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Judge Won’t Overturn Cardi B’s Trial Victory Over ‘Raunchy’ Mixtape Cover Art

A federal judge is refusing to overturn Cardi B’s courtroom victory in lawsuit over a man who was unwittingly photoshopped into a “raunchy” album cover, ruling that he would not “second-guess” the verdict handed down by a jury.

Kevin Brophy had asked the judge to toss out an October jury verdict clearing Cardi of wrongdoing over the bawdy cover of her 2016 mixtape Gangsta Bitch Music Vol. 1, which Brophy claimed had “humiliated” him by making it appear he was performing oral sex on the superstar rapper.

But such rulings are reserved for rare situations where a jury clearly got something wrong — like a verdict that flies in the face of the evidence that was actually presented in court. And in a ruling on Wednesday, Judge Cormac J. Carney said there were plenty of reasons why the jury had sided with Cardi.

“In short, reasons abound to sustain the jury’s verdict,” the judge wrote. “It is not for this Court to second-guess the verdict now.” Notably, the judge also ordered Brophy to repay the legal bills that Cardi incurred defending the lawsuit, which can often amount to hundreds of thousands of dollars.

Among other reasons for siding with Cardi, Judge Carney said jurors could have been swayed by evidence and testimony that Brophy had not actually suffered any harm – none at all – as a result of Cardi’s supposedly humiliating album cover.

“Brophy testified that neither he nor any member of his family sought treatment from a psychiatrist or psychologist or marital or family counseling for the alleged humiliation, embarrassment, and mental distress,” the judge wrote, adding that Brophy had also seen no adverse impact on his professional career. “He is happily married to his wife, Lindsay, who also testified to the strength of their relationship, and their eldest child, who saw the mixtape cover once, never mentioned it to Brophy again.”

Released in 2016, the cover image of Gangsta Bitch featured the then-rising star is seen taking a swig of a large beer, staring directly into the camera with her legs spread wide and holding a man’s head while he appears to perform oral sex on her.

The actual man in the image was a model who had consented to the shoot, but a giant tattoo on the man’s back belonged to Brophy. Unbeknownst to Cardi, a freelance graphic designer had typed “back tattoos” into Google Image, found one that fit (Brophy’s), and Photoshopped it onto the model’s body.

Brophy sued in 2017 for millions in damages, claiming he was “devastated, humiliated and embarrassed” by the cover. He claimed Cardi and others violated his so-called right of publicity by using his likeness without his consent, and also violated his right to privacy by casting him in a “false light” that was “highly offensive.”

Cardi’s lawyers called the allegations “sheer fantasy” and “vastly overblown,” arguing that nobody would have recognized a relatively unknown man based merely on his back. And after a four-day trial in which the star herself demanded “receipts” to support the allegations, a jury agreed – clearing Cardi of all Brophy’s claims.

In Wednesday’s decision upholding that verdict, Judge Carney said jurors had an “ample basis” to reach that decision. Among other things, he cited testimony about how the model in the image appeared to be a Black man, while Brophy himself is white.

“The jury could have reasonably concluded that the back tattoo on the model on the mixtape cover at issue in this suit was not sufficiently identifiable with Brophy,” the judge wrote. “Because the model’s face is not visible, identification based on facial appearance is impossible.”

The judge said jurors also had good reason to believe the cover represented a “transformative fair use” of the image – meaning it was legal for Cardi to use it to create her own new image on the cover.

“Brophy’s tattoo played a minor role in what was a larger visual commentary on sexual politics,” the judge wrote. “Brophy’s tattoo was but one tattoo on the back of the model, who was himself but one part of a suggestive portrayal of a man with his head between Cardi B’s legs.”

“The purpose, Cardi B testified, was to show her in control, reversing traditional gender roles,” the judge concluded.

Wednesday’s is likely not the end of the road for Brophy’s lawsuit, since he can still take the case to a federal appeals court to seek a reversal of Judge Carney’s decision. Brophy’s attorney declined to comment on the ruling when reached by Billboard.

Rapper Theophilus London Reported Missing By His Family

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One of the culture’s most unique talents can’t be located. Rapper Theophilus London has been reported missing by his family.

As per Complex, the Trinidad and Tobago native is no where to be found. A representative acting on behalf of his family has shared a statement confirming that they have not been in contact with the musician in several months. “Over the last few weeks, friends and family of Theophilus London have been working together to piece together his whereabouts.

The last time someone spoke with him reportedly stretches back to July 2022 in Los Angeles,” the message reads. “On December 27th, family members of Theophilus London traveled to Los Angeles to file a missing persons report with the LAPD. They are now seeking the public’s help with any information as to London’s whereabouts.”

The release also includes a communication directly from his father Lary Moses London. “Theo, your Dad loves you, son. We miss you,” said his father. “And all your friends and relatives are searching for you. Wherever you are send us some signal. No matter what we will come get you son.” His cousin Mikhail DjKellz Noel also posted a message urging anyone who has seen Theophilus to reach out to him directly.

“To anyone who knows anything please reach out to me through DM or contact the LAPD. Any and all information is appreciated to help us find our loved one, Theo.”

London is a 6-foot-2, 175-pound Black man with dark brown eyes. London released his debut album, Timez Are Weird These Days, in 2011. He followed that with Vibes (which was executive produced by Kanye West) in 2014 and Bebey in 2020.

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“Never Spoke. Never Flew”: Drake Denies Rumors He Flew Fan Out & Kicked Her Out His Crib

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A few days ago, social media was buzzing after a woman took to TikTok and claimed that Drake flew her out to his Toronto castle to hook up with her only to kick her out once she pulled out her phone and tried to record him.

After days of being the talk of the social media town, Drake has finally responded to the accusation and naturally is denying any of it ever took place. TMZ is reporting that the King of The North took to his IG Stories to refute the woman’s story by simply stating “Never met. Never spoke. Never flew. I hope people start doing more with the one life we are given sh*t is sad out here.”

Drake is known to fly out female acquaintances out to Toronto to “spend time” with them before sending them on their way. The only “L” he apparently took practicing such actions was when he flew Ice Spice out to Canada only to unfollow her on Instagram after their encounter. Many speculated that she curved Drizzy, and he in turn decided he didn’t need to see anything she was up to on his timeline.

So it’s not beyond the realm of possibility that this woman who claimed Drizzy flew her out and kicked her out is actually telling the truth. In the story she posted, she described how she tagged Drake on one of her more seductive posts and eventually Drake DM’d her and things went from there. Breaking down how Drake booked her flight to his kingdom, the woman says that his team made her sign a NDA before entering his crib (which she did) and went on to recount how the night went in accordance with the non-disclosure agreement.

At one point she says, “he kept on rubbing on my stomach and asking me questions like ‘do you want kids?’” She went on to say they started drinking and vibing … and eventually, things escalated to them having unprotected sex.

The woman also claims Drake became angry when she began recording him … saying he slapped her phone out her hand and kicked her out his crib.

Her post has now been deleted. Though she says she has receipts to prove that she’s telling the truth, it seems like the matter might be behind everyone if she’s taken her original post down.

What do y’all think of this situation? Is the woman capping or is Drake faking the funk? Let us know in the comments section below.

Green Light: NYC Officially Opens First Legal Weed Store In East Village

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The long wait is over as New York City has opened its first legal marijuana dispensary, with more slated to open within the next few months.

On Thursday (Dec. 29), the first legally licensed recreational marijuana dispensary in New York State will open in the East Village neighborhood of Manhattan. The Housing Works Cannabis Company is preparing to open its doors after being given the go-ahead by Governor Kathy Hochul December 21.

“We set a course just nine months ago to start New York’s adult-use cannabis market off on the right foot by prioritizing equity, and now, we’re fulfilling that goal,” she said at a press conference announcing the decision at the time.

New York Housing Works, a minority-controlled non-profit organization serving those afflicted with HIV and AIDS, is the first of 36 dispensaries that have been licensed to sell cannabis to the general public. The state’s Cannabis Control Board is on track to issue another 139 licenses within the next few months as another 900 applicants are awaiting a decision. The operating hours will be from 11 a.m. to 7 p.m. daily, and the dispensary will be open to the general public at 4:20 p.m. after the VIPs have their chance to patronize the place in the morning.

The opening of Housing Works Cannabis Company comes as New York City Mayor Eric Adams has issued a directive to crack down on the numerous smoke shops and bodegas selling unlicensed cannabis products that have sprung up around the city within the past year. Quality and pricing are the main reasons why these places will present stiff competition to legal dispensaries, with the unlicensed stores also drawing customers in with more colorful displays and decorations.

“Either way you can get marijuana on each block you go on, so it’s going to be the same,” said Ron, a store employee at a smoke shop in the East Village. Housing Works CEO Charles King notes that the financial disparity in operations is a concern. “Because we have to pay taxes in three different jurisdictions, we also have to charge more for our product than the illegal market does,” he said in an interview.

The listed prices for some of their products are on par with what customers would find in unlicensed shops, with an ounce of weed priced at $20 to $35 and pre-rolled joints retailing for $16 to $25 – before the 13% sales tax. But others feel this opening won’t deter the underground market that much.

Bad Bunny & Tainy’s ‘Callaíta’ Video Surpasses 1 Billion Views on YouTube

In a way, “Callaíta” by Bad Bunny and Tainy helped set the tone for Un Verano Sin Ti, even though the song was released on May 31, 2019, three years prior to the Billboard staff’s favorite album of 2022. With its serene intro and seagull squawking from afar, the banger encapsulates the essence of the record’s eternal summer energy — it is the outro track of Benito’s latest groundbreaking LP, after all. 

With the Bunny’s continued momentum of viral milestones, his number of billion-view music videos on YouTube also keeps growing, and “Callaíta” recently made the cut

The visual already feels like a classic, with the Puerto Rican rapper rocking his famous buzzed triangular hairstyle from the late ‘10s. The video follows a woman who loves taking shots at the bar, but she’s low-key otherwise. Then, a group of beach- and partygoers hit the shores where there’s a merry-go-round spinning on the sand, and Benito gets his chance with the quiet gal. 

A few weeks apart from Un Verano Sin Ti dropping, “Callaíta” reached one billion streams on Spotify this year. “Seeing that ‘Callaita’ became what it became is insane. It’s humbling that people still connect with the song after so many years,” Tainy recently told Billboard Español of the song reaching the milestone on Spotify. “You get a sense of those classic songs that you grew up listening to and still hear today, and can’t comprehend how they still connect with people after so many years. I’m happy that we were able to create a song that has stood the test of time.”

The producer continued: “We always had dreams about things we wanted to do, but they had a limit. Because we didn’t think it was possible for people like me — where I come from, who I am, our position in the world — and to see that I’ve been able to exceed that by a billion from what I initially thought could be possible, it just makes you feel like this is all blessings. [I’m] just here to have a responsibility of inspiring more people that could do twice as much as what [I’ve] done. That’s the most special part for me.”

Revisit the song and its video above.

Cardi B Reflects on Early Days of Career With Throwback Promo Photos: ‘I Had a Dream’

Everyone starts somewhere. Now a Grammy-winning global sensation with five No. 1 singles to her name, Cardi B just shared a throwback to what she was doing about seven years ago: posing for some promo photos for her first mixtape, 2016’s Gangsta Bitch Music Vol. 1.

“My first mixtape promo photos ….I had a dream,” the rapper tweeted Wednesday (Dec. 28), captioning a trio of snaps taken leading up to the mixtape’s release.

In one of the photos, she pours a cup of detergent into a washing machine at a laundromat while wearing a black underwear set that shows off the majority of the signature peacock tattoo on her thigh. In another, she stands at a stove wearing a red bikini top and bandana in her blue hair, stirring a pot with her tongue sticking out.

“’I don’t cook I don’t clean’ back in the day when you cooked and cleaned,” joked one fan in the replies, referencing one of Cardi’s “WAP” lyrics.

Each of the photos is labelled with a reminder to pre-order her debut mixtape. Over a photo of the Bronx native posing on top of a graffitied blue mailbox reads the message, “Gangsta Bitch Music Vol. 1 2 DAYS LEFT to pre-order. Free copy call 718.215.0159.”

Though Cardi has released two more mixtapes and a debut studio album since Gangsta Bitch Music Vol. 1, the mixtape was once again at the center of public focus this year. In October, the “Up” artist won a lawsuit filed against her by a man who claimed his rights were violated after his tattoos were Photoshopped onto the back of a male model on the cover of the mixtape.

The Gangsta Bitch promo photos aren’t the first time that Cardi has looked back fondly on past career moments. On Monday (Dec. 26), she retweeted a clip from her 2017 “Lick” music video featuring Offset, the Migos star whom she would marry later that year.

“I couldn’t even breath doing this video,” she wrote. “I was crushing hard on Set.”

See Cardi B’s throwback tweet below:

Watch BTS’ Suga Go Back to the Basics in a Hip-Hop Dance Class

Aside from singing, BTS is also known for its larger-than-life dance moves and crisp choreography. And despite going on 10 years of being in the septet, a good dance practice every now and then helps keeps its members in peak performance shape.

Suga wanted to go back to the basics and shared a 10-minute video on Thursday (Dec. 29) to BTS’ official YouTube page of him taking a Hip-Hop Dance 101 class with the help of a private instructor.

Before the lesson kicked off, Suga sat down at the camera and told viewers, “Hello everyone. At age 30, I’ve come to take dance lessons. Basic hip-hop moves. It’s been about 12 years since I last did this in high school. I’ll give it a try.”

After dancing to tracks by Snoop Dogg, 2Pac and more, Suga exclaimed, “I feel like a trainee!” referencing his days in K-pop training camp prior to joining BTS. He elaborated, “I’m a mess. This is so hard. It’s so hard to do this [basic moves] after a long time. I feel kind of dumb doing this. When I first joined as a trainee I’d never danced before.”

Suga concluded the first day of dance lessons with a message to his fans about what he has been up to lately. “I’ve learned some basic hip-hop moves. I’ve suddenly got an interest in learning at the age of 30,” he shared.” I’m taking all kinds of lessons now. I’ve started playing the keyboard again. I’m also taking guitar and dance and Japanese and English.”

The video featured two more classes with Suga honing his skills, and finished with a note from the instructor to always practice his moves, but in alternating positions in the body.

Watch Suga’s dance-lesson video above.

The Weeknd Teases New Music Video for ‘Dawn FM’ One-Year Anniversary

The Weeknd is closing in on the one-year anniversary of his fifth studio album, Dawn FM, and if you’re a fan, you might want to keep an eye on his YouTube page as the date draws nearer. In a Wednesday (Dec. 28) tweet, the 32-year-old hitmaker teased that a new music video for a song off the record is in the works, just in time for the milestone.

Dawn FM arrived one week into 2022 on Jan. 7, two years after his No. 1 record After Hours was released. On Wednesday, a fan on Twitter asked the Toronto native — born Abel Tesfaye — “dawn fm almost a year old, how do you feel?”

“i feel istheresomeoneelsemusicvideo-ish,” he simply replied.

“Is There Someone Else?” is the 10th track on Dawn FM. So far, lead single “Take My Breath” and subsequent tracks “Out of Time,” “Sacrifice,” “Gasoline” and “How Do I Make You Love Me” all have corresponding music videos.

The video tease comes on the heels of the Idol star’s latest release, “Nothing Is Lost (You Give Me Strength),” which he wrote and recorded for the Avatar: The Way of Water soundtrack. Co-written and co-produced by Swedish House Mafia, the ballad plays during the end credits of the Avatar sequel, which premiered in theaters Dec. 16.

Tesfaye is also gearing up for the European and Latin American legs of his After Hours Til Dawn Tour, which picks up again in Manchester in June. The “Blinding Lights” singer completed the trek’s North American leg in November, and is already getting hyped for next year’s excursion.

“xo bout to F–k up 2023,” he also tweeted on Wednesday alongside an artistically edited compilation of footage from his prior After Hours Til Dawn tour shows. See it below:

Taylor Swift Returns to No. 1 on Billboard Artist 100 for Record-Extending 58th Week

Taylor Swift rebounds to No. 1 on the Billboard Artist 100 chart (dated Dec. 31), spending a record-extending 58th week as the top musical act in the U.S. thanks to the continued success of her album Midnights.

Plus, RM re-enters the Artist 100 at No. 6, a new best for the BTS member as a soloist.

Swift’s Midnights ranks at No. 2 on the Billboard 200 chart with 155,000 equivalent album units earned in its ninth week (Dec. 16-22), according to Luminate. Of those nine weeks, five have been spent at No. 1, making it her sixth album to have five or more weeks at the summit. Swift is the only woman with as many as six albums that have reigned for five or more weeks, tying her with Garth Brooks for the second-most among all acts, since the chart became a combined stereo and mono survey in 1963. The Beatles lead with a whopping 14 No. 1s that ruled for five or more weeks each.

In total, Swift places eight albums on the latest Billboard 200, the most among all acts. After Midnights, she charts with Folklore (No. 39), Lover (No. 40), Evermore (No. 42), Red (Taylor’s Version) (No. 46), Fearless (Taylor’s Version) (No. 80), 1989 (No. 105) and Reputation (No. 151).

Swift also charts two songs from Midnights on the Billboard Hot 100: former six-week No. 1 “Anti-Hero” at No. 9, followed by “Lavender Haze” at No. 67. As previously reported, “Anti-Hero” hits No. 1 on the Radio Songs chart, where Swift becomes the first artist with leaders in the 2000s, ’10s and ’20s, and the only act with No. 1s as a lead artist in any three distinct decades.

Plus, Swift has now spent eight total weeks at No. 1 on the Artist 100 chart in 2022. As this is the last chart week dated in 2022, she and Bad Bunny tie for the most weeks logged at No. 1 this year. The Weeknd follows with six weeks on top this year, then Adele (four), Harry Styles (three), Beyoncé and Stray Kids (two apiece).

Elsewhere on the Artist 100, BTS’ RM re-enters at No. 6 — a new high — thanks to the CD release of his solo album Indigo. The set re-enters the Billboard 200 chart at a new No. 3 best (83,000 units) after debuting at No. 15 two weeks ago, when he first reached the Artist 100’s top 10 at No 8.

RM is the sixth BTS member to scale the Artist 100 solo, after Jung Kook (No. 47 peak, earlier in December), Jin (No. 10, November), J-Hope (No. 9, July), V (No. 57, January) and Suga (No. 57, December 2021, after he soared to No. 4, billed as Agust D, in 2020). BTS has spent 21 weeks at No. 1 on the Artist 100, the most among groups and the fourth-most overall after Swift, Drake (37) and The Weeknd (28), dating to the survey’s 2014 inception.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multidimensional ranking of artist popularity.

Ye fka Kanye West Can’t Be Found For Ex-Business Manager To Serve $4.5M Lawsuit

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The rapper formerly known as Kanye West is AWOL, sort of. Ye’s ex-business manager is claiming he is unable to find the rapper, in order to serve a lawsuit against his MAGA-loving former client.

Apparently, rumors of Yeezy’s alleged disappearance kicked off due to a tweet, of course.

According to the Sun, Thomas St. John, can’t find Yeezy to serve him with a $4.5 million contract lawsuit, per court documents.

The “ex-business manager” is believed to be Thomas St John, given his ongoing lawsuit against Kanye West and his company, Yeezy.

In the December 19, 2022, court filing exclusively obtained by The U.S. Sun, Thomas is seeking an extension of time to serve Ye and the other defendant, Yeezy LLC, the court docs.

He and his attorneys are asking to extend the time until the end of March due to multiple failed attempts to contact Ye.

St. John also claims he’s having difficulty contact Ye’s legal team because it looks like the “Power” rapper may not actually have one, at the moment.

The real tea may be that St. John was allegedly hired by West to handle his money.

Per the Sun:

According to court docs, Thomas filed the lawsuit because he wasn’t paid for the 18-month guaranteed term working as Ye’s senior financial advisor and Chief Financial Officer.

He was supposed to get paid $300K per month but only ended up working three months, which he allegedly did not receive payments for, court docs claim.

In a January 2022 meeting, detailed in the complaint, Thomas mentioned that the Praise God singer allegedly became “heated and aggressive” and “screamed” at Mr. St John, saying he didn’t want to work with him anymore. 

The lawsuit claimed: “When confronted by the 18-month commitment that had just been made, Mr. West stated words to the effect of ‘The 18-month term was bulls**t’ and ‘You’re insane for even thinking I would stick to it.’”

Sounds about on brand.