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Kelly Clarkson Brings the House Down With a Kellyoke Classic: Watch

Kelly Clarkson has risen through the ranks to become a queen of cover songs thanks to the opening segment of The Kelly Clarkson Show. But for the Thursday (Jan. 12) episode, the American Idol alum decided to switch things up and do a Kellyoke Classic — a performance of one of her own songs. This time, she gave her 2017 track “Didn’t I” a chance to shine on the daytime program.

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Soul was the name of the game for the first Kellyoke Classic of the year. The three-time Grammy winner, accompanied by her band Y’all, performed with her full range, belting with a full tone and hitting several vocal runs with ease.

“Baby, didn’t I?/ Didn’t I give you everything?/ You got the best of me, baby/ Baby, didn’t I/ Hear you crying on my shoulder?/ Beg and hold me ’til it’s over?/ When you’re lonely, just remember/ I gave you everything/ D-d-didn’t I?” Clarkson sang on the chorus.

“Didn’t I” was released on Clarkson’s 2017 album, Meaning of Life. Though the song — a deep cut from the record — did not hit any major charts, the album did reach the Billboard 200. Meaning of Life spent a total of 20 weeks on the all-genre tally and peaked at No. 2 three weeks after the album’s October release.

As for Clarkson’s traditional Kellyoke covers, she gave Blink-182’s “All the Small Things” a shot on Wednesday’s episode, and performed Duran Duran’s “Ordinary World” and Ronnie Milsap’s “Lost in the Fifties Tonight” earlier this month.

Watch Clarkson perform “Didn’t I” above.

A Timeline of Cordae & Naomi Osaka’s Relationship

Congratulations are in order for Cordae and Naomi Osaka, who are expecting their first child together.

The 25-year-old pro tennis player shared the happy news via Twitter on Wednesday (Jan. 11), posting a photo of an ultrasound. “I realize that life is so short and I don’t take any moments for granted, every day is a new blessing and adventure,” she wrote. “I know that I have so much to look forward to in the future, one thing I’m looking forward to is for my kid to watch one of my matches and tell someone, ‘that’s my mom,’ haha.”

The athlete did not mention Cordae in her post, but the rapper’s rep confirmed to Billboard that he is indeed the father.

While the couple is about to embark on a new journey in their relationship, they’ve been romantically linked since 2019. We’ve compiled a full timeline of Cordae and Naomi Osaka’s relationship, which you can check out below.

What’s New in the New Year: Over a Dozen Artists Prep First Country Albums, EPs

The last thing the world needs is a new artist.

An influential executive said that around eight years ago, and she had a point — there’s already so much music in circulation that most acts are swimming against the current in their attempts to achieve widespread recognition.

But the industry doesn’t always know what it needs until it shows up, either. And all of country’s star acts — people such as Luke Combs, Carrie Underwood or Chris Stapleton — were unknown new artists before the genre eventually discovered they were essential for its vitality.

Over a dozen newbies are hoping events in the next six months will help them become the exception, eventually emerging as household names after releasing their first country album or EP during the period. The contenders include two acts (Tyler Hubbard and Mike Gossin) issuing their first solo projects, after previously earning hits as members of Florida Georgia Line and Gloriana, respectively.

The list also features three duos: recent 8 Track Entertainment signees BoomTown Saints, longtime Warner Music Nashville project Walker County and Americana husband-and-wife team The War and Treaty, who are optimistic that their sound can translate to country.

Following is an overview of 14 acts whose first album or EP, either in the genre or at a label of consequence, are due during the first six months of 2023:

Insomniac Events Announces New EDC Party Cruise — And Yes, It’s Called EDSea

Electric Daisy Carnival is hitting the high seas. On Thursday (Jan. 12), EDC producer Insomniac Events announced the launch of EDSea, a festival cruise that will set sail from Miami to the Bahamas on Nov. 4-8, 2023.

This seafaring spin-off expands the list of global EDC events, which includes the annual flagship festival EDC Las Vegas — returning to Sin City May 19-21 — along with EDCs in Mexico City and Orlando. (Previous EDCs have taken place in the U.K., Brazil, China, Puerto Rico and beyond.)

The lineup for the five-day rave cruise will be announced later this year, with cabin reservations becoming available during a pre-sale starting on Jan. 17. (If there are any cabins left, a general sale will begin on Jan. 27.)

The party will happen on Norwegian Cruise Line’s Norwegian Joy, which, according to the cruise company, can host roughly 3,800 guests. The ship will offer eight separate stages and music venues, along with a go-kart track, a waterpark and laser tag. The four-night bacchanal will embark from Miami and dock at both Nassau in the Bahamas and the country’s Great Stirrup Cay, a regular destination for such music-focused party cruises.

EDSea will technically be the second party cruise on Insomniac’s ever-robust event slate, with the company also producing Holy Ship! Created in 2012 by HARD events Founder Gary Richards, Insomniac gained full control of the event — which also cruised from the Miami area to the Bahamas — when Richards left HARD in 2018, as HARD was by that point controlled by Insomniac and its parent company, Live Nation.

After sending Holy Ship! to sea in 2018 and 2019, Insomniac shifted it to a on-land event — Holy Ship! Wrecked — in 2020-2022 at locations in the Dominican Republic and Mexico. Insomniac tells Billboard that Holy Ship! Wrecked will remain on the company’s event roster.

Would Steve Jobs Approve?: Apple Reportedly Working on Bringing Touch Screens To Macs

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Macs Reportedly Getting Touch Screen Treatment In 2025

Source: Apple / Macs

Apple is doing a major about-face on a feature that the late Steve Jobs did not want to see on his Mac computers.

Spotted on Bloomberg, Apple is now considering bringing touch screens to its Mac computers. It would break from Steve Jobs’ feelings towards the feature when that finally happens. He felt it was “ergonomically terrible.”

Per Bloomberg:

Apple engineers are actively engaged in the project, indicating that the company is seriously considering producing touch-screen Macs for the first time, according to people familiar with the efforts. Still, a launch hasn’t been finalized, and the plans could change.

For more than a decade, the company has argued that touch screens don’t work well on laptops and that the iPad is a better option if someone wants a touch interface. Apple also has worried that touch-screen Macs could cannibalize iPad sales.

Apple’s decision to go against its founder’s beliefs, Tim Cook upheld, could be from the pressure to keep up with rivals who are increasingly adding touch screens to their computers.

Plus, according to Bloomberg, the Mac has seen a resurgence, outselling the iPad, and Apple wants its computers to be popular among computer and laptop users.

When Will The Touch Screen Mac Arrive?

When can we expect to see the touch screen Mac? The website claims it could arrive in 2025 “as part of a larger update to the MacBook Pro, according to the people who asked not to be identified because the plans are private.”

The touch screen Mac would be one of the most significant decisions the company has made in years. The late Steve Jobs had a total disdain for them, saying the idea of making users reach up to touch an upright screen “doesn’t work.”



Jobs also said Apple would never sell phones or tablets, but we all know what Apple’s most popular device is: the iPhone.

One accessory we are pretty sure Steve Jobs would hate is the Apple Pencil, the man who created Apple couldn’t stand the idea of styluses.

Photo: Apple / Macs

How Isolation Helped A Boogie wit da Hoodie Find Inner Peace

A Boogie wit da Hoodie saw his mother suffer an injury when 16 SWAT officers filed a search warrant and raided his New Jersey home in December 2020. He remembers seeing men with heavy firearms burst through the door with his mother rushing down the stairs, not knowing what would happen to her family. 

She rolled her ankle falling down the steps, and while writhing in pain, the SWAT team paid her no mind and continued with their search. Boogie was helpless seeing his mother in distress while the ice, cold handcuffs touched his wrists, and it was an image that still sits with him today.

“That’s what really woke me up,” Boogie tells Billboard. “When I seen Mom Dukes fall down the stairs that day, bro. I’m looking up to see what was coming behind her, and all I seen was a flashlight, and whatever kind of chopper those SWAT teams have. It was crazy, and I just froze up. I couldn’t do anything.” 

Following the incident, Boogie reflected on the direction of his career and realized he needed clarity to help remove the turmoil away from his life. Isolation became essential to his growth as he took a hiatus from releasing music and honed in on his latest album, Me Vs. Myself. Released last month, Boogie charged his way into his fourth Billboard 200 top 10 album, debuting at No. 6  

The 22-track album was stacked with features from H.E.R., Kodak Black, Roddy Ricch, Lil Durk, G Herbo, and Tory Lanez. Despite the starry guest list, it’s Boogie’s penchant for sticky melodies and punchy quips that kept fans enthralled during the hour-run marathon.

“In the beginning of this album, I purposely put myself through things to make the music, and I hated that about myself,” says Boogie. “I started the process thinking that I had to battle myself — like, have a rap song here, then sing here — but I started losing inspiration and experienced writer’s block for the first time in my career. 

“I eventually learned when you don’t want something to happen, it hits more and I learned that through isolation,” he continues. “I didn’t want that raid to happen, but it woke me up. And even with the little things, anything can happen in your life that drastically changes everything, like how you approach things.”

Along with the raid, Boogie lost one of his closest friends in the industry when PnB Rock was murdered in September, during a robbery at Roscoe’s House of Chicken ‘N Waffles in Los Angeles..

To honor his friend, Boogie released a deluxe edition of his new album with one lone new cut, featuring PnB, with all the proceeds going to his family. The record was the last one the “Selfish” rapper sent to Boogie, days before his untimely passing. 

“PnB’s death hit home for me because there was a time neither of us could even get a $1000 for a club walkthrough,” says Boogie. “When it comes to someone close to me passing away, it’s hard, but I can’t lose focus because I have to be responsible and find the balance to deal with those tough losses so I can properly help out in any way I can. Isolation helped with that. I didn’t realize how good isolating myself was until I saw how much time I was spending with family and how good that made me feel. When I got back in the studio, ideas were just flowing — and that was important, because I speak through my music.”

With all that’s happened to him in the last two years, Boogie is entering a chapter in his career that’s defined by growth with Me vs. Myself. He also hopes that his listeners can take that same idea away from the project. 

“I want this album to motivate people to do things that make them the best versions of themselves,” says Boogie. “I’m showing you what can happen when you separate yourself from distractions. I want somebody to hear this project while they training to be the next best boxer, the next best basketball player — whatever is [they] could do, I want them to be the best at.” 

Skrillex, Fred Again.. & Flowdan’s ‘Rumble’ Debuts on Hot Dance/Electronic Songs Chart

Skrillex, Fred again.. and Flowdan roar onto Billboard‘s multi-metric Hot Dance/Electronic Songs chart (dated Jan. 14) with “Rumble” (No. 15). The collab earned 653,000 U.S. streams in the Dec. 30-Jan. 5 tracking week, according to Luminate.

“Rumble” is the 37th chart appearance for Skillex, the 13th for Fred again.. and the second for Flowdan. It’s Skrillex’s 11th top 15 entry and the first since “En Mi Cuarto,” with Jhay Cortez (No. 8, August 2021). Skrillex has scored five top 10s, including one leader, “Where Are You Now,” with Diplo and Justin Bieber (for two weeks in 2015).

For Fred again.. and Flowdan, “Rumble” marks new career high peaks. Fred again..’s “Turn On the Lights Again..,” with Swedish House Mafia and featuring Future, reached No. 16 last August, and “Gassed Up,” by Zeds Dead x Subtronics, featuring Flowdan, hit No. 26 in January 2022.

Concurrently, “Rumble” arrives on the Dance/Electronic Digital Song Sales chart at No. 13.

Additionally on Hot Dance/Electronic Songs, SLANDER, Said the Sky and Alison Wonderland start at No. 18 with “Picture,” courtesy of 619,000 streams. The collab is SLANDER’s second-highest-charting song among 15, after “All You Need to Know,” with Gryffin and featuring Calle Lehmann (No. 12, 2019); it’s Said the Sky’s first time in the top 20 among four chart hits. For Alison Wonderland, “Picture” is her 13th appearance, tying “High,” featuring Trippie Redd, for her top position (2018).

Looking at the Dance/Mix Show Airplay chart, a third threesome of acts is making an impact with a third single-word-titled song, as VASSY, Bingo Players and Disco Fries improve after hitting the top 10 a week earlier with “Pieces” (9-8). The track is VASSY’s eighth top 10, Bingo Players’ second and Disco Fries’ third.

“We’ve worked with both Bingo Players and VASSY on previous collaborations, so once we heard about ‘Pieces’ coming together, we had to jump in!” Nick Ditri of Disco Fries tells Billboard. “It’s been awesome to work across the globe on a record like this. It was created in all of our respective studios, from Los Angeles to New York to the Netherlands. Feel-good, melodic dance music is always our sweet spot, and to see this record climb the chart so quickly has been proof that it’s still alive and well. We’re super grateful.”

“Pieces” pockets core-dance airplay on Music Choice’s Dance/EDM channel, KMVQ-HD2 San Francisco and iHeartRadio’s Evolution, among other supporters. (The Dance/Mix Show Airplay chart measures radio airplay on a select group of full-time dance stations, along with plays during mix shows on around 70 top 40-formatted reporters.)

Richie Hawtin to Travel Across North America Again to Educate Audiences About Underground Techno: Here Are the Dates

Ten years ago amidst the pandemonium of the U.S. EDM boom, Richie Hawtin read the room and realized not only that a legion of new electronic fans and artists were flocking to the scene, but that many of them had an extremely limited understanding of the origins of the genre or of sounds beyond the mainstage big room style that dominated the era.

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The Canadian techno pioneer took it upon himself to be a teacher, hitting the road on the 2012 and 2015 North American CNTRL tours, for which Hawtin hosted lectures and workshops on techno by day, and experiential learning sessions on the dancefloor of the club after dark.

It was in this era that many of the scene’s pioneers expressed their hope (and often their critiques), that U.S. audiences would mature beyond big room and discover the deeper sounds of house and techno, both of course genres made in America, largely among the Black artist communities of Detroit and Chicago.

A decade later, that vision has in many ways come true, with house, techno and tech-house supplanting EDM as the genres of choice among both new generations of dance fans and EDM fanatics who’ve been growing up with the sound for the last 10 years. So, too, has techno faced the same type of mass commercialization that rubbed so many scene pioneers the wrong way a decade ago.

To celebrate the gains of techno and to again educate audiences on the more underground realms of the now commercially popular sound, Hawtin is hitting the road for another educational tour this March. The run will hit eight cities in the U.S. and Canada, extolling the virtues and values of techno by presenting a collection of underground producers making some of the hardest, weirdest, most underground strains of the genre. Each warehouse show will happen in partnership with an independent promoter.

“TEN years have passed since the CNTRL tour, and it feels like we are now deep into a new sound of techno that has completely fused together the elements that we were witnessing back then,” Hawtin tells Billboard. “The huge explosion and popularity of EDM 10 years ago was exactly why we launched the CNTRL tour, going through North America by bus to reach and pollinate the ideals of techno through performances and talks.

“Now here we are, 10 years later,” he continues, “visiting underground warehouse events throughout the country with artists that have come straight out of those times — artists inspired by all types and styles of electronic music, but extremely focused and dedicated to the sound and ideals of techno.”

This From Our Minds – To Be Announced 2023 tour launches on March 10 in techno’s hometown of Detroit, before dipping into Canada and then coming back to the U.S. for shows in Las Vegas, San Francisco and beyond. Venues are yet to be announced. See the complete schedule below.

Joining Hawtin on the tour — which takes its name from Hawtin’s ‘90s label Plus 8 and its ‘From Our Minds to Yours’ slogan — will be a rotation of techno producers including Canada-based Barbosa, New York’s Jay York, Texans Decoder and Declan James, Phoenix-based Lindsey Herbert (who first encountered techno as an EDM fan on the CNTRL tour back in the day), San Francisco’s DJ Deep Pedi and the Guam-born, L.A.-based JIA. Each show will also of course include a set from Hawtin himself.

The tour has been created alongside Canada’s Genova Agencym, founded by Barbosa, Decoder, and fellow artist Garrett Finn (aka Rhyot), who in a joint statement say that “this tour is not just a once-in-a-lifetime opportunity for us as artists and rising professionals to learn and grow, but a chance to inspire and lead the scene as a whole.”

Check out the dates below.

Richie Hawtin

Alec Su on Making His Return to Music After Decades Away: ‘Today, I Am a Singer’

“Today, I am a singer,” Alec Su You-peng says shortly after he sits down.

After nearly three decades, Su, formerly a member of one of the earliest Chinese boy bands, is ready to make a comeback as a singer in another band this year with new music.

Such is its power — music always has a way of making enthusiasts return to it no matter how long they have been away.

Music is as vital as water

Su learned to play the keyboard at a very young age. However, when he was in middle school, his parents wanted him to excel academically and therefore made him give up his music lessons. It was also then that Su became fascinated with pop music. He followed Billboard hits introduced by radio DJs. Music gradually became the most reassuring haven and source of companionship for teenage Su. He rattled off the names of some of his favorite superstars, such as George Michael, who had a glorious singing voice, and Mariah Carey, who can sing beautiful melodies with pearl-like clarity.

“It may sound like a bit of an exaggeration, but at that time, music was like water to me. I could not live without it,” Su says. Looking at the Billboard logo during his Billboard China cover interview, Su says, “This had been a window to my life.”

Growing up in Taipei, Su was a teenage singer in Taiwanese boy band Xiao Hu Dui (also known as Little Tigers). The record company provided the band members with basic performance training before their debut. Blessed with his previous theoretical foundation and musical knowledge, Su excelled in his musical studies and gradually enhanced his songwriting skills. By the time of his solo release, he had a better opportunity to gradually showcase his creative talent. He composed songs in a variety of styles, such as “Ca Jian Er Guo” (Like ships that pass in the night), “Xun Zhao” (Seeking) and “Da Bu Liao” (Big deal). However, Su rarely brings up his original works. In his opinion, creation is highly specialized. An abundance of creative energy, continuous inspiration, and a huge time investment are all essential. He believes if he cannot even satisfy himself with the music he creates, there is no need to describe himself as a composer to the public.

Over the past 30 years, Su has dabbled in several trends, including folk music, love songs, R&B, hip-hop and electronic music. He says he would always keep up with the latest trend even though he may not be able to pull off every style. This is something that singers must try to achieve.

Su also misses the older days of music where it was simpler. “Back then, to get your song on the music charts, you only had to ensure that it sold well and did well on radio and TV,” he says. “Now the evaluation is much more complicated. Streaming data is also taken in account. In short, I feel that the value of songs hitting music charts is not quite the same now.”

Customized playlists and smart music recommendations that are popular on the Internet do not seem to reflect Su’s preferences very well. However, making playlists used to be his favorite thing. When he was in middle school, he recorded songs from the radio onto cassette tapes and then transcribed them into his exclusive collection. Only his best friends could receive such a tape on their birthdays. Su admits that now he, like most people, does not have the time or energy to select songs and make his own playlist. He has gradually become used to being “fed” by streaming media. However, no matter what stage of his career he was at, his love for music has never strayed.

Keep going, there’s always a door open for you

In the late 1980s when they rose to fame in their native Taiwan and throughout Asia, Xiao Hu Dui had an unparalleled influence that was beyond the reach of the idol bands that followed. After the band split in 1995, its three members each started a new phase in their lives.

From singer to actor, Su was rejected many times because of his baby face and idol status. He left everything behind to travel overseas for leisure and further his studies in the United Kingdom. But after returning home, his will to achieve his goals still remained strong.

Su devoted his full attention to each of his records and eventually composed classic songs such as “Bei Bao” (Backpack), “Zhen Xi” (Cherish), “Deng Dao Na Yi Tian” (Waiting for That Day) and “Wo De Hao Xin Qing” (My Good Mood). In his acting career, he has portrayed different personalities in roles such as Yong Qi (My Fair Princess), Du Fei (Romance in the Rain), Zhang Wuji (Heavenly Sword and Dragon Saber) and Bai Xiaonian (The Message). His progress is evident with each passing role.

Later in his career, Su turned to directing. He does not see The Left Ear or The Devotion of Suspect X as perfect, but the rigor and meticulousness displayed in his work makes the detail of his films worthy of attention.

Su is now working on his third film. According to the initial plan, shooting will start in October. In March, he unexpectedly received an offer to star in the show Call Me By Fire. At first, he politely declined the offer because the show’s shooting schedule conflicted with his film production schedule. However, the show’s crew was unwilling to give up on him. His film partner later learned of this situation and was willing to set up a film crew for him in Changsha, allowing him to work on the film production between his show recordings. Su agreed to join the show two days before shooting began.

Su was told that the show’s audience would determine whether celebrity contestants would stay or leave. As most of the audience was between 20 and 30 years old, they would have been familiar with his film and TV hits. But Su felt that since he was returning to the music stage, there was no reason for him to sidestep Xiao Hu Dui’s songs. “Xiao Hu Dui has a lot of hits, but I am not a great dancer,” he says, “I had to prepare for more than three months before I performed ‘Qing Ping Guo Le Yuan (Green Apple Paradise)’ on my debut as a mentor on Produce Camp 2019. So I just avoided songs that would require dancing. I thought I would never ever forget the dance using sign language for the song “Ai” (Love), but to my surprise, I had trouble remembering the details. Later, I found a sign-language video from a young girl on the Internet to refresh my sign-language skills.”

When rehearsing, Su realized he was out of practice; his moves and control over his expressions never seemed to be precise. “It was easy for me to tell the trainees how to perform while mentoring them,” he says. “But when it came to my turn to perform, I realized it was difficult to regain the skills I had back then.”

In the end, the performance of “Ai “(Love)  went viral online.

When he returned to the stage, it was as if he was once again the young man who was not afraid of the arduous journey ahead. He fought hand-in-hand with his band and eventually won another opportunity to establish his boy band in a starring role. Su often considered himself a poor dancer. But with the help of his team, he started to enjoy dancing. It was more gratifying to Su than being the center of the boy band. “It was a miracle for me,” he says.

Su went from being an idol singer to a popular TV and movie actor, then a director, and now a singer again. “We should seize the present moment, and not worry about where it may lead,” he says. “You just keep moving forward, and sometimes you do not know which door will open for you.”

Catching up with everyone through new work

When Su first debuted, the route to becoming a star was monopolized by various companies. There was a high entry requirement to become a star. However, in the era of self-media, everyone has the opportunity to become famous. From his perspective, that is definitely a good thing, but it also means the superstar era is gradually fading away, as celebrities are slowly becoming less mysterious and less distant from the audience.

In the past, the young and famous Xiao Hu Dui members were adored by a large number of fans. This made the band members quite nervous, so they made a pact with their fans to place an emphasis on honor and order, hoping that everyone would focus more on their individual lives. Su, as a first-generation idol, is a bit puzzled by  fandom behavior today. “As idols, we must understand our value and responsibility, then set examples for our fans, and continuously strengthen our performing skills,” he says. “The adoration of celebrities should never be quantified in monetary terms, nor should it be used as an excuse to interfere with other people’s lives. Celebrity fandom is supposed to be a positive thing. How does this become a shackle between celebrities and their fans these days?”

While the release schedule is still being finalized, fans should be able to hear two of Su’s new songs before the Lunar New Year (beginning Jan. 22).

Alec Su for Billboard China

Alec Su for Billboard China

Photo: Xiaoming; Editor: Mi; Stylist: Lindsay