s Version) (one week in 2021) and Midnights (five weeks so far).

14 Dec 2022

Here Are the Lyrics to Argentina’s National Team Song in the 2022 World Cup

One of the most memorable moments in Latin music during the 2022 World Cup was undoubtedly “Muchachos, Ahora Nos Volvimos a Ilusionar,” a cover of an old La Mosca song that was given new lyrics by a fan. The song has become the ultimate anthem to celebrate the achievements of the Argentine National Team in Qatar and beyond, and now it takes on special relevance with the Albiceleste’s advancement to the final of the event held this Sunday (Dec. 18).  

“Muchachos, ahora nos volvimos a ilusionar, quiero ganar la tercera, quiero ser campeón mundial,” or “Boys, we have our hopes up again, I want to win the third, I want to be world champion,” goes the song, which was chanted by thousands of fans on Tuesday (Dec. 13) when Argentina beat Croatia 3-0.

The song itself is a poetic ode to Argentina’s profound respect for soccer and its solidarity and empathy as a nation. It mentions the late sports legend Diego Armando Maradona cheering on Lionel Messi from heaven with his mother, Dalma Salvadora Franco, aka La Tota. She is said to have become the most influential figure for the mythical Maradona, which is why fans christened her “the Mother of Soccer.” 

“It has to do with our frustrations, our successes, our hopes, Malvinas, finals lost and finals won. And of course to have the illusion of being champions again,” Guillermo Novellis previously told Billboard.

“Muchachos” came into the public consciousness when the world’s most popular Argentine soccer player, Lionel Messi, was asked what his favorite song was during a television interview just before the World Cup kickoff. He mentioned the endearing song by La Mosca, and even sang it on screen.

“It’s like arriving in Rome and being introduced by the Pope,” Novellis told Billboard about that moment.

In November, the entire Argentina national team was caught on camera singing it at the top of their lungs as they celebrated their victory over Mexico.

“Muchachos, Ahora Nos Volvimos a Ilusionar” is a version of “Muchachos, Esta Noche me Emborracho,” also by La Mosca, released in 2003. But the most recent version — written by soccer fan Fernando Romero in July 2021 to celebrate Argentina’s run to the Copa América final — is the one that has captured hearts.

“It’s a song that has a lot of tango in its lyrics and melody,” said Novellis. “This [newer] version started with Copa América, and the new lyrics are really good. They have to do with our frustrations, our success, our hopes, the Falklands, finals lost and finals won. And of course, the hope of being champions again. Maybe that’s why it resonated so much with fans and players.”

Here are the translated lyrics of the anthem that has gone viral during the 2022 World Cup: 

In Argentina I was born
Land of Diego and Lionel
Of the children of Malvinas
That I will never forget
I can’t explain it to you
Because you won’t understand
The finals we lost
How many years I cried
But that’s over
Because at the Maracaná
The final with the brazucas
Dad won it again
Boys
Now we’ve got our hopes up again
I want to win the third
I want to be world champion
And Diego
From the sky we can see him
With Don Diego and La Tota
Cheering Lionel on
Boys
Now we’ve got our hopes up again
I want to win the third
I want to be world champion
And Diego
From the sky we can see him
With Don Diego and La Tota
Cheering Lionel on, and to be champions again, and to be champions again

For the original Spanish lyrics, click here.

14 Dec 2022

Gunna to Be Released After Pleading Guilty in YSL Case – But Says He Hasn’t Flipped on Young Thug

Gunna pleaded guilty Wednesday (Dec. 14) in the closely-watched criminal case against Young Thug and other alleged members of an Atlanta gang, ending his involvement in the sprawling case and securing his release from jail — though the rapper stressed that he was not cooperating with prosecutors.

In a statement released by his lawyers, Gunna (real name Sergio Kitchens) said he had taken a so-called Alford plea — a maneuver that allows a defendant to enter a formal admission of guilt while still maintaining their innocence — “to end my personal ordeal.”

In technical terms, the rapper pleaded guilty to a single charge against him and was sentenced Wednesday to a time-served, suspended sentence. His lawyers confirmed that he would be “released from jail in the next few hours.”

Despite the plea deal, Gunna stressed that he had not agreed to work with prosecutors in any way to convict Young Thug or any of the other defendants.

“While I have agreed to always be truthful, I want to make it perfectly clear that I have NOT made any statements, have NOT been interviewed, have NOT cooperated, have NOT agreed to testify or be a witness for or against any party in the case and have absolutely NO intention of being involved in the trial process in any way,” the rapper wrote.

A spokesman for the Fulton County District Attorney’s office, which is prosecuting the case, did not immediately return a request for comment.

Both Young Thug (Jeffery Williams) and Gunna were indicted in May, along with dozens of others, on accusations that their group YSL was not really a record label called “Young Stoner Life,” but a violent Atlanta street gang called “Young Slime Life.” The charges include allegations of murder, carjacking, armed robbery, drug dealing and illegal firearm possession over the past decade.

Young Thug and many others are set to stand trial on those charges in January.

In Wednesday’s statement, Gunna said he was “acknowledging my association with YSL,” but that he had not seen the group as a criminal enterprise.

“When I became affiliated with YSL in 2016, I did not consider it a “gang”; more like a group of people from metro Atlanta who had common interests and artistic aspirations,” Gunna wrote.  My focus of YSL was entertainment – rap artists who wrote and performed music that exaggerated and ‘glorified’ urban life in the Black community.”

“I love and cherish my association with YSL music, and always will,” he wrote. “I look at this as an opportunity to give back to my community and educate young men and women that ‘gangs’ and violence only lead to destruction.”

14 Dec 2022

The Contenders: SZA’s ‘S.O.S.’ Aims for No. 1 on the Billboard 200

Welcome to The Contenders, a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming Billboard 200 albums chart dated Dec. 24): Just before the last Christmas push, a final ‘S.O.S.’ from the pop world aims to sleigh the competition. 

SZA, S.O.S. (Top Dawg Entertainment/RCA). It’s been five years and countless false starts since R&B superstar SZA dropped her massively influential full-length debut Ctrl. Early signs from the release of her second album S.O.S. indicate that the fans have stuck around: the set dominated the daily Spotify and Apple Music charts over the weekend, while drawing reviews strong enough to make a lot of early December year-end lists look premature.  

With no physical release on the schedule, the vast majority of the album’s first-week numbers will mostly come from streaming. But with 23 tracks, including a trio of proven singles in Billboard Hot 100 top 20 hits “Good Days,” “I Hate U’ and “Shirt,” plus guest appearances from Travis Scott and Phoebe Bridgers, it should still end up scoring one of the late year’s strongest debuts.  

A Boogie Wit da Hoodie, Me vs. Myself (Highbridge the Label/Atlantic). A Boogie Wit da Hoodie was one of the most prolific artists on the Billboard charts at the turn of the decade, with a couple dozen Hot 100 hits and a Billboard 200 No. 1 album in 2018’s Hoodie SZN. The past two years haven’t been as kind commercially, but the artist born Artist Dubose looks to reverse that trend with the release of fourth studio album Me vs. Myself.  

Me vs. Myself will also need to lean on streaming , since it, too, has no physical version and A Boogie has never sold much music – Hoodie SZN was the first album to top the Billboard 200 with sales of under 1,000 copies. But MvM will also get a boost from its 22-song tracklist, with features from fellow streaming stars Kodak Black, Lil Durk, Roddy Ricch.  

Anuel AA, LLNM2 (Real Hasta la Muerte/Sony Latin). As with SZA and A Boogie, Latin trap hitmaker Anuel AA’s latest effort arrives without a physical product – but it has a tracklist expansive enough to make both S.O.S. and Me vs. Myself look like EPs by comparison. LLMN2 (short for “Las Leyendas Nunca Mueren 2,” or “Legends Never Die 2”) runs a bountiful 33 tracks, with big-name guests from both reggaetón (Nicky Jam, Jowell & Randy, Zion) and hip-hop (DaBaby, Lil Durk, Kodak Black). 

Anuel’s hit the Billboard 200 top 10 twice already, with 2020’s Emmanuel (No. 8) and 2021’s Ozuna teamup Los Dioses (No. 10), but 2021’s first Las Leyendas Nunca Mueren release peaked at No. 30. That album had just 16 tracks, so maybe going with the volume-shooter approach for its sequel will net him the top 10 hat trick.  

14 Dec 2022

Cher Says Mother Georgia Holt Was in ‘So Much Pain’ Before She Died

Just a few days after Georgia Holt died at 96 on Dec. 10, Cher is giving more information on her mother’s death.

After noting that she “can’t sleep very well,” on Twitter on Tuesday (Dec. 13), the “Believe” singer explained that Holt has “been Sick & rallying, she then got bad, She was in so much pain.”

Cher continued, “Finally she coded on way to [the hospital]. By time we Got to Hosp….The Woman who Who Was MY KICK A– MOM was No [longer] Here.” The 76-year-old singer did not reveal any additional details surrounding Holt’s illness.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Cher also encouraged fans to listen to Holt’s song, “I’m Just Your Yesterday,” which features the late star’s iconic daughter. “You’ll see where I stole my voice,” Cher wrote.

Throughout her life, appeared in such films as A Life of Her Own (1950), Grounds for Marriage (1951), Father’s Little Dividend (1951) and Artists and Models (1955) and on TV shows like The Adventures of Ozzie and Harriet and, as a “Jacques Marcel” model, on I Love Lucy (in the hilarious 1956 episode “Lucy Gets a Paris Gown”).

In the music world, she was offered a contract by Columbia Records, and in 1980 recorded an album, Honky Tonk Woman, which features “I’m Just Your Yesterday.” The album wasn’t officially released until 2013, after the master tapes were rediscovered in Holt’s garage.

“I know that a record company might want to sign me just because I’m Cher’s mother,” she told People magazine in 1978. “I’d like to have a career, but I’m not going to be a novelty or a flash in the pan. A lot of people say I can do it.”

14 Dec 2022

Metallica’s ‘Lux Æterna’ Is Already No. 1 on Mainstream Rock Airplay Chart

After only two weeks on the chart, Metallica’s “Lux Æterna” is No. 1 on Billboard’s Mainstream Rock Airplay list dated Dec. 17.

The song climbs to the top after debuting at No. 2 on the Dec. 10 survey, the best start for any song in 16 years.

With its two-week trip to No. 1, “Lux” completes the quickest coronation in eight years. Foo Fighters’ “Something From Nothing” also took two frames in November 2014.

“Lux” and “Something” are the only two songs to need two or fewer weeks to reign in the entirety of the 2000s. Prior to “Something,” the last act to pull off the feat was Metallica with its cover of Bob Seger‘s “Turn the Page,” which hit No. 1 in its second week in November 1998.

Metallica snags its 11th Mainstream Rock Airplay leader and first since “All Within My Hands,” which crowned the ranking for four weeks in September 2020. In between “Hands” and “Lux,” the band reached No. 18 this August with the reserviced 1986 track “Master of Puppets,” following its synch in the fourth season of Netflix’s Stranger Things.

Metallica’s 11 No. 1s, which kicked off with “Until It Sleeps” in 1996, place the band in a three-way tie for sixth all time on Mainstream Rock Airplay, which began in 1981, alongside Disturbed and Foo Fighters. Shinedown leads all acts with 18 rulers.

Most No. 1s, Mainstream Rock Airplay

  • 18, Shinedown
  • 17, Three Days Grace
  • 13, Five Finger Death Punch
  • 13, Van Halen
  • 12, Godsmack
  • 11, Disturbed
  • 11, Foo Fighters
  • 11, Metallica
  • 10, Tom Petty (solo and with the Heartbreakers)
  • 10, Volbeat

Concurrently, “Lux” ranks at No. 2 for a second week on the all-rock-format, audience-based Rock & Alternative Airplay chart with 4.5 million audience impressions, according to Luminate. It also lifts 35-34 on Alternative Airplay.

“Lux” leads the multi-metric Hot Hard Rock Songs list for a second week. In addition to its radio airplay, the song scored 2.5 million official U.S. streams and sold 2,000 downloads in the Dec. 2-8 tracking week.

Metallica’s 11th studio album, 72 Seasons, is due April 14, 2023.

14 Dec 2022

Watch Blake Shelton & Kane Brown Team Up for a Duet During ‘The Voice’ Season Finale

Kane Brown and Blake Shelton turned in an intense duet, complete with fire and pyrotechnics, when they performed the live debut of their collaboration “Different Man” on the season finale of NBC’s The Voice on Tuesday evening (Dec. 13).

“Different Man,” which serves as the title track to Brown’s 2022 album, features lyrics all too relatable for anyone pursuing a career in music: “What if I was made for the stage/ What if I was made for the lights/ What if I was chosen to write the stories, wasn’t built to work the line.”

“I was driving to the gym — that’s where I really have time to think and listen,” Brown previously told Billboard of bringing Shelton in on the track. “I wanted one more feature on the album, and Blake was the first person I thought of. The song just reminded me of the ‘God’s Country’ kind of Blake Shelton, so I felt like it made sense.”

Shelton has served as a coach on The Voice since its launch in 2011, and previously brought in Brown as an advisor for Team Blake in 2020. Brown has frequently included a cover of Shelton’s “Ol’ Red” in his concerts. Brown previously said that serving as an advisor on Team Blake was a full-circle moment for him.

“I always wanted to go on The Voice and try out for Blake,” Brown previously told Parade. “I think I said that on the show. I always wanted to go and sing ‘Ol’ Red’ in front of Blake and see if I could get him to turn around. And then, it was just a full circle moment getting to come and be his advisor.”

The season 22 finale of The Voice also featured performances from OneRepublic, Breland, Maluma and Adam Lambert. Meanwhile, Team Blake earned a ninth victory with this season’s win, as country singer and Team Blake member Bryce Leatherwood emerged as the competition’s victor.

Shelton recently announced he will step away from The Voice after next season.

Watch Shelton and Brown’s performance above.

14 Dec 2022

Lady Gaga, Rihanna & Taylor Swift Are 2023 Critics Choice Awards Nominees for Best Song: See the Full List of Nods

All five songs that were nominated for Golden Globes for best original song on Monday were nominated for Critics Choice Awards on Wednesday (Dec. 14). This means that three of the top female music stars on the planet – Rihanna, Taylor Swift and Lady Gaga – are vying for best song at both shows.

Explore

See latest videos, charts and news

See latest videos, charts and news

LCD Soundsystem’s “New Body Rhumba” from White Noise, which was passed over for a Globe nod, rounds out the nominees for best song at the Critics Choice Awards.

Four of the five scores that were nominated for Globes for best original score are also nominated here. The difference is that Carter Burwell’s Globe-nominated score for The Banshees of Inisherin was passed over for Critics Choice, with two scores that were not nominated at the Globes earning nods: Michael Giacchino’s The Batman and Hildur Guðnadóttir’s Tár.

Hildur has two nominations for Critics Choice best score. She is also nominated for Women Talking.

Alexandre Desplat is also a double nominee. He is nominated for best score for Guillermo del Toro’s Pinocchio and also best song for that film’s “Ciao Papa,” which he co-wrote with Roeban Katz and Guillermo del Toro.

Everything Everywhere All at Once is the most nominated film at the 28th annual Critics Choice Awards with 14 nods. At the Globes, it was the year’s second-most nominated film, behind The Banshees of Inisherin.

Everything… is followed at Critics Choice by The Fabelmans with 11 nods; Babylon and The Banshees of Inisherin with nine nods each; and Elvis and Tár with seven each.

“We are so proud to be recognizing this incredible group of films and the people who made them possible,” said Critics Choice Association CEO Joey Berlin. “This recognition comes from a diverse group of more than 600 critics and entertainment reporters who share their opinions about film and television with millions of people every day, all year long.”

There are 11 best picture nominees this year due to a tie. Additionally, the CCA expanded the best director category to include 10 nominees.

The winners will be revealed at the Critics Choice Awards gala hosted by Chelsea Handler, which will broadcast live on The CW from the Fairmont Century Plaza in Los Angeles on Sunday, Jan. 15, 2023, from 7 to 10 p.m. ET, delayed PT.

Actor Jeff Bridges will receive the Critics Choice Lifetime Achievement Award. Bob Bain Productions and Berlin Entertainment will executive produce this year’s show.

The Critics Choice Association was established in 2019 with the formal merger of the Broadcast Film Critics Association and the Broadcast Television Journalists Association.

Here’s the full list of nominees:

Best picture

  • Avatar: The Way of Water
  • Babylon
  • The Banshees of Inisherin
  • Elvis
  • Everything Everywhere All at Once
  • The Fabelmans
  • Glass Onion: A Knives Out Mystery
  • RRR
  • Tár
  • Top Gun: Maverick
  • Women Talking

Best song

  • Taylor Swift, “Carolina” – Where the Crawdads Sing
  • Alexandre Desplat, Roeban Katz, Guillermo del Toro, “Ciao Papa” – Guillermo del Toro’s Pinocchio
  • Lady Gaga, Bloodpop, “Hold My Hand” – Top Gun: Maverick
  • Tems, Ludwig Göransson, Rihanna, Ryan Coogler, “Lift Me Up” – Black Panther: Wakanda Forever
  • Kala Bhairava, M.M. Keeravani, Rahul Sipligunj, “Naatu Naatu” – RRR
  • LCD Soundsystem, “New Body Rhumba” – White Noise

Best score

  • Alexandre Desplat – Guillermo del Toro’s Pinocchio
  • Michael Giacchino – The Batman
  • Hildur Guðnadóttir – Tár
  • Hildur Guðnadóttir – Women Talking
  • Justin Hurwitz – Babylon
  • John Williams – The Fabelmans

Best actor

  • Austin Butler – Elvis
  • Tom Cruise – Top Gun: Maverick
  • Colin Farrell – The Banshees of Inisherin
  • Brendan Fraser – The Whale
  • Paul Mescal – Aftersun
  • Bill Nighy – Living

Best actress

  • Cate Blanchett – Tár
  • Viola Davis – The Woman King
  • Danielle Deadwyler – Till
  • Margot Robbie – Babylon
  • Michelle Williams – The Fabelmans
  • Michelle Yeoh – Everything Everywhere All at Once

Best supporting actor

  • Paul Dano – The Fabelmans
  • Brendan Gleeson – The Banshees of Inisherin
  • Judd Hirsch – The Fabelmans
  • Barry Keoghan – The Banshees of Inisherin
  • Ke Huy Quan – Everything Everywhere All at Once
  • Brian Tyree Henry – Causeway

Best supporting actress

  • Angela Bassett – Black Panther: Wakanda Forever
  • Jessie Buckley – Women Talking
  • Kerry Condon – The Banshees of Inisherin
  • Jamie Lee Curtis – Everything Everywhere All at Once
  • Stephanie Hsu – Everything Everywhere All at Once
  • Janelle Monáe – Glass Onion: A Knives Out Mystery

Best young actor/actress

  • Frankie Corio – Aftersun
  • Jalyn Hall – Till
  • Gabriel LaBelle – The Fabelmans
  • Bella Ramsey – Catherine Called Birdy
  • Banks Repeta – Armageddon Time
  • Sadie Sink – The Whale

Best acting ensemble

  • The Banshees of Inisherin
  • Everything Everywhere All at Once
  • The Fabelmans
  • Glass Onion: A Knives Out Mystery
  • The Woman King
  • Women Talking

Best director

  • James Cameron – Avatar: The Way of Water
  • Damien Chazelle – Babylon
  • Todd Field – Tár
  • Baz Luhrmann – Elvis
  • Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
  • Martin McDonagh – The Banshees of Inisherin
  • Sarah Polley – Women Talking
  • Gina Prince-Bythewood – The Woman King
  • S. S. Rajamouli – RRR
  • Steven Spielberg – The Fabelmans

Best original screenplay

  • Todd Field – Tár
  • Daniel Kwan, Daniel Scheinert – Everything Everywhere All at Once
  • Martin McDonagh – The Banshees of Inisherin
  • Steven Spielberg, Tony Kushner – The Fabelmans
  • Charlotte Wells – Aftersun

Best adapted screenplay

  • Samuel D. Hunter – The Whale
  • Kazuo Ishiguro – Living
  • Rian Johnson – Glass Onion: A Knives Out Mystery
  • Rebecca Lenkiewicz – She Said
  • Sarah Polley – Women Talking

Best cinematography

  • Russell Carpenter – Avatar: The Way of Water
  • Roger Deakins – Empire of Light
  • Florian Hoffmeister – Tár
  • Janusz Kaminski – The Fabelmans
  • Claudio Miranda – Top Gun: Maverick
  • Linus Sandgren – Babylon

Best production design

  • Hannah Beachler, Lisa K. Sessions – Black Panther: Wakanda Forever
  • Rick Carter, Karen O’Hara – The Fabelmans
  • Dylan Cole, Ben Procter, Vanessa Cole – Avatar: The Way of Water
  • Jason Kisvarday, Kelsi Ephraim – Everything Everywhere All at Once
  • Catherine Martin, Karen Murphy, Bev Dunn – Elvis
  • Florencia Martin, Anthony Carlino – Babylon

Best editing

  • Tom Cross – Babylon
  • Eddie Hamilton – Top Gun: Maverick
  • Stephen Rivkin, David Brenner, John Refoua, James Cameron – Avatar: The Way of Water
  • Paul Rogers – Everything Everywhere All at Once
  • Matt Villa, Jonathan Redmond – Elvis
  • Monika Willi – Tár

Best costume design

  • Ruth E. Carter – Black Panther: Wakanda Forever
  • Jenny Eagan – Glass Onion: A Knives Out Mystery
  • Shirley Kurata – Everything Everywhere All at Once
  • Catherine Martin – Elvis
  • Gersha Phillips – The Woman King
  • Mary Zophres – Babylon

Best hair and makeup

  • Babylon
  • The Batman
  • Black Panther: Wakanda Forever
  • Elvis
  • Everything Everywhere All at Once
  • The Whale

Best visual effects

  • Avatar: The Way of Water
  • The Batman
  • Black Panther: Wakanda Forever
  • Everything Everywhere All at Once
  • RRR
  • Top Gun: Maverick

Best comedy

  • The Banshees of Inisherin
  • Bros
  • Everything Everywhere All at Once
  • Glass Onion: A Knives Out Mystery
  • Triangle of Sadness
  • The Unbearable Weight of Massive Talent

Best animated feature

  • Guillermo del Toro’s Pinocchio
  • Marcel the Shell with Shoes On
  • Puss in Boots: The Last Wish
  • Turning Red
  • Wendell & Wild

Best foreign language film

  • All Quiet on the Western Front
  • Argentina, 1985
  • Bardo, False Chronicle of a Handful of Truths
  • Close
  • Decision to Leave
  • RRR