djfrosty

J-Hope’s ‘New Year’s Rockin‘ Eve’ Mashup of ‘Chicken Noodle Soup’ & ‘Butter’ Is Here: Watch

For the BTS ARMY members who didn’t get a chance to watch J-Hope‘s performance on New Year’s Rockin’ Eve — or just want to see it again — you’re in luck. BTS’ YouTube page shared a video of the rapper’s performance — which took place leading up to midnight on New Year’s Eve — on Wednesday (Jan. 4) for fans to enjoy.

Explore

See latest videos, charts and news

See latest videos, charts and news

J-Hope appeared on stage live from New York City’s Time Square to perform a trio of hit songs from his solo discography, as well as BTS’. The rapper eased into the performance with “= (Equal Sign),” which served as a touching and hopeful wish for the year ahead. “Hate’ll paralyze your mind/ Gotta see the other side/ It costs ya nothin’ to be kind/ Not so different you and I,” he sang, later joined by a series of backup dancers for a transition into the next song.

Next up was a high-energy showcase of “Chicken Noodle Soup,” his 2019 collaboration with Becky G. Though the Spanish singer was absent for the performance, Hope entertained the crowd with the help of backup dancers and enthusiastic delivery of the lyrics, as well as the track’s signature dance moves.

Shortly after, things became festive. J-Hope and the dancers launched into choreography for a holiday-themed remix of BTS’ “Butter” with hints of jingle bells. The other BTS members were not present, but their backing vocals filled up the space before closing out the track with its signature “Hotter? Sweeter! Cooler? Butter!” and a “Happy New Year” wish for the audience.

Watch J-Hope’s performance for New Year’s Rockin’ Eve in the video above.

Final Chapters of ‘Surviving R. Kelly’ Claim Singer Forced Aaliyah’s Family to Sign Non-Disclosure Agreement Following Annulment

The final two installments of Lifetime’s Surviving R. Kelly docuseries series ended with a pair of bombshell revelations about the imprisoned singer’s controversial marriage to a then-underage Aaliyah. The two episodes that debuted on Monday and Tuesday, focused in on Kelly’s 2022 federal trial, which included allegations that the singer and his team allegedly forced Aaliyah’s family to sign a non-disclosure agreement in the wake of the annulment of the performers’ brief marriage.

Kelly and Aaliyah were married in secret in August 1994 when the “Rock the Boat” singer was just 15, even though their marriage certificate listed her age as 18; the marriage was reportedly annulled by Aaliyah’s parents in Feb. 1995. Interviews with some of Kelly’s and Aaliyah’s entourages revealed some of the details of the NDA, which reportedly came after Aaliyah’s father was incensed by the marriage.

Longtime friend and former bodyguard Gem Pratt told the Surviving team that Aaliyah’s family signed a contract with Kelly that promised they would not press charges against him for the illegal marriage after the annulment if Kelly promised to sell them the rights to his first three albums. During last year’s federal trial a jury found Kelly guilty on three counts of child pornography and three counts of enticing a minor to engage in sexual activity; Aaliyah was referred to as Jane Doe #1 at that trial.

“Her dad [Michael Haughton] didn’t want her anywhere near him,” Pratt said in the series about wanting to put distance between Kelly, who was 27 at at the time of the marriage, and Aaliyah, whose debut album, Age Ain’t Nothing But a Number — released when she was 14 — was produced and mostly written by Kelly. The stories of Kelly and Aaliyah’s secret marriage were rumored at the time, but the final episodes of the Lifetimes series put the details of the aftermath into sharper focus.

They include allegations about members of Kelly’s inner circle allegedly looking the other way at Kelly’s abuse of women girls and young men over decades, with Pratt saying that “He [Kelly] couldn’t do this by himself… it’s clear as day there were enablers.” Variety noted that the Aaliyah NDA came up during Kelly’s 2022 New York trial, though it did not receive widespread media coverage at the time; Chicago reporter Jim DeRogatis originally broke the news of the NDA, telling the New York Times Popcast podcast in 2018 that the agreement was a “harrowing document… A non-disclosure agreement on both her part and Kelly’s, vowing not to pursue further legal claims for physical abuse. So, it wasn’t just an underage sexual relationship, he hit her, allegedly, according to that court document.”

A lawyer for Kelly had not returned Billboard‘s request for comment about the NDA at press time and Kelly has maintained his innocence and is appealing the convictions.

In Sept. 2021, Kelly was found guilty in a New York trial of nine counts, including racketeering and 14 underlying acts including sexual exploitation of a child, kidnapping, bribery and sex trafficking charges, as well as eight counts of violating the sex trafficking law known as the Mann Act. In June 2022, Kelly, 55, was sentenced to 30 years in prison; the singer is still facing additional sentencing in Chicago as well as pending felony sex crime charges in Minnesota.

The final chapters of producer/director Dream Hampton’s Surviving series also included new allegations of Kelly’s sexual abuse from a survivor named Ebonié Doyle, who claimed she was raped by Kelly just days after his marriage to Aaliyah. Doyle said she was 16 when Kelly’s limo pulled up on her after one of his shows, setting off a relationship that resulted in her mother kicking Doyle out of the house when she discovered it.

After moving in with Kelly, Doyle said she became subject to Kelly’s “controlling” ways, which included forcing her to sit in a specific sexual position for hours until her posture was to his liking. At the time there were whispers about the singer’s relationship with the underage Aaliyah — Doyle noticed she and the singer were similar in stature and appearance — and said at one point she found a sex tape featuring Kelly and Aaliyah. When Kelly found out that she’d seen the tape, Doyle said he pushed her down a flight of stairs.

Zach Bryan Scores His First Hot Country Songs No. 1 With ‘Something in the Orange’

Zach Bryan notches his first No. 1 on Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated Jan. 7) with “Something in the Orange.” In its 36th week on the survey, the song ascends from No. 2 with 15 million official streams (up 2%) and 4,000 downloads sold (up 11%) Dec. 23-29, according to Luminate.

“Orange” debuted on the survey dated May 7, 2022, at No. 11 and reached the top 10 in June. Being promoted to country radio by Warner Music Nashville, the song marks Bryan’s first entry on the Country Airplay chart, where it ranks at No. 31 in its 26th frame with 2.4 million in reach.

Meanwhile, Bryan’s new live album, All My Homies Hate Ticketmaster (Live From Red Rocks), arrives on Top Country Albums at No. 14. Released Dec. 25, it earned 12,000 equivalent album units through Dec. 29. The 24-song set, which includes “Orange,” was recorded at Bryan’s concert Nov. 3 at Red Rocks Amphitheatre in Morrison, Colo.

“Seems there is a massive issue with fair ticket prices to live shows lately,” Bryan shared on social media. “I have met kids at my shows who have paid upwards of four-hundred bucks to be there and I’m done with it. I’ve decided to play a limited number of headline shows next year to which I’ve done all I can to make prices as cheap as possible and to prove to people tickets don’t have to cost $450 to see a good and honest show.”

“Orange” original parent album American Heartbreak debuted at No. 1 on Top Country Albums last May with 71,000 units – the biggest week tallied by a country LP in 2022. On the Jan. 7-dated list, it ranks at No. 5 (30,000 units).

Notably, Bryan wrote “Orange” solo. It’s the first Hot Country Songs No. 1 penned by a single writer since Taylor Swift’s “Love Story (Taylor’s Version),” which debuted atop the chart dated Feb. 27, 2021. Before that, Blanco Brown’s self-written “The Git Up” reigned for 12 weeks beginning in July 2019.

On Hot Country Songs, “Orange” dethrones Morgan Wallen’s “You Proof,” which dominated for 19 nonconsecutive weeks starting with its debut last May. Concurrently, “You Proof” leads Country Airplay for a record-extending 10th week.

Taylor Swift Becomes First Act to Rule Artist 100 Chart in 8 Distinct Years

Taylor Swift extends her record run atop the Billboard Artist 100 chart, as she tallies a 59th total week at No. 1 (on the latest Jan. 7-dated list).

Swift holds as the top musical act in the U.S. thanks to the continued success of her album Midnights. The set ranks at No. 2 on the Billboard 200, with 106,000 equivalent album units earned Dec. 23-29, according to Luminate. Of its 10 weeks on the chart, five have been at No. 1.

In total, Swift places eight albums on the latest Billboard 200, the most among all acts: Midnights, Lover (No. 44), Folklore (No. 48), Red (Taylor’s Version) (No. 54), Evermore (No. 55), 1989 (No. 85), Fearless (Taylor’s Version) (No. 121) and Reputation (No. 147).

Swift also charts two songs from Midnights on the Billboard Hot 100: former six-week No. 1 “Anti-Hero,” at No. 8, and “Lavender Haze,” at No. 64 (after it debuted at its No. 2 high upon the set’s chart entrance).

Notably, Swift has now ruled Artist 100 charts dated in eight separate years: 2014, 2015, 2017, 2019, 2020, 2021, 2022 and 2023, becoming the first artist to achieve the feat since the survey began in 2014.

Rounding out the top five of the latest Artist 100, SZA holds at No. 2 as her new album SOS spends a third week at No. 1 on the Billboard 200; Morgan Wallen keeps at No. 3; Harry Styles pushes 8-4; and The Weeknd rises 7-5.

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

Harry Styles Helps UK Music Streams Cross 150 Billion Mark for First Time in 2022

A record 159 billion music tracks were streamed in the United Kingdom last year, up 8.2% on 2021 and more than double the volume of audio streams registered five years ago — and more than 40 times bigger than a decade ago — according to year-end figures from labels trade body BPI.

In 2017, just over 68 billion music tracks were streamed in the U.K. That number soared to 159.3 billion in 2022 when an average of more than three billion audio streams were listened to on music streaming platforms like Spotify and Apple Music every week (the numbers don’t include video streams on YouTube or other video streaming platforms).

BPI reports that it now takes an average of 1.3 million audio streams to break into the U.K.’s official Top 40 singles chart and a combined seven million audio and video streams to score a number one.

Across digital and physical formats, the equivalent of 166 million albums were streamed or purchased last year, up 4.3% on the previous 12 months. Contributing to the rise in music consumption was the ongoing resurgence of vinyl, which shows no signs of slowing.

Sales of vinyl LPs climbed 2.9% year-on-year in the U.K. in 2022 to 5.5 million units — marking a 15th consecutive year of growth for the once considered dead format and the highest level of vinyl purchases in the country since 1990, when …But Seriously by Phil Collins was the year’s biggest-selling studio album.

Vinyl now represents just under one third (31.7%) of all physical music sales in the U.K., while CD sales fell 19.3% year-on-year to 11.6 million units and cassettes climbed 5.2% to 195,000 units. The CD’s share of the U.K. physical market now stands at about 67%, while tapes account for 1.1%, up from 0.9% in 2021.

Overall, streaming now accounts for just over 86% of all music sales in the U.K., up from 83.1% in 2021. That leaves physical formats with 10.4%, digital albums at 2.2% and track equivalent albums with 1.2% of all sales.

Five years ago, streaming accounted for just over 50% of the British market. In line with the year-on-year increase in music streaming, digital download sales fell 18.9% year-on-year to 3.7 million in 2022.

The U.K. is the world’s third biggest recorded music market behind the U.S. and Japan with sales of just over $1.8 billion in trade value, according to IFPI’s 2022 Global Music Report.

BPI’s preliminary year-end report, published Wednesday (Jan. 4), doesn’t include financial sales data. Instead, it uses Official Charts Company data to measure U.K. music consumption in terms of volume. The London-based organization will publish its full year-end report, including recorded music revenues, later this year. Another British trade body, the Entertainment Retailers Association (ERA), is due to report on annual music retail spending later this month.

For the first time since year-end charts were introduced more than 50 years ago, British artists accounted for the top 10 biggest-selling singles in the U.K. last year (either as the lead or as a featured artist), led by Harry Styles’ “As It Was,” which topped the U.K. singles chart for 10 consecutive weeks (as well as 15 weeks atop the Billboard Hot 100) and was streamed more than 180 million times in the United Kingdom.

Hit singles by Ed Sheeran, Cat Burns, Glass Animals, Lost Frequencies & Calum Scott, LF System, Sam Fender made up the rest of the top 10, joined by Kate Bush, whose 1985 track “Running Up That Hill” spent three weeks at number one following its high-profile Stranger Things synch and was streamed 124 million times in the U.K.

Styles also landed the year’s best-selling album with his third studio set Harry’s House. He is the first artist to have both the U.K.’s top single and top album since Lewis Capaldi in 2019. Sheeran’s = (Equals) and Taylor Swift’s Midnights were the year’s second and third best-selling albums, respectively, with Midnights the only album to achieve more than 200,000 chart-eligible sales in a single week. More than 60,000 of those first week sales were vinyl purchases, says BPI.

Last year was also a strong year for independent artists and labels in the U.K. Independent labels grew their share of the U.K. music market for a fifth consecutive year to account for 28.6% of album or their equivalent purchases across streaming and physical, up from 26.9% in 2021. Nine independently released LPs topped the U.K. albums chart in 2022 including records by The 1975, Central Cee, Fontaines D.C. and Wet Leg.

In a statement, BPI chair Yolanda Brown said the success of homegrown talent in 2022 was down to a “compelling mix” of musical creativity and artistry, coupled with the “the ever-expanding opportunities afforded by streaming” and the support of record labels.

Kelly Osbourne Welcomes First Child With Slipknot’s Sid Wilson

A new heir has been born into heavy metal royalty. In a Tuesday (Jan. 3) episode of The Talk, Sharon Osbourne excitedly announced that Kelly Osbourne, her daughter with Ozzy Osbourne, has welcomed her first child, a baby boy, with Slipknot‘s Sid Wilson.

Though Kelly hasn’t yet posted anything about her new son, Sharon confirmed on Britain’s The Talk that she and Ozzy are now grandparents to five children. The 70-year-old Extreme author also revealed that the baby is named Sidney — seemingly after his father — and said that Kelly is doing “so great, so great” as a new mom.

“I’m so proud of her,” Sharon said, noting that Kelly doesn’t want to release photos of Sidney publicly at the moment.

Kelly first announced that she and Wilson were expecting in a May Instagram post, sharing ultrasound photos and captioning the post, “I know that I have been very quiet these past few months so I thought I would share with you all as to why… I am over the moon to announce that I am going to be a Mumma.”

“To say that I am happy does not quite cut it,” she added at the time. “I am ecstatic!”

The 32-year-old “Papa Don’t Preach” singer first met Wilson in 1999, when Slipknot toured with Ozzfest, the traveling hard-rock music festival founded by her parents. It wasn’t until last February, though, that she and Wilson went Instagram official, with Kelly professing on Valentine’s Day that she was “so deeply in love” with the heavy metal DJ.

“After 23 years of friendship I can’t believe where we have ended up!” she wrote at the time, calling Wilson her “best friend” and “soulmate.”

Sharon, meanwhile, also opened up on Tuesday’s The Talk episode about her December health scare, which involved her being rushed to the hospital in Santa Paula, Calif., following a mysterious medical emergency. Nearly three weeks later, Sharon still doesn’t have many answers as to what happened, as she revealed that all she knows is that she passed out while filming a project and remained unconscious for 20 minutes.

“I wish I could [explain], but I can’t,” she said, saying that her doctors had run “every test” on her and still couldn’t determine the cause of the incident. “It was the weirdest thing.”

Watch Sharon talk about her and husband Ozzy’s new grandchild below:

Bad Bunny Responds To Video Of Him Throwing A Fan’s Phone Away

HipHopWired Featured Video
Bad Bunny Concert in Mexico City - Day Two

Source: Medios y Media / Getty

2022 was a banner year for Bad Bunny as he went to achieve some historical feats such as having the most streamed Latin album in history with his fourth studio album, Un Verano Sin Tiand eventually going on to rock Yankee Stadium to close out his hottest of summers.

Unfortunately for him, scandal struck to kick off 2023 when he was caught on video grabbing a fan’s phone and chucking it into the abyss while he was visiting the Dominican Republic earlier this week. In the video you can see a female fan roll up on the 28-year-old King of Reggaeton and attempt to take a selfie with him. For the first few seconds, Bunny seemed cool with the gesture as he smiled while she stuck a phone in front of the both of them, but then the “Ojitos Lindos” artist grabbed the phone and flung it across the street much to the surprise of everyone recording him before walking off and saying “Respeta mi espacio” (Respect my space).

Needless to say the backlash he caught on social media was swift though many of his fans understood where he was coming from.

Knowing he had to acknowledge his actions, Bad Bunny took to social media to explain that he’s cool with fans meeting and greeting him on a personal level, but doubled down on his actions saying he doesn’t appreciate anyone rolling up on him and putting a “f*cking phone” in his face as he takes that as a “lack of respect.” With that being the case he’ll respond in kind to anyone violating his personal space.

English Translation: “To the person who comes up to me to say hello, to tell me something, or just to meet me, will always receive my attention and respect. Those who come and put a f*cking phone in my face, I will consider if for what it is, a lack of respect, and I will treat it likewise.”

Naturally his fans rode with him and accepted his explanation while others felt he went too far by chucking an expensive smart phone and even said he’d never fill the shoes of the OG King of Reggaeton, Daddy Yankee.

Daddy Yankee has officially retired from the music game for anyone who needs to know.

Whether or not this affects Bad Bunny’s popularity amongst his fan base we don’t know (probably won’t). But just know if you roll up on the Puerto Rican artist with plans on getting a pic, you better come correct or come with a phone you don’t mind losing because Bad Bunny don’t play that ish.

Shannon Sharpe Returns To ‘Undisputed’ With Class, Skip Bayless Showed His Ass

HipHopWired Featured Video

CLOSE

2016 IAVA Heroes Gala

Shannon Sharpe was notably absent on Tuesday’s (Jan. 3) broadcast of Skip and Shannon: Undisputed, with many speculating it was due to what was perceived as an insensitive tweet made by his co-host, Skip Bayless. The former NFL great returned to the set of the show and faced off with Bayless where things got tense as Sharpe attempted to explain his absence.

In a clip circulating on social media that has since gone viral, Shannon Sharpe, 54, attempts to no avail to explain why he wasn’t available for Undisputed yesterday and made mention of the chilling incident on Monday Night Football that saw Buffalo Bills player Damar Hamlin collapse on the field. Visibly shaken even during his explanation, Sharpe was unable to get through his statement without Bayless cutting him off.

At issue was a tweet Bayless made where he wrote, “[N]o doubt the NFL is considering postponing the rest of this game – but how? This late in the season, a game of this magnitude is crucial to the regular-season outcome … which suddenly seems so irrelevant.”

Bayless apologized for the tweet but, as Sharpe noted in his opening, it remains on Bayless’ Twitter feed and he defiantly told Sharpe that he wasn’t removing it. This ignited a brief back and forth between the two hosts and nothing was actually resolved. Many took note of Sharpe’s resolve and attempts to bring balance to the show while Bayless reduced those good efforts into dust in our opinion.

On Twitter, many are siding with Shannon Sharpe and reacting to the viral video courtesy of Awful Announcing, which we’ll also share below along with the comments.

Photo: Nicholas Hunt / Getty

Ñengo Flow Lands His Highest Charting Hit Ever on Hot Latin Songs With Bad Bunny Collab ‘Gato de Noche’

Puerto Rican Ñengo Flow claims his highest charting title on Billboard’s Hot Latin Songs chart thanks to “Gato de Noche,” his second team-up with Bad Bunny. The song, released three days before Christmas, debuts at No. 2 on the Jan. 7-dated list.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Gato de Noche” arrives in the runner-up slot on the multi-metric ranking thanks to its lofty streaming contribution during the Dec. 23-29 tracking week. The song, which dropped Dec. 22 via Rimas Entertainment, generated 11.4 million official U.S. streams in its first week, according to Luminate. That yields to a No. 2 debut on Latin Streaming Songs.

Sales also contribute to its high start: “Gato” sold 1,000 downloads in the same period. The sum is an 187% increase from the prior week’s totals (which only had one day of sales, Dec. 22), with a 12-3 surge on Latin Digital Song Sales.

Back on Hot Latin Songs (which blends airplay, streams and digital sales), “Gato de Noche” sends “Me Porto Bonito,” another one of Bad Bunny’s tunes, with Chencho Corleone, to No. 3 after its 12-week run at No. 2. (The track previously logged 20 weeks in charge.)

As mentioned, rapper Ñengo Flow outdoes his personal best with “Gato.” His prior highest bow was with “Safaera,” also with Benito, alongside duo Jowell & Randy; the song peaked at No. 4 in April 2020.

Further, “Gato” becomes Bad Bunny’s highest Hot Latin Songs debut through a collaborative effort since “Volví,” with Aventura, also launched at No. 2 in August 2021. Plus, “Gato” earns the highest start on the chart since Bad Bunny’s “Titi Me Preguntó” arrived at No. 2 in May 2022. The latter continues at the helm in its 13th consecutive week.

Elsewhere, Ñengo concurrently scores his best entry on the overall Billboard Hot 100 as “Gato” bows at No. 62.