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Senator Kirsten Gillibrand Secures $3M In Funding For Universal Hip Hop Museum

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Universal Hip Hop Museum & NYC Mayor Eric Adams Announce 50th Anniversary Of Hip Hop Celebrations

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The Universal Hip Hop Museum will be able to advance their mission in the coming years. Senator Kirsten Gillibrand has secured 3 million dollars in funding for the institution.

As reported by News One U.S. Senator Kirsten Gillibrand announced she secured $3 million in funding in the year-end omnibus package to go toward construction of the Universal Hip Hop Museum, which broke ground in the South Bronx in May 2021 and is slated to open in 2024. The omnibus is expected to pass Congress and be signed into law this week.

The Universal Hip Hop Museum aims to become a tourist hub honoring the genre’s influence over art, music, fashion, film, marketing and entertainment, celebrating the pioneers who built the culture, such as Grandmaster Flash and the Furious Five, DJ Kool Herc, Run DMC and Notorious B.I.G. The funds attained by Senator Gillibrand will go toward helping support the interior fit out of the facility, which is currently under construction at Bronx Point in the “Boogie Down” borough.

“The Bronx has historically been a creative incubator for so many wonderful genres of music, ranging from doo-wop to salsa, but few genres have left a greater mark on mainstream culture than hip hop music,” said U.S. Senator Kirsten Gillibrand in. a statement. “It is amazing to see that what started as a party in the basement of 1520 Sedgwick Avenue became a global phenomenon that spawned artistry and entrepreneurs like Jay-Z, Queen Latifah, and 50 Cent. With the 50th anniversary of hip hop right around the corner, I am proud to have secured funds to help the Universal Hip Hop Museum celebrate everything that is beautiful about hip hop culture.”

Located in the borough that give birth to the musical genre, the Universal Hip Hop Museum is the only state-chartered educational museum that is focused on preserving the genre’s deep musical history and celebrating the 5 elements of Hip- Hop’s culture: emceeing, DJing, breakdancing, graffiti art, and knowledge.

Transcending language, age, race, geographic, and socioeconomic barriers, Hip Hop has grown from “New York City” street music getting minimal radio play that gave a voice to the voiceless to topping the Billboard charts thanks to musical acts such as Drake, Nas, Kendrick Lamar and Lizzo, as well as influencing other genres ranging from pop music to R&B to heavy metal music.

You can find out more about the Universal Hip Hop Museum here. 

Knicks Owner James Dolan Uses Facial Recognition Tech To Kick Lawyers Out Of His Venues

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Memphis Grizzlies v New York Knicks

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For more than a decade, James Dolan has been one of the most loathed men in New York City for the manner in which he’s run the New York Knicks amongst other things. But his most recent douche move, allegedly, puts him in a whole new villainous light.

The New York Post is reporting that Long Island attorney Alexis Majano was booted from a Knicks game after James Dolan’s team used facial recognition technology to identify him in the crowd in Madison Square Garden. The news comes days after it was revealed that Dolan used the same technology to kick another lawyer, Kelly Conlon, from a Rockettes Radio City Christmas Spectacular just last month.

Majano is part of law firm that has a pending lawsuit against Madison Square Garden Entertainment and apparently James Dolan was well aware of that fact. Because of Majano’s association with the firm, he was denied a fun night at MSG on Nov. 5 when the Knicks took on the Boston Celtics.

“A gentleman in a suit stopped me and said, “Are you Alexis Majano? The manager wants to speak with you,” he said. “I noticed security had blocked off the exit.”

One of the workers, who was decked out with a body cam, informed him that the conversation “was being recorded” — then began to grill him, he said.

Majano said the employee asked if he works for the law firm Sahn Ward Braff Koblenz — which recently filed a lawsuit on behalf of a fan who fell from a Skybox at Madison Square Garden during a Billy Joel concert.

James Dolan lowkey acting real Trumpish as Majano revealed that the worker had a list of lawyers who were banned from Dolan’s playground, and it was more than a handful.

“He handed me a list of 20 to 30 pages of random names and firms. He asked me … ’Do you work for Sahn Ward? Are you an attorney?’ I said yes,” Majano said. 

“They explained very briefly: Any firms with litigation against MSG are banned,” he continued. “I was shocked.”

When Majano asked the worker how the venue had identified him, “He said, ‘We caught you on facial recognition.’”

Majano was then forced to leave the premises.

Dolan is using next level technology to punish anyone he feels is wronging him, basically. Because of these unusual business tactics, both Majano and Kelly Conlon are considering legal action against James Dolan and even with that looming threat, MSG Entertainment told the NY Post that the policy still stands.

What do y’all think of the situation? Is James Dolan being OD petty with his businesses or does he have the right to punish anyone he wants using facial recognition technology? Let us know in the comments section below.

‘Top Gun: Maverick’ Lands on Paramount+ In Time for the Holiday Weekend: How to Watch It for Free

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Top Gun: Maverick has landed on Paramount+.

The blockbuster film, which has raked in more than $1 billion worldwide and re-released in theaters earlier this month, arrived on the streaming platform on Thursday (Dec. 22) in time for the holiday weekend.

Tom Cruise reprises his role as naval aviator, Pete Maverick, and suits up to train a new fleet of Top Gun graduates in the sequel directed by Joseph Kosinski. Val Kilmer also reprises his role as Tom “Iceman” Kazansky from the original film.

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Miles Teller, John Hamm, Jennifer Connelly, Glen Powell, Jay Ellis, Danny Ramirez and Ed Harris are also among the cast.

Top Gun: Maverick was initially released on VOD on Aug. 23, and it only took a week to become the best-selling digital movie release in history. The action drama made $126.7 million at the box office opening weekend and $7.9 million over a relatively slow Labor Day holiday weekend, in addition to soaring to No. 1 on the list of digital movie releases.

In the past, Paramount movies have hit Paramount+ 45 days after their theater release. However, Top Gun: Maverick took a little longer to touch down. Keep reading for details on how to stream Top Gun: Maverick for free on Paramount+.

How to Stream Top Gun: Maverick on Paramount+

Starting Thursday, Paramount+ members can stream Top Gun: Maverick on the platform at no extra cost. If you’re not subscribed, Paramount+ offers a free trial for the first week.

After the free trial ends, the monthly subscription is $4.99 for the basic package and $9.99 to stream without ads. Choose the annual plan and save 50%, but you don’t have much time left, the holiday offer ends on Jan. 2, 2023.

Paramount+

$4.99/month after 7-day free trial

Want more streaming deals? Paramount+ is included free with Walmart+ and select T-Mobile plans.

Top Gun: Maverick VOD: How to Stream on Prime Video

Top Gun: Maverick is available on Prime Video as a VOD release, but it’s also streaming free when you subscribe to Paramount+. To stream, add Paramount+ as a channel (free trial included).

If you’d rather pay out of pocket, purchase a digital copy of Top Gun: Maverick for $9.99 on Prime Video ($3.99 to rent). The film is also available on VUDU, Apple TV, YouTube and Google Play. 

Top Gun: Maverick (VOD)

$9.99

For those want to snag a physical copy, Top Gun: Maverick Blu-rays and DVDs is on sale for $24.96 at Amazon (free shipping for Prime members and it’ll arrive before Christmas if you order today).

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Top Gun: Maverick Blu-ray (Pre-Order)

$24.96

Packed with more than 80 minutes of bonus features, including behind-the-scenes footage, the Blu-ray and DVD release will give fans a front-row seat into the making of one of the biggest movies of all time. (Top Gun: Maverick has already surpassed Black Panther to become the fifth highest-grossing film domestically.)

Bonus features include Breaking New GroundFilming Top Gun: Maverick, featuring behind-the-scenes content with the cast and crew; Cleared For Takeoff, which shows the cast preparing for filming in a fighter plane, and A Love Letter to Aviation, where Cruise shares his passion for aviation while piloting his very own plane — a vintage World War II P-51 Mustang. An extended version of James Corden’s “Top Gun Training With Tom Cruise” is featured among the bonus content, along with Lady Gaga’s music video for “Hold My Hand,” the lead single on the Top Gun: Maverick soundtrack.

Pre-order Top Gun: Maverick Blu-ray + digital and the 2-movie 4K HD collector’s edition ($39.96) at Amazon and enjoy fast and free shipping for Prime members. The film is also available at Walmart, Best Buy, Target and Zaavi.com. The Blu-ray includes a digital copy and retails for $25, the DVD is $19.99, the 4K UHD Blu-ray is $29.99 and the Top Gun: Maverick Limited Edition Steelbook Blu-ray is available at Walmart and Amazon.

Top Gun: Maverick is produced by Cruise, Jerry Bruckheimer, Christopher McQuarrie and David Ellison.

Offset Is ‘Fake Smiling’ While Trying to Keep His ‘Head Up’ Following Takeoff’s Death

Offset is finding it difficult to express any real happiness following the death of his cousin and Migos bandmate Takeoff.

The Atlanta-born rapper, 31, took to Twitter on Wednesday (Dec. 21) to share yet another heartfelt remembrance of Takeoff, who was murdered in Houston on Nov. 1.

“S— not easy fake smiling and s— tryna keep walking with my head up,” Offset captioned an onstage photo of Takeoff flashing the peace sign.

Takeoff, whose real name is Kirsnick Khari Ball, was shot and killed while attending an afterparty at a Houston bowling alley with his uncle and fellow Migos member Quavo. He was 28.

Houston Police announced in early December that Patrick Xavier Clark, 33, was arrested and charged with murder, while another man, Cameron Joshua, 22, was arrested and charged with the unlawful carrying of a weapon.

Following Takeoff’s death, Offset and Quavo remained relatively tight-lipped, privately mourning their massive loss. But both rappers honored Takeoff during a three-hour memorial on Nov. 11 at Atlanta’s State Farm Arena.

Offset also posted a statement to his Instagram account on Nov. 15, addressing his loss through an open letter to his late cousin, whom he lovingly referred to as “Take.”

“Every time you would see me, you didn’t give me a dap you gave me a hug. I wish I could hug you one last time,” Offset wrote. “I know someone with a soul like yours is in heaven now. I hope you can see how much we love you and miss you. You have left a hole in my heart that will never be filled.”

Offset’s wife, Cardi B, has also spoken out about how difficult things have been since the tragedy occurred, saying in a since-deleted Twitter voice note that she feels “so hopeless trying to make my husband happy.”

“Trying to make him crack a smile, f—in’ seeing him randomly cry,” she said in late November. “See him trying to distract his mind completely, f—in’ schedules been changing, trying to keep up with work after everything that he’s been going through these past couple of weeks. We not in the mood to be f—in’ playin’ around with y’all.”

Dolly Parton Shares the Secret to Her 56-Year Marriage: ‘A Warped Sense of Humor’

Dolly Parton revealed her recipe for a successful marriage in a new interview on Monday (Dec. 19).

“I like it when people say, ‘How did it last so long?’ I say, ‘I stay going,’” the country legend told ET Canada of her 56-year union with husband Carl Dean. “You know, there’s a lot to be said about that. So we’re not in each other’s face all the time. He’s not in the business, so we have different interests, but yet we have the things we love to do together. So it was meant to be, I think. He was the one I was supposed to have and and vice versa.”

As the story goes, Parton met her future hubby at a laundromat the day she arrived in Nashville and the pair have been going strong ever since. “We both have a warped sense of humor,” she added. “And I think humor, honestly, is one of the best things when you’re married like that. Even if you have a problem, if you have a great sense of humor, if you say something you can’t take back [you] usually have some crazy way of getting out of it.”

Parton has had a busy December, from finally joining TikTok to stopping by The Kelly Clarkson Show to duet with Kelly Clarkson on “9 to 5.” Plus, her latest compilation album, Diamonds & Rhinestones: The Greatest Hits Collection, bowed in the top five of the Top Country Albums chart (dated Dec. 3).

Next up for the country icon is her co-hosting gig for NBC’s upcoming New Year’s special, Miley’s New Year’s Eve Party, with goddaughter Miley Cyrus.

‘Cura Local’: Carin Leon’s Christmas Gift to Himself is Trending on YouTube

Barely a week ago, Carin León was announcing the release of his conceptual live album Cura Local (En Vivo) as a “treat” he wanted to give himself for Christmas. On Thursday (Dec. 22), three of its videos are trending on YouTube, including the one for “Dame Un Beso Y Dime Adiós” featuring Grupo Yndio, at No. 1. 

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Released on Dec. 15 under his own record label, CL Music, Cura Local (En Vivo) includes 33 covers of songs that Carin León grew up listening to, like “Línea Telefónica,” also by Yndio; Roy Rosas’ “Cuando Toque Mi Piel,” and Los Apsons’ “Triste Luna.” 

“I wanted to bring together the great artists from Hermosillo, those that I listened to in my childhood and my teens, and have the world see them,” the singer explained in a press conference in his native Hermosillo, Sonora, in northwestern Mexico, the day before the release. “We have a unique flavor and I want people to understand much more about Carin and my connection with these people, who are part of my DNA.”

“In Sonora, from the 70s to the 2000s, we had our own sound; we had our own way of sounding like a band, like a norteño. With all due respect to my Regional Mexican colleagues, we have always been different here, we have never wanted to look like anyone else, not even in the way we dress,” he added, surrounded by some of the acts featured in the album, such as Los Honorables, Manuel “El Indio” Ortega, Oscar Toscano, Roy Rosas, Alex Ramírez and Grupo Yndio. 

Of the 33 songs in the set, 28 have music videos, three of which were trending on YouTube Thursday morning: “Dame Un Beso y Dime Adiós” featuring Grupo Yndio, at No. 1 with more than 3.8 million views; “Línea Telefónica” also with Yndio, at No. 12 with over 950,000 views; and “Déjenme Llorar” featuring Martín Ramos, at No. 20 with 600,000 views. The total views for the album’s videos already surpass 10 million. 

According to a detailed report by Oplaai, a company that distributes León’s music, from Dec. 15-19 Cura Local (En Vivo) exceeded 4.5 million streams, with Spotify being the main platform, followed by Apple Music. 

Prior to these stats, the singer assured at the press conference that more volumes will be released “because there’s still a lot of music to rescue,” and pointed out that “although singles prevail these days, I still think of making albums and concepts.” 

Here are the 10 most-viewed videos for Cura Local in its first week: 

1. “Dame un Beso y Dime Adiós”, Carin León Ft. Grupo Yndio 

2. “Línea Telefónica”, Carin León Ft. Grupo Yndio 

3. “Déjenme Llorar”, Carin León Ft. Martín Ramos 

4. “Cuando Toque mi Piel”, Carin León Ft. Roy Rosas 

5. “Abrígame”, Carin León Ft. Alex Ramírez 

6. “Celos”, Carin León Ft. El Boca Aguada 

7. “Triste Luna”, Carin León Ft. Los Apson 

8. “Presa de tu Amor”, Carin León Ft. Manuel “El Indio” Ortega 

9. “Las Higueras”, Carin León Ft. Fabián Gómez 

10. “Tal Vez Sea Mejor”, Carin León Ft. Fabián Gómez 

Cakes Da Killa’s Big Year: How the Underground Rap Sensation Hypnotized Fans with ‘Svengali’

As 2022 draws to a close, Billboard Pride is taking a look back at some the queer indie artists who saw their stars rise over the last 12 months. Below, NYC rap veteran Cakes Da Killa breaks down his big year.

Last summer, multiple publications declared that “house music was back,” thanks to superstars like Beyoncé and Drake infusing their new music with its chunky synths and four-on-the-floor drum patterns. For Cakes Da Killa, however, the genre never went anywhere. When asked how aware he was of the “revival” taking place, he quips, “Not at all. Too drunk to pay attention.”

Cakes was also too busy, focusing on his own career this year — after almost a decade of underground success, the NYC rap vet used his 2022 to show the world his versatility and preeminent songwriting with Svengali. Released in October through his new label home Young Arts, the long-awaited second LP proved to be a turning point in Cakes’ career — and one he’s eager to keep building on.

But as the rapper tells Billboard over Zoom, Svengali had been in the works since 2018, and got shelved since the outset of the pandemic in 2020. “It didn’t seem like the time [to release it],” Cakes explains. “I knew I wanted to be a creative person through the pandemic, but I didn’t want to drop a full body of work, like an album, during that time. … But then it was a situation where I had been sitting on this project for four years — this s–t was coming out regardless.”

For Cakes (born Rashard Bradshaw), persevering through adverse release conditions had already been the story of his entire career. Coming up during “the SoundCloud generation,” as he calls it, Cakes gained steam across various internet platforms with the release of his Easy Bake Oven mixtape in 2011. Joining the likes of Mykki Blanco and Le1f, Cakes became a point of fascination for media figures around the U.S., as an openly gay rapper leading the way towards greater visibility.

It’s a theme that continued throughout Cakes’ career — no matter what independent label he signed with or what kind of sound he was making, his sexuality had become the inextricable focal point of his public image, which made attempts to seek out the attention of major labels more difficult. “When I was coming out as an artist, the label system was not prepared for queer artists, so there was no option in the first place — it was like, ‘You’re an independent artist because you’re weird,’” he says.  

When the pandemic hit, Cakes had a decision to make — he had crafted a new album that would potentially help re-contextualize his artistic contribution to rap, but that album was also rife with sorrowful themes. Ultimately, the world “had enough of all of that,” he says.

Instead, Cakes unveiled his Muvaland mixtape series with producer Proper Villains as he left his home in New York to move to Atlanta. Released in two volumes throughout the pandemic via HE.SHE.THEY, the sweltering club project saw Cakes leaning into his house roots with wild abandon.

Gaining newfound attention thanks to his booming pandemic club single “Don Dada” and still refining the sound of Svengali with producer Sam Katz, Cakes started 2022 with a big change when he signed an album deal with TOKiMONSTA‘s label, Young Arts Records. By working with a label run by a fellow artist, Cakes says he could see the difference from his past label experiences clearly. “She has this different type of perspective on how to run things, which I appreciate — it’s very artist-focused,” he explains. “The record deal was signed because they genuinely loved what I was doing and what I was making.”

With a renewed outlook on his place in the industry, Cakes looked at his second album and decided, as he puts it “‘F–k it, let’s put it out.’” On Oct. 28, the world was introduced to the world of Svengali, a hypnotic, genre-fused project that saw Cakes take a sharp left turn with his sound — the elements of his hip-house roots remained intact, now bolstered by a darker ambient noise around it.

“Sonically, what me and Sam produced was something that combined a lot of the sounds I listen to on the day to day — that’s jazz, neo-soul, R&B and house music — and the product is something that is so deeply me,” he says. “Muvaland is this very sugar-coated, high fructose corn syrup project, while Svengali is much more grown and refined.”

Cakes’ efforts didn’t go unnoticed: Svengali quickly earned critical acclaim, with Pitchfork writing that the album “feels like a milestone he’s been working toward for years,” and calling Cakes ” a bandleader of the jazz era he reveres, putting on for the divas and icons of his time.” While the album didn’t gain any instant success on platforms like YouTube or TikTok, the rapper says he’s watched his streaming numbers steadily rise since the project’s release.

As the topic of internet virality comes up, Cakes quickly becomes uncomfortable. Yes, he has a TikTok account that he posts on sporadically, and yes, he acknowledges that, without platforms like SoundCloud or Tumblr, his career likely wouldn’t exist. But when it comes to the dominance of TikTok in the current music market, Cakes doesn’t feel great about what it means for artists.

“It’s just so performative, to me,” he says with a sigh. “Historically speaking, that performative thing kind of feels like minstrel shows to me, to be real. I don’t think everyone has that intention, nor do I think it’s the intention of the app. But the connotation that it has — leaning choreography and dancing to get people to like you — doesn’t sit well with me.”

Throughout the conversation, Cakes makes it clear that success will happen on his own terms, not because of a viral trend he capitalized on or a major label deal that got him more radio airplay. He’s hustled before, and he’s happy to hustle again. “I’ve always been a hard worker and somebody who was a go getter,” he explains. “But when the pandemic happened, that was like, ‘The time is now, do what you wanna do. And if you’re gonna do it, make a product that you’re completely in love with. If it’s fab, people will like it.’”

That doesn’t mean he can’t dream, though — Cakes hopes to see the songs off of his upcoming summer project on the Billboard dance charts soon. More importantly, he hopes that his artistic renaissance over the last year allows him to finally be seen as a once-in-a-generation artist.

“I’m just over here trying to cement myself as somebody bigger than the ‘queer rap’ label that the media has placed on me,” he explains. “I’m trying to be considered as a dope songwriter and artist first.”

‘All Is Not Calm’ in Hilary Duff’s Hilarious Family Christmas Card

Hilary Duff has three children 10 years and younger under her roof, so you can be all but certain that her Christmas won’t be a “Silent Night.” In a hilarious Wednesday (Dec. 21) Instagram post, the 35-year-old singer-actress shared her holiday card with her husband, musician Matthew Koma, and their family, featuring an adorably chaotic group photo.

The How I Met Your Father actress and Koma (born Matthew Bair) appear to be held hostage as they sit back-to-back in separate chairs in the photo. Tied together by a string of Christmas lights held by 10-year-old son Luca — whom Duff shares with ex-husband Mike Comrie — she and Koma exchange worried looks, their mouths covered by duct tape.

On the floor sits the couple’s two daughters, 4-year-old Banks and 1-year-old Mae, who’s enjoying a tray of cupcakes with reckless abandon.

“A Duff some Bairs and a Comrie,” the envelope reads, while the card itself notes, “Happy holidays. All is not calm.”

Just a few hours prior, the Lizzie McGuire star had posted a sweet third anniversary tribute to Koma, whom she married Dec. 21, 2019. Sharing photos from their wedding and various adventures over the years, Duff wrote, “I don’t know if you knew what you were getting into or that you weren’t going to sleep or sit down for the next 5-10 years but I think for the most part you’re pretty happy about it.”

“Our life is so full and I’m over the top grateful for the guy that I got to do all this madness with,” she added.

See Hilary Duff and Matthew Koma’s family Christmas card below:

The 10 Biggest Music Law Stories of 2022: Taylor Swift, Young Thug, Cardi B, Dua Lipa & More

Whether it was Taylor Swift or Prince or Cardi B, 2022 saw major legal battles involving some of the music industry’s biggest stars, ranging from never-ending copyright fights to sprawling criminal cases centered on rap lyrics. Some stars, like Katy Perry, won big; others, like Young Thug and Gunna, faced repeated setbacks; still others, like Megan Thee Stallion and Ed Sheeran, just got exhausted. To catch up, here are 10 big music law stories that you need to remember from 2022.

Taylor Swift Finally Shakes It Off

There was no bigger music copyright lawsuit than the long-running case accusing Taylor Swift of stealing the lyrics to “Shake It Off.” Since 2017, songwriters Sean Hall and Nathan Butler had argued that Swift’s song (an all-time smash hit that spent 50 weeks on Hot 100) stole some of its core lyrics from “Playas Gon’ Play,” a 2001 song they wrote for the R&B group 3LW. And despite arguments from Swift’s white-shoe lawyers that lyrics about “playas” and “haters” were too commonplace to be monopolized under copyright law, federal courts repeatedly refused to dismiss the case. Following in the wake of earlier battles over Robin Thicke’s “Blurred Lines” and Katy Perry’s “Dark Horse,” the lawsuit raised big questions about the where copyright protection ends and the public domain begins. Those questions were set to be answered at a blockbuster trial in January – until Swift and her accusers reached a sudden settlement earlier this month.

Rap On Trial: A Year of Highs and Lows

Despite widespread criticism of the practice, prosecutors continued to cite rap lyrics as evidence in criminal cases in 2022, most prominently when Young Thug and Gunna were indicted in May as part of a sweeping gang case against dozens of members of the Atlanta rap crew YSL. The charges included numerous references to Young Thug and Gunna’s music, claiming lyrics were the kind of “predicate acts” that contributed to the overall criminal enterprise. And Fulton County District Attorney Fani Willis, who bought the case, offered no apologies for doing so: “If you decide to admit your crimes over a beat, I’m gonna use it,” Willis said. “I’m going to continue to do that, people can continue to be angry about it.” And yet, 2022 also saw the enactment of landmark legislation in California that would sharply restrict the practice, and efforts to pass similar laws in New York state and at the federal level – hopeful signs for critics who say it unfairly targets black men and violates their First Amendment rights.

Prince Estate Case Closed – Finally

The long legal battle over Prince’s $156 million estate was finally resolved in 2022, more than six years after the iconic rocker died suddenly from a fentanyl overdose without a will. The estate had been stuck in probate court for years, under the control of a court-appointed bank as rival groups of legal heirs wrangled over the rocker’s legacy. Over time, those proceedings came to be dominated in part by Primary Wave, the music industry giant that slowly bought out various Prince heirs to amass a 50 percent stake in the estate. The biggest hurdle was cleared in January, when the heirs reached a deal with the Internal Revenue Service to set a final tax valuation of $156 million, followed by a ruling February on the basic structure for how the assets would be split into two groups, and then a final judicial approval in August. Prince’s legacy is now a music story and a business story, not a legal story.

Ed Sheeran’s Copyright Nightmare

Ed Sheeran says he’s tired of all the copyright lawsuits, but 2022 was something of an up-and-down year on that front. In April, he won a dramatic victory in UK court over his chart-topping 2017 hit “Shape of You,” when a judge ruled that he didn’t copy the song from a little-known track called “Oh Why.” Following an 11-day London trial – in which an opposing attorney called Sheeran a “magpie,” the singer repeatedly took the stand to defend himself, and he once even sang in open court – the judge ruled there was no evidence Sheeran had intentionally or even “subconsciously” copied any of the earlier material. But the respite was short-lived: In October, a federal judge in New York ruled that Sheeran must face a jury trial in a separate case claiming he borrowed key elements of his “Thinking Out Loud” from Marvin Gaye‘s iconic “Let’s Get It On. Barring a reversal (and Sheeran’s lawyers are asking for one) the decision set the stage for a blockbuster trial at some point in 2023, but a date has not yet been set.

Cardi B v. The World

Cardi B started the year with a bang, winning a $4 million defamation verdict in January against Tasha K, a gossip blogger who made salacious false claims on YouTube about drug use, STDs and prostitution. (Cardi’s lawyers are still trying to collect that money, btw.) And in October, she won at trial again, avoiding millions in damages by beating back a bizarre lawsuit filed by a California man whose back tattoos were unwittingly photoshopped onto the “raunchy” cover of Cardi’s 2016 mixtape Gangsta Bitch Music Vol. 1. The star herself took the witness stand in both trials, testifying about the pain of being defamed and sparring with an opposing lawyer over whether he had “receipts.” Oh, and Cardi also resolved a long-standing criminal case by pleading guilty in September to misdemeanor charges stemming from a 2018 bottle-throwing incident at a Queens strip club. All in all, a quiet year.

Dua Lipa’s Double-Whammy

One could argue you’re not truly a pop star until you’ve been sued for copyright infringement a few times; just ask Taylor Swift and Ed Sheeran. That means Dua Lipa must have truly arrived this year, when she was hit with not one but two separate lawsuits claiming she copied earlier songs when she wrote “Levitating”– the longest-running top 10 song ever by a female artist on the Hot 100. One case was filed by a Florida reggae band named Artikal Sound System, which claimed Lipa lifted the core hook for her song from their 2015 “Live Your Life.” The other case, filed a few days later in March, accused her of copying both a 1979 song called “Wiggle and Giggle All Night” and a 1980 song called “Don Diablo.” Armed with a top-flight legal team, Lipa has already struck back in both cases – but both remain pending.

Taylor Swift … Trust Buster?

Ticketmaster’s disastrous November presale for Taylor Swift’s upcoming Eras Tour – which saw widespread service delays and website crashes as millions of fans tried (and many failed) to buy tickets – resurfaced some uncomfortable legal questions for the all-powerful concert giant and its parent company Live Nation. Those questions have never fully gone away since the two companies merged in 2010, but in the days after the fiasco, lawmakers on both sides of the aisle called for new antitrust investigations – and that was before news broke that the U.S. Department of Justice had already launched such a probe.  If violations are found, Sen. Amy Klobuchar (D-Minn.), the chair of the Senate subcommittee for antitrust issues, urged regulators to consider “breaking up the company.” Meanwhile, state attorneys general across the country are also probing the debacle, and at least one class action lawsuit has already been filed accusing the company of fraud and “anticompetitive conduct.” Hell hath no fury like Swifties scorned…

Megan Thee Stallion’s Exhausting Year

Following an October appearance on Saturday Night Live promoting the release of her album Traumazine, Megan Thee Stallion said she needed to take a break because she was “so tired, physically and emotionally.” After her 2022 legal battles, it’s hard to blame her. In February, Megan’s long fight with her former record label, 1501 Certified Entertainment, escalated significantly when she accused the company of purposefully mislabeling an album to keep her locked into the deal. 1501 quickly countersued, then Megan upped the stakes again in August with new allegations and demands for damages. And all of that had nothing to do with the even bigger Megan story: A criminal case against Tory Lanez over charges that he shot her in the foot during a July 2020 altercation in Los Angeles. When a trial in that case kicked off earlier this month, Megan took the witness stand to recount the shooting and the toll it had taken on her. “I wish he had just shot and killed me,” she tearfully recounted.

R. Kelly Gets 30 Years – And Gets Convicted Again

Things went from bad to worse for R. Kelly in 2022. After being convicted last year in New York on racketeering and sex trafficking charges, the disgraced R&B singer was sentenced to 30 years in prison on those charges in June. Then in August, he was convicted in Chicago on separate child pornography charges stemming from an infamous video tape involving him and minor, meaning he faces decades more in prison time. His attorneys plan to appeal both convictions.

Katy Perry Wins Case and Makes Law

When Katy Perry won a copyright ruling at a federal appeals court in March, declaring that her 2013 chart-topper “Dark Horse” hadn’t infringed an earlier song, it was a bigger deal than just one case. Sure, it was important to Perry herself, who avoided $2.8 million verdict by defeating the accusations. And the star was obviously pleased, telling a Las Vegas concert crowd in a viral clip: “So just be sure…before you take me to court, ‘cause I’m a Scorpio, bitch!” But the ruling was also a clear rejection of similar infringement cases over songs, stressing that simple musical “building blocks,” like the short “ostinato” in Perry’s song, cannot be locked up by any particular songwriter because it would chill future songwriting creativity. Much like a 2020 ruling on “Stairway To Heaven,” the decision for Perry could be seen as part of a pendulum swing away from earlier decisions over Robin Thicke’s “Blurred Lines,” which were criticized by some for expanding music copyrights to more basic elements.