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Future’s ‘Wait for U’ Breaks Top 10 Record on Rap Airplay Chart

Future’s “Wait” pays off as the rapper’s hit single “Wait for U,” featuring Drake and Tems, breaks the record for the most weeks in the top 10 on Billboard’s Rap Airplay chart.

The single, which won a Grammy Award for best melodic rap performance on Feb. 5, captures an unprecedented 40th week in the top 10 despite a 4-5 decline and 7% drop in weekly audience, according to Luminate.

With a 40th week in the top 10, “Wait” surpasses Pop Smoke’s “What You Know Bout Love” as the track with the most weeks in the Rap Airplay top 10. The late Pop Smoke set the mark on the chart dated Oct. 2, 2021, as “Know” ranked at No. 10 for its 39th week in the upper tier.

As the leaderboard shuffles, here’s a look at the tracks with the most weeks in the top 10 of Rap Airplay since the list began in 1999.

Weeks in Top 10, Song Title, Artist, Year(s) in Top 10
40, “Wait for U,” Future featuring Drake & Tems, 2022-23
39, “What You Know Bout Love,” Pop Smoke, 2021
38, “Back That Thang Up,” Juvenile featuring Mannie Fresh & Lil Wayne, 1999-2000
38, “Suge,” DaBaby, 2019-20
38, “Baddest,” Yung Bleu, 2 Chainz & Chris Brown, 2021-22
37, “Power Trip,” J. Cole featuring Miguel, 2013-14
36, “For the Night,” Pop Smoke featuring Lil Baby & DaBaby, 2020-21
34, “Girls Want Girls,” Drake featuring Lil Baby, 2021-22
34, “Big Energy,” Latto, 2021-22
34, “Super Gremlin,” Kodak Black, 2022

During its recordbreaking stay, “Wait” captured 18 weeks at No. 1 on the Rap Airplay chart to claim the second-longest run in the chart’s history. It trails only the 19-week reign for Kid Ink’s “Show Me,” featuring Chris Brown, in 2014.

The combination of three radio favorite artists has proven an irresistible teamup for radio programmers and listeners alike. Since its release in April 2022 on Future’s I Never Liked You album, “Wait” has dominated the artists’ home radio R&B/hip-hop format and led to breakthroughs in other arenas. “Wait” racked up a record 16 weeks at No. 1 on the Mainstream R&B/Hip-Hop Airplay chart and is nearing the all-time top 10 mark there, too. Plus, it led to Future’s biggest Pop Airplay success as a lead act with its No. 20 peak, as all three of his higher-peaking songs featured him alongside core pop acts: Maroon 5’s “Cold” (No. 8), Taylor Swift’s “End Game,” also featuring Ed Sheeran (No. 10) and Ariana Grande’s “Everyday” (No. 18).

The radio juggernaut has also boosted Tems’ appeal in the radio world. Between featured turns on “Wait” and Wizkid’s 2021 smash “Essence,” which ruled R&B/Hip-Hop Airplay for 27 weeks, the Nigerian singer-songwriter quickly became a favorite at the radio format. The two titans helped generate interest in her own work, with “Free Mind” the top beneficiary. The song, first released on her 2020 EP, For Broken Ears, improved in streams and led to a radio campaign of its own. It clearly worked – this week, “Free Mind” sits at No. 1 on the R&B/Hip-Hop Airplay chart for a sixth week.

Hot 100 First-Timers: Falling in Reverse Lands With ‘Watch the World Burn’

Hard rock band Falling in Reverse scores its first entry on the Billboard Hot 100 chart (dated Feb. 18), as “Watch the World Burn” opens at No. 83.

The song, released Jan. 31 via Epitaph Records, starts with 5.1 million U.S. streams, 161,000 in airplay audience and 4,000 downloads sold in its first full tracking week (Feb. 3-9), according to Luminate.

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“World” concurrently jumps 3-1 on Hot Hard Rock Songs, becoming the band’s fourth leader, after “Popular Monster” (three weeks in 2020), “Zombified” (two, 2022) and “Voices in My Head” (four, 2022). The group breaks out of a tie with Bring Me the Horizon for the most No. 1s in the chart’s nearly three-year history.

Among other chart moves for “World”: it leads Alternative Digital Song Sales and Hard Rock Digital Song Sales; bows at Nos. 2, 8 and 13 on Hard Rock Streaming Songs, Alternative Streaming Songs and Rock Streaming Songs, respectively; and starts at No. 38 on Mainstream Rock Airplay.

Falling in Reverse has been a staple on Billboard’s rock listings since 2011, when it notched its first chart appearance with its album The Drug in Me Is You. The set debuted and peaked at No. 2 on Hard Rock Albums, No. 3 on Alternative Albums and No. 19 on the all-genre Billboard 200.

Since then, the band has tallied three additional entries on the Billboard 200: Fashionably Late (No. 17 in 2013), Just Like You (No. 21, 2015) and Coming Home (No. 34, 2017). All three sets also peaked at No. 2 on Hard Rock Albums.

Falling in Reverse has earned 10 entries on Hot Rock & Alternative Songs, including two top 10s: “Popular Monster” (No. 4 in 2020) and now “World” (No. 8).

The band, which formed in Las Vegas in 2008, comprises Ronnie Radke (lead vocals), Max Georgiev (lead guitar), Christian Thompson (rhythm guitar) and Tyler Burgess (bass).

Coi Leray Hits No. 1 on Emerging Artists Chart Thanks to ‘Players’

Coi Leray rises to No. 1 on Billboard’s Emerging Artists chart (dated Feb. 18), becoming the top emerging act in the U.S. for the first time, thanks to her single “Players.”

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The song, released in November via Uptown/Republic Records, jumps 38-28 in its sixth week on the Billboard Hot 100, with 29.1 million radio airplay audience impressions (up 20%), 9.4 million U.S. streams (up 23%) and 5,000 downloads sold (up 2%) Feb. 3-9, according to Luminate.

The track became Leray’s fourth entry on the Hot 100, after “No More Parties,” featuring Lil Durk (No. 26 peak in 2021); “Big Purr (Prrdd),” with Pooh Shiesty (No. 69, 2021); and “Blick Blick!,” with Nicki Minaj (No. 37, 2022).

“Players” also holds at its No. 4 high on Hot Rap Songs and ascends 13-10 on Hot R&B/Hip-Hop Songs. It additionally pushes 6-4 on Rap Airplay and 9-6 on Rhythmic Airplay, holds at its No. 11 best on both R&B/Hip-Hop Airplay and Mainstream R&B/Hip-Hop Airplay and climbs 28-23 on Pop Airplay.

Just below Leray, Samara Joy jumps 45-2 on Emerging Artists thanks to gains following her best new artist win at the Grammy Awards Feb. 5. Joy’s 2022 LP Linger Awhile rises to No. 1 on Jazz Albums, Traditional Jazz Albums and Heatseekers Albums, leading all three lists for the first time, and debuts at No. 158 on the Billboard 200. Plus, her self-titled 2021 set debuts at No. 7 on both Jazz Albums and Traditional Jazz Albums.

Joy became the first jazz act to win best new artist at the Grammys since Esperanza Spalding in 2011.

The Emerging Artists chart ranks the most popular developing artists of the week, using the same formula as the all-encompassing Billboard Artist 100, which measures artist activity across multiple Billboard charts, including the Hot 100, Billboard 200 and the Social 50. (The Artist 100 lists the most popular acts, overall, each week.) However, the Emerging Artists chart excludes acts that have notched a top 25 entry on either the Hot 100 or Billboard 200, as well as artists that have achieved two or more top 10s on Billboard’s “Hot” song genre charts and/or consumption-based “Top” album genre rankings.

For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

Sean ‘Diddy’ Combs Rebrands Company

Sean “Diddy” Combs has rebranded his parent company from Combs Enterprises to Combs Global as the top rapper and record producer continues to diversify his portfolio of music, fashion, drinks and TV ventures internationally.  

“Combs Global represents the next chapter in my journey as a business leader and a bigger vision to build the largest portfolio of leading Black-owned brands in the world,” Combs said in a statement on Tuesday.

The Bad Boy Entertainment Group founder, who is credited with carving out a new niche within the hip-hop genre, has in recent years expanded with new businesses like Empower Global formally Shop Circulate, Our Fair Share, Love Records and cannabis distribution by acquiring Cresco Labs.

Combs with the rebrand is looking to project continued expansion, and globally. “I’ve enlisted world-class teams of top executives, specialists and strategic partners to bring this new dream to life and put us in the best position to keep making history while leading another 30 years of dominance across industries,” he said.

Combs bought back his Sean John fashion line in 2020 and also forged a partnership with Diageo for his Ciroc Vodka label and later acquired tequila brand DeLeón. He also launched the fitness and wellness water brand AQUAhydrate.

In 2013, Combs launched REVOLT Media & TV, the first Black-owned multiplatform cable music network, which now reaches more 80 million homes and 20 million monthly viewers digitally.

More recently, Combs acquired The Nile List, invested in the creator platform REC Philly and expanded his Capital Preparatory charter school network to now include campuses in the Bronx, New York and Hartford, Connecticut.

The corporate rebrand includes a new website and logo unveiled as part of a Uber One Super Bowl commercial that starred Combs as he dreamed up a hit song for Uber One.

This article originally appeared on THR.com.

Alejandro Fernández Breaks Down 5 Romantic Songs That Are a Must on His ‘Amor Y Patria’ Tour Set List 

Mexican superstar Alejandro Fernández announced Tuesday (Feb. 14) his 21-date Amor Y Patria Tour, which is set to kick off Sept. 8 in Sacramento, Calif. The 2023 stint will follow the prolific touring act’s 2021 Hecho En México trek, which marked his grand return to live shows after the pandemic.

Fernández will be joined by his son Alex Fernández and the Live Nation-produced tour will be an “all new show celebrating” Fernández’s love of music, family and Mexico. “I feel a real sense of pride to see how people are receiving [my son],” Fernández tells Billboard during a phone interview. “It makes me excited because it brings back a lot of memories and brings me a lot of nostalgia.” Fernández also reveals that he will dedicate his shows to God and his father, the legendary Vicente Fernández, who died in December 2021.

For Amor Y Patria, the “Inexperto en Olvidarte” singer will visit major cities such as Chicago, Las Vegas, New York and Atlanta before wrapping up the tour in Miami on Oct. 22. Fernández is also set to perform at Chile’s Viña del Mar Festival on Feb. 21.

“Each show is different, each audience is different, and the reactions are different,” Fernández says about his love for touring. “I always do my job and homework whenever I visit a new city or country. I want to know which songs they are listening to the most in that specific area. I also really like to know the culture and the food. Normally, if I have time and if I go with my girlfriend, I give myself time to get to see the country, to go out to eat at different places,” he adds.

The ranchera singer is also set to release new music and will focus more on releasing singles instead of albums. “We’re going to work a little differently,” he explains. “Physical albums are challenging to sell, and more and more people consume digital. Everyone is adjusting to do more of that format.”

Fernández shares in his own words the five essential romantic songs that are a must on his set list, including his shows for Amor Y Patria. “In other words, none of these songs can be missing from the list because [the crowd] would hang me or throw rocks at me if I don’t sing them,” he explains. “My fans enjoy love [songs] more, but the songs they feel the most are those of heartbreak. The love songs I sing must be excellent songs because some can sound very cheesy.”

“Como Quien Pierde Una Estrella”

In ranchera music, this song was my first hit that I had internationally and proudly, it was with Mexican music.

“Caballero”

This is the song we were opening with for our “Hecho En Mexico” tour and still, it is one of the most popular songs on streaming platforms.

“Me Dediqué a Perderte”

This song is one that fans always sing along to at the top of their lungs at my concerts.

“Inexperto en Olvidarte”

This is my most recent single and it’s had an incredible response so it’ll be a must on the set list.

“Te Olvidé”

This one is not a love song, but it is very good. It’s a heartbreak song, and well, those who are not in love can also have something to listen to.

See the complete list of dates for Amor Y Patria below. Tickets go on sale Friday, Feb. 17 at 10am on Ticketmaster.com

Kid Who Took Viral Super Bowl Selfie With Justin Timberlake Arrested in Florida

Back in 2018, then-13-year-old Ryan McKenna made headlines for a viral selfie he took with Justin Timberlake during the Super Bowl halftime show. However, this week, McKenna is back in the news after he was arrested in Naples, Florida.

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According to TMZ, who first shared the news, the 18-year-old got into an argument with his 15-year-old friend at California Pizza Kitchen and ended up pushing a table. Police told the publication that the shopping center security attempted to escort McKenna off the property, but he became increasingly aggressive and ended up grabbing an officer’s hand when it was placed on his chest to stop the fight. That’s when he was arrested and booked at Naples Jail Center for felony battery on a law enforcement officer and two misdemeanors, resisting arrest and obstruction of an officer.

McKenna’s mom, Tracy, told TMZ that her son wasn’t drunk, as the initial report said, but rather just “horsing around” with his friends. One of the people he was hanging out with pulled the chair out from under him, and that’s when he pushed the table in an attempt to be funny.

“I just thought to myself, ‘I’ll never get this opportunity again in my whole life,” the Massachusetts said in 2018 after snapping his selfie with Timberlake. “I just went for it.” 

McKenna’s dad said they realized very quickly that his son was turning into an internet sensation. “My phone started blowing up,” father John McKenna told St. Paul Pioneer Press at the time. “It died, like, instantly after it happened. We had friends from all over reaching out. I couldn’t believe it.”

Lele Pons & Guaynaa Spill Wedding Details, Have Megan Fox & MGK Broken Up & More I Billboard News

Lele Pons and Guaynaa give us the exclusive about their upcoming wedding, there are break-up rumors about Megan Fox and MGK swirling following Megan’s recent social media activity, Olivia Wilde catches flack for her spicy comment about A$AP Rocky during Rihanna’s Super Bowl Halftime Show, the best couples song for Valentines Day and more!

Olivia Wilde Clarifies Reaction to A$AP Rocky at Super Bowl: ‘It’s Hot to Respect Your Partner’

Olivia Wilde is not having it. On Monday, the actress clapped back at trolls who criticized her for calling A$AP Rocky “hot” during Rihanna‘s Super Bowl halftime performance.

“For anyone who got it twisted [eyeroll emoji]… It’s hot to respect your partner,” she wrote on her Instagram Stories. “Especially when your partner just did thaaaaaat.”

Earlier in the day, Wilde had taken heat from her followers for posting a separate, since-expired Story on which she had written, “If I thought he was hot before, this really put me over the edge,” over footage of the “Same Problems?” rapper proudly filming RiRi from his front-row view of the field.

Not only did Rihanna use the Super Bowl spotlight to reassert her position as one of the biggest pop superstars of the last two decades after a seven-year hiatus; she also slyly revealed that she’s expecting her second child with A$AP Rocky less than a year after giving birth to their son. The effortless 13-minute set included tracks from nearly ever era of Rihanna’s discography — from “What’s My Name” and “Only Girl (In the World)” to “Pour It Up,” “Work,” “Umbrella” and “Diamonds.”

Wilde, meanwhile, is recently single after splitting from Harry Styles in late 2022. The pair were linked for nearly two years, starting in January 2021 and throughout the release of sci-fi thriller Don’t Worry Darling, which WIlde directed and co-starred in while Styles served as the film’s leading man.

Get a look at Wilde’s follow-up thoughts on A$AP Rocky here before her Story expires.

Five Burning Questions: PinkPantheress & Ice Spice’s ‘Boy’s a Liar’ Debuts at No. 14 on the Hot 100

While we’ve already seen a few proven hitmakers — Miley Cyrus, Shakira, Morgan Wallen — zooming onto the Billboard Hot 100 with splashy hits so far this year, this week we get something a little different: a top 15 debut from two rising pop artists who’ve never reached higher than No. 82 on the chart before.

“Boy’s a Liar” was already a modest streaming success for acclaimed pop&B singer-songwriter PinkPantheress, racking up millions of plays a week. But it didn’t really threaten the Hot 100 until its “Pt. 2” remix premiered on Feb. 3, alongside viral rapper Ice Spice. The new version took off almost immediately, and continued climbing for all last week — resulting in a No. 14 Hot 100 debut on the chart dated Feb. 18.

Why did their combination prove so potent? And which artist does the breakthrough mean more for? Billboard staffers discuss these questions and more below.

1. PinkPantheress’ and Ice Spice’s names won’t be unfamiliar to anyone who’s paid close attention to pop music over the past couple years — particularly online — but their individual solo Hot 100 histories to this point are minimal. What is about their team-up that allowed “Boy’s a Liar” to have such an explosive Hot 100 debut?  

Rania Aniftos: PinkPantheress and Ice Spice teamed up at the perfect point in their careers, where they both had just enough buzz for the collaboration to take off. Also, “Boy’s a Liar” is two cute, fun women singing about how men are trash. It was made for the Hot 100.

Jason Lipshutz: Sometimes, online popularity is multiplied thanks to a collaboration between two well-known (if not high-charting) artists, and then applied to the right song to have both artists explode up the Hot 100. The effect that we’re seeing from “Boy’s a Liar Pt. 2” reminds me a little of Migos and Lil Uzi Vert’s No. 1 smash from 2017, “Bad and Boujee” — not that those songs sound anything alike, but they both soared up the Hot 100 at a time when their respective creators had been cult favorites for a while without a full-on mainstream embrace. We’ll see how high “Boy’s a Liar Pt. 2” can climb, but PinkPantheress and Ice Spice are likely about to experience highly expanded profiles because of it.

Heran Mamo: TikTok has been an impressive launchpad for both artists, so for PinkPantheress and Ice Spice to join forces (and online fanbases), their collaboration was sure to make a lot of noise on the Billboard charts. Sonically, Pink’s U.K. drum and bass-meets-bubblegum pop and Ice’s Brooklyn drill sounds complement one another with their uniquely frenetic rhythms, while Pink’s sweet-sounding, shrill voice and Ice’s bold, raspier voice delivery provide a noteworthy contrast. Not to mention, the “Boy’s a Liar Pt. 2” music video — which currently sits at No. 1 on YouTube’s U.S. Trending music chart — adds to their indomitable power as Gen-Z’s it-girlies.

Andrew Unterberger: Sometimes it just takes a small boost for artists who have long been knocking on the door of the mainstream to break all the way through. The pairing of PinkPantheress and Ice Spice was unexpected but intriguing — and, once you got the chance to hear and see it, pretty logical. If you were interested in either artist, chances are you were checking this out, and you were probably satisfied enough to share it on put it on your heavy-rotation playlists. To see it just snowball from there — to the point where the song now likely has plenty of listeners who were previously unfamiliar with either artist — is mostly just a testament to the song being real good.

Christine Werthman: PinkPantheress and Ice Spice both get a lot of streaming and TikTok love on their own, though that doesn’t necessarily translate to Hot 100 success. But their team-up on “Boy’s a liar Pt. 2″ — not just for a song but also a video — made for a perfect joining of forces that united their fanbases, and their numbers, and catapulted this vulnerable 2:11-long callout to that impressive No. 14 debut. PinkPantheress recently admitted to being picky about her collaborators, and it seems like she held out for the perfect one.

2. The original “Liar” had been lingering around the Spotify daily charts as one of PinkPantheress’ bigger streaming hits, but could never quite seem to get the juice to cross over on its own. Do you think the Pt. 2 with Ice Spice is a superior and/or more commercial version of the song, or do you think it’s mostly excitement over the combination of artists that’s propelling it so far?  

Rania Aniftos: The online hype surrounding Ice Spice lately definitely didn’t hurt. Her soothing rap verse adds a digestible, radio-ready quality to the song without sacrificing its unique sound. Fans in general also seem to be loving female collaborations, as we’ve seen through various team-ups Doja Cat and Megan Thee Stallion have done over the past few years. The unexpected-but-so-natural decision for PinkPantheress and Ice Spice to work together was such a good move, and allowed the song to propel into the mainstream. 

Jason Lipshutz: Why not both? The remix has certainly benefited from the presence of Ice Spice, who’s been a prominent figure in popular hip-hop throughout this year, thanks in part to her Like.. ? EP. But her presence on “Boy’s a Liar Pt. 2” isn’t a gimmick: even though the song lengths of the original and remix are exactly the same, Ice Spice balances out PinkPantheress’ melodic sighs and jingly chorus with weighty bars, making the song less of a delightful trifle and more of a fleshed-out pop hit.

Heran Mamo: I’d say both. Adding another fast-growing internet sensation like Ice Spice into the mix is the perfect ingredient to make “Boy’s a Liar” a commercial hit. Even leaked TikTok videos of them filming the “Boy’s a Liar Pt. 2” music video in New York made waves before the song was ever released because fans were in disbelief that their favorites were coming together. Additionally, the beginning of Ice’s verse – “He say that I’m good enough, grabbin’ my duh-duh-duh/ Thinkin’ ‘bout sh— that I shouldn’t have (Huh)” – has proven to be one of the most lyrically memorable components of the track, so she adds more value to “Boy’s a Liar” beyond her presence.  

Andrew Unterberger: I wouldn’t say the new version is better, necessarily, but it does make “Liar” feel more like a commercial pop song. The “Pt. 2” version of “Boy’s a Liar” isn’t actually any longer than the original — both run 2:11, just with Ice Spice’s new verse subbed in for PinkPantheress’ second verse on “Pt. 2” — it just feels fuller, thanks the switch-up to Spice’s completely different (but still well-matching) flow. For two artists whose singles have been consistently satisfying, but maybe a little too clipped and weightless for certain pop audiences to really give them full consideration, the combination ends up being more than the sum of its parts.

Christine Werthman: The Bronx rapper brings a grounding element to the original track, which flits about as the British dance-pop artist vocalizes relationship insecurities and frustrations. “Pt. 2” also catches Ice Spice in a less guarded place than usual, and though there’s something novel about that for fans, I don’t think it upped the song’s commercial appeal. Instead, I think it just granted each artist exclusive access to the other’s fanbase, and that combination propelled the plays.

The video dropped 11 days ago, and it already has 12 million views — so watching these two link, looking ultra cool against a New York City backdrop, is enough to get people excited. That said, if “Pt. 2” (or even the original “Boy’s a Liar”) weren’t such a strong track on its own, the collab might not have had such an impact. But the audio plus the visual made it take off.

3. Which of the two artists do you think this debut ultimately means more for?  

Rania Aniftos: I really want to say both, but I’m not going to cheat on this answer. I’m going to say PinkPantheress, because I’ve always known that she’s great, and it’s about time everyone else does too. 

Jason Lipshutz: Probably Ice Spice — who appears to be on the verge of full-blown stardom, after a months-long run of positively received music, increasing meme-ability and growing respect for her microphone skills from the old school and new school hip-hop communities. Make no mistake, “Boy’s a Liar” represents a significant win for PinkPantheress, a critically adored pop savant who is about to play bigger stages. Yet the song feels like another checked box in Ice Spice’s rapid breakthrough as a major artist.

Heran Mamo: PinkPantheress, considering she’s the lead artist on the track and this marks her career-first entry on the Hot 100. She released her debut mixtape, To Hell With It, in October 2021, and besides her latest slew of singles (which includes “Boy’s a Liar”), it’s been relatively quiet on her end. Her evolution from a faceless singer who teases her music on TikTok via viral snippets to charting star with increasing momentum and an actual physical presence has been remarkable to witness in the short years she’s been on the scene.   

Andrew Unterberger: It’s tough, because it means a whole lot for both in different ways. But I’d say Ice Spice gets the slightly bigger boost here as the difference-maker; she also debuts her own slowly growing solo hit “In Ha Mood” at No. 85 this week, and seems well on her way to being one of the most ubiquitous pop figures of 2023. This is a big breakthrough for PinkPantheress and should help her visibility significantly, but if she went back to being a mostly cult-level pop hitmaker after this it wouldn’t be shocking.

Christine Werthman: Ice Spice, since it looks like her co-sign/feature can boost songs to new heights.

4. Once the initial excitement passes, do you see “Liar” continuing to grow into one of the biggest hits of early 2023? Or do you think this strong start is about as good as it will get for the song?  

Rania Aniftos: It’s hard to say because I still haven’t been able to pinpoint what the major 2023 trend in music is yet. It seems like this is going to be the viral song that stays through the summer due to its bubbly nature, but you really never know with the Internet. Every time we think we figured out what’s viral, another random smash comes out of nowhere.  

Jason Lipshutz: Although it will be tough for “Liar” to challenge smashes from A-list artists like Miley Cyrus, SZA, Morgan Wallen and Taylor Swift at the top of the Hot 100 in the coming weeks, I do expect the song to keep rising and make a top 10 bow sooner than later. “Liar” is too damn catchy and well-made to be relegated to “viral hit” status, and even though PinkPantheress and Ice Spice have zero track record at pop radio, I could see top 40 programmers taking a chance on a single that’s this accessible, and help its upward momentum continue.

Heran Mamo: I have hope that “Boy’s a Liar” has the momentum to become one of the year’s earliest hits. Pink’s catchy “Good eno-o-ough, good eno-o-ough” post-chorus, cheeky Ice Spice-isms like “grabbin’ my duh-duh-duh” and the candy-coated production ensure this track will be a mainstay. I mean, how could they lose if they’re already chose… like?  

Andrew Unterberger: It’s really never a good idea to underestimate the commercial ceiling for a song that debuts strong out the gate and just keeps growing from there. The song has continued to climb on streaming services’ daily charts — and not just one of them; it’s in the daily top 10 for each of Spotify, Apple Music and YouTube — and radio shouldn’t be far behind. It’ll have its work cut out for it passing some of those bigger names currently occupying the chart’s top spots, so No. 1 might end up being out of reach for it. But the top five feels like a distinct possibility, and sooner than later.

Christine Werthman: All the attention is boosting “Liar” beyond the Ice Spice and PinkPantheress fan spheres, so I think it will climb a little higher from here. Maybe even top 10 material.

5. When a song like this comes out of nowhere (relatively speaking) and zooms into a debut like this, it’s guaranteed the industry will sit up and pay attention to it. So what important industry lessons, if any, do you think can be taken from the early success of “Boy’s a Liar”?  

Rania Aniftos: Songs that sound like Paris Hilton listened to them in 2005 are still very much in – and so are female collaborations! We’ve been on this early 2000’s nostalgia wave in music over the past few months, and I think it’s going to continue well into 2003. I expect to see more of these pop, digital-sounding hooks in the future.  

Jason Lipshutz: A decade ago, there were certain indie-pop artists who were never going to remove the “indie-“ prefix from their categorization and score a mainstream hit; now, in the age of TikTok, left-of-center artists have a very real shot at scoring top 40 hits under the right circumstances. So as unlikely as a hit PinkPantheress single may have seemed a few weeks ago, the industry cannot afford to shrug off the mainstream potential of singer-songwriters who continue to produce top-notch pop. You never know which “Boy’s a Liar” is just around the corner.

Heran Mamo: Make remixes that make sense. Sometimes, songs that are already performing well on their own will be supplemented with remixes that don’t necessarily add to the track beside A-list names (e.g., the Justin Bieber and J Balvin remix of 24k Goldn and iann dior’s “Mood”) and end up doing nothing. PinkPantheress and Ice Spice are two 20-something, pop and rap princesses of the digital age with a similarly eclectic taste in beats. Even Pink said it herself in a cover interview with NME that “when it comes to collaborations, I’m quite picky: I always want someone who can match me well on a track.” And Ice does exactly that on “Boy’s a Liar.”  

Andrew Unterberger: I think there’s something to be said about looking out for buzzy singles that internalize trends that have been going on for some time in the underground, while filtering them through a more accessible pop framework. You can hear some of the frenetic airiness of hyperpop and even a little bit of the bounce of Jersey club in “Boy’s a Liar,” but at the end of the day you wouldn’t say it really belongs to either of those genres — you’d just call it a pop song. Songs that can pull that off, without seeming trend-hoppy or late… the sky’s the limit for ’em, really.

Christine Werthman: PinkPantheress has more monthly listeners on Spotify than Ice Spice (20 million vs. 14 million, respectively), but they’re not lightyears apart in terms of popularity. Perhaps the takeaway is that you don’t need a big Drake-sized feature on your track to make it soar — you just need a smart pairing of artists who naturally vibe, who differ stylistically but aren’t total opposites and, sure, who have each found love in the streaming world. 

Imaginary Players: Big Gipp Thinks Beyoncé Would Be With 2Pac Instead Of Jay-Z If Alive

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Big Gipp feels a way about the recent GOAT rappers list. So much so that he thinks 2Pac would have landed Beyoncé if he were alive.

As spotted on AllHipHop.com the Goodie Mob member recently conducted an interview with Art Of Dialogue. In it he took serious umbrage with Billboard Magazine’s and Vibe Magazine’s “Top 50 Greatest Rappers of All Time” list. Their rankings had some very interesting surprises which naturally caused a stir online. The “Dirty South” MC expressed his frustration with Jay-Z taking the top slot and championed that 2Pac was more deserving of the honors.

“The only reason why you inching Jay past 2Pac is because he got God damn Beyoncé,” Gipp reasoned. “You take Beyoncé away then sh*t, bar for bar, yeah, he might rap better than ‘Pac. But ‘Pac came with the heart. That’s different, that’s just different. You can never beat the heart, bro. Some people can be technical, just like the difference between Jordan and LeBron.”

And he went on to further explain his position and also said Shakur would have bagged Queen B if he were still with us.

“If ‘Pac was here, who you think the girl would have been with? Hold up … you still can’t act. You can’t do no movies you can’t do what ‘Pac was doing” he said. “C’mon, how can you be better than ‘Pac? … that boy was a triple threat. He did groups that was successful, solo albums that was successful and movies that was successful, hands down partner. If he had lived he would have smoked everything walking.”

You can see Big Gipp discuss 2Pac in more detail below.



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