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Nick Cannon Says ‘God Decides’ If He’ll Have More Children After Welcoming 12th Baby

Nick Cannon is addressing the possibility of having more kids.

In a new interview, the 42-year-old Masked Singer host was asked whether he wants to continue expanding his family after welcoming his 12th child in December 2022.

“God decides when we’re done, but I believe I definitely got my hands full,” Cannon told Entertainment Tonight. “I’m so focused. I’m locked in. But when I’m 85, you never know. I might.”

Cannon announced the birth of his 12th child, daughter Halo Marie, with model Alyssa Scott, in late December. He is now father to five daughters and seven sons.

The TV host and rapper, who recently launched his Future Superstar Tour, shared his secrets with ET about balancing work and family life.

“Everybody thinks it’s time management. It’s energy management,” Cannon said. “Once we’re all aligned, the flow is a lot easier. If there’s any kind of low frequencies or dissension in there, that’s what messes up the scheduling.

He continued, “As long as we’re all on the same page and we all got the same goal — to be the best parents we could possibly be — that works and then the scheduling is the scheduling.”

Cannon also noted that he’s thankful to be in a position to offer his children a bright future.

“It’s a blessing, man. Like, hopefully, because of what I am able to do, my kids can do whatever they want to do, to be able to be in a position that if they want to be a nuclear physicist, I know somebody at an Ivy League school that I could [hit up],” he said.

“If they want to go into the military, if they want to be artists, if they want to be actors, it’s a thing where we have the capability,” he continued. “Let’s start talking about it now so we can help your dreams come true.”

Cannon shares twins Monroe and Moroccan with ex-wife Mariah Carey, and twins Zion and Zillion with Abby De La Rosa, who gave birth to her third baby with Cannon, Beautiful Zeppelin, less than two months prior to Halo’s birth.

He is also dad to Golden Sagon, Powerful Queen and Rise Messiah, whom he shares with Brittany Bell; Legendary Love, whose mom is Bre Tiesi; and Onyx Ice Cole with LaNisha Cole.

Ariana DeBose Speaks Out for First Time Since Viral BAFTAs Musical Performance: ‘I Had a Great Time’

Ariana DeBose is opening up about her show-opening musical medley at the 2023 BAFTA Awards.

During an interview on BBC Radio 2’s The Zoe Ball Breakfast Show, the Oscar-winning singer and actress spoke out for the first time since receiving backlash on social media after performing an original rap in honor of the female nominees at the Feb. 19 awards show in London.

Host Zoe Ball opened the conversation by praising DeBose’s performance, which mixed a high-energy medley of Eurythmics‘ “Sisters Are Doin’ It for Themselves” and Sister Sledge’s “We Are Family” with a rap number that named-checked famous actresses like Angela Bassett, Viola Davis and Jamie Lee Curtis.

“You know what, you might be one of the few,” the West Side Story film reboot actress responded in a video of the interview, which was shared through TikTok on Saturday (Feb. 25). “I’ll take it, because you’re my people.”

The radio show host added, “It was a woman, singing and dancing, being magnificent, celebrating women onstage. Come on!” DeBose agreed, saying, “That’s what I wanted to do.”

“Honestly, it’s not like I’m like, ‘Hey BAFTA, let me in!’ They actually called me, believe it or not,” the actress-singer continued. “But that was the assignment. Like, ‘Come celebrate women,’ and I was like, ‘Absolutely!’ We did that and it was fun. Not gonna lie, I had a blast.”

DeBose went on to say that Elvis director Baz Luhrmann found her after the show and gave her positive feedback about the performance. She also noted that “gay Twitter seemed to like it, so that’s good. I’ll take it.”

But not all viewers enjoyed the musical medley. Following the performance, DeBose faced an avalanche of snarky criticism and memes on social media, which led to the star deactivating her Twitter account.

After the show, BAFTAs producer Nick Bullen came to DeBose’s defense. “I think it’s incredibly unfair, to be frank. I absolutely loved it,” Bullen told Variety. “Everybody I’ve spoken to who was in the room absolutely loved it. She’s a huge star, she was amazing.”

Another admirer of DeBose’s rap was Lizzo, who recreated the viral rap moment during a recent concert. DeBose caught wind of the TikTok video and reposted it on her Instagram page. “The internet is wild y’all!” the West Side Story star wrote. “Appreciate all the love.”

Watch a portion of DeBose’s BBC interview on TikTok below.

R. Kelly Gets Additional Year In Prison For Chicago Case

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R. Kelly Mugshot

R. Kelly’s legal dilemmas are getting bigger by the week. A judge has added another year to his sentence regarding his Chicago case.

As spotted on Page Six the disgraced singer got some bittersweet news this week. On Thursday (Feb. 23), U.S. District Judge Harry Leinenweber sentenced R. Kelly to 20 years for three counts of producing child pornography and three counts of enticing a minor into criminal sexual activity.

The terms are that the sentence will run concurrently with the 30 years he is serving now for his New York state charges. In essence, he will have to serve another year after his New York bid is up.

“No matter what I do, Mr. Kelly isn’t going out the door after today,” Leinenweber said. “He’s not going out the door in the next 10 years. He’s not going out the door in the next 20 years.” The Chicago Sun-Times reports Kelly sat there “stone face” as the magistrate read the sentencing. R. Kelly’s lawyer plans to appeal the decision.

Photo: Cook County Department of Corrections

Coi Leray Is The Face of SNIPES’ New Apparel Collection

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Coi Leray x SNIPES

Source: SNIPES / Snipes

Coi Leray has partnered with SNIPES to promote its new apparel collection from SNIPES. The “Players” rapper will be the face of the streetwear and retailer’s first quarter apparel campaign.

Coi Leray x SNIPES

Source: SNIPES / Snipes

Citing Coi Leray’s youthful energy, grind and style, SNIPES plans to complement her come up with matching style. Leray is featured in a Grand Theft Auto-styled clip that showcases a day in her life and the aesthetics that go around it while she kicks it in Miami.

“Coi Leray embodies everything that SNIPES stands for – creativity, authenticity, and individuality,”  said Paula Barbosa, VP of Marketing for SNIPES, in a statement. “We are excited to collaborate with her to bring a fresh perspective to our Q1 collection, and we can’t wait for our customers to experience the unique energy that Coi brings to the brand.”

Coi Leray x SNIPES

Source: SNIPES / Snipes

As for the new SNIPES collection, it features streetwear staples like hoodies, leggings, nylon jackets and pants to mix and match to creat a unique fit. The collection is already at SNIPES stores and online at snipesusa.com.

Nas Polishes His Crown With Triumphant Homecoming Concert at Madison Square Garden

“My photo the Jordan logo of this rap s—,” raps Nas on 2021’s “YKTV” (shortened to say “You Know the Vibes”), from his Grammy-nominated King’s Disease sequel. Of course, that “photo” is none other than his bunker-buster debut Illmatic, which propelled hip-hop into the future upon its arrival in 1994. Off sheer impact alone, that album certainly makes a strong case for being the definitive emblem for the genre. But for now, on a blustery cold Friday night (Feb. 24) in New York City, the vibes were unquestionably certain for another pivotal occasion: Nas’ first headlining show at Madison Square Garden. 

Never mind how long of a journey it’s been to get to this point — the timing for this night was perfect. Nas is hot off the heels of releasing King’s Disease III, the threequel to his Grammy-winning series with super producer Hit-Boy, the quarterback to his wide receiver, all as hip-hop celebrates its 50th anniversary. That said, Friday’s show was as much a victory for Nas as it was for hip-hop. It was a proud occasion for the sea of generations-spanning fans, from those who remember the first time they heard “Live at the Barbecue” to those who recently tapped in with his recent work. Overall, the Garden couldn’t have been a more perfect venue to host this celebration. 

“Live in Madison Square now, we on fire,” a visibly elated Nas hailed, while fire bolted around him during his fiery performance of “I’m on Fire.”

And on fire he was, launching into standout-after-standout throughout his 34-song set. Sticking to the night’s “King’s Disease Trilogy” bill, the Queens rap icon pulled out gems across the trinity-spanning gem, from storytelling favorites like “Blue Benz” and “Car 85” to party-flavored cuts like “Spicy” and “Get Light.” By the time the latter blared through the arena, MSG had practically turned into a park jam as fans throughout the sold-out arena swayed, bopped, and two-stepped from row to row. Like his output over the last two years suggests, Esco refused to let up on the momentum throughout the night. Between the King’s Disease cuts, he also made room for a few records off his 2021 project, Magic, sprinkling in cult favorites like “Speechless” and “Wave Gods” to much fanfare.   

The fact that Nas was performing these relatively fresh cuts to a fully-invested audience inside a sold-out Madison Square Garden was truly a moment to behold — something, even he, at times, seemed to be amazed by, sometimes even taking a brief moment to relish the vibe. At one point, he stopped to recollect and then turned the spotlight onto the other half of his winning formula: Hit-Boy.

“I love this brother for bringing the art out of me again,” Nas acclaimed before tapping the producer to join him onstage for the floor-quaking “Michael & Quincy.” Not a soul remained seated, especially as more surprises trickled in. 

After performing “Reminisce,” a song that samples a certain Queen of Hip-Hop Soul, Nas brought out — you guessed it — Mary J. Blige, who sent the excitement levels through the roof as she performed “You Remind Me.” After running through King’s Disease, he hopped through hits from the rest of his catalog, including Illmatic. You always have to return to Illmatic. This time dressed in an all-orange jumpsuit with a matching skully, wheat construction Timberland boots, and his signature diamond-covered “QB” chain, he dispatched “N.Y. State of Mind.” Subsequently after, he brought out AZ for “Life’s a Bitch,” and one of “my motherf—ing heroes,” Slick Rick, for “Hey Young World.” Embracing the magnitude and momentous occasion of the night, he kept his foot on the gas, running through a medley of tracks — “The Message,” Street Dreams,” “If I Ruled The World,” “Hate Me Now,” “Made You Look” and “One Mic.” 

One of the crowning moments occurred while performing “Memory Lane (Sittin’ In Da Park).” He did away with the instrumental for the second verse and delivered a masterclass in mic control, performing the tongue-twisting verse a capella with absolute clarity and supreme breath control. As he took a bow while being showered in the crowd’s adulation, one thing was crystal clear: Nas is still that good. 

For the encore, preceded by Nas admitting, “I don’t want to leave yet,” he shifted the energy back to the party spirit that hung high throughout the night. As hands waved and cheers clamored from all corners of the arena, he spun through more hits, including “Hot Boyz (Remix),” “Oochie Wally” and “Owe Me,” before sealing the night with an emotional reminder: “We did it!” 

SZA Takes Fans Through Emotional Seaside Journey During SOS Tour Stop in Detroit

SZA‘s five-year absence certainly made fans’ hearts grow fonder on record, as last December’s SOS album enjoys a nine-week (and counting) residency at No. 1 on the Billboard 200. And that’s translating to the live stage, too.

The just-launched SOS North American Tour from Billboard‘s Woman of the Year rolled into Detroit’s Little Caesars Arena on Friday night (Feb. 24) for its third show, a honed and sleek spectacle before a packed house of about 15,000 ecstatic SZA heads who hadn’t seen the star in more than four years. It’s a step up from the theaters the singer (real name: Solana Imani Rowe) was playing last time out, but she came armed with the music and visuals to validate what’s rapidly become a genre-straddling iconic status during the interim.

Best of all, SZA’s new show managed to sidestep the pitfalls that undermine so many other pop diva expositions. She deftly worked a whopping 31 songs — from her two studio albums, with some choice covers and obscure tracks — into the 90-minute set, but they never felt rushed or shoehorned. The costume changes (six total) were nimbly executed without lengthy speed-bump interludes.

The conceptual focus was strong, and SZA and company — three musicians tucked on the stage sides, four dancers and plenty of pre-recorded augmentation (included guest singers) — recreated the tunes with a smooth and convincing precision, rooted primarily in the chill ambience that’s SZA’s stock-in-trade.

The net result was a fat-free concert that maintained momentum and kept the surprises from start to finish. Taking off from the SOS album cover, the show opened with “PSA,” one of 17 of the new set’s tracks on the setlist, as a phalanx of video screens rose to reveal SZA sitting on a diving board above the stage, with an ocean of water projected behind her before she “dove” (via projection) and emerged on floor level with a sinewy “Seek & Destroy.” The singer then took the crowd through a journey, starting with a seaside pier setting for “Notice Me,” “Love Galore,” a short rendition of Erykah Badu‘s “Bag Lady” that segued into “Blind” and more.

After a quick break that included live footage of SZA making a costume change while singing “Smoking on My Ex Pack,” the stage transformed into a full-size fishing trawler that gave the dancers multiple levels to perform their routines. SZA made her way through “All the Stars” (her Kendrick Lamar collaboration from Black Panther: The Album) “Prom” and “Garden (Say It Like Dat)” before seas got rough, with hi-def visual effects, during forceful performances of “F2F” (with guitarist Ari O’ Neal rocking on deck), “Drew Barrymore” and “Doves in the Wind.” A throbbing “Low” then took the Good Ship SZA down to Davey Jones’ Locker with SZA performing an impressive split and full back-bend while O’Neal soloed.

SZA later emerged in outfit number three, singing acoustic renditions of “Supermodel,” Lizzo‘s “Special” and “Nobody Gets me” while riding a life raft above the audience, towards a lighthouse inflated just behind the soundboard. “I’m really, really grateful to be here with y’all to sing these songs about a breakup,” she said in a rare moment of dialogue with the crowd.

“Gone Girl” took her back to the stage, where the SZA crew played a few songs — Doja Cat’s “Kiss Me More,” “Love Language” and a particularly soulful “Snooze” — on the ocean “floor,” in front of a giant anchor and images of jellyfish, sharks and other sea creatures streaming by. An assertive “Kill Bill,” meanwhile, was accompanied by silhouetted images of the dancers, swords ‘n’ all, fighting behind the screens.

Rather than close with a bang, SZA finished smooth but with power, particularly on “I Hate U” before a vibey “The Weekend” closed the main show. “Good Days,” with SZA back on the diving board where she started, above now-calm waters, served as the lone encore. She did not have much to say during the night, but the songs and the staging said everything and delivered a message that she’s truly made a next-level step in her career.

The SOS North American Tour visits Toronto on Saturday (Feb. 25) and has 15 more dates slated, wrapping with a pair of shows on March 22-23 at the Kia Forum in Inglewood, Calif.

See SZA’s Detroit setlist below.

“PSA”
“Seek & Destroy”
“Notice Me”
“Love Galore”
“Broken Clocks”
“Forgiveless”
“Used”
“Bag Lady” (Erykah Badu cover)
“Blind”
“Shirt”
“Smoking on My Ex Pack”
“All the Stars”
“Prom”
“Garden (Say It Like Dat)”
“F2F”
“Drew Barrymore”
“Doves in the Wind”
“Low”
“Open Arms”
“Supermodel”/”Special”
“Nobody Gets Me”
“Gone Girl”
“SOS”
“Kiss Me More” (Doja Cat cover)
“Love Language”
“Kill Bill”
“I Hate U”
“The Weekend”

Encore:
“Good Days”

With a Good Dose of Love and Good Vibes, Camilo Closes 2023 Viña del Mar

Flowers, mustaches, banners, hearts… On his first visit to Chile to close the Viña del Mar International Song Festival on Friday (Feb. 24), Camilo was greeted by the so-called “monster” (audience) at the Quinta Vergara with gifts, cheers and ovations. And they all sang hits including “Kesi,” “Pegao” and “Índigo” at the top of their lungs.

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With his characteristic simplicity and good vibes, the Colombian singer-songwriter — dressed in white pants and tank top and barefoot — made the 15,000 spectators dance and jump in the central coastal region of Valparaíso, demonstrating once more why he has conquered a growing “tribe” of international followers. And the audience rewarded him with two Gaviotas (the festival prize), a gold and a silver one.

“Good evening Viña. Good evening Chile. Good evening, tribe,” Camilo said shortly after opening his show. “I have been dreaming of this moment for many years. Since I was little, I saw my favorite concerts by my favorite artists from my house [in Colombia] here, in Viña del Mar”.

Accompanied by his band, Camilo sang more than 15 songs, “Favorito,” “Tutu” and “Vida de Rico” among them. His wife, singer and actress Evaluna Montaner, joined him for “Por Primera Vez” and “Macchu Pichu,” and later appeared again to close the show together with their song “Índigo.”

Before arriving in Viña, Camilo began the second leg of his De Adentro Pa Afuera Tour in Argentina. The tour continues on March 1-2 at the Movistar Arena in Santiago de Chile and will take him to Paraguay, Peru, Ecuador, Panama, Costa Rica, Guatemala and Mexico until the end of May.

Here are some highlights of Camilo’s performance in Viña del Mar, which was livestreamed in the U.S. exclusively on Billboard.com, Billboard‘s YouTube channel and Twitter account.

“La tribu” seizes Quinta Vergara

It may be traditionally known as “el monstruo” (the monster,) but on Friday, during Camilo’s show at the Viña del Mar Festival, the audience at Quinta Vergara was undoubtedly part of “the tribe” — as the Colombian artist refers to his ardent fans. From children to teens, young adults and not so young, the devotion to the singer was felt in the form of mustaches alluding to Camilo’s famous trait (some natural, others fake,) banners with messages of love, stuffed animals, flowers and more. And throughout the concert the audience could be heard singing, from beginning to end, at the top of their lungs.

A poignant message about self worth

In one of his interactions with the Chilean audience, Camilo urged his fans not to waste time trying to be what they are not. “Many want us to look like others,” he said, “that we have the abs of others, certain amounts of followers and likes, as if that would make us more valuable.” You have to be yourself, he stressed. Value who you are and live in the present.

Camilo and Evaluna irradiate pure love

Camilo shines on his own merit every time he goes on stage, but there’s something definitely special when he shares it with wife Evaluna, and Viña del Mar was no exception. The couple delighted the “monster” at Quinta Vergara with their duets “Por Primera Vez” and “Machu Picchu.” Evaluna looked radiant in black top and pants and Camilo gushed: “How beautiful my wife is,” kissing her sweetly. “A round of applause for my guagüita‘s mother,” he added, using the Chilean term for baby in reference to Índigo, their 10-month-old daughter. Later, he invited Evaluna back on stage to receive the golden Gaviota together and close the show, precisely, with the song that bears the name of their “guagua.”

24 de Febrero del 2023 / VIÑA DEL MAR  
Camilo durante la Sexta Noche del Festival Internacional de la Canción de Viña del Mar 2023.
FOTO: DIEGO MARTIN / AGENCIAUNO

Camilo and Evaluna Montaner performing on the 6th night of the Viña del Mar International Song Festival on Feb. 24, 2023 in Viña del Mar, Chile.

Diego Martin /Agencia Uno

5 Uplifting Moments in Latin Music This Week (February 25)

From career milestones and new music releases to major announcements and more, Billboard editors highlight the latest news buzz in Latin music every week. Here’s what happened in the Latin music world this week.

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$25K donation to Maestro Cares Foundation

Following Marc Anthony’s sold-out show at the Prudential Center in New Jersey earlier this month, the venue announced it has donated $25,000 towards Anthony’s Maestro Cares Foundation. The special show marked the salsa singer’s ninth performance at Prudential, dating back to his first show on February 14, 2014. Since 2014, Prudential Center has donated over $375,000 to the Maestro Cares Foundation, according to a press statement. Adding that the donation “continues Prudential Center’s community-focused dedication to the social programs that are important to the acts and artists that play the world-class venue.”

Top Premio Lo Nuestro winners

The 35th annual Premio Lo Nuestro awards are a wrap. Grupo Firme was crowned the top winner at the ceremony, which took place Thursday (Feb. 23) in Miami. The banda/norteño ensemble took home six awards (of their nine nominations) including regional Mexican album of the year (Enfiestados Y Amanecidos), regional Mexican song of the year (“Ya Supérame”) and the perfect mix of the year (“Cada Quien” with Maluma).

Yatra and Karol G weren’t far behind. Each took home four awards. Yatra took male artist of the year, pop, and album of the year, pop. Meanwhile, Karol beat artists such as Bad Bunny, Camilo and Christian Nodal in the artist of the year category. Bad Bunny won three awards, including album of the year for Un Verano Sin Ti. Bizarrap, Shakira and Daddy Yankee also won three each. Check out the complete list of winners.

A dream come true for Carolina Ross

Mexican singer Carolina Ross couldn’t help but get emotional after she shared the stage with one of her biggest idols, Andrea Bocelli. “I’m a Mexican girl that dreams so much,” she told him. “A girl that when she sings she thinks she can fly, and love and heal with music. Also, I’m very happy that my mom is here, who is your biggest fan. She’s going to witness this dream come true.” Ross performed alongside Bocelli in Nuevo León, Mexico on Feb. 21.

Hear her heartfelt words for Bocelli below:

J Balvin’s new initiative

The Colombian star wants to give back and pave the way for Latino-owned businesses via the “J Balvin’s Tab” program. Teaming up with Accion Opportunity Fund — “a financial support system for small businesses that advance racial, gender, and economic justice for all,” according to its website — a limited-edition pint inspired by Balvin’s vibrant brand has been designed for nine and 15-packs. A portion of the proceeds from every purchase, up to $150,000, will be donated to AOF by Miller Lite and will fund nearly 50 Latino business owners and entrepreneurs across the country. 

Read more about it here.

Karol G drops new album

Karol’s Mañana Será Bonito is finally here. After announcing the album in January, the Colombian superstar has released her fourth studio album featuring collaborations with Shakira, Quevedo, Sech, Carla Morrison, among others. “All of us as Latinos have to recognize she’s the one who represents us as Latinas around the world,” Karol told Billboard about working with Shakira. “When I was on set shooting the video and I was watching her, I was realizing all the amazing and legendary moments in her career, and a lot of things I need to work on to get to that point. But it was such a blessing to have her.”

Millyz ft. Jadakiss “Moon Roof,” Lil Wayne ft. DMX “Kant Nobody” & More | Daily Visuals 2.24.23

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Dave East And Friends Perform At The Apollo

Source: Johnny Nunez / Getty

Millyz ain’t gonna rest until Hip-Hoppers take notice that his bars are better than those of your favorite rappers and his flows are just as intricate. To drive that point home the Bawsten rapper links up with the Verzuz Gawd to show and prove he can hold his own with a Hip-Hop legend.

In his latest visuals to “Moon Roof,” Millyz calls on the MC expertise of Jadakiss to join him as they roll around the city to blow some smoke, turn up with some thick young women and pour it up in the club. They also apparently went to church but we doubt it was to take in the pastor’s gospel. Then again you never know.

Back in the studio, Lil Wayne returns for a rare visual appearance, and for his clip to “Kant Nobody,” links up with Swizz Beatz to drop some bars over a dope beat and a DMX sample. R.I.P, X.

Check out the rest of today’s drops including work from Tony Yayo featuring TyDag, BabyTron, and more.

MILLYZ FT. JADAKISS – “MOON ROOF”



LIL WAYNE FT. DMX – “KANT NOBODY”



TONY YAYO & TYDAG – “BAG MOVER”



REY CEYLON, TIMBO KING & DAWIT JUSTICE – “JACKET FULLA MEDALZ”



BABYTRON – “OUT ON BOND”



CRUCH CALHOUN & MAINO – “BLACK SHEEP”



EST GEE – “UNDEFEATED”



MEYHEM LAUREN – “AIRPLANE MODE”



ROBB BANK$ – “ENOUGH”



LOR SOSA FT. FAT TREL – “EXTRA MEAN”



Brad Paisley on Recording New Song ‘Same Here’ With Ukrainian President Zelenskyy: ‘I Feel Like I’m In The Bourne Identity‘

When Brad Paisley started playing potential songs from  his forthcoming album Son of the Mountains for Universal Music Group Nashville president Cindy Mabe, she told him, “Make music that matters, that’s not disposable.” 

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Gentle ballad “Same Here” was in the first batch that he played her, and Paisley certainly took that message to heart. The song, which came out Friday (Feb. 24), celebrates our similarities no matter where we’re from or the language we speak and ends with the audio of a conversation between the country superstar and Ukrainian president Volodymyr Zelenskyy. The release date is not coincidental: Today marks a year since Russia invaded its neighbor. 

UMGN sent the track to radio, but even Paisley, whose 12th No. 1 on Billboard’s Country Airplay chart was last February’s “Freedom Was a Highway” with Jimmie Allen, doesn’t expect it to garner much play and he’s fine with that — even though, as he points out, “It’s a very country record,” with Jerry Douglas on dobro and Dan Tyminski on mandolin.

“The label [was] so great about it, realizing this isn’t going to be the feel-good hit of the year and this isn’t even going to be something that’s going to work long term at a radio station, it’s not going to research [well]. There’s a speech at the end  of it, but this needs to exist in whatever form we can have it to present it,” Paisley says, adding there will not be a radio edit without Zelenskyy. 

He says UMGN has been nothing but supportive. “It’s been a great team effort to sort of say, ‘Okay, I’ve got a new home. This is what I’m working on. The first thing is ready on this really important date and then we’ll start giving you these others as well, painting the picture I want to paint.’ And you can imagine how good that feels.” 

Though Paisley’s move to UMGN’s EMI imprint from Sony Music Nashville was only announced earlier this week, the deal was actually done close to a year ago and Paisley has been hunkered down writing the new album for months. He wrote “Same Here” shortly after the invasion with Lee Thomas Miller and Dawes’ Taylor Goldsmith. 

The war “was really weighing on me,” Paisley says. “I have been in the gym the night it started and I remember working out watching the news and it was just the most surreal scene, all those taillights leaving Kiev. I’ve been touring Europe lately and it’s like looking at that, it’s like, ‘Holy cow, that looks like every city we play.’ It wasn’t like anything I’ve ever seen in my lifetime.”

Paisley had conversations about performing it on NBC’s all-star special Ukraine: Answering the Call, which ran July 3 and featured Paul McCartney, Billie Eilish, Sheryl Crow, Alicia Keys among others. He talked with MSNBC anchor Nicole Wallace, who spearheaded the benefit, about the song and she said she could get it to some Ukrainians. Paisley initially thought about a refrain of the title sung in Ukrainian several times at the end. “And then I thought, ‘Would President Zelenskyy like to have the last couple of minutes and have a discussion with me on the ways we’re the same?’”

Because of security reasons, Paisley declines to give more details about how the song actually got into Zelenskyy’s hands (“I feel like I’m in The Bourne Identity,” he says half in jest).

The Zoom date with Zelenskyy moved around a fair amount but was finally slated so they could record the conversation for the song and also talk about United24, a charitable program to rebuild and restore Ukrainian homes destroyed by the current war. All proceeds from the song will go to the charity, for which Paisley is an ambassador. “We’re hoping to build housing for 4,200 people,” he says. “Rebuild the things that were bombed out, which, as you’d imagine, is just changing daily.”

Paisley stresses that he did not give talking points to Zelenskky, who needed none, but the two discussed they ways we’re all the same, in terms of loving our families and our countries. “He could have done 25 minutes at the end of this song on the ways were the same, but we hand selected [parts of the] conversation that really felt so relevant.  I’m very, very proud of what he said. He’s a really charismatic and earnest, sincere guy.” 

After teaching Paisley how to say “same here” in Ukrainian, Zelenskky says in the song, “We speak different languages in our life. Yes, but I think we appreciate the same things – children, freedom, our flag, our soldiers, our people. The biggest treasure we have. And friends. And we’re proud of our army who defends our freedom and will defend our lives.” The president also many a few suggestions that Paisley incorporated into the last verse.  Paisley hopes to include video clips of their conversation into the music video for “Same Here.” 

Thursday (Feb. 23), Paisley posted a video to his Instagram account mentioning the new album and song. Many of the comments were supportive, but,  unsurprisingly, a fair number of comments were critical of his support of Ukraine. Comments were disabled on his posts today— one promoting the song (which features cover artwork by his oldest son) and a subsequent post featuring a snippet of his appearance on Fox & Friends this morning. 

His team turned off the comments on the posts today because “you want [the song] to stand alone. I don’t want to be a site for bots to have their day. I want that to be a pure spot to see what I’m saying,” he says. “We’ve had to do that a few times retro-actively where something starts to get hijacked and it’s like, ‘C’mon, that isn’t what my site exists for, my site exists to present what I’m doing.’”

But Paisley adds, “I welcome discussion over this. Everybody’s opinion matters. So that person that hates it, they’re just as valid as me. They can hate it. It’s okay. I’m good with that. ‘I hope you’ll listen to other things and If I’ve lost you, I’ve lost you.’”

Paisley says the song fits in perfectly with his new album, which is about “a kid from West Virginia, looking at the world today.” He won’t talk many specifics yet, but says another song on the album addresses the opioid crisis: West Virginia has been hit hardest of all the states with drug overdoses. There are other issue-oriented songs, but he adds, “As much as I’m dealing with topics that are timely, it goes down very smoothly. I don’t do it in a way that’s any different than George Jones would do it or different than Merle Haggard would do it.” 

As far as other guests on the album, he’s keeping quiet, only to add, with a laugh, that Zelenskky is the only world president with a cameo on the set coming later this year.