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Lil Yachty Guides Listeners on a Trippy Journey with ‘Let’s Start Here’ Album: Stream It Now

Prepare to take a trip with Lil Yachty on Let’s Start Here, his fifth studio album that dropped on Friday (Jan. 27) via Concrete Records, Motown Records and Quality Control Music.

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In an interview with Ice Box last year, the rapper revealed he was going in a different direction with the sound of his upcoming studio effort. “My new album is a non-rap album,” he declared. “It’s alternative, it’s sick… It’s like a psychedelic alternative project. It’s different. It’s all live instrumentation.” 

This wouldn’t be Yachty’s first dip into the genre, as he collaborated with Tame Impala on a 2021 remix of “Breathe Deeper” from The Slow Rush B-Sides & Remixes, which peaked at No. 47 on Hot Rock & Alternative Songs

In the week leading up to the album’s release, he unveiled a nearly two-minute skit titled “Department of Mental Tranquility,” which shows Yachty walking into the video’s namesake and responding to a receptionist’s pestering, miscellaneous questions in a sweltering waiting room replete with erratic people before the performer carefully enters into the white light.

Yachty released his last full-length album, Lil Boat 3, on May 29, 2020. The 19-track set, which included lead single “Oprah’s Bank Account” featuring DaBaby and Drake, launched at No. 14 on the Billboard 200

Stream Let’s Start Here below.

Chlöe’s Sleek New Single ‘Pray It Away’ Is Here

Chlöe Bailey is giving fans the first taste of her upcoming debut solo album with a brand new single, “Pray It Away,” which arrived on Friday (Jan. 27).

The song, which details the feelings of a wasted relationship, comes just a day after the 24-year-old singer-songwriter teased the release with a stunning image of herself draped in white and sheer fabric, holding her hands up in prayer. 

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Meanwhile, Chlöe’s debut album, In Pieces, is set to arrive in March, though an exact date has yet to be shared. While this is the star’s first full solo project, as part of Chloe x Halle, the sister duo released two albums — 2018’s The Kids Are Alright and 2020’s Ungodly Hour.

“It’s everything that I’ve been going through, all the tearing down, people underestimating, telling me I can’t do it — all of those things have gone into the music,” Chlöe previously explained of her upcoming solo LP. “The album is me picking myself up and talking myself out of any little place or space that the world has tried to put me in, that people and personal relationships have tried to put me in, and even [doing that to] myself. It’s me breaking free.”

Listen to “Pray It Away” below.

The Kid LAROI Hopes to Find ‘Love Again’ on New Single: Stream It Now

The Kid LAROI unveiled his newest single “Love Again” on Friday (Jan. 27) via Columbia Records.

On the upbeat track, the rising pop star yearns, “Can we find love again?/ Is this time the end?/ Tell me,” over a loose acoustic guitar line and fuzzed out instrumentation. The accompanying music video finds him wallowing in a darkened bedroom as he reflects on the sunnier days of the relationship at the song’s core.

“Love Again” follows the soul-searching “I Can’t Go Back to the Way It Was” as the second taste off The Kid Laroi’s forthcoming debut album, The First Time, which is set for release later this year. Previously, he collaborated with Fivio Foreign on their 2022 collab “Paris to Tokyo” and dropped one-off single “Thousand Miles.”

To promote the single, The Kid Laroi is utilizing his ongoing partnership with Epic Games for the track to be featured in his special Fortnite experience “Wild Dreams.” The customized island experience in the game will be available to players for three months starting Friday at 6 p.m. ET and will be the very first time multiple new songs will narrate a Fortnite quest, which includes an excursion through “Laroitown” and offers players the chance to earn XP and attend an in-game concert.

Expectations for the singer’s major-label full-length are certainly sky high, considering he’ll be delivering the album in the wake of two back-to-back No. 1 hits in 2021: “Stay” with Justin Bieber and “Without You” featuring Miley Cyrus.

Stream The Kid LAROI’s “Love Again” below.

TOMORROW X TOGETHER’s ‘The Name Chapter: Temptation’ Is Here: Stream It Now

MOA, it’s finally here: TOMORROW X TOGETHER has released its highly anticipated new EP, The Name Chapter: Temptation, on Friday (Jan. 27). The EP is now available to stream on all platforms.

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The project features a total of five tracks from the K-pop group: “Sugar Rush Ride,” “Devil by the Window,” “Happy Fools” featuring Coi Leray, “Tinnitus (Wanna Be a Rock)” and “Farewell, Neverland.”  “Sugar Rush Ride” was released as the lead single for the The Name Chapter: Temptation. The lush, nature-themed video for the track arrived alongside the rest of the album on Friday, and featured some of the group’s signature and intricate dance moves.

Temptation marks the sixth EP that TOMORROW X TOGETHER has released. Though fans will have to wait at least a week to see how the new set fares on the Billboard charts, the K-pop group’s previous effort, minisode 2: Thursday’s Child, peaked at No. 4 on the Billboard 200 after its arrival in May 2022. Minisode spent a total of 14 weeks on the all-genre albums chart, while the project’s lead single, “Good Boy Gone Bad,” spawned a viral dance challenge on TikTok.

Fans have even more to look forward to now that The Name Chapter: Temptation is out. The group — which consists of members Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai — will perform a special showcase on Jan. 28 that will likely feature several tracks from the new EP. Come March, the group will hit the road for its Act: Sweet Mirage world tour.

Stream TOMORROW X TOGETHER’s The Name Chapter: Temptation below.

Taylor Swift’s Drops Dreamy ‘Lavender Haze’ Video: Watch

Taylor Swift encouraged her fans to “meet me at midnight” on Friday (Jan. 27), when she unveiled the much anticipated music video for her Midnights opening track, “Lavender Haze.”

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Swifties have been waiting for the “Lavender Haze” music video for months, especially since the “Bejeweled” music video premiered in late October. Swift shared the Cinderella-inspired “Bejeweled” visual just two weeks after dropping the first Midnights music video, which was for the album’s No. 1 lead single, “Anti-Hero.”

Swift actually shared a teaser video for all of the album’s music videos during Thursday Night Football, mere hours before Midnights hit streaming services Oct. 21. “Those projects are the Midnights Music Movies, the music videos that I made for this album to sort of explore visually the world of this record,” she said at the time. “I love storytelling, I love songwriting, I love writing videos, I love directing them … I’m really proud of what we made and I really hope you like them. We worked with some amazing actors.”

Watch the “Lavender Haze” music video below.

Sam Smith Makes a Joyful Noise With New Album ‘Gloria’: Stream It Now

Sam Smith fans, lift your hands in exaltation. After three long years, the singer’s fourth studio album, Gloria, finally arrived on Friday (Jan. 27).

The new LP drops after almost a year of public preparations from Smith — the album’s first single, the tender “Love Me More,” arrived in April 2022. Smith then took TikTok by storm with their viral hit single “Unholy” featuring Kim Petras, marking Smith and Petras’ first No. 1 hits on the Billboard Hot 100.

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Writing about the album on their Instagram back in October 2022, Smith shared that they were “feeling overwhelmed and emotional” about finally unveiling the set. “It has been magical in every way to make this piece of music, and by giving this record to you I am giving you part of my heart and soul,” they wrote. “Gloria got me through some dark times and was a beacon for me in my life. I hope it can be that for you.”

The new album charts Smith’s journey from heartbroken crooner to joyful pop superstar, with tracks detailing their self-image (“Perfect”), sex life (“I’m Not Here to Make Friends,” “Gimme”) and finally, learning to accept and love themselves (“Gloria”). Smith is joined on the album by Petras, Ed Sheeran, Jessie Reyez and Koffee as featured artists, while long-time collaborators Jimmy Napes, Stargate and ILYA helped Smith write and produce the project.

Speaking to Billboard for the August cover story in 2022, Smith explained that they wanted Gloria to bask in “queer joy of it all,” which meant taking a risk. “Maybe the music I make in the future won’t sit as well on the radio. It takes a bit of courage to maybe try something that maybe people aren’t going to like,” they said. “But I like it, and that’s all that matters.”

Stream Gloria here:

Rick Astley Sues Rapper Yung Gravy Over Hit Song With Soundalike Singer: ‘Flagrantly Impersonated’

When does a soundalike song sound a little too much alike?

Rick Astley is suing Yung Gravy over the rapper’s breakout 2022 hit that heavily borrowed from the singer’s iconic “Never Gonna Give You Up,” alleging that the new track — an interpolation that sounded a whole lot like an outright sample — broke the law by impersonating Astley’s voice.

In a lawsuit filed Thursday (Jan. 26) in Los Angeles court, Astley claims that Gravy’s “Betty (Get Money),” which reached No. 30 on the Hot 100 last year, violated the singer’s so-called right of publicity because it closely mimicked the distinctive voice Astley used in the chart-topping 1987 hit.

“In an effort to capitalize off of the immense popularity and goodwill of Mr. Astley, defendants … conspired to include a deliberate and nearly indistinguishable imitation of Mr. Astley’s voice throughout the song,” Astley’s lawyers wrote. “The public could not tell the difference. The imitation of Mr. Astley’s voice was so successful the public believed it was actually Mr. Astley singing.”

Pulling heavily from a song that boomed in recent years thanks to “Rickroll” internet memes, “Betty” was a major hit for Yung Gravy. But it often drew attention largely for its connections to Astley; the New York Times called it “a real-life rickroll that functioned as a comedy song, a TikTok trend and a nostalgia trip all at once.”

In their new lawsuit, Astley’s lawyers said the singer was “extremely protective over his name, image, and likeness,” meaning the unauthorized use of the soundalike voice had caused him “immense damage.”

Representatives for Gravy (real name Matthew Hauri) and Universal Music Group’s Republic Records (also named in the lawsuit as the label that released “Betty”) did not immediately return a request for comment.

Thursday’s new lawsuit raises big questions about the methods used in the music industry to legally borrow from older songs, an ever more popular tactic in a nostalgia-heavy age.

When they created “Betty,” Gravy and his team allegedly cleared the underlying musical composition to “Give You Up.” That gave them the legal right to recreate music and lyrics from the original in their new track — a process known as “interpolating.”

But the lawsuit says Gravy and his team weren’t able to secure a license to use the actual sound recording of the famous track — the better-known process of “sampling.” That would mean they didn’t have any right to directly copy the exact sounds, including Astley’s voice.

Instead, Astley says they hired Popnick (real name Nick Seeley) to imitate Astley’s “signature voice” on the track. At one point, the lawsuit quotes from an Instagram video in which Popnick said he wanted the song to “sound identical” to Astley voice.

By doing so without permission, the lawsuit claims that Gravy and Popnick violated Astley’s right of publicity — the legal right to control how your name, image or likeness is commercially exploited by others.

“A license to use the original underlying musical composition does not authorize the stealing of the artist’s voice in the original recording,” Astley’s lawyers wrote. “So, instead, they resorted to theft of Mr. Astley’s voice without a license and without agreement.”

Astley’s allegations rely heavily on a 1988 federal court ruling, in which Bette Midler successfully sued the Ford Motor Co. for violating her right of publicity by running a series of commercials featuring a Midler impersonator. In that case, the court sided with Midler even though Ford had obtained a license to the underlying song.

The new lawsuit was filed by Richard Busch, a prominent music litigator best known for winning the blockbuster copyright case over “Blurred Lines.” In a statement to Billboard, Busch said: “Mr. Astley owns his voice. California law is clear since the Bette Midler case more than 30 years ago that nobody has the right to imitate or use it without his permission.”

In addition to violating Astley’s right of publicity, the lawsuit also accuses Gravy of violating federal trademark law by making false statements that made it appear that the singer had endorsed the new song. In an interview with Billboard, Gravy said he had spoken with Astley and that the singer had approved of the new song — that he “fucks with the song.”

“These statements were all false,” Astley wrote in his lawsuit.

‘The 1619 Project’: How to Watch the Docuseries Online

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The first two episodes of The 1619 Project arrived on Hulu on Thursday (Jan. 26). The six-episode docuseries which is adapted from Nikole Hannah-Jones’ New York Times bestseller and executive produced by Oprah Winfrey, places the “consequences of slavery and the contributions of Black Americans at the very center of our national narrative,” per the Hulu description.

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Hannah-Jones, a Pulitzer Prize-winning journalist and author, hosts the docuseries. The six episodes, titled “Democracy,” “Race,” “Music,” “Capitalism,” “Fear” and “Justice,” expand on the essays from Hannah-Jones’ best-selling book.

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Hannah-Jones and Winfrey are executive producers of The 1619 Project, along with Oscar-winning director Roger Ross Williams; Peabody Award-winner Shoshana Guy, Caitlin Roper — an editor of The 1619 Project and NYT executive producer for film and television — and Kathleen Lingo, NYT editorial director for film and television.

How to Watch The 1619 Project for Free

The 1619 Project is streaming at no extra cost for Hulu subscribers. If you’re not subscribed, now’s your chance to join for free for the first month, so you can stream The 1619 Project, Koala Man, How I Caught My Killer, The Drop, Extraordinary, season 2 of How I Met Your Father and other Hulu Originals.

Hulu is $7.99/month (or $79.99/year) for the ad-supported plan and $12.99/month to stream without commercials.

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$7.99/month after free 30-day trial

Looking for a streaming deal? Hulu costs just $1.99/month for students and the bundle option with ESPN+ and Disney+ starts at $12.99/month.

If you’re interested in adding live television, Hulu has that too! Subscribe to Hulu + Live TV and stream over 75 local and cable channels for $74.99/month.

Watch the trailer for The 1619 Project below.

The Rose Reflect on ‘Heal Together’ World Tour & Their Own Healing Journey

There are inevitable psychological scars that all people need to address once they reach adulthood. Whether tackled through therapy, medication, meditation, music, exercise, supplements or any other means, The Rose came to learn that they could address trauma as private individuals and members of their chart-topping Korean rock band. The quartet says their new, record-breaking album Heal is not just words of wisdom to share with fans but nightly mantras for themselves, too, while touring the album throughout the globe.

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After more than two years apart to settle drama with their previous Korean label and take care of South Korea’s mandatory military enlistment, The Rose reemerged in August last year with a new partnership alongside Transparent Arts (the entertainment agency founded by Billboard Hot 100 hitmakers Far East Movement) to release their first full-length album Heal. Preceded by the singles “Childhood” and “Sour,” Heal landed in the Top 20 of both the Top Album Sales and Top Current Album Sales charts, while peaking at No. 4 on the Heatseekers Albums too. Since its release, Heal has earned 12,000 equivalent album units, according to Luminate while their 2018 EP Void is their biggest release in the U.S. with 25,000 units earned to date.

After The Rose’s 2017 debut with “Sorry” led to the band earning a breakout K-pop artist to watch honor by Billboard, these career highs nearly five years after their mainstream introduction mark the band’s all-encapsulating dedication to what initially brought them together.

“The main message of The Rose when we first created the band was ‘healing together with music,’” explains the group’s Korean-American leader Woosung, who built up his solo pop career alongside Transparent during the band hiatus. “Coming into this new chapter of The Rose, we really wanted to remind ourselves and also remind our listeners.”

Those reminders came via Heal‘s creative process (The Rose handles nearly everything on this LP with contributions from pop and K-pop songwriter-producer Brian Lee on the stadium-sized anthem “Cure” and vocals from Transparent labelmate James Reid on the euphoric collaboration “Yes”), plus singing their lyrics back to themselves throughout their ongoing Heal Together world tour (that’s already played North and South America, Asia, and is currently in its final leg in Europe).

“We try to keep connecting with what we write and what we sing, trying to remind ourselves that life can be beautiful,” Woosung adds before vocalist-guitarist-keyboardist Dojoon adds how often a “lyric comes to us and it hits different every time. That’s a really good thing to have as a musician.” Bassist-singer Jaehyeong admits certain songs on the road make him tear up, while drummer-singer Hajoon lets the setlist take him back to moments in time.

Speaking with Billboard during some downtime amid touring, go on The Rose’s healing journey to dig deeper into Heal, reflections from tour, future music plans and more.

Woosung

Woosung

Jack Vu

Hajoon

Hajoon

Jack Vu

Congratulations on the chart success of Heal. You set new records for Korean-rock groups; how did that feel?

Woosung: We’re just very thankful and blessed, to be honest; that’s what we’ve been feeling. We don’t feel overly excited honestly, because our fans have been pushing so hard for us that the numbers made sense for us. All we want to do is just thank them. And we’ve been trying to give our best show and keep our conditions strong so that we could, at least, have that time be enjoyable for fans—that’s how we give back.

Dojoon: It might be a more common Korean expression but we “don’t feel it in our skin yet.” It doesn’t feel real, but we’re so thankful.

This is your first album in partnership with Transparent Arts, which Billboard broke the news about in August. What was different with this album behind the scenes?

Woosung: The biggest difference is, now, we have our partners that trust our visions. We are creating visions together and we trust their vision. The biggest thing is just the openness and the honesty that makes us who we are and makes Transparent who Transparent is. It’s funny because Kev [Nishimura, Transparent Arts co-CEO] came up with this phrase, “We’re the guns to the Roses.” We’re learning so much with James Roh [COO/Management at Transparent] and Daniel “Dpd” Park being part of our team.

Dojoon: We learned a lot and we’re learning all the time, but the most important lesson and thing has been teamwork.

Woosung: There’s a phrase we always say, right? [Transparent co-CEO] Kirby [Lee]’s son says…

All: “Teamwork makes the dream work.” [Laughs]

Dojoon: It could be a cliché, but we really mean it and believe in that phrase. They have different personalities and different thoughts, and, likewise, we have different personalities and different thoughts. We know how to pay respect; every time we see them and they see us, we learn a lot from each other. I think it’s a really good synergy.

Did Transparent Arts bring James Reid onto “Yes”? He’s such a perfect vocal fit.

Woosung: No, James brought himself. [Laughs] We were finishing up the album in Joshua Tree, and James was there just hanging out with us…

Dojoon: James even said, “I want to go. I really want to come! Can I come?”

Woosung: We’re like, “Yeah, of course, you’re always welcome.” He came, hung out with us, and then he was hearing what we had made so far and he’s like, “I like this one, I want to be on this one.” We thought, “Yeah, it makes sense. You’re on it.” [Laughs] And he knew he was a perfect fit too. James was like, “This is my sh-t right here.”

Dojoon: And, naturally, there was a trade. Sammy [Woosung] got to be on James’ song [“Hold on Tight” off Reid’s Lovescene: album released in October 2022].

Heal is The Rose’s first full project since your break to handle military enlistment and other projects. What did you learn on your own that you brought to this project?

Dojoon: Individually, we got to spend time on our own, and we had a lot of time thinking about ourselves and the team individually, which made us realize how taking this time isn’t a bad thing. So, we got more peace of mind. We really got to learn more about how to stay calm and keep going—I think that’s the best lesson we learned from that hiatus.

Woosung: Honestly, we matured in our own way, which is very helpful for our group. Now, I think there’s peace of mind where we can think more about what others feel and truly try to understand how each other feels which grows us as a team because we couldn’t always really understand where the other person is coming from. We’re bringing that into our album, our daily lives, everything.

Jaehyeong: I met new people, so they influenced me in terms of music. There were a lot of things; some of the people I met during that time played classical or traditional music, so they influenced me.

I can hear some of that in “See-Saw.” I want to get into some of the topics in the album and songs. The title is simple but very powerful. When did you decide that Heal was the name of the album?

Woosung: It was just random, we were just talking.

Dojoon: Oh, but it was a four-letter word: H-E-A-L.

Woosung: Our albums have only been four letter words: Void, Dawn, Heal. That’s on purpose but when we first got together, all four of us were just catching up, sharing our stories of what we went through and how we had kind of gone through life without each others’ presence. And we really felt how that the main message of The Rose when we first created the band was “healing together with music.” Coming into this new chapter of The Rose, we really wanted to remind ourselves and also remind our listeners. And just in general, we felt like people had a lot of healing to do in terms of little things or big things in this life: it can be childhood trauma, traumas that you don’t even remember that you need to heal from, a recent incident that you want to heal from. We honestly believe that music is a universal language that does a lot of healing so we just wanted to create this tool for everybody that listens to the music to kind of guide them, and guide us as well, through this healing journey.

Why is that world “heal” so important to you guys, whether it’s as a band or independently?

Woosung: Well, I learned over the past two or three years of my traumas, the childhood traumas that I had which brought out certain behaviors, certain thinking, certain actions, certain way of talking, certain way of handling things. I think, really, the root of it was from a childhood trauma that I had even forgotten. I didn’t really understand it until I thought about it so, that was a big turning point for me for sure; how to conversate and how to really handle things.

Dojoon: I had a little difficulty expressing my feelings to friends or people who I love. By talking a lot with our members and going through that, I’m trying more to express myself a little more. And that’s my task from now on, but I’m on a healing journey as we go.

It sounds like you guys can help one another in your healing journeys.

Woosung: For sure. We’re in it together.

Dojoon: We have a song called “See-Saw” and writing it was a very healing experience. It’s a story of its own, there’s a part in the lyrics where we reply back to Jaehyeong. I think that’s a great thing to have as a band where we actually can heal by performing it every time.

Jaehyeong: We just had a concert in Toronto where we sang “See-Saw,” it was only our fifth concert on tour. I didn’t cry at the show, but I don’t know, our fans grabbing their phones, turning on their flashlight, our members singing, and that part that made me so emotional. I was crying, and I think that crying helps me find more clarity and overcome my own trauma. That’s my healing time.

So “See-Saw” is the song that makes The Rose cry?

Dojoon: One of them, yeah! [Laughs]

Dojoon

Dojoon

Jack Vu

Jaehyeong

Jaehyeong

Jack Vu

Everything I’m hearing makes it clear that “Childhood” was the perfect single to begin this album and these topics. Was that on purpose?

Woosung: That’s correct. Because everything starts from our childhood, right?

Dojoon: We were all a child once, every person.

The lyrics of “Childhood” say, “Don’t forget when you were a child…/ Let it stay in your mind.” How do you guys live that lyric?

Woosung: Well, that’s the thing: when we write the songs, it’s not us saying that we’re better and already know how to do it—it’s also reminding ourselves. We’re just like the listeners; there’s nothing more special between listener and performer. The music is what’s special and we’re trying to live and remember these messages through music. So, we try but we’re human as well—we forget. It’s hard to chase those childhood dreams sometimes and reality makes it hard. But we try to keep connecting with what we write and what we sing, trying to remind ourselves that life can be beautiful, life is beautiful, and we want to live it beautifully.

Dojoon: Speaking of forgetting, we tend to forget our songs. Then when we listen back, after a few months or a few years, we’ll realize, “Oh yeah, we talked about this.” And this lyric comes to us and it hits different every time. That’s a really good thing to have as a musician.

I also really want to give you props for the “Childhood” music video too. It’s so well done and not like anything I feel like I’ve seen from a pop group based in Korea. I loved how you showed so many different bodies, you showed your bodies, tell me about conceptualizing the video.

Woosung: The main message behind that visual was just that we’re all born naked, we’re all equal, we’re all children once, we’re all humans. That was what we want to showcase. You don’t have to be perfect—as you can see, we don’t even have perfect bodies. We got a little gut. Hajoon had a pretty nice body, he’s been working out. [Laughs] But me, I just hang out. But we wanted to showcase the naturalness of just human beings and the beauty of being natural. And also showcase nature because that’s as natural as it could get.

What’s the best song to perform on tour?

Woosung: My favorite performance is “Definition of Ugly Is,” the first song on the setlist. I think it really sets the mood. I really love the messaging behind the song, which is like the Ugly Duckling: you’re a swan, you don’t know yet, but everybody thinks you’re special, they pick on you, but you become a swan, you were just in the wrong group…that’s my favorite song to play.

Dojoon: I think, “Sour.” “Definition of Ugly Is” is the leading, first song for the show but “Sour” is the very last song. Well, when the audience is really into the concert and really, feeling it, that’s the time when “Sour” comes out. I feel like everybody can relate to the melody, they sing along with us really well, and I have so much fun doing that song.

Jaehyeong: For me, the first one is “See-Saw” but the second one is “Black Rose.” You know, it is our first time to sing this song to our [fans known as] Black Roses. We’re not playing our instruments; we only sing and sing together to our fans. It feels like very special and so emotional. I love it. A lot of fans come up to us to say, “I really loved the ‘Black Rose’ out of the whole setlist.”

Hajoon: For me, “Sorry” is my favorite to perform because the song is our first song. So, when I play that, I feel like when we started the band, it’s like coming back to the beginning. I think our fans feel the same too. They know the lyrics very well because it’s been out there for almost six years.

Looking ahead, what’s coming next as the new year starts?

Woosung: We have the world tour and everything wraps around March-ish. We’re really excited to just be on the road, see our fans, really perform. Between those times, we’re visiting these cities and doing publicity. We’re even doing news platforms in new cities, it’s been great. We’re excited to finish that up strong, give a good performance to each city, and we’re going to go on a break for one month, from March to April 1st. Then after that, it’s start over. We’re going to get ready for another album, talk about where we want to take that album and get back into it.

Dojoon: Yeah, we’re really excited for the next production.

Any hints you can give? Or influences you guys have been feeling lately?

Woosung: The album’s going to be four letters.

I guess we could expect that.

Dojoon: We’re going to make something very…

Hajoon: Cool!

Dojoon: A cool, city-ish vibe?

Woosung: Yes, city vibes. You know how Heal was our Joshua Tree vibe? In nature?

Dojoon: It’s going to be the opposite now—maybe.

That’s a good tease. Anything else to add for the fans?

Woosung: We honestly just want to thank our Black Roses. They’ve been amazing, making us trend on Twitter for like every day on tour. They’ve been doing fan events together. We’re very thankful just to be building this community and being a part of this community. We want to share our experiences as well, and we’re happy that we have a community that we can engage in and talk with, even keeping up with them on Discord. So, thank you, Black Roses, we “Rose” you. We Rose all of you. And we hope to see you very soon.

Lil Baby Gets Mistaken for ‘Little Babies’ in New ‘SNL’ Promo

Michael B. Jordan is taking over Saturday Night Live for his hosting debut this weekend (Jan. 28), with Lil Baby taking the stage as musical guest.

However, in a new promo for the episode, SNL favorite Heidi Gardner was a bit confused when the Black Panther actor introduced the rapper. “What? No way! Where? I love little babies,” Gardner shouted, before Lil Baby cleared up the misinterpretation.

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“You see how that could be confusing?” the comedian asks the rapper in response.

In another cut, Gardner asks Jordan to be her Valentine, as the holiday of love is coming up in a few weeks. When the SAG Award winner took too long to make his decision, Lil Baby quickly offered to be the SNL cast member’s valentine. “You snooze, you lose,” Gardner tells Jordan.

Saturday Night Live airs every Saturday live on NBC at 11:30 p.m. ET/8:30 p.m. PT. For those without cable, the broadcast will also stream on NBC’s streaming service, Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans on demand access to previous SNL episodes as well.

Watch the new series of promos below.