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09 Feb 2023

John Travolta Makes Zach Braff & Donald Faison’s ‘Wildest Fantasies’ Come True With T-Mobile Super Bowl Commercial

Zach Braff and Donald Faison tell us more, tell us more about T-Mobile Home Internet in a new Super Bowl commercial on Thursday (Feb. 9), set to the tune of the Grease hit “Summer Nights” and featuring Danny Zuko himself, John Travolta.

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The one-minute, Panay Films-produced ad opens with Travolta feeling frustrated over installing home Internet as the opening notes of “Summer Nights” begin to play. That’s when Faison and Braff jump in to help their neighbor out. “Try T-Mobile, it sets up so fast/ It’s like WiFi that runs on 5G/ Home internet from T-Mobile?/ Wait ’til you see!” the trio sings, switching up the lyrics to the iconic song.

“It was such an honor to sing and dance with John,” Braff said in a statement to Billboard. “Donald and I are both fans of musical theater, so getting the opportunity to perform ‘Summer Nights’ with Danny Zuko himself was beyond our wildest fantasies. John could not have been more kind and humble. Donald and I both took turns peppering him with questions about his many beloved roles and he was so generous with his funny anecdotes. Donald had MANY Face/Off questions. I got to ask all about the dance sequence in Pulp Fiction. We had so much fun.”

Faison added: “It was a joy to work with John Travolta and to sing our version of such an iconic song. I couldn’t believe it when Zach and I were told it was going to happen. We danced with joy over FaceTime!”

Billboard also snagged an exclusive video of Faison and Braff having an absolute blast recording the song in the studio. Check it out below, and catch the T-Mobile Home Internet commercial when it airs during Super Bowl LVII on Sunday, with kick-off at 6:30 p.m. ET/3:30 p.m. PT.

09 Feb 2023

Warner Music Posts $1.48B Revenue as Publishing Growth Can’t Offset Lower Profits

Warner Music Group’s net revenues fell nearly 8% to $1.48 billion, despite growth in streaming revenues and its music publishing business, as the company suffered from a tough comparison to the year-ago quarter, it reported on Thursday.

WMG reported net profits declined by 34% to $124 million compared to the year ago period when the company reported $188 million in net income. This quarter, which ended Dec. 31, 2022, had one fewer week than the quarter ending Dec. 31, 2021, which resulted in outsized earnings in the year-ago period.

Executives said that beneath those headline figures, the company saw a 9% growth in music publishing revenue, 13.2% in music publishing streaming revenue and 11% increase in operating income.

“The foundations of this company are strong, and our addressable market is continuously growing,” Warner’s new CEO Robert Kyncl said in a statement. “Music’s value, power, and ubiquity are among the many reasons I decided to join WMG and lead the next phase of our evolution. As we navigate a challenging business environment, we expect to have a strong release schedule in the second half of 2023 while managing our costs throughout.”

The company’s music publishing division contained most of the quarter’s highlights, with revenues up 9.2%, or 14.2% in constant currency, driven by increases in digital and performance revenue. Digital revenue increased by 12%, or 15.5% in constant currency, and streaming revenue increased 13.2%, or 16.8% in constant currency, on growing streaming and timing of new digital deals, the company said. Digital revenue now represents 59.6% of total music publishing revenue, up from 58.1% last year. Performance revenue increased thanks to continued growth from the hospitality industry, concerts and live events, while mechanical revenue was flat. Synchronization revenue declined on lower commercial licensing activity in the U.S.

In the recorded music division, revenue fell 10.6%, or 5.6% in constant currency, on lower digital, physical and artist services and expanded rights revenue. While streaming revenue was down 6.7% in the quarter, when adjusted for the impact of the extra week in 2021, WMG said recorded music’s streaming revenue was up half a percent, impacted by al ighter release schedule and a slowdown in ad-supported revenue due to macroeconomic conditions.

  • WMG revenue fell 7.8%, or 2.7% in constant currency, compared to the year ago quarter, which had an extra week
  • Digital revenue decreased 5%, 0.9% in constant currency
  • Streaming revenue decreased 4%
  • Music publishing revenue increased 9.2%, or 14.2% in constant currency
  • Music publishing streaming revenue grew 13.2%, or 16.8% in constant currency
  • Recorded music streaming revenue decreased 6.7%, or 2.6% in constant currency, on a lighter release schedule impacted by the fewer number of weeks in the quarter
  • Net income was $124 million this quarter, down 34% from $188 million one year ago
  • Adjusted net income of $110 million was down 51% from $223 million in the year ago quarter

09 Feb 2023

Graham Nash Says David Crosby Tried to Make Peace Before Death: ‘We Were Getting Closer at the End’

Graham Nash suspects that David Crosby knew he was dying and wanted to make amends before it was too late. Nash said the former Crosby, Stills & Nash bandmates — who were famously estranged for years before Crosby passed last month at 81 — were in the midst of a rapprochement just before Crosby died of unknown causes on January 18.

“The fact is that we were getting a little closer at the end. He had sent me a voicemail saying that he wanted to talk to apologize, and could we set up a time to talk,” Nash told AARP magazine. “I emailed him back and said, ‘Okay, call me at eleven o’clock tomorrow your time, which is two o’clock on the East Coast.’ He never called, and then he was gone.”

It was a painful ending to a half century friendship and musical partnership that produced some of the indelible folk rock of the 20th century. But Nash said he is trying to focus on the love, and music, they shared. “I think one of the only things that we can do, particularly me, is only try to remember the good times,” Nash said. “Try to remember the great music that we made. I’m only going to be interested in the good times, because if I concentrate on the bad times, it gets too weird for me.”

Nash said Crosby reached out to him shortly before he died and he suspects the singer may have known the end was near. “Since his liver transplant and all his stents. He had seven stents. His body was really failing,” Nash said of Crosby, who was open about his long struggle with drug addiction. “But once again, I can only try to remember the good times, because we had many of them.”

Comparing his friend’s passing to an “earthquake,” Nash described the death setting off a series of smaller temblors, saying it took several days for the reality to really set in. “Crosby was my dear friend, my best friend for over 50 years. I can only concentrate on the good stuff,” he said, brushing aside the rifts that had grown between them over the years due to Crosby’s sometimes pointed comments about his former CSN (and CSN&Y) bandmates; in 2021, Crosby said in a scathing interview that he hadn’t spoken to Nash, or Neil Young, in years and didn’t plan to anytime soon.

“But if he was willing to call me and apologize for what he had done and how he had hurt me, it made his death a little easier for me to accept,” Nash said.

Asked what made Crosby’s musical style so singular Nash pointed to the singer’s “unbelievable uniqueness” as a musician, pointing to a jazz influence in David’s early days and “very strange” tunings he played in that made for a one-of-a-kind sound. “He really was in many ways the heartbeat of this band,” Nash said. “I mean, he was incredibly talented and unique as a musician. That’s what he brought…  I have never heard anybody with the same brilliant sense of music and harmony that David had.”

Read the full interview here (requires log-in).

09 Feb 2023

Travis Barker Reveals He Suffered Gnarly Finger Injury During Blink-182 Tour Rehearsals

Blink-182 fans were curious when drummer Travis Barker tweeted out a four-letter expletive earlier this week with zero context. “F–k,” read his post from Tuesday, which led to a lot of questions, and, finally, an answer on Wednesday (Feb. 8).

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“I was playing the drums at rehearsals yesterday and I smashed my finger so hard I dislocated it and tore the ligaments,” he explained along with a cursing face emoji. At press time it was unclear if the injury would have any impact on the band’s touring plans in support of their as-yet-untitled reunion album with twice former singer/guitarist Tom DeLonge; a spokesperson for the group had not returned requests for additional comment at press time.

In January, DeLonge teased that the collection is “the best album we’ve ever made,” assuring fans that they need to “buckle up.” Amping up the excitement, DeLonge added, “I’m personally tripping and so proud of what we have created TOGETHER. As one unified force of fun, eternal youth, and most of all- close friends.”

DeLonge — who rejoined the band in 2022 after leaving for a second time in 2014 — tagged bandmates drummer Travis Barker and singer/bassist Mark Hoppus in the post about the eagerly awaited follow-up to the trio’s 2019 album Nine, their second, and final, studio effort featuring fill-in third member Matt Skiba (Alkaline Trio).

While a release date and title for the new album have not yet been announced, the collection’s first single, “EDGING,” has been a smash at alternative radio.

The reunited trio’s massive world tour is slated to kick off on March 11 in Tijuana, Mexico at the Imperial GNP festival and keep the band on the road in South America and Mexico through April 2 before shifting to North America on May 4 with a show at the Xcel Energy Center in St. Paul, Minnesota; those dates will run through a July 16 gig in Nashville at the Bridgestone Arena and then move on to Europe in September and Australia/New Zealand in early 2024.

See Barker’s tweets below.

09 Feb 2023

Brandi Carlile, Samara Joy, Bonnie Raitt & More See Big Gains Post-Grammys

The 2023 Grammy Awards (Feb. 5) helped push major sales and streaming gains for winners such as Brandi Carlile, Samara Joy and Bonnie Raitt, among others, in the wake of the 65th annual show.

It’s expected that the weekly Billboard charts dated Feb. 18, which reflect the sales and streaming tracking week ending Feb. 9, will feature a number of titles that post gains thanks to exposure earned from Grammys. News on such gains is scheduled to be reported as early as Feb. 12 on Billboard.com.

Generally speaking, those songs and albums that saw the most eye-catching gains immediately following the Grammy Awards are those that had a lower-profile than the more well-known hits that have been chart hits for months. Essentially, those songs and albums (and artists) that were unfamiliar to the audience watching at home and online had much more room to grown than a well-known hit.

The Grammy Awards aired live on CBS-TV, and was also streamed on Paramount+ and CBS.com. Earlier in the day on Feb. 5, previous to the Grammy Awards, the bulk of the 91 Grammy Awards were presented during the Premiere Ceremony, which streamed live on Grammy.com.

All data comparisons below are for Feb. 5-6 (the day of the show and the day after) versus the two days prior, Feb. 3-4, in the U.S., according to initial reports to data tracking firm Luminate.

Carlile’s “Broken Horses,” which she performed on the Grammy Awards, garnered a 379% gain in on-demand official U.S. streams on Feb. 5-6 as compared to Feb. 3-4. On Feb. 5-6, the track captured 130,000 streams – up from 27,000 in the two days prior. Further, “Broken” logged a 9,273% increase in track sales, rising to 1,500 sold on Feb. 5-6 (up from a negligible sum on Feb. 3-4).

“Broken Horses” won two Grammy Awards — for best rock performance and best rock song. Both trophies were presented during the Premiere Ceremony.

Samara Joy – who won best new artist (presented during the Grammy Awards on CBS) and best jazz vocal album (for Linger Awhile, presented during the Premiere Ceremony) – saw robust gains for Linger Awhile. The album earned nearly 4,000 equivalent album units on Feb. 5-6 in the U.S. (up 675% compared to about 500 in the two days prior).

Of the Feb. 5-6 unit sum for Linger Awhile, traditional album sales comprised a little over 3,000 (up 775% compared to the under 500 sales it generated on Feb. 3-4). The album’s collected songs generated 900,000 on-demand official streams on Feb. 5-6 (up 381% compared to the 187,000 they earned on Feb. 3-4).

Linger Awhile has so far peaked at No. 2 on Billboard’s overall Jazz Albums chart and No. 2 on the Traditional Jazz Albums chart. The album has yet to reach the all-genre Billboard 200 chart.

Bonnie Raitt’s “Just Like That” – which won song of the year – snared a 3,387% increase in on-demand official streams on Feb. 5-6, rising to 777,000 (up from 23,000 in the two days prior). In terms of track sales, the song sold 6,000 on Feb. 5-6 (up 8,001% compared to the negligible sum it sold on Feb. 3-4). “Just Like That” also won the Grammy for American Roots Song, which was presented during the Premiere Ceremony.

Raitt additionally performed on the CBS broadcast, but didn’t sing her own song – she sang Fleetwood Mac’s “Songbird,” as part of the In Memoriam segment, in tribute to the late Christine McVie (the writer and vocalist of the original version of “Songbird”).

It’s likely that most viewers watching the CBS broadcast of the show learned about “Just Like That” for the first time, as the song has yet to chart on any U.S. Billboard song chart. Its parent album of the same name spent one week on the Billboard 200, debuting and peaking at No. 44 on the May 2, 2022-dated chart.

The Just Like That album earned nearly 3,500 equivalent album units on Feb. 5-6 (up 1,283% compared to the negligible sum it earned on Feb. 3-4). Of that sum, traditional album sales comprised 2,000 (up 1,021% compared to the negligible sales it had on Feb. 3-4). Finally, the Just Like That album saw its collected songs garner 1.1 million on-demand official streams on Feb. 5-6 (up 1,504% compared to the 69,000 it collected on Feb. 3-4).

Others who saw notable gains include Lizzo’s record of the year-winning “About Damn Time,” DJ Khaled’s “God Did” (a nominee and performed song), Harry Styles’ “As It Was” and Harry’s House (the former was performed and nominated for multiple awards, while the latter won album of the year), Sam Smith and Kim Petras’ “Unholy” (winner of best pop duo/group performance, and it was performed) and Beyoncé’s Renaissance (winner of best dance/electronic album).

“About Damn Time” logged a 9% gain in on-demand official streams on Feb. 5-6 (rising to 1.56 million), and posted a 590% sales increase (selling 3,000; up from less than 500 in the two previous days). “About Damn Time” was performed in a medley on the CBS show by Lizzo, along with “Special.” The latter song collected 251,000 on-demand streams on Feb. 5-6 (up 36%) and sold 1,000 downloads (up 1,264%).

DJ Khaled’s “God Did,” which was the closing performance of the CBS show, scored 489,000 on-demand official streams on Feb. 5-6 (up 59%) and sold 1,000 downloads (up 2,000%).

“As It Was,” which was a nominee and a performed song on the CBS-TV broadcast, nabbed a 17% gain in on-demand official streams on Feb. 5-6 (rising to 3.21 million), and a 593% sales gain (climbing to 4,000 sold).

Harry’s House, which won album of the year and best pop vocal album (both of which were presented during the CBS show), collected a 55% increase in equivalent album units earned (12,000 on Feb. 5-6), of which 3,000 were in traditional album sales (up 115%). The album’s songs generated 11 million on-demand official streams on Feb. 5-6 (up 35%).

“Unholy,” which won the Grammy for best pop duo/group performance and was performed on the CBS show, posted a 493% gain in sales on Feb. 5-6 (rising to 5,000 sold; up from 1,000 in the two previous days). In terms of on-demand official streams, it notched a 4% gain, rising to 4.58 million (up from 4.39 million). “Unholy” hit No. 1 on the Hot 100 last October – the first for both Smith and Petras – and has been a fixture in the top 10 of the chart each week since mid-November.

Beyoncé’s Renaissance, which won best dance/electronic album (presented during the CBS show), nabbed a 124% gain in traditional album sales (rising to 2,000 sold on Feb. 5-6) while its collected songs generated 8.6 million on-demand official streams (up 18%).

08 Feb 2023

Chiefs Head Coach Andy Reid Namedrops Fat Boys, Jay-Z & More At News Conference

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Super Bowl LVII - Kansas City Chiefs Media Availability

Source: Christian Petersen / Getty

Andy Reid is best known as one of the best football minds in the NFL today, but nobody would confuse him for being an expert on modern-day Hip-Hop. During a media session on Wednesday (Feb. 8), the Kansas City Chiefs head coach was asked to name the top three rappers alive and the results were hilarious.

Andy Reid, 64, was at the podium fielding questions from members of the media ahead of the upcoming Super Bowl contest against the Philadelphia Eagles on Sunday (Feb. 12). Among the reporters in the room, former NFL player Brandon Marshall used the moment to test Coach Reid’s Hip-Hop knowledge and the results were actually shocking.

“Do the Fat Boys count as one rapper?” Reid fired back, according to a report from local outlet The Kansas City Star. “All right, Jay-Z, shoot, I don’t know. I’m missing Master P. Yeah, I’m giving you all the old ones. Lil Wayne, wasn’t he just at our place? Who was just at our place?”

As the outlet notes, the name Coach Reid was searching for was Lil Jon, who was a halftime performer at the AFC Divisional Playoffs game versus the Jacksonville Jaguars at Arrowhead. Close, but no cigar, kind sir.

We’re actually impressed that Coach Andy Reid had the swiftness to name that many rappers but it figures that many of the stars he’s coached over the years blasted their tunes and put Reid up on game.

Check out the hilarious exchange below.

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Photo: Getty

08 Feb 2023

Inside Scoop on Rihanna’s Super Bowl Halftime Show, Billboard’s Greatest Rappers & More I Billboard News

We get an inside scoop on Rihanna’s Super Bowl Halftime show from some of the producers behind the show. Madonna claps back at backlash over her looks, Bad Bunny and Christina Aguilera will be honored at the GLAAD Awards. Billboard unveils our top 10 greatest rappers of all time and more!

08 Feb 2023

HYBE Acquires Quality Control, Making Major Move Into Hip-Hop

South Korean music company HYBE has made a major entry into the U.S. market by acquiring Atlanta-based QC Media Holdings, the company behind hip-hop label Quality Control Music and a roster that includes Migos, Lil Baby, City Girls and Lil Yachty.

Founded in 2013 by CEO Kevin “Coach K” Lee and COO Pierre “P” Thomas, Quality Control will fall under the HYBE America umbrella and the leadership of its CEO, Scooter Braun. HYBE America encapsulates SB Projects, as well as Big Machine Label Group, which HYBE obtained through its 2021 acquisition of Braun’s Ithaca Holdings.

“Based on hip-hop, QC has been making a strong presence in the American music scene,” HYBE CEO Jiwon Park said in a statement. “With our shared vision, I have high hopes in what we can operate and achieve together.”

In HYBE, Quality Control gets a team with a history of building artists from scratch into global stars. “All of HYBE’s leaders are entrepreneurs with phenomenal combined history [of] finding talent and taking it to the next levels,” said Thomas in a statement.

“P and I are ecstatic about this partnership with Scooter and HYBE and are confident they can get us to our global ambitions we’ve had in our scope since the beginning of the company as nothing means more than our artists impacting worldwide,” Lee added. “Over many years, Scooter and I have cultivated real trust and a common way of looking at the world and culture.”

Quality Control expands Braun’s purview to a genre that has been missing from HYBE’s broad roster. SB Projects clients include Justin Bieber, Ariana Grande, Demi Lovato and Kid Laroi. Big Machine’s country-focused roster features Tim McGraw, Thomas Rhett and Rascal Flatts. HYBE has dipped its toes into hip-hop with Big Machine’s partnership with Blac Noize! Recordings, the label behind the 2022 summer anthem “F.N.F. (Let’s Go)” by Hitkidd and Glorilla.

HYBE dominates K-pop with artists such as BTS, the BTS members’ solo projects, Tomorrow X Together, Enhypen and Seventeen. In December, it launched a new Japanese imprint, Naeco, and signed Japanese singer Yurina Hirate. HYBE also has a joint venture with Universal Music Group’s Geffen Records and is developing an international girl group in the U.S. But the ambitious Korean company had a limited presence in the world’s largest music market until the 2021 Ithaca acquisition. Quality Control, Braun’s first major acquisition as HYBE America CEO, further diversifies HYBE and gives it a premiere hip-hop brand.

Quality Control’s recordings have been distributed through Universal Music Group’s Motown Records, which formed a joint venture with Quality Control in 2015 along with UMG’s Capitol Music Group. A HYBE spokesperson did not comment on the state of the joint venture following the acquisition. Quality Control’s Thomas noted that both companies have a relationship with “the Universal Music Group family of companies [that] makes this seamless,” he said in a statement.

In 2022, Motown/Quality Control’s overall market share rose to 0.97% from 0.90% in 2021. In terms of current market share — music released over the previous 18 months — Motown/Quality Control improved from 1.18% in 2021 to 1.33% in 2022. It had remained part of Capitol’s market share during that period, despite its ostensible status as a standalone entity. Capitol’s overall market share declined from 6.81% in 2021 to 6.40% in 2022 while its current share dropped from 5.64% in 2021 to 4.97% in 2022.

In 2022, Lil Baby had 2.97 million equivalent albums – a metric that combines sales and streams – and 4.3 billion on-demand streams in the U.S. in 2022, according to Luminate. His track “In a Minute” peaked at No. 14 on the Hot 100 in April and ranked No. 43 on the year-end Hot 100 Songs chart. Despite not releasing a new album in 2022, Migos had 2.9 million album equivalent units and 4.3 billion on-demand streams last year. Lil Yachty had 424,000 album equivalent units and 637.8 million on-demand streams. City Girls had 251,000 album equivalent units and 361.6 million on-demand streams.

The acquisition also broadens HYBE’s tech portfolio. HYBE built its own social media platform, Weverse, to create a direct connection with its K-pop groups’ massive fan bases. It also owns a controlling stake in AI audio startup Supertone. Last year, Quality Control’s Solid Foundation Management, the company’s artist management arm, invested an undisclosed sum in music streaming platform SoundCloud. “This partnership is a vital part of our plan to innovate the entertainment industry through a diversified portfolio and innovative technologies,” said Bang Si-Hyuk, HYBE’s chairman, in a statement. “We will work together to continue adding to the global depth of hip-hop.”

Additional reporting by Dan Rys.

08 Feb 2023

Cardi B Seemingly Steps Into Offset & J Prince Feud, Calls Out ‘Big Lies’

Cardi B looks to have entered the chat following a string of heated back-and-forth comments between her husband Offset and J Prince.

“BIG LIES,” the rapper tweeted on Wednesday (Feb. 8), seemingly in response to a video J Prince posted on Instagram replying to a video from Offset. In the voiceover clip, he accused the Migos member of being “fake,” “playing the victim” and even threatening his family.

Cardi also responded to a Twitter user who wrote (and has since deleted), “You be set trippin and forgot J Prince had to help YOU feel safe in LA. Where’s the lie?” She replied, “NEVER….tell him to show receipts ….Only people that was there was Wack and Big U ….why would he be call for anything involving crips?  Whole bunch of fairy tales.”

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Offset also chimed in, writing, “Street Nigga turn [police emoji] never needed you for no smoke u da police all mouth with no proof just fairy tales [laughing emoji] let this be the last time we speak on this.”

The feud started when the Rap-A-Lot CEO suggested that Offset was not there for his Migos bandmate and cousin Takeoff, 28, before Takeoff’s murder last year in an episode of the Million Dollaz Worth of Game. “In reality, the truth of the matter is, n—a you wasn’t really right there with Takeoff when he was alive. So for you to be taking these positions that you taking,” Prince added, suggesting that he’s got people all around and he’s heard “all kinds of things” from unnamed sources about what happened on the night Takeoff was shot and killed in November during a night out with Quavo in Prince’s hometown of Houston. Prince also made what seemed like a direct warning to Offset, saying, “Don’t ever put me in a position where I have to defend myself. That wouldn’t be healthy for you.”

In response, Offset posted a video in which he’s visibly heated. “Y’all n—as speaking on my real brother… I don’t know what the f–k ya’ll n—as got going on, y’all n—as talkin’ about my real brother,” the Migos MC said in the minute-long black and white clip. “How dare one of y’all n—as even speak on me and Take relationship. I don’t know you n—as from a can of paint. Ya’ll n—as don’t know how me and my brother rock.”

He also slammed Prince for what he said was his “fifth interview” in which he’s discussed Takeoff’s death. “You ain’t think about his momma? You ain’t think about the family n—a?” ‘Set asked. “We ain’t said nothin’. Ain’t nobody said nothing but you n—as. Who y’all n—as think ya’ll n—as is? John Gotti n—a?… And if you heard something from me, I’mma tell you it’s gonna come from me, call my phone.

08 Feb 2023

Logic “Highlife,” Armani Caesar & Benny The Butcher “HUNNIT DOLLA HICCUP” & More | Daily Visuals 2.8.23

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Feels like just yesterday Logic was publicily contemplating hanging up the mic and bringing his rap career to an end, but since then the man has gone on to make some pretty good music and still continues to prove his haters wrong.

For his latest visuals to “Highlife,” Logic taps revered writer/director, Kevin Smith to helm the camera and recreate a Clerks-ish situation in which Jay and Silent Bob kick it with Logic everywhere from the curb to the movie theater where they take in a film featuring, well, themselves. My man Jay lowkey looks like a retired porn star these days.

Back in Buffalo, Benny “The Bag Getter” Butcher links up with Armani Caesar to drop a clip for “HUNNIT DOLLA HICCUP” in which the dynamic duo politic in a parking garage where two exotic whips rest while sporting enough ice to get the dimly lit area bright.

Check out the rest of today’s drops including work from JoJo Pellegrino, Plies, and more.

LOGIC – “HIGHLIFE”



ARMANI CAESAR & BENNY THE BUTCHER – “HUNNIT DOLLA HICCUP”



JOJO PELLEGRINO – “LEGEND”



PLIES – “I GOT MOTION”



ELOHEEM TEAM FT. BLACASTAN – “ARMED ROBBERY”



ARMANI CEASAR – “SURVIVAL OF THE LITTEST”



2 CHAINZ – “2 STEP”



TOOSII – “MAGIC POTION”