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02 Mar 2023

Here’s How Jack Black Ended Up Playing Truth or Dare With Madonna

Madonna made headlines back in January when she announced her upcoming Celebration Tour with a racy, star-studded video in which the Queen of Pop plays a raunchy game of Truth or Dare with a group of celebrities.

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One of the stars in attendance was Jack Black, who revealed how it all went down as a guest on The Kelly Clarkson Show on Thursday (Mar. 2). Black was on the popular daytime talk show dressed as his upcoming The Super Mario Bros. Movie character Bowser, alongside his cast mates Keegan-Michael Key, Charlie Day and Chris Pratt. Clarkson showed a photo onscreen, in which Black, Madge and Lil Wayne are recreating a photo from Madonna’s 1992 Sex book.

“My wife and I were invited over to a dinner,” the School of Rock star recalled. “We thought we were going to have a nice, little, quiet dinner. At the end of the dinner, it was announced that Madonna was going to play Truth or Dare and we’re going to film it. So, anyone who wants to join, no pressure.”

Black noted that he wasn’t going to partake until his wife Tanya Haden insisted. “A lot went down and I had permission, OK?” the actor joked. “You can’t say no to Madonna!”

Watch the full interview below.

02 Mar 2023

In Final Report, UK Inquiry Finds ‘Significant Opportunity’ Missed to Prevent Ariana Grande Bombing 

LONDON — Security services could have prevented a suicide bomber from killing 22 people in a terror attack outside an Ariana Grande concert at Manchester Arena in 2017 if they had acted swiftly on key intelligence, a public inquiry has found.  

The chair of the inquiry, John Saunders, says there was a “realistic possibility” that the bomber could have been stopped from carrying out the atrocity if British security service MI5 had acted decisively upon on two pieces of intelligence that they received in the months leading up to the attack. The significance of that intelligence, Saunders notes, “was not fully appreciated at the time.”

A 207-page report, published Thursday (March 2), details the radicalization of bomber Salman Abedi but does not disclose details of either piece of intelligence, citing national security reasons. It does, however, state that neither piece of intelligence was shared by MI5 with counter-terror police — a failing that Saunders calls “a further example of a communication breakdown” between security agencies.  

The inquiry found that an MI5 officer, identified as Witness C, failed to write a report on the second piece of intelligence on the same day MI5 assessed it and did not discuss it with colleagues. That delay “led to the missing of an opportunity to take a potentially important investigative action.” 

Abedi flew from Libya to Manchester on May 18 — four days before he detonated a homemade explosive device in the foyer of Manchester Arena (now known as the AO Arena) at the end of Grande’s sold-out show. Twenty-two people died in the terror attack, the youngest aged 8 years old. Hundreds of people were injured, many of them children.

The report contends that had MI5 taken the intelligence more seriously Abedi could have been stopped at Manchester Airport upon his return from Libya and followed to his car where he had stored his explosives. 

In a press conference in Manchester on Thursday, Saunders said the “failure by the security service to act swiftly enough” had contributed to a “significant missed opportunity to take action that might have prevented the attack.”  

The inquiry chair went on to say that while “it is not possible to reach any conclusion on the balance of probability” as to whether the bombing would have been prevented, he believed “there was a realistic possibility that actionable intelligence could have been obtained which might have led to actions preventing the attack.”

The report also found that Abedi’s family held “significant responsibility” for the radicalization of both him and his brother, Hashem Abedi, who was sentenced in the U.K. in 2020 to a minimum of 55 years for his role in the murders. 

Thursday’s report is the third and final set of findings to come out of the public inquiry into the terror attack. The U.K. Home Secretary launched the inquiry in October 2019 with its first hearings taking place in Manchester in September 2020. In total, more than 250 witnesses gave 194 days of oral evidence, although much of the evidence from MI5 and counter-terror police officers was heard in secret. 

The inquiry’s two previous reports have focused on how emergency services responded to the attack and whether police and concert security should have done more to prevent the bombing. 

Families of the victims called the failures exposed in Thursday’s report “unacceptable” and a “devastating conclusion” to the inquiry. “Those killed and injured in this murderous attack had every right to feel safe and protected, but as this inquiry has demonstrated, they were failed at every level — before, during and after this horrific attack,” said Richard Scorer, principal lawyer at Slater and Gordon, reading out a statement on behalf of 11 of the victims’ families. 

Andrew Roussos, the father of 8-year-old Saffie-Rose Roussos, who was one of the 22 victims, said the security services’ actions amounted to a “cataclysmic failure.” 

“The fact that MI5 failed to stop [Salman Abedi] despite all of the red flags available demonstrates they are not fit to keep us safe and therefore not fit for purpose,” said Roussos. 

Following the report’s publication, MI5’s director general, Ken McCallum, said he was “profoundly sorry” that the security service did not prevent the attack. “Gathering covert intelligence is difficult,” McCallum said in a statement, “but had we managed to seize the slim chance we had, those impacted might not have experienced such appalling loss and trauma.”

02 Mar 2023

Morgan Wallen, Nicolle Galyon, Thomas Rhett & More Country Songwriters Honored at CMA Triple Play Awards

“Country music is known for its storytelling, and that storytelling starts with you, our songwriters,” CMA CEO Sarah Trahern said in welcoming guests to the 13th annual CMA Triple Play Awards, held Wednesday (March 1). “You all have the gift of taking the experience, the story, and connecting it to people in a compelling, beautiful way.”

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The CMA Triple Play Awards honor songwriters who have managed the feat of scoring three No. 1 country songs within the span of 12 months, based on the Billboard Country Airplay, Billboard Hot Country Songs and Country Aircheck charts.

This year’s ceremony honored 16 CMA Triple Play recipients: Rhett Akins, Kurt Allison, Luke Combs, Jesse Frasure, Nicolle Galyon, Ashley Gorley (x2), Charlie Handsome, HARDY, Ben Johnson, Tully Kennedy, Shane McAnally, Chase McGill, Thomas Rhett, ERNEST, Josh Thompson and Morgan Wallen.

First-time CMA Triple Play Award honorees were Allison, Handsome, Johnson and Kennedy. On the opposite end of the spectrum were three heavily decorated writers adding to their CMA Triple Play arsenal: Akins (taking home his eighth win), McAnally (11th) and Gorley (a two-time winner that evening, earning his 19th and 20th CMA Triple Play Awards). To date, the CMA has given out more than 300 CMA Triple Play Awards.

Composer and CMA Board member Jim Beavers brought heartfelt class — and plenty of jokes — to his role hosting the event.

In introducing honoree ERNEST to accept his CMA Triple Play award for songs including Sam Hunt’s “Breaking Up Was Easy in the ‘90s,” Beavers said, “You know what else was easy in the ‘90s? Making money on an album cut.”

Ashley McBryde

Jamie Schramm/CMA

Later in the evening, Beavers humorously noted that there was one more CMA Triple Play Award winner who had been left off of the program list. “ChatGPT,” he deadpanned, as the audience laughed. “Is that too insider for you?”

Several artist/writers were in attendance to accept their accolades, including Thomas Rhett, who told the crowd, “I never thought I would be doing this, I really didn’t,” he said. “I want to thank the songwriters. I’m looking at the songs here. One was written on Zoom right when COVID happened, one was written on a writing trip in Montana and the other I think was my first No. 1 that I wrote in Nashville. Thank you to the writers that write with me, that leave their families to come on the bus and write way too many songs while we’re out there. I would not be able to do this without y’all.” He also thanked radio and Warner Chappell.

Galyon, the sole female honoree out of 16 CMA Triple Play Awards recipients, was honored for “Gone,” recorded by Dierks Bentley; “half of my hometown,” recorded by Kelsea Ballerini; and “Thought You Should Know,” recorded by Wallen.

“You know I’m going to say something. Gotta hold it down for the girls,” Galyon said, drawing cheers from the audience. She thanked her publishing team of Influence Media, as well as Warner Chappell Music Nashville’s Ben Vaughn, BJ Hill and Christina Wiltshire, noting that Wiltshire pitched “Gone” to Dierks Bentley.

“She plucked ‘Gone’ out of the millions of songs in the Chappell catalog and got what is the jackpot for all songwriters—a complete outside cut and a No. 1,” Galyon said, drawing fervent cheers from the industry crowd. “If you want to appreciate your publishers, try to become one,” said Galyon who leads her own publishing company, Songs & Daughters. “It really makes you appreciative for what you had all those years as a writer, so thank you,” she added, thanking her S&D team. “I’m moving into new spaces, new territories and it would not be sustainable for me to continue to write songs and keep my day job going if they weren’t holding it down at the office, which happens to be my kitchen table.”

Eric Church

Jamie Schramm/CMA

Morgan Wallen was honored for his songs “Wasted on You,” “Thought You Should Know” and “You Proof.”

“He earned all of these No. 1 songs in just one month, in May 2022,” Beavers noted.

“I’m just glad I’m allowed to be here this year,” Wallen first told the crowd, alluding to the fallout that happened in recent years following his use of a racial slur. “For real, I always thank God, my lord and savior Jesus Christ. I always have a positive outlook on everything, that’s because of Him. Thank you to my family, and to my songwriters and my best friends. Sometimes I come into the room and I got nothing, but when I get in there with them, there’s always something. This is not something I take lightly. It means a lot to me. I get to put food on my little boy’s plate and clothes on him, and good food at that. And I’m damn proud of that, so thank you everybody.”

Luke Combs and HARDY were not in attendance, but each sent in acceptance speech videos. Combs was awarded his fifth CMA Triple Play Award, while HARDY was awarded his third.

“Three years in a row, and I haven’t been able to make one [CMA Triple Play Awards ceremony] yet,” HARDY said. “I’m honored as always and I still can’t believe it. I wake up every day and can’t believe my whole life and how blessed I am. I’m very thankful. It inspires me to keep writing and plugging along so that maybe one day I will get another Triple Play and actually show up because I’ve wanted to go since before I was even a hit songwriter…I want to thank everybody involved, all the hit songwriters in the room that really gave me a shot when I was just starting out and helped write songs that really put thing on the map for me. Dennis and Jesse Matkosky at Relative Music, I truly feel like we are building something really cool as a publishing company and I’m happy to be a part of that.” He ended the video in true HARDY “Rednecker” fashion, by shotgunning a beer.

Akins accepted for songs including “Half of Me,” “Slow Down Summer” and “To Be Loved By You.”

“I don’t know how I won eight of these…this is a big deal. This is something that I don’t take this for granted. To have three [songs] come out and line up at just the right time, only God can do that, and I thank God every day for it, for moving chess pieces every day that I don’t know how to move…I want to thank CMA for putting this on, thank you for honoring songwriters.” He also nodded to the daily fortitude inherent in successful songwriters.

“That’s the glory of songwriting, man,” Akins added, before thanking all of his co-writers and the artists who record the songs and the radio promotions teams. “It’s in our blood so much that no matter how hard it is, we get up everyday and go, ‘I’m gonna knock that dang wall down today.’”

During the celebration, Jody Williams (founder of Jody Williams Songs) was honored as the recipient of the CMA Songwriter Advocate Award—an accolade given to an industry member who has been a tireless champion for the songwriting community. Over four decades, Williams has supported songwriters through his previous role as the head of creative at BMI, as well as years at both major publishers and his own companies.

A video tribute featured several of the artists and writers Williams has supported over the years, including several of his Jody Williams Songs clients including Vince Gill, Ashley McBryde and Natalie Hemby.

Eric Church, McBryde and Robert Earl Keen were surprise performers during the evening, each honoring Williams for his dedication to songwriters.

“I met Jody in my formative years, my songwriting years, which is what I came to town to do,” Church told the crowd, noting that he met his wife Katherine while she was working for Williams as a song plugger. “He had this really attractive song plugger who was a blonde that I took a liking to, and we’ve been married for 15 years. Jody’s son [Driver Williams] plays guitar for me and he’s been an integral part of the band. This was a no-brainer. I got to thinking about those feelings when I would show up at Jody Williams Music and you’d never know who was writing there. One day, Taylor would be there—that’s Taylor Swift–and every day was like, ‘Ok, I gotta write the best song in this place. If I win this building, I’m the best on Music Row.’”

McBryde performed her current release, “Light on in the Kitchen,” which she noted was the “first song I wrote for you, Jody.” Church offered a song he had written just that day, titled “My Nebraska,” while Keen performed “Feelin’ Good Again.”

Liz Rose, who will be inducted into the Songwriters Hall of Fame this year, presented Willams with the award, tearing up as she said, “I wouldn’t be a songwriter without Jody Williams.”

In accepting the honor, Williams recognized a previous CMA songwriter advocate honoree, Bob DiPiero, and praised all of this year’s CMA Triple Play Award honorees.

“How awesome is it that you hit a lick like that in one year? I’m genuinely happy for all of you. This is really why we are here. We are here to celebrate you,” Williams said. “He also honored his wife and sons, recalling how surrounded by music the family has been from the beginning. “When they were little, I’d drive them to school and we’d play ‘Smash or Trash’ with new demoes or worktapes from the publishing company I was working at. So guess what? They learned the song business and became musicians and songwriters. The most important thing to us is that they also turned out to be really good men.”

Williams recalled how Del Bryant, the son of Boudleaux and Felice Bryant who went on to become the president/CEO of BMI until his retirement in 2014, showed him how the publishing community worked and told him he might be a good song plugger.

“From that moment on, I began waking up each day with a simple purpose–to help songwriters make a living writing songs,” Williams said. He recalled how Charlie Daniels gave him his first publishing job, and how Kix Brooks “let me practice being a publisher on him, and Kix is like a brother to me.” Donna Hilley gave him a joint-venture publishing company with Sony-Tree in 1999. “I was so grateful for Donna Hilley,” he said. “She believed in me more than I believed in myself…That path led me to Liz Rose. I learned to let Liz do what she does and don’t get in her way. I can’t tell you how much I’ve learned from Liz Rose in my career. She remains one of my very best friends.”

He also went on to thank those he has worked with at BMI, before thanking the staff and roster at Jody Williams Songs, and every songwriter in the room.

“I would not have a career at all if not for the songwriters in this community,” Williams concluded. “You are incredibly special to me and have blessed me beyond any expectations I have ever had.”

See the full list of CMA Triple Play honorees and their No. 1s below:

Rhett Akins
“To Be Loved By You,” recorded by Parker McCollum
“Slow Down Summer,” recorded by Thomas Rhett
“Half Of Me,” recorded by Thomas Rhett featuring Riley Green

Kurt Allison
“Blame It On You,” recorded by Jason Aldean
“If I Didn’t Love You,” recorded by Jason Aldean and Carrie Underwood
“Trouble With A Heartbreak,” recorded by Jason Aldean

Luke Combs
“Cold As You,” recorded by Combs
“Doin’ This,” recorded by Combs
“The Kind Of Love We Make,” recorded by Combs

Jesse Frasure
“Whiskey And Rain,” recorded by Michael Ray
“One Mississippi,” recorded by Kane Brown
“Slow Down Summer,” recorded by Thomas Rhett

Nicolle Galyon
“Gone,” recorded by Dierks Bentley
“half of my hometown,” recorded by Kelsea Ballerini
“Thought You Should Know,” recorded by Morgan Wallen

Ashley Gorley
“Sand In My Boots,” recorded by Morgan Wallen
“Beers On Me,” recorded by Dierks Bentley featuring BRELAND and HARDY
“You Proof,” recorded by Morgan Wallen
“Slow Down Summer,” recorded by Thomas Rhett
“Take My Name,” recorded by Parmalee
“New Truck,” recorded by Dylan Scott

Charlie Handsome
“I Love My Country,” recorded by Florida Georgia Line
“More Than My Hometown,” recorded by Morgan Wallen
“Wasted On You,” recorded by Morgan Wallen

Michael Hardy (HARDY)
“Single Saturday Night,” recorded by Cole Swindell
“Sand In My Boots,” recorded by Morgan Wallen
“Beers On Me,” recorded by Dierks Bentley featuring BRELAND and HARDY

Ben Johnson
“Take My Name,” recorded by Parmalee
“Best Thing Since Backroads,” recorded by Jake Owen
“New Truck,” recorded by Dylan Scott

Tully Kennedy
“Blame It On You,” recorded by Jason Aldean
“If I Didn’t Love You,” recorded by Jason Aldean
“Trouble With A Heartbreak,” recorded by Jason Aldean

Shane McAnally
“half of my hometown,” recorded by Kelsea Ballerini
“23,” recorded by Sam Hunt
“Never Wanted To Be That Girl,” recorded by Ashley McBryde and Carly Pearce

Chase McGill
“Waves,” recorded by Luke Bryan
“Never Say Never,” recorded by Cole Swindell and Lainey Wilson
“Don’t Think Jesus,” recorded by Morgan Wallen

Thomas Rhett
“Country Again,” recorded by Thomas Rhett
“Slow Down Summer,” recorded by Thomas Rhett
“She Had Me At Heads Carolina,” recorded by Cole Swindell

Ernest Keith Smith (ERNEST)
“Breaking Up Was Easy In The 90’s,” recorded by Sam Hunt
“One Mississippi,” recorded by Kane Brown
“Wasted On You,” recorded by Morgan Wallen

Josh Thompson
“Whiskey And Rain,” recorded by Michael Ray
“Wasted On You,” recorded by Morgan Wallen
“Half Of Me,” recorded by Thomas Rhett

Morgan Wallen
“Wasted On You,” recorded by Wallen
“Thought You Should Know,” recorded by Wallen
“You Proof,” recorded by Wallen

02 Mar 2023

Billboard Women In Music 2023: Backstage Portraits

Billboard Women in Music 2023 brought all the female love and support and to the YouTube Theater in Los Angeles on Wednesday (Mar. 1), where some of the most impactful women in the music industry came together to uplift and celebrate each other.

SZA was honored as the 2023 Woman of the Year, following her incredible 2022 and the release of her impressive sophomore album, SOS, which is enjoying its  10th week at No. 1 on the Billboard 200 chart. “You just have to say yes to the possibility,” she concluded her moving acceptance speech at the ceremony. “And thank y’all for saying yes to me.”

Ivy Queen, Rosalía, Lana Del Rey, Kim Petras, TWICE, Lainey Wilson, Doechii, Becky G and Latto were also honored with their own awards at the ceremony. Rosalía was the event’s first-ever Producer of the Year, Ivy Queen accepted the Icon Award, Lana Del Rey was the night’s Visionary, Kim Petras took home the Chartbreaker award, TWICE was the Breakthrough artist, Lainey Wilson was awarded the Rulebreaker honor, Doechii was honored as the Rising Star, Becky G accepted the Impact award and Latto was 2023’s Powerhouse.

The fun continued backstage at Women in Music, where the honorees and the night’s presenters posed for a series of stunning portraits. See them all in the gallery below.

02 Mar 2023

Gwyneth Paltrow Wishes ‘Sweetest Father & Friend’ Chris Martin a Happy Birthday

What conscious uncoupling? Gwyneth Paltrow took to social media Thursday (March 2) to ring in ex-husband Chris Martin‘s 46th birthday.

“Happy birthday to the sweetest father and friend,” the Oscar winner wrote on Instagram alongside a casual smiling selfie with the Coldplay frontman, ending the note with “We love you, cajm.” (The acronym likely stands for the singer’s full name, Christopher Anthony John Martin.)

The couple — who famously coined the phrase “conscious uncoupling” upon announcing their split in 2014 — shared kids Apple and Moses. Paltrow has since remarried Brad Falchuk, whom she worked with on the set of Glee, and Martin has been in a relationship with Dakota Johnson since 2017.

Late last month, the “My Universe” singer was named a co-chair for Global Citizen’s upcoming NOW Summit — an additional responsibility on top of his current role curating the nonprofit’s annual festival in Central Park. Along with fellow co-chair Hugh Jackman and an array of leaders across politics, philanthropy and business, Martin will be “focused on turning ideas into impact and driving urgent action to end extreme poverty” during the April 27-28 event.

Ahead of his birthday, the pop-rocker and his bandmates also returned to Saturday Night Live in February, marking their seventh time performing on the long-running sketch series. As musical guests, they performed “The Astronaut,” their collaboration with BTS member Jin, and were later joined by Jacob Collier and the Jason Max Ferdinand Singers on a choral version of “Fix You.”

Check out Paltrow’s sweet birthday wishes for Martin below.

02 Mar 2023

Mike Bahia & Greeicy Open Up About Touring Life With Their Baby on ‘Amantes U.S. Tour’

Eight years ago, Mike Bahía and Greeicy did their first joint concert in Colombia with a very theatrical concept — storytelling, acting, singing, dancing and more — rather than doing just another concert. Since, the two Colombian artists, who have shined in their individual careers, have made the rounds all over Latin America with their very successful “Amantes Tour.” 

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Now, for the first time, they are touring the U.S. in key theater venues with their 10-month-old baby, Kai. 

“After the first show we did in 2015, we realized that it’s a show for the family,” Greeicy tells Billboard. “We saw children, we saw the grandmother, the cousin, the parents, and today that Kai is part of our lives it makes more sense because it’s aimed at the family represented by a family. I feel that with the years, ‘Amantes Tour’ gains more strength.” 

Presented by Loud and Live, the U.S. trek kicked off Feb. 23 at the Colden Auditorium in New York and wraps March 3 at Houston’s Arena Theatre. Hitting the road has been possible thanks to the couple’s beloved family, who travels with them to take care of their baby backstage. 

“If it weren’t for them, I wouldn’t be able to leave for three days, my peace of mind wouldn’t be good if it wasn’t for our family,” the singer and actress adds. “I feel we are privileged because we have a son who adapts to our lifestyle and we have people who support us and help us. I love the job of being a mom but I also love all of this. I think that during my pregnancy I did more things than I have ever done in my life and it’s very nice because I feel that as the years go by, we are going to look back at all the memories with Kai.” 

Greeicy & Mike Bahia

Greeicy & Mike Bahía

Manuel Lenis es / Andrea Ramírez

In the midst of their touring life, Greeicy and Bahía released a new collaborative effort called “Mi Pecadito” (my little sin). The playful bachata narrates the story of two people who like each other but have other commitments — think a sequel to their 2017 hit “Amantes.” 

“The musical exploration has continued,” says Bahía, whose recent solo single happens to be a salsa track. “I feel that we have given a lot of priority to the songs more than the rhythms but we feel comfortable making tropical music. When I listen to it, it makes me want to dance and that’s why we explore these rhythms with more confidence.” 

“The musical exploration has continued,” says Bahía, whose recent solo single happens to be a salsa track. “I feel that we have given a lot of priority to the songs more than the rhythms but we feel comfortable making tropical music. When I listen to it, it makes me want to dance and that’s why we explore these rhythms with more confidence.”

Following their U.S. tour, the family-of-three plans to move to Miami, Fla., and leave behind their countryside lifestyle in Medellín, for the time being. 

“I feel that this city is going to do us very well,” explains Bahía. “In addition to that it will do Kai very well. Kai will begin to acquire the [English] language. We’re going to live near the sea and let our careers grow and explore other things we haven’t done before. Back in Colombia, we reached our comfort zone. We could continue there or challenge ourselves to meet new goals.”