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Between headlining performances and debuting her upcoming album Dreamsicle, Maren Morris is booked and busy. From setting her pre-show vibe to connecting with her fans, see what Maren shares on her journey to ‘Get It Together’ ahead of her White Claw Sessions performance in Palm Springs.
Tetris KellyMaren, what are you doing? You’re gonna be late to White Claw Sessions.
Maren MorrisWhat do you mean? I’m never late.
Tetris KellyAll right, we gotta get to this show.
Maren MorrisLet’s go.
Tetris KellyCheers. So tell me what’s something that has happened in your year that you’re really proud of?
Maren MorrisI’m putting my album Dreamsicle out in May. So this all just feels like one giant pre-party for my fourth album to be out.
Tetris KellyWe’re on the move to the show right now. What’s your vibe like on the way to a show?
Maren MorrisI mean, I certainly love to blast music before the show with my band, because it kind of works as a warmup for our vocals. My band certainly helps me relax, because they’re all just goofballs, and they make me laugh so hard. And then shows like this is like a party for them, because they get to drink White Claw and then go, hopefully sound good tonight.
Tetris KellyAnd I mean, White Claw Sessions are normally really intimate events. So what’s the difference between performing in something like this and like arenas?
Maren MorrisI feel like you get to see people and their reactions. You can see them singing along with you. It just feels more human. And I think over the years, with each album, I’ve been able to just really home in on a fanbase that is so supportive and loving, and it feels like a safe crowd when you’re at that show and just connecting with people through singing.
Tetris KellyYou’re not gonna be late because of me.
Maren MorrisI know. Let’s get pumped up.
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If you’re looking to upgrade your home audio for cheap, you don’t have to break the bank for premium sound. Start with this soundbar and subwoofer from Sony — especially since the system is on sale for nearly 60% off the list price.
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Available at Walmart, the Sony HT-G700 Soundbar is on sale for $249 — or $350 off its list price. In addition, the home soundbar system has a 4.2 out of 5-star rating from almost 125 of the retailer’s shoppers.
And since the Sony HT-G700 Soundbar is from Walmart, you’ll get it shipped to you for free if you’re a Walmart+ member. Otherwise, your cart has to be more than $35 to get free shipping.
If you’re not a member, then you’re in luck: You can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer with perks such as free, fast delivery; fuel discounts; streaming access to Paramount+ to watch hit originals; additional savings with early access deals and much more.
In addition, Walmart+ comes with access to SiriusXM for all sorts of talk radio and music — including popular channels such as “The Coffee House” for stripped-down songs from Noah Kahan, Kacey Musgraves, The Lumineers, Phoebe Bridgers and others. Learn more about what Walmart+ can offer you here.
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Sony’s soundbar system comes with the soundbar itself and a wireless subwoofer for additional bass and rumble. It’s a 3.1-channel audio set up (three main speakers and one subwoofer) with Dolby Atmos and DTS:X audio support and Sony‘s Immersive AE Audio Enhancer for upscale sound to a wider and virtual 7.1.2-channel audio (seven main speakers, one subwoofer and two up-firing speakers).
As a result, sound from movies, TV shows, and music is beefier, cleaner, and sharper with multiple ports and connectivity options, such as HDMI ARC and Bluetooth for pairing smartphones, tablets, and laptops.
Marked down to $249 (regularly $599), the Sony HT-G700 Soundbar is available at Walmart.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Maggie Rogers is headed back to her alma mater to help send off this year’s class of graduates, with the singer/songwriter announcing Monday (May 5) that she’ll speak at the 2025 New York University Tisch School of the Arts commencement ceremony later in the month. Sharing a nine-year-old photo of herself in her purple graduation […]
Chris Brown turned 36 years old on Monday (May 5), and he has extra reason to celebrate his birthday after the RIAA announced that he’s collected another diamond certification with 2011’s “Look at Me Now.” After going eight times platinum in 2021, “Look at Me Now” earned diamond status on Monday. With assists from Lil […]
Gloria Gaynor is setting the record straight about her stance on an important but polarizing subject: feminism.
In a new interview with Metro published Monday (May 5), the disco legend revealed that she does not identify as a feminist when asked what people often get wrong about her. “The biggest misconception about me? It may be dangerous to say this, but that I’m a feminist,” she said.
“People say it to me, ‘And since you’re a feminist …,’” she continued. “Uh, no. Not really. I love men.”
Noting that she grew up with five brothers, Gaynor added, “I love men who know who they are and are strong enough to take their place, but also strong enough to recognize a woman’s strengths and … allow her to exercise those strengths and realize that we are to be partners and not opponents.”
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So, there you have it: Gaynor, whose Billboard Hot 100-topping 1978 smash “I Will Survive” is widely regarded as one of the most iconic feminist anthems of all time, does not consider herself a feminist. Her comments have already sparked pushback online, with many people pointing out that, despite her implication, loving men and feminism are not mutually exclusive. By definition, feminism is the “belief in and advocacy of the political, economic and social equality of the sexes expressed especially through organized activity on behalf of women’s rights and interests,” according to Merriam-Webster.
“So Gloria Gaynor doesn’t know what feminist is … got it,” one person wrote on X.
“So Gloria Gaynor isn’t a feminist because she loves men?” wrote another user. “Feminism isn’t anti-man, it’s just pro-human rights. But sure, let’s ignore that. i love men and I‘m still a feminist.”
Billboard has reached out to Gaynor’s rep for comment.
The Grammy winner’s new interview comes a few weeks after she announced that her new EP, Happy Tears, will arrive June 6. The first taste of the five-track project came in February, when Gaynor dropped single “Fida Known,” which she told Metro is her favorite song of the bunch.
“The song is all about helping people to look back on the things that they’ve overcome and to recognize what they’ve come through,” she told the UK publication. “It’s, ‘If I’d have known this, I wouldn’t have done that,’ but you didn’t know that, and you still made it through.”
Gaynor added, “The song sort of continues where ‘I Will Survive’ left off.”
Doechii hits a new peak in the top 10 with “Anxiety,” Alex Warren continues his rise on the Hot 100 with “Ordinary” and Kendrick and SZA continue their run on the Hot 100 with “Luther.” Tetris Kelly:This is the Billboard Hot 100 top 10 for the week dated May 10. Doechii’s “Anxiety” returns to the […]
ABC News announced on Monday (May 5) a new show about Sean “Diddy” Combs’ trial will air each day. According to the press release, the new 30-minute program, titled Burden of Proof: The Case Against Diddy and hosted by GMA3 co-host Eva Pilgrim, will offer analyses of what’s going on inside the courtroom. The series […]
Zach Bryan has re-upped with Warner Records, Billboard has confirmed.
The extremely prolific singer-songwriter has released three studio albums on the label since first signing with it in 2021: 2022’s American Heartbreak, 2023’s self-titled set and 2024’s The Great American Bar Scene. He’s also put out three EPS and two live sets. The Hollywood Reporter first reported the news, adding that the new deal is for at least two albums.
Bryan’s rise has been meteoric. Billboard named him its top new artist of 2023, and he has dominated at both country and rock since then. “I Remember Everything,” his duet with Kacey Musgraves, and “Something in the Orange” were the top two songs on Billboard’s 2024 year-end Rock Streaming Songs chart. That same year, he ranked third on Billboard’s Top Artists of 2024 and No. 1 on the Top Rock & Alternative Artist chart. His self-titled set became his first album to debut at No. 1 on the Billboard 200, and all three of his full-length Warner Records sets have bowed atop Billboard’s Top Country Albums chart.
Bryan has also been a critical favorite, earning four Grammy nominations, with “I Remember Everything” winning best country duo/group performance at the 65th annual Grammy Awards in 2024.
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He’s also a crowd favorite. After headlining the opening night of Stagecoach last month, Bryan is headed to Dublin for three shows in June and then will play BST Hyde Park in London on June 28-29. He will then return stateside for seven stadium shows, including three nights at Metlife Stadium in East Rutherford, N.J.
Bryan helped usher in a new wave of country-oriented acts signing with coastal labels, as Billboard reported in September. Bryan wasn’t the first country-leaning act signed by a major coastal label, but his massive success has proven that an act no longer necessarily needs the usual Nashville methods, including country radio, to break through.
Prior to the pandemic, Nashville labels generally had a lane to themselves when it came to signing country artists, with their relationships at country radio giving them almost exclusive access within the genre. But once COVID hit and touring slammed to a halt, labels became laser-focused on data and analytics as the only available metrics to gauge an act’s success. The coastal labels saw tremendous opportunity and jumped in, with New York and Los Angeles labels signing country-leaning acts with strong streaming numbers and a high TikTok engagement rate, including Warren Zeiders (Warner Records), Koe Wetzel (Columbia), Dasha (Warner Records) and Ella Langley (Columbia); or jointly with a Nashville partner, such as Megan Moroney, who is signed to both Columbia and Sony Nashville.
Warner Records declined to comment on the news.
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Source: @deadpoolmovie / Marvel
Just when it seemed like the Marvel Cinematic Universe’s popularity was dead in the water, Ryan Reynolds threw Marvel a much needed lifeline with his cult classic Deadpool & Wolverine and single-handedly resurrected interest in the struggling MCU.
Now that fans are once again on the Marvel bandwagon following the announcement of Avengers: Doomsday and Avengers: Secret Wars, many have been wondering what the future holds for Deadpool and Wolverine going forward, and it seems like we might have finally gotten some answers.
According to The Hollywood Reporter, Ryan Reynolds is quietly plotting his return in Marvel’s upcoming Mutant Saga (which is rumored to be the focus over the next 10 years at Marvel Studios) and his next Deadpool film may feature more X-Men along with Wolverine. There has been rumors being thrown around for some time now that Deadpool may introduce X-Force in his next film as Marvel Studios continues to round out the cast for their upcoming X-Men film. Though there’s no word on which mutant characters would make an appearance in Deadpool 3, it seems like decisions will be made sooner than later as the project is already in the beginning stages of being written.
Per The Hollywood Reporter:
Reynolds is exploring ideas for a Deadpool movie that would feature X-Men characters, as well as continuing to script the Paramount comedy Boy Band after making writing a priority for much of this year before tackling other obligations, sources tell The Hollywood Reporter.
The multi-hyphenate is working on various treatments for an ensemble film featuring three or four X-Men characters. Deadpool would of course appear, but perhaps only as a supporting player. Reynolds is said to believe that keeping his f-bomb wielding anti-hero more on the sidelines could allow for the X-Men characters to be used in unexpected ways. Reynolds has been open about every Deadpool movie needing a strong reason to exist, and it’s possible this could provide the avenue he needs.
Truth be told we’ll have to wait to see how the everything pans out in the Marvel universe following the events of Doomsday and Secret Wars, which Deadpool and Wolverine are said to be a part of even though they haven’t been confirmed characters in the film as of yet.
As for Deadpool playing a supporting actor in his third installment, he’ll have to have some pretty popular mutant characters lead the film if that was to be the case. Either way we just want to see Deadpool standing alongside the Avengers or X-Men at some point, but even Reynolds admits that such a scenario may have some unexpected consequences.
At the time, Reynolds also told THR that he believed Deadpool could appear opposite the X-Men and the Avengers, but that the character joining those teams would have unintended consequences. “His ultimate dream is to be accepted and appreciated. But he can’t be accepted. His coping mechanism of deflecting shame through humor works only when used to pave over his many inadequacies. If and when he does become an Avenger or X-Man, we’re at the end of his journey.”
Nah, fans don’t want to see Deadpool’s journey come to an end anytime soon.
What do y’all want to see in a third Deadpool film? Let us know in the comments section below.
Billie Eilish fans in Amsterdam are feeling so f–king special after witnessing the star cover Radiohead‘s “Creep” at Ziggo Dome on Sunday night (May 4).
In videos posted by concertgoers, Eilish departs from her regularly scheduled setlist to deliver a stunning rendition of the rock band’s signature hit, joined on stage by two backup vocalists and an electric guitar player. Taking the main melody, the nine-time Grammy winner’s piercing voice soars over lush harmonies provided by the other singers, with Eilish adding her own tasteful riffs throughout.
“But I’m a creep, I’m a weirdo,” she sings, closing her eyes to the music. “What the hell am I doin’ here?/ I don’t belong here.”
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At one point toward the end of the performance, the musician spots something in the distance that makes her crack up, and is unable to stop laughing. Even as she raises her microphone to start singing again, she bursts into another fit of chuckles, eventually composing herself enough to deliver the song’s final haunting bars.
Released in 1992 as Radiohead’s debut single, “Creep” eventually entered the Billboard Hot 100 in June 1993 before peaking at No. 34 the following September. It’s featured on the band’s first album, Pablo Honey, which reached No. 32 on the Billboard 200.
Eilish’s performance of the track comes midway through her Hit Me Hard and Soft Tour, which kicked off in September in support of her 2024 album of the same name. After touring North America through late December, the “Lunch” singer has spent the past couple of months traveling around Australia and Europe, with her trek set to conclude in Ireland in late July.
One venue at which she’ll set up shop for six nights on the road later is the O2 Arena in London, where she previously performed in 2019. While she was there, none other than Radiohead’s Thom Yorke caught her performance, after which he told British newspaper The Times, “I like Billie Eilish.”
“She’s doing her own thing,” he added at the time. “Nobody’s telling her what to do.”
