djfrosty

Sam Smith Gushes Over Aubrey Plaza’s Performance in ‘Emily the Criminal’ for New ‘SNL’ Promo

Saturday Night Live has a jam-packed lineup this weekend, with Aubrey Plaza making her hosting debut and Sam Smith taking the stage as musical guest.

To gear up for the big night, the superstar duo joined SNL favorite Kenan Thompson for a new promo clip. “We love you in The White Lotus,” Thompson tells Plaza, before Smith chimes in, “Emily the Criminal is brilliant.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

However, Thompson then mixes up Plaza for Jenna Ortega when he says, “You were great in Wednesday.”

When the actress reveals that she wasn’t in the popular Netflix series, Thompson asks her to “at least” do the viral Wednesday-inspired dance trend. “No,” Plaza simply replies, with her characteristic deadpan tone.

Smith posted the video to Instagram, along with the caption, “Saturday [yellow heart emoji].” They will be serving as musical guest on the iconic sketch comedy show for the third time, just a week before their highly anticipated new album Gloria drops on January 27. The LP comes on the heels of the singer’s Hot 100 chart topping collaboration with Kim Petras, “Unholy.”

Saturday Night Live airs every Saturday live on NBC at 11:30 p.m. ET/8:30 p.m. PT. For those without cable, the broadcast will also stream on NBC’s streaming service, Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans on demand access to previous SNL episodes as well.

Watch the promo below.

Lil Durk & Future “Mad Max,” The Weeknd “Nothing Is Lost” & More | Daily Visuals 1.20.23

HipHopWired Featured Video
Future And Friends

Source: Prince Williams / Getty

It’s been more than a month since Lil Durk dropped his latest project Loyal Bros 2. But the Chiraq representative isn’t letting that buzz die just yet and comes through with a new clip for a fan favorite cut off that album.

Linking up with Future for the visuals to “Mad Max,” Lil Durk and the Toxic King head down to Miami to lay down their bars as a few juxes go down in the sunny streets of South Beach. This video was hella violent.

From hardcore rap to some R&B, The Weeknd heads to the planet of Pandora to get that Avatar money and sing underwater as the Na’vi natives groove to his melody.

Check out the rest of today’s drops including work from Lil Tjay, Rich The Kid, Famous Dex and Jay Critch and more.

LIL DURK & FUTURE – “MAD MAX”



THE WEEKND – “NOTHING IS LOST”



LIL TJAY – “CLUTCHIN MY STRAP”



RICH THE KID, FAMOUS DEX & JAY CRITCH – “WHERE’S DEXTER”



KALI UCHIS – “I WISH YOU ROSES”



AUGUST ALSINA – “MYSELF”



NLE CHOPPA – “23”



AB-SOUL FT. SIR – “IT BE LIKE THAT”



Biggest Music Tours & Festivals of 2023: How to Get Tickets to Madonna, SZA, Blink-182 & More

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Your favorite artists are ready to hit the road! After two years of rescheduled, postponed or canceled tours and concerts, music fans can rejoice in knowing that live shows are back in full swing.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Madonna, SZA, Blink-182, Taylor Swift, Janet Jackson, Bruce Springsteen, Billy Joel and Stevie Nicks are just a small portion of acts heading on tour in 2023. And the list keeps growing.

Below, find a roster of more than 25 of the year’s most-anticipated concerts, tours and music festivals. We’ll be updating this story regularly, so be sure to check back for new dates and ticket information.

For more tour guides, check out our roundups of 2023 Latin Tours in the U.S. and Las Vegas Residencies.

From A-Z: A List of Must-See Music Tours (Updating)

Anita Baker

Anita Baker performs in concert at The Austin Music Hall on February 12, 2010 in Austin, Texas.

Jay West/WireImage

Anita Baker — The music legend is hitting the road for her first tour in decades joined by Babyface. The tour kicks off on Feb. 11 at Hard Rock Live in Hollywood, Fla.

Anita Baker Tour

$from $223

Ari Lennox  – The Age/Sex/Location tour kicks off in Las Vegas on Jan. 26. Get tickets here.

Billy Joel — Before he joins Stevie Nicks for a co-headlining tour, Billy Joel has solo shows scheduled at the Hard Rock Live in Florida, New York City’s Madison Square Garden and the Fallsview Casino in Niagara Falls, Ontario. Get tickets to Joel’s solo concerts here and here. Click here for tickets to the tour with Stevie Nicks.

Blink 182 – The band’s tour start March 11 in Tijuana, Mexico. Get tickets here.

Bruce Springsteen – Bruce Springsteen’s 2023 tour launches on Feb. 1 at the Amelia Arena in Tampa, Fla. Get tickets here.

Chris Stapleton – The country star’s tour starts on March 16 at the Houston Rodeo. Get tickets here.

Depeche Mode – The English band’s Memento Mori tour launches on May 18. Get tickets here.

Ed Sheeran – Ed Sheeran’s “Mathematics” tour makes its way to North America in May. Get tickets below.

Ed Sheeran Mathematics Tour

$from $125

Foo Fighters – The Foo Fighters will hit the road this summer. Get tickets here.

Harry Styles – In March, Harry Styles will perform a string of shows rescheduled from last year’s Love On Tour. Get tickets here and here.

Janet Jackson – The “Together Again” tour starts April 14 in Hollywood, Fla. Get tickets here.

Lizzo – The Special tour resumes overseas in February and returns to the U.S. in April. Get tickets here.

Luke Combs – The country star’s tour launches on March 25. Get tickets here.

Madonna – The highly-anticipated Celebration Tour kicks off in July. Tickets went on sale Friday and another batch of presale passes will be released via Ticketmaster on Monday (Jan. 23). Get tickets for select dates below.

Madonna Celebration Tour

$from $140

New Edition – The group’s Legacy tour, featuring Keith Sweat and Guy, begins on March 9. Get tickets here.

Taylor York, Zac Farro, Hayley Williams, Paramore

From left: Taylor York, Zac Farro and Hayley Williams of Paramore photographed on November 4, 2022 at St. Rocco’s in Brooklyn, NY.

Meredith Jenks

Paramore – The pop-punk band scheduled to perform at the Grand Ole Opry House in Nashville on Feb. 6 and the Bud Light Super Bowl Fest on Feb. 9. Get tickets to see Paramore live here.

Red Hot Chili Peppers – The Red Hot Chilli Peppers tour, featuring Iggy Pop, The Roots, The Strokes St. Vincent and more, starts March 29 in Vancouver. Get tickets here.

Santana – The band’s upcoming tour dates includes a performance at the House of Blues Las Vegas on Jan. 25. Get tickets to see Santana here.  

Shania Twain – The country legend launches her tour at the Tortuga Music Festival in March. Get tickets to the Queen of Me tour here.

SZA – The S.O.S. tour starts on Feb. 21 in Chicago. Get tickets here.

Taylor Swift – The Eras tour, featuring Paramore and Gayle, officially kicks off on March 17. Get tickets here.

Wizkid — The North American leg of Wizkid’s More Love, Less Ego tour launches in March. Get tickets here.

Zac Brown Band – Zac Brown & Co.’s 2023 tour dates include the Houston Rodeo on March 5. Get tickets here.

2023 Music Festivals: Where to Get Tickets

Coachella Valley Music & Arts Festival

A general view of atmosphere during day 2 of the 2016 Coachella Valley Music & Arts Festival Weekend 2 at the Empire Polo Club on April 23, 2016 in Indio, California.

Daniel Leist/GI for Coachella

Coachella Valley Music & Arts Festival — April 14-16 & April 20-23; Get tickets here.

Bonnaroo Music Festival — June. 15-18. Get tickets here.

Rolling Loud — March 3-5 (California); Jul 21-23 (Miami). Get tickets here.

SXSW — Mach 10-19 in Austin, Texas. Click here to register for tickets.

Gigi Hadid & Baby Khai Kick Off the New Year With ‘A Little R&R’: See Their Beach Day Pics

Gigi Hadid took to social media on Friday (Jan. 20) to show off her recent beach vacation with daughter Khai.

“Celebrated the new year w a lil r&r,” the supermodel captioned the slideshow on Instagram.

Though she follows a strict policy of keeping Khai’s face off social media, the seaside snaps made clear the 2-year-old she shares with ex Zayn was there for the fun.

In one photo, Hadid spells out “Mama [hearts] Khai” in the sand with her own head cut out of the frame. Another shows Khai balanced on her mom’s shoulders in stark grayscale, while a third features the tot carefully outside the edge of the photo, frolicking in the surf while Hadid wears a red bikini top and baggy, multi-colored board shorts over her matching bottoms.

A few months ago, Hadid offered an update on Khai’s growth and development, telling Sunday Today, “I think she’s a genius. But I think that’s what everyone says about their kid. It’s so much fun. The more that she talks, and understands, and remembers, it just gets more and more fun. And she’s a blessing.”

For his part, Zayn most recently unveiled “Angel,” a posthumous collab with Jimi Hendrix in honor of what would’ve been the late guitar legend’s 80th birthday. At the time, the former One Directioner called being asked to join the track “such an unexpected and huge honour,” adding, ” I have so much respect and admiration for Jimi, his music and fans…Happy 80th Jimi.”

See the sweet photos of Hadid and baby Khai’s holiday in the sun below.

Watch Yuuri’s New ‘Billimillion’ Music Video Animated by Tekken

J-pop singer-songwriter Yuuri premiered the new music video accompanying his latest song “Billimillion” on Jan. 19.

The new track by the 28-year-old musician lends support to the younger generation trying their best to get by in modern times, through an allegorical story about an old man who offers a young man large sums of money in exchange for 50 years of his life. The “Betelgeuse” singer has been performing this song that encourages people to make decisions they won’t regret since last year, including his tour celebrating his YouTube channel sailing past a million subscribers.

The visuals released on YouTube features Tekken’s flip animation depicting the message and story of the new track through his signature black-and-white drawings.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Kelly Clarkson Warns ‘You Should Probably Leave’ in This Chris Stapleton Kellyoke Cover: Watch

Kelly Clarkson is allowing her country side to shine.

On the Friday (Jan. 20) episode of The Kelly Clarkson Show, the American Idol winner gave the Chris Stapleton single “You Should Probably Leave” a spin for her daily Kellyoke performance.

Accompanied by her band Y’all, the “Since U Been Gone” singer lets her full vocal range shine in the cover, singing, “‘Cause I know you and you know me/ And we both know where this is gonna lead/ You want me to say that I want you to stay/ So you should probably leave/ Yeah, you should probably leave.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“You Should Probably Leave” was released in 2020 as the first single from Stapleton’s fourth studio album, Starting Over. The track — which tells the story of an on-off couple who simply can’t stay away from each other — peaked at No. 28 on the all-genre Billboard Hot 100. Over on Country Airplay, the track spent a week at No. 1.

Recently, Clarkson performed Blink-182’s “All the Small Things” for Kellyoke, as well as Duran Duran’s “Ordinary World,” Chris de Burgh‘s “The Lady in Red” and Joji‘s 2022 breakthrough hit “Glimpse of Us.”

Watch Clarkson’s cover for “You Should Probably Leave” in the video below.

Raven-Symoné Reveals You Don’t Know How to Pronounce Her Name

Turns out we’ve been saying Raven-Symoné‘s name wrong this whole time.

On Thursday, the star hopped on TikTok to offer a lesson on the correct pronunciation of her moniker. “Yo, that’s Raven-Symoné,” she wrote on the six-second video before adding, “It’s pronounced See-mon-ye.”

To elucidate her point even further, the That’s So Raven star included a lip sync to a popular TikTok sound where someone offscreen insists, “Shut up, it is not,” to which she emphatically mouths, “Yes, it is.”

However, the video’s caption also made it clear that she wasn’t taking the issue too seriously, considering she wrote, “Those who know…KNOW… fit was cray that day.”

Obviously, the revelation sent the minds of millennials who grew up on the Disney Channel spinning. “RAVENN!! YOU LET THIS SLIDE FOR TOO LONG,” one fan wrote, while another stated, “The whole time ‘I’m raven simone and you’re watching Disney channel,’ you could have said it right cause how they gon make you say your own name wrong.” However, another follower was quick to defend the star by pointing out, “She said ‘Hi I’m Raven from That’s So Raven and you’re watching Disney Channel’ never said her last name.” (Although technically, “Symoné” is just the second half of Raven’s first name, not her last.)

Last year, Raven-Symoné advocated for an issue much larger than her name by leading a set-wide walkout with the cast and crew of Raven’s Home to protest Florida’s “Don’t Say Gay” bill, which was then making its way through the state’s legislature before Gov. Rick DeSantis signed it into law in late March.

Watch and learn how to pronounce Raven’s full name below.

The Ledger: How Will 2022’s Music Consumption Trends Impact Catalog Valuations?

The Ledger is a weekly newsletter about the economics of the music business. An abbreviated version of the newsletter is published online. The Ledger is sent to Billboard Pro subscribers. You can also sign up here to receive The Ledger and many other Billboard newsletters.

The way things are going, music rights valuations are likely to remain steady in the new year, according to dealmakers.

Total music consumption in the United States rose 9.2%, according to Luminate’s 2022 year-end report. While that was slower than the 11.3% consumption growth in 2021, “9.2% relative to 11.3% is not a massive move in growth,” says David Dunn, managing partner at Shot Tower Capital. “As a whole, the growth rates are within expectation for me and still very healthy,” adds Andy Moats, executive vp and director of music, sports and entertainment at Pinnacle Financial Partners. Last year’s numbers were also in line with the expectations of Daniel Weisman, principal at Bernstein Private Wealth Management. “Goldman Sachs’ report published in June of 2022 put streaming CAGR [cumulative annual growth rate] at 12%,” he says.

A mitigating factor is the difference in margins between digital and physical formats. On-demand song streaming — both audio and video — climbed 12.2%. On-demand audio streaming grew 12.1%, the same rate achieved in 2021. Physical album unit sales dropped 3.5%. CD unit sales fell a modest 11.6%, while vinyl LP unit sales grew 4.5% to a record 43.5 million units. Despite Taylor Swift selling nearly 1 million units of her Midnights album on vinyl and Beyoncé showing strong album sales across vinyl and CD formats, music consumption was — again — more digital than the prior year.

With streaming up and physical formats down, that mix is favorable for catalogs. “Margins are improving” as a result of increased digital consumption, says Dunn. Digital music is less expensive to distribute than physical formats — especially vinyl, which has relatively weak margins and high shipping costs. The cost of producing an additional download or stream is effectively zero, aside from negligible costs of data storage and bandwidth. That’s a net positive for catalog valuations. Experts value music catalogs by discounting future cash flows to a single present value. When revenues shift to higher-margin digital formats, rights holders will receive more cash.

The gains do not accrue evenly to all recordings and compositions, though. Last year’s streaming growth could “potentially” support current valuations for a catalog 10 years or older, “especially against a rising rate environment,” says Weisman.

Younger catalogs with decaying royalty growth, however, are a different matter. “I think for newer catalogs that have not yet leveled off and whose royalties are not increasing, it’s hard to argue that all the external economic factors — rising interest rates, inflation, etc. — do not have an impact,” says Weisman.

The shift in product mix carries implications for recorded music valuations specifically. As consumption increasingly skews toward digital, recorded catalog margins will catch up to those in the publishing business, says Dunn. “I generally think margin growth is continuing and I think investors are realizing you can exploit recorded catalog at margins similar to publishing.”

Focusing only on unit sales doesn’t tell the entire story, however. Vinyl records may have relatively poor margins, but rising vinyl prices create more margin dollars for labels. In the first half of 2022, the average sale price of vinyl in the United States rose 5.6% to $26.16, according to the RIAA.

Streaming is also becoming more valuable. After more than a decade of flat subscription prices, companies such as Apple, Amazon and Deezer are raising prices. Spotify’s CEO has indicated the company intends to raise prices in 2023, as well. Due to these increases — often just $1 per account — the U.S. streaming market could generate hundreds of millions of additional dollars this year without sacrificing a meaningful number of subscribers.

Nari Matsuura, partner at Citron Cooperman, believes the U.S. market is even healthier than Luminate’s data shows. That’s because music is becoming more ubiquitous with tech in our everyday lives, meaning there is revenue growth that consumption data can’t track.

“While streaming growth captured the whole narrative of the U.S. market a few years ago, now the narrative has changed to include much more than streaming,” she says. “Growth also needs to take into account the licensing of alternative music platforms, such as Peloton and Facebook, as well as the stellar growth in synch licensing due to the volume of new programming by SVODs as they compete for subscribers.”


How Much Money Could Madonna’s Celebration Tour Make?

When Madonna hits the road later this year for her career-spanning Celebration Tour, she’ll be taking a global victory lap, further cementing her legacy as the Queen of Pop. She’ll also be taking home big money — upwards of $100 million, by Billboard‘s estimate.

The parade of concerts will feature Madonna’s greatest hits from across her 40-year career, a rare straightforward ambition for one of the world’s most enigmatic artists. With 38 top 10 songs on the Billboard Hot 100 and 23 top 10 albums on the Billboard 200, the tour stands to continue her streak as the highest-grossing solo female artist in Billboard Boxscore history (provided she can fend off Taylor Swift‘s upcoming Eras tour). How high will it go?

Madonna’s touring career began in earnest with 1985’s The Virgin Tour, averaging more than 10,000 tickets and $100,000 per night, according to figures reported to Billboard Boxscore. (The average ticket price on that tour was $14.74, a distant whiff of what her — and all artists’ — arena concert tickets cost in the 2020s. In today’s dollars, adjusted for inflation, that skimpy price would translate to $29.56.)

Already a sell-out force, Madonna’s next trek, 1987’s Who’s That Girl World Tour, tripled her draw and nearly quintupled her selling power in just two years, pacing 35,000 tickets and $756,000 per show in a mix of arenas and stadiums that year.

Both of those figures were just the beginning. They were followed by 1990’s Blond Ambition Tour, 1993’s The Girlie Show and seven tours in the 21st century that have grossed at least $50 million each.

Madonna’s highest-grossing tour thus far is the 85-date Sticky & Sweet Tour in 2008-09, playing stadiums around the world to the tune of $407.7 million and 3.5 million tickets. Fifteen years later, it remains the highest-grossing tour by a woman ever. (Her next trek, 2012’s MDNA Tour – her lengthiest tour by number of shows at 88 – played a mix of stadiums and arenas, and became her second-highest grossing run, with $305.2 million.)

The Celebration Tour was announced on Tuesday (Jan. 17) with 26 shows in North America and 12 in Europe. Throughout this week, that routing expanded to 41 and 20, respectively. Madonna begins the trek on July 15 in Vancouver and is scheduled to wrap Dec. 2 in Amsterdam. Thus far, no dates outside the U.S., Canada and western Europe have been announced.

To gauge the tour’s financial prospects, it would be unfair to simply reflect on Madonna’s most recent tour. That was the 2019-20 Madame X Tour, an experiment that placed the Queen of Pop in intimate theater-based mini-residencies in major markets on both sides of the Atlantic. The 75-show run sold itself out at 179,000 tickets and $51.5 million, but it’s an outlier in a career comprised of (much) larger venues.

A more apt comparison would be the Rebel Heart Tour of 2015-16, a string of 82 arena shows after the stadium madness of her previous two treks. That tour grossed $169.8 million and sold 1.05 million tickets worldwide, including quick stints in Asia and Oceania. On the Rebel Heart Tour, more relevant to the Celebration routing, Madonna averaged $1.8 million and 12,500 tickets in the U.S. and Canada, and $1.7 million and 14,600 tickets in Europe. Given her current 61-show routing for The Celebration Tour, maintaining those averages would put the entire run on track to gross $106.9 million and sell 802,000 tickets.

But ticket prices have risen since Madonna was charging $15-and-under in the ‘80s, including a significant spike in the last five years. Platinum ticketing and dynamic pricing have blown out arena and stadium grosses in the post-pandemic era, with Bad Bunny, Harry Styles, The Rolling Stones and more approaching $200 averages on tour last year.

For example, on Elton John’s Farewell Yellow Brick Road Tour, his average arena ticket in North America jumped from $139 in 2018 to $181 in 2022. That’s a 30% increase, which would bolster Madonna’s projected gross to $140.6 million. But the surge in prices hasn’t been as great in Europe, which could soften our prediction back toward the $130 million mark.

Further, Madonna has long been a global icon. So far, The Celebration Tour spans two continents, while she has frequently hit South America, Asia and Oceania throughout her career. An expansion of the tour — which seems like a natural idea based on the marketability of an all-hits show — would drastically change what is realistic for the 2023 trek. And as noted above, Madonna already increased the number of North American shows for the tour by more than 50% before The Celebration Tour’s general on-sale began on Jan. 20. Demand could dictate further additions.

Today’s on-sale generated over 600,000 tickets sold, with 35 sold-out shows and more to become available next week.

Over nearly 40 years, Madonna has grossed a reported $1.376 billion and sold 11.7 million tickets across 575 shows. That makes her the most successful female act in Boxscore history. The Celebration Tour will nudge her closer to the $1.5 billion mark. Among all acts, only four have grossed more in Boxscore history.