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Downtown Beefs Up Artist Services Division With Curve Royalty Systems Acquisition

Downtown Music Holdings has acquired Curve Royalty Systems, a company that specializes in royalty processing for digital income, it was announced Thursday (Jan. 5). Curve will now be a part of Downtown Music, a division that focuses on servicing the professional music industry.

In recent years, Downtown has pivoted away from its previous role as a traditional publisher and rights holder by selling off its 145,000-song catalog and putting its efforts into building a service-focused music company to tap into the growing cohort of DIY artists and professionals. The company has quickly amassed a suite of service tools via acquisitions including Curve, FUGA, CD Baby, Soundrop, AdRev and more. Downtown is also an active investor in companies like Beatbread and Vampr.

Though Downtown is integrating Curve into its suite of offerings for distribution and monetization, the royalty processing firm — which can distill multiple royalty statements into one cohesive report — will continue to serve its existing client base of over 1,000 labels and publishers worldwide. This includes Warp Records, Ingrooves, Mad Decent, MRC, Royalty Solutions Corp, Domino Recording Company, Hospital Records/Songs in the Key of Knife, Cal Financial and Alta Financial. Since its inception in January 2019 by co-founders Tom Allen, Richard Leach and Ray Bush, the company says it has processed nearly $4 billion in revenue.

Downtown Music president Pieter van Rijn said of the deal, “In Downtown Music, we’ve combined innovative technology and industry-leading services to create an offering that empowers music businesses and their creators. Curve perfectly complements our mission to be the leading music industry platform and their past work speaks to their high standards and pioneering technology.”

Downtown CEO Andrew Bergman added, “For some time, we have been admirers of the technology and service quality that Tom and Richard have been building at Curve. As we got to know them and their team, it became ever more obvious that their dedication and forward-thinking vision were a great fit for Downtown. Accuracy, precision, timeliness, and innovation in royalty services are core to Downtown’s mission of supporting creators and the businesses that serve them. Welcoming the Curve team to Downtown is another important step in furtherance of our mission.”

Beyoncé‘s Music Is Coming to Apple Fitness+ Workouts Soon

There’s no better time to “release your wiggle” than at the top of the new year when everyone’s setting up their fitness goals. Lucky for the Beyhive, Beyoncé‘s beloved hits will soon soundtrack their workouts in the Apple Fitness+ program.

Apple Fitness+ announced Thursday (Jan. 5) that Queen B is the latest superstar highlighted in its Artist Spotlight series, which dedicates an entire set of workouts to a single artist and their discography. Her music, including songs from her latest Billboard 200-topping album Renaissance, will be featured in seven specially curated cycling, dance, HIIT, pilates, strength, treadmill, and yoga workouts. The Beyoncé-inspired workouts will be available in the Fitness app on Monday, Jan. 9.

Bey’s latest partnership with the brand follows Taylor Swift‘s Artist Spotlight in October that coincided with the release of her chart-topping 10th studio album Midnights. Other musicians who’ve had sets of Apple Fitness+ workouts dedicated to them include BTS, Billie Eilish, Jennifer Lopez, Pharrell Williams, Ed Sheeran, The Weeknd, ABBA, Prince, Shakira, The Beatles, Nicki Minaj and many more.

Apple Fitness+ will roll out two more Artist Spotlight programs later this month: the Foo Fighters on Jan. 16 and Bad Bunny on Jan. 23. 

According to the Apple Fitness+ website, anyone who purchases a new iPhone, Apple Watch, iPad or Apple TV (and hasn’t previously subscribed to Apple Fitness+) will have free access to Apple Fitness+ for three months before paying $9.99 monthly or $79.99 annually. New subscribers who already have the aforementioned Apple products can get free access to Apple Fitness+ for one month. Apple Fitness+ can be shared with up to five family members.

See a sneak peek of what Beyoncé’s artist spotlight in the Apple Fitness+ program looks like below.

Beyonce Apple

Courtesy of Apple

Stephen ‘tWitch’ Boss Laid to Rest in Private Funeral

Editor’s note: This story contains details of a suicide.

Three weeks after his shocking death, former Ellen DeGeneres Show DJ Stephen “tWitch” Boss was laid to rest in a private family ceremony on Wednesday (Jan. 4). According to E! News, Boss, 40, was honored at the intimate gathering, with an unnamed source close to his family saying that “a larger celebration of life for the friends [he] considers family will be put together in the future.”

Authorities said that Boss’ autopsy found that his death was a suicide via a gunshot wound to the head. The medical examination, shared publicly by the Los Angeles Country Medical Examiner’s office, revealed that Boss was found in a hotel room when authorities arrived on the scene. No other details were revealed in the report.

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Boss’ wife, fellow dancer Allison Holker Boss, first shared the news of her husband’s death via a statement to People. “It is with the heaviest of hearts that I have to share my husband Stephen has left us,” she wrote. “Stephen lit up every room he stepped into. He valued family, friends and community above all else and leading with love and light was everything to him. He was the backbone of our family, the best husband and father, and an inspiration to his fans.”

The DJ first rose to prominence on MTV’s The Wade Robson Project in 2003 before earning the runner-up spot on So You Think You Can Dance in 2008. He joined The Ellen DeGeneres Show as a guest DJ in 2014 and later ascended the ranks to become a co-executive producer in 2020 and remained with the show until it wrapped in 2022.

DeGeneres shared her condolences in a Twitter statement featuring a photo f her hugging the dancer/DJ, writing, “I’m heartbroken. tWitch was pure love and light. He was my family, and I loved him with all my heart. I will miss him. Please send your love and support to Allison and his beautiful children – Weslie, Maddox, and Zaia.” A few days later DeGeneres added on Instagram, “Right now what I want to do is remember all the love and laughter I had with tWitch. He brought so much joy to my life. I know he brought joy to yours too. I’m going to be sharing some of my favorite moments with him. If you want to you can also share yours.”

If you’re thinking about suicide, or are worried about a friend or loved one, contact the National Suicide Prevention Lifeline, available 24 hours, at 1-800-273-8255.

Shania Twain Unleashes a Countryfied Dance Dance Revolution in Joyous ‘Giddy Up!’ Video

Shania Twain is line dancing into 2023 with a new classic pop country banger, “Giddy Up!” The effervescent celebration of tipping cups and enjoying the time we have dropped on Thursday morning (Jan. 5) as the latest single from the country icon’s upcoming sixth full length album, Queen of Me (Feb. 3).

The track was accompanied by a Marmofilms-directed video in which a bunch of dancers bring the song’s life-affirming lyrics to the dancefloor, which, as it turns out, can be anywhere from a car repair shop to a grocery store aisle, country bar or your local diner.

“The saying ‘Let’s Go Girls!’ is such a wonderfully uplifting sentiment now, but it’s just something I said during the recording in the studio and I guess that’s the same for ‘Giddy Up!’,” Twain said in a statement accompanying the latest single from her upcoming Republic Nashville debut. “These lines come to me when I’m thinking about how to put a little ‘pep in my step.’ I want people to feel good when they hear the new album. I want to set a celebratory tone and ‘Giddy Up!’ is a way to call to the audience and say ‘let’s get ready for some fun!’”

The exclamation point-loving singer runs down the importance of savoring the moment in the first verse, joyfully singing, “I left my heart at a waterin’ hole/ Somewhere in small-town Ohio/ Headed out west to Arizona/ ‘Cause the East Coast weather’s too cold, cold, cold/ Easy come, easy go/ I got a fast car with the nineties on/ Not a soul on the road but the road is home,” before busting into the party hearty chorus.

“Smiles for miles/ All up on my face/ Wear it, share it/ ‘Cause we ain’t got time to waste/ Up in your giddy up/ Giddy, giddy up/ Up in your giddy up/ Drunk in the city/ Got litty in the cup/ Up in your giddy up/ When it gets tough, gotta get a little love/ Put some up in your giddy, giddy up,” she sings over the song’s bouncy rhythm.

The 12-track Queen of Me will feature the album’s first single, “Waking Up Dreaming,” as well as the title track and what is described as the “passionate finale” produced by and featuring Twenty One Pilots singer Tyler Joseph, “The Hardest Stone.” The tour in support of the album is slated to kick off on April 28 at Spokane Arena in Spokane, WA and feature support from Kelsea Ballerini, Lindsay Ell, Hailey Whitters, Breland, Robyn Ottolini, Priscilla Block, and Mickey Guyton, Lily Rose, Talk, and Tenille Townes on select dates.

Watch the “Giddy Up!” video and check out the full Queen of Me track listing below.

Queen of Me track list:

  1. “Giddy Up!”
  2. “Brand New”
  3. “Waking Up Dreaming”
  4. “BEST Friend”
  5. “Pretty Liar”
  6. “Inhale/Exhale AIR”
  7. “Last Day of Summer”
  8. “Queen of Me”
  9. “Got it Good”
  10. “Number One”
  11. “Not Just a Girl”
  12. “The Hardest Stone”

Quavo Pays Tribute to Takeoff on Emotional Single ‘Without You’

Quavo mourns his late nephew Takeoff on the new solo track “Without You.” The heartbreaking gospel-tinged song that dropped on Wednesday night (Jan. 4) is both a somber homage and a tear-stained list of cherished memories of the Migos member who was gunned down in Houston on Nov. 1.

The accompanying video features a contemplative Quavo sitting in a leather chair in the studio, eyes closed, as he burns a blunt and runs down their good times, while wishing a time machine could bring Takeoff back for just a few more rounds.

“Tears rollin’ down my eyes/ Can’t tell you how many times I cried/ Days ain’t the same without you/ I don’t know if I’m the same without you,” Quavo raps over the song’s skeletal beat before he runs off a list of highlights they shared together.

“Remember the days we smoked big blunts together?/ Remember the days we rocked out Coachella?/ Remember the days we ain’t have our s–t together?/ On the Nawfside, times were hard, but them days was better,” he raps on the first new track he’s dropped since Takeoff’s killing. “I wish I had a time machine/ Just so you can take a ride with me/ I miss just how you smile at me/ Unc and Phew until infinity.”

The song, with an intro from singer Vory, was co-produced by Zaytoven and Mike Dean and it finds Quavo dreaming about a time when uncle and nephew (born Kirsnik Khari Ball) will be reunited in the afterlife. “Out in the galaxy, up in the stars/ Over the universe, it’s bigger than Mars/ See you in heaven, see you in heaven/ When I see you in heaven, i’mma be with my dawg,” Quavo croons. As the tune fades an inconsolable Quavo adds, “Taaaake… I’m sorry.”

Takeoff, 28, was shot and killed at a downtown Houston bowling alley in Nov. where he and Quavo were attending an afterparty, with Takeoff named an “innocent bystander” by Houston police in what has been described as a dice game gone wrong. The suspect in the shooting, Patrick Xavier Clark, 33, has been charged with murder and a second man, Cameron Joshua, 22, was arrested and charged with the unlawful carrying of a weapon.

Following Takeoff’s death, third Migos member Offset and Quavo remained relatively tight-lipped, privately mourning their massive loss. But both rappers honored Takeoff during a three-hour memorial on Nov. 11 at Atlanta’s State Farm Arena.

“Without You” is just the latest tribute to Takeoff from the Migos camp since then, following on the heels of Offset writing on Dec. 21 that he was finding it hard to find any happiness in the wake of his cousin’s death. “S— not easy fake smiling and s— tryna keep walking with my head up,” Offset captioned an onstage photo of Takeoff flashing the peace sign in the post last month.

Watch the “Without You” video below.

Theophilus London Found Safe, Family Says

Rapper Theophilus London has been found safe after disappearing for months, a relative announced Wednesday night.

“We have found Theo. He is safe and well,” the rapper’s cousin, Mikhail Noel, posted on Instagram. “At this time the family would love prayers and privacy. Thank you all!!!”

The post didn’t provide details of where London had been found, where he had been or why he hadn’t contacted his family, which filed a missing persons report with Los Angeles police last week and asked for the public’s help in finding him.

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London’s family and friends had said they believed someone last spoke to the musician in July in Los Angeles.

London, 35, posted prolifically on Instagram, but his last posts also came in July.

An LAPD news release on Dec. 28 said London was last seen in the Skid Row area in October and his family had completely lost contact with him.

The rapper was born in Trinidad and Tobago and later raised in the Brooklyn borough of New York. He was nominated for a 2016 Grammy for best rap performance for a featured spot alongside Paul McCartney on Kanye West’s “All Day.”

London has frequently collaborated with the artist now known as Ye, who produced and guested on 2014′s “Vibes.” London would often post updates on Ye’s “Donda” and “Donda 2” on Instagram, even saying he was “promoted to tackle media duties” on Ye’s behalf for the month of February.

London has released three studio albums: 2011′s “Timez Are Weird These Days,” “Vibes” and 2020′s “Bebey.” He recently was a featured artist on Young Franco’s “Get Your Money,” released in September, the month before he was last seen.

This article originally appeared in AP.

Harry Styles Unlocks 2022 Best-Seller In U.K. With ‘Harry’s House’

Harry Styles really did own the keys to 2022. The British pop singer’s third studio album Harry’s House was the biggest LP of the year in the U.K., according to new data published by the Official Charts Company.

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The ex-One Direction singer leads the year-end albums survey with Harry’s House, which shifted north of 460,000 U.K. chart units over the year, including 160,000 sales (150,000 physical and 10,000 downloads), the OCC reports.

Harry’s House logged six non-consecutive weeks atop the Official U.K. Albums Chart in 2022, more than any other album, and the lead single from it, “As It Was,” tops the U.K.’s year-end singles survey.

Compatriot Ed Sheeran comes in at No. 2 on the year-end albums list with = (Equals), which snaffled upwards of 433,000 U.K. chart units during the calendar year. Sheeran has made a career habit of racking up big numbers. In November, the OCC announced all four of his solo studio albums — (Plus), x (Multiply), ÷ (Divide) and = (Equals) — had spent a total of at least a year inside the Official Albums Chart top 10.

Completing the 2022 podium is Taylor Swift’s Midnights, which, in less than three months, captured more than 417,000 U.K. chart sales, including 217,000 sales (206,000 physical copies and11,000 downloads). Midnights got away to a particularly explosive start. First-week U.K. chart sales exceeded 204,000, more than double her previous best, 2014’s 1989 (90,300 chart units).

It’s hard to keep a good thing down. That’s certainly the case with ABBA and Queen’s barnstorming career retrospective albums. ABBA Gold became the first album in U.K. chart history to log 1,000 weeks on the chart, a feat it achieved in July 2021. It’s still going strong. Powered by the ABBA Voyage virtual residency in London, the LP appears at No. 10 on the year-end U.K. chart. Indeed, Gold improves 20-13 on the latest Official U.K. Albums Chart, doing so in its 1,078 week.

Queen’s 1981 release Greatest Hits reached the 1,000-week milestone on the U.K. chart in 2022, and it finished the year in 11th place on the year-end tally. Greatest Hits is the best-selling album in U.K. recorded music history, shifting more than seven million combined units.

Music streaming reached new heights in 2022, the BPI reports. Across digital and physical formats, the equivalent of 166 million albums were streamed or purchased during the year, up 4.3% on 2021.

Official Top 40 biggest albums of 2022

  1. Harry’s House, Harry Styles
  2. =, Ed Sheeran
  3. Midnights, Taylor Swift
  4. The Highlights, The Weeknd
  5. Sour, Olivia Rodrigo
  6. Curtain Call – The Hits, Eminem
  7. Diamonds, Elton John
  8. 50 Years – Don’t Stop, Fleetwood Mac
  9. Between Us, Little Mix
  10. Gold – Greatest Hits, ABBA

Harry Styles’ ‘As It Was’ Named U.K.’s Biggest Single In 2022

In the year that saw King Charles ascend the throne, it was Harry Styles who was crowned on the U.K. charts.

The pop superstar rules 2022’s year-end singles and albums charts, with “As It Was” and its parent, Harry’s House, respectively, according to new data published by the Official Charts Company.

Released in April 2022, “As It Was” reigned over the Official U.K. Singles Chart for 10 weeks, and went on to shift 1.57 million combined units, the OCC reports.

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“As It Was” also finished the year as the most-streamed song in the U.K., with more than 180.9 million audio and video streams, and it was the best-seller across combined physical and digital formats, raking-in 65,000 units.

The former One Direction singer leads an all-British sweep of the top 10 tracks of 2022 in the U.K. — a first in the 50-plus year history of the year-end singles chart.

Coming in at No. 2 on the Official Top 40 Biggest Singles of 2022 is Ed Sheeran “Bad Habits,” with 1.18 million chart units. “Bad Habits” was the No. 1 song in the U.K. in 2021.

Afrobeats star Fireboy DML lands at No. 3 with “Peru” (featuring Sheeran), BRITs Rising Star nominee Cat Burns is at No. 4 with “Go,” and Sheeran completes the top 5 with “Shivers.”

2022 was a remarkable year for Kate Bush and her 1985 song “Running Up That Hill (A Deal With God)” which roared off the back of Netflix’ Stranger Things, in which is was synced to several pivotal moments. The song was embraced a new generation as it finally reached No. 1, some 37 years after its release. As it completed the path to the top, Bush broke a trio of records, including the longest journey a single to reach No. 1 in the U.K.

Also, notes the OCC, LadBaby bagged the fastest-selling single in its first week based on pure sales, “Food Aid,” which pulled-in more than 59,000 first-week sales. The charity fund-raising single was the most-downloaded song of the year, and a record-breaker, as it delivered the husband-and-wife Hoyle duo a fifth consecutive Christmas No. 1.

The OCC’s year-end reports are published as the BPI announces 159 billion music tracks were streamed in the U.K. last year, a new record which represents a 8.2% gain on 2021, and more than double the volume from five years ago.

Official Top 40 biggest songs of 2022

  1. “As It Was,” Harry Styles
  2. “Bad Habits,” Ed Sheeran
  3. “Peru,” Fireboy DML & Ed Sheeran
  4. “Go,” Cat Burns
  5. “Shivers,” Ed Sheeran
  6. “Running Up That Hill (A Deal With God),” Kate Bush
  7. “Heat Waves,” Glass Animals
  8. “Where Are You Now,” Lost Frequencies/Calum Scott
  9. “Afraid To Feel,” LF System
  10. “Seventeen Going Under,” Sam Fender

’90s Hip-Hop Duo Black Sheep Sues Universal Music Over an Alleged $750M in Unpaid Spotify Stock Royalties

A prominent ’90s hip-hop duo is suing Universal Music Group for withholding royalties tied to what they’re alleging is a “sweetheart” deal the label reached with Spotify in the late 2000s.

Filed Wednesday (Jan. 4) in U.S. district court in New York by attorneys representing Andres Titus (Dres) and William McLean (Mista Lawnge), members of the hip-hop duo Black Sheep, the lawsuit claims UMG owes its artists approximately $750 million in royalties deriving from the company’s stock in Spotify. Under a licensing deal they claim UMG and the streaming giant reached in 2008, the label agreed to receive lower royalty payments in exchange for equity in the then-nascent streaming company. But Titus and McLean say the label breached their contract with Black Sheep and other artists by withholding what they argue is the artists’ rightful 50% share of UMG’s now-lucrative Spotify stock — and otherwise failing to compensate them for the lower royalty payments they received as a result of the alleged deal.

“Rather than distribute to artists their 50% of Spotify stock or pay artists their true and accurate royalty payments, for years Universal shortchanged artists and deprived Plaintiffs and Class Members of the full royalty payments they were owed under Universal’s contract,” the complaint reads. Titus and McLean further claim that Universal deliberately omitted from royalty statements both the company’s ownership of Spotify stock and the lower streaming royalty payments that resulted from its alleged deal with the streaming service.

“Over time, the value of the Spotify stock that Universal improperly withheld from artists has ballooned to hundreds of millions of dollars,” the complaint continues. “These and the other wrongful conduct detailed herein resulted in the Company’s breaching its contracts with artists, violating the covenant of good faith and fair dealing that is implicit in those contracts, and unjust enrichment at the expense of its artists.”

In a statement sent to Billboard, a UMG spokesperson denied Titus and McLean’s claims: “Universal Music Group’s innovative leadership has led to the renewed growth of the music ecosystem to the benefit of recording artists, songwriters and creators around the world. UMG has a well-established track record of fighting for artist compensation and the claim that it would take equity at the expense of artist compensation is patently false and absurd. Given that this is pending litigation, we cannot comment on all aspects of the complaint.”

According to the lawsuit, Titus and McLean signed a record contract with Polygram in July 1990 (later amended and revised in July 1991) as Black Sheep — the duo best known for the hit rap single “The Choice Is Yours (Revisited)” from their RIAA Gold-selling 1991 album A Wolf in Sheep’s Clothing. Black Sheep’s record contract was then assumed by UMG after the company merged with Polygram in 1998.

UMG acquired just over 5% of Spotify shares “in or around the summer of 2008” in a licensing agreement in exchange for lower royalty payments, the complaint adds, citing a 2018 Music Business Worldwide report. It claims that Universal acquired additional Spotify shares through its 2011 purchase of EMI, which had acquired shares in the streaming company around the same time, the suit alleges. It then cites UMG’s own prospectus, released in September 2021, revealing that the label held roughly 6.49 million, or roughly 3.35%, of Spotify shares as of June 30, 2021, valued at 1.475 billion euros ($1.79 billion).

It’s worth noting that UMG’s stake in Spotify has become significantly less lucrative since June 30, 2021, however. As of Wednesday’s closing price, UMG’s stake in Spotify is now worth just $560 million — the result of Spotify shares falling 70.5% over the past 18 months. Notably, Spotify isn’t the only streaming service UMG has equity in; according to the same prospectus, it also owns 0.73% of Tencent Music Entertainment shares, a stake that’s currently worth $112.5 million.

Included as an exhibit in the complaint is Black Sheep’s amended July 1991 contract with Polygram, which states that royalties paid to Titus and McLean “‘shall be a sum equal to fifty percent (50%) of [Universal’s] net receipts with respect to’ the ‘exploitation’ for any ‘use or exploitation’ of ‘Master Recordings’ created by Plaintiffs.” The plaintiffs claim they and other UMG artists are thereby entitled to 50% of the labels’ Spotify stock but that UMG has failed to pay it. This demand stems from a couple of broad assumptions: that all artists in the class signed similar contracts and that they were similarly not compensated with a portion of UMG’s stock holdings in Spotify.

The plaintiffs are asking for compensatory damages, punitive damages and an injunction “or other appropriate equitable relief” requiring UMG “to refrain from engaging in deceptive practices” as outlined in the lawsuit.

UMG isn’t alone among the major labels in acquiring Spotify stock — both Sony and Warner Music, as well as indie Merlin, also have or had stakes in the company. In May 2018, Sony sold half of its 5.707% stake in Spotify for an estimated $761 million, while that same month Merlin announced it sold its entire stake for an unknown amount and had shared the proceeds with its members. Warner followed suit in August 2018 when it sold its entire 2% stake in the streamer for $504 million, with the company announcing that around $126 million of the proceeds would be paid out to the company’s artists.

UMG has yet to sell any of its stock in the streaming giant.

-Additional reporting by Glenn Peoples

You can read the full lawsuit below.

Luke Combs Announces New Album Coming in March

Luke Combs released his most recent project, Growin’ Up, in 2022, but the singer-songwriter has plenty more songs in the tank — so much so that he’s releasing a new album March 24, with a hefty 18 songs. The upcoming set will mark the reigning Country Music Association entertainer of the year’s fourth full-length studio album.

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Though no track list has been released for the album, it’s a fair bet that the upcoming project will include many songs written by the prolific Combs himself. He previously told Billboard that though he’s not opposed to recording songs by outside writers (and indeed, recorded an outside song during the process of making Growin’ Up, though it did not make the final track list), “I just like that part of it so much, the writing thing. I’m sure that my albums would probably be even more successful if I cut outside songs because [there are] songwriters a lot better than I am, but I just can’t bring myself to do it.”

As is his custom, Combs has regularly been sharing snippets of new music on social media, with songs including “Tattoo on a Sunburn.”

Growin’ Up is nominated for best country album at the upcoming Grammy Awards on Feb. 5, which are slated to be held at Crypto.com Arena in Los Angeles. He’s also nominated for best country duo/group performance, for “Outrunnin’ Your Memory” with Miranda Lambert, as well as best country song (“Doin’ This,” which he wrote with Drew Parker and Robert Williford). Growin’ Up also landed on Billboard‘s list of the best albums of 2022, as well as Billboard‘s list of the best country albums of 2022.