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Miley Cyrus’ ‘Endless Summer Vacation (Backyard Sessions)’: How to Watch the Performance Special on Disney+

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Miley Cyrus will perform new songs from her new album in the Disney+ special, Miley CyrusEndless Summer Vacation (Backyard Sessions), premiering on Friday (March 10).

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The performance event coincides with the release of Cyrus’ eighth studio album, Endless Summer Vacation, also out Friday.

Cyrus is set to perform eight songs from the new set, including her smash hit “Flowers,” which topped the Billboard Hot 100 for six consecutive weeks.

The intimate concert special, executive produced by Cyrus, will feature a special performance with Rufus Wainwright along with exclusive interviews inside the former Los Angeles home of Frank Sinatra, where Cyrus shot the music video for “Flowers.”

Miley Cyrus — Endless Summer Vacation (Backyard Sessions) is directed by Jacob Bixenman and Brendan Walter, and produced by RadicalMedia, Cyrus, HopeTown Entertainment, Crush Management and Columbia Records.

How to Stream Miley Cyrus’ Performance Special for Free

Miley Cyrus — Endless Summer Vacation (Backyard Sessions) drops on Friday at 1 p.m. ET/10 a.m. PT on Disney+. Once the special premieres, Disney+ subscribers can begin streaming at no additional charge.

Not subscribed? Disney+ is $7.99/month or $79.99/year for the ad-supported package. To stream without ads, subscribe to Disney Premium for $10.99/month or $109 for the annual plan.

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$7.99/month

Disney+ no longer offers free trials, but there are ways to save some cash, such as subscribing to an annual plan and bundles such as the Disney+ Duo Basic Bundle with Hulu for $9.99/month and the Trio Basic Bundle (Disney+, Hulu and ESPN+) starting at $12.99/month.

How do you get free Disney+? Your best bet is to go through a third party.

Right now, Verizon is offering free, six-month subscriptions to Disney+ and the Disney+ bundle with select Unlimited plans. American Express offers entertainment credits for customers, which is another way to potentially save on Disney+.

You can access Disney+ on a smart TV, laptop, smartphone, tablet and other devices via the Disney+ app or at Disneyplus.com.

What else is streaming on Disney+? The list of Disney+ Originals includes Andor, Willow, The Mandalorian, Star Wars: The Bad Batch, The Prouder Family: Louder & Prouder, Hawkeye, WandaVision, Loki, The Book of Boba Fett, Obi-Wan Kenobi, Dancing With the Stars and movie exclusives such as Wakanda Forever, Turning Red and the upcoming Peter Pan & Wendy film premiering on April 28.

Music lovers can binge hours of concert specials and documentaries such as The Beatles: Get Back, BTS: Permission to Dance on Stage: LA, J-Hope: In the Box, Billie Eilish’s Happier Than Ever: A Love Letter to Los Angeles, Olivia Rodrigo: Driving Home 2 U and Elton John: Live From Dodger Stadium.

Watch the trailer for Miley Cyrus — Endless Summer Vacation (Backyard Sessions) below.

Oscars So Unpredictable: Only 1 of the 4 Acting Awards Seems Settled. How Does This Compare to Past Years?

Last year, all four of the actors who won OscarsWill Smith and Jessica Chastain in the lead categories, and Troy Kotsur and Ariana DeBose in the supporting races — had won in those same categories at the Screen Actors Guild Awards one month earlier. Their Oscar coronations were not quite foregone conclusions, but nearly so.

It’s very different this year. Only one of the actors who won at the SAG Awards on Feb. 26 seems certain of also winning an Oscar on Sunday, March 12. That’s Ke Huy Quan for his supporting role in Everything Everywhere All at Once.

Michelle Yeoh, who won the SAG Award for her leading role in that same film, is probably the front-runner to also win the Oscar, but Cate Blanchett can’t be counted out for her acclaimed performance in Tár. Blanchett has already won two Oscars, which may work against her here.

Brendan Fraser, who won at the SAG Awards for his lead performance in The Whale, is a serious contender for the Oscar, but Austin Butler (for Elvis) and Colin Farrell (for The Banshees of Inisherin) could just as easily take it. This one is too close to call.

So is the race for best supporting actress. Jamie Lee Curtis won at the SAG Awards for her supporting turn in Everything Everywhere All at Once, and gave a great, self-deprecating speech, referring to herself a “nepo baby.” (Curtis is the daughter of Tony Curtis and Janet Leigh, two of the top Hollywood stars of their era.) She could easily also win the Oscar – in the same category where her mom was nominated (and lost) for her unforgettable performance in Psycho.

But many will want to see the Oscar go to Angela Bassett for Black Panther: Wakanda Forever, particularly after two other Black actresses — Viola Davis (for The Woman King) and Danielle Deadwyler (for Till) — were passed over for Oscar nods for best actress. This race, too, is too close to call.

How closely have the SAG Awards winners aligned with the Oscar winners in the four acting categories? Pretty closely, but not well enough for SAG winners to get overly confident.

Since the SAG Awards began in 1995 (honoring films released in 1994), all four SAG winners went on to win Oscars nine times. Three of the four went on to win Oscars 11 times. Let’s pause here: The SAG winners aligned with the Oscar winners in at least three of the four categories 20 times in the past 28 years – an impressive rate of agreement.

That leaves eight years where the agreement was less impressive. Just two of the four SAG winners went on to win Oscars six times. Just one of the four went on to win the Oscar twice. Those two years where the two voting bodies were far apart were 2001 and 2002, where they agreed only on Halle Berry in Monster’s Ball (2001) and Catherine Zeta-Jones in Chicago (2002).

The rate of agreement between the two shows has increased over time. In the SAG Awards’ first 14 years, they agreed on all four winners just twice. In the last 14 years, they have agreed seven times.

Benicio Del Toro (Traffic) and Kate Winslet (The Reader) were winners at both shows, but in different categories. Del Toro won the SAG Award for outstanding performance by a male actor in a leading role, but he went on to win the Oscar for best supporting actor. It worked the other way around for Winslet, who won the SAG Award for outstanding performance by a female actor in a supporting role, but went on to win the Oscar for best actress. (Since they both won at both shows, we counted them as in agreement.)

The SAG Awards have had one tie in a Big Four acting category. In 1997, Kim Basinger (L.A. Confidential) tied for outstanding performance by a female actor in a supporting role with Gloria Stuart (Titanic). Basinger went on to win the Oscar. (Since at least one of the SAG winners went on to win at the Oscars, we counted that as being in agreement too.)

The SAG Awards have presented two of their marquee film acting awards posthumously, to Heath Ledger in The Dark Knight and Chadwick Boseman in Ma Rainey’s Black Bottom. Only Ledger went on to win the Oscar.

BTS’ Jimin Gets Covered in Silver Studs for ‘FACE’ Concept Photos

BTSJimin is gearing up to release his debut solo album, FACE. But in the tradition of K-pop, the singer’s label BigHit Music shared a series of concept photos on Thursday (March 9) to get ARMY even more excited for the album’s release.

Fans were treated to the “Hardware ver.” pictures in a series of three: The first features a stylish snap of the BTS vocalist wearing a black leather moto jacket, staring directly at the camera through his bangs. Another shows Jimin fitted in studs placed on his brow bone and a piercing through the center of the bottom lip. The final one has the singer seemingly shirtless, with silver studs cascading down from his face to the neck and collarbone area.

Ahead of the album’s release, a second set of concept photos — the “Software ver.” — is scheduled to arrive on March 11.

The images arrive after BigHit revealed the album art and tracklist for Jimin’s solo LP on Feb. 23. The album will contain a total of six tracks, including main song “Like Crazy” and pre-release single “Set Me Free Pt. 2,” which will drop March 17. According to a press release, the latter song will see the BTS member exploring “his resolution to free himself from various emotions hidden deep inside him.”

FACE will be released on March 24. See the “Hardware ver.” concept photos below.

Taylor Swift’s ‘All Too Well (10 Minute Version)’ Is Now a Class at Stanford University

Calling all Stanford students! You’ll officially be able to take a class next quarter on Taylor Swift‘s “All Too Well (10 Minute Version).”

The course, cleverly titled “All Too Well (10 Week Version),” is being offered during the elite university’s upcoming winter quarter as one of the classes taught under the umbrella of Stanford’s Introductory Studies, and promises an “in depth analysis” of the No. 1 hit’s emotive lyrics taught by alum Nona Hungate.

According to the Stanford website, each of the ITAL 99 courses “offer students an introduction to topics taught by alumni of the program. With each quarter offering unique courses, these student-led classes are focused on hands-on learning and have included topics such as travel sketching, watercolor, music composition, improv acting, animation, and digital art, among many others.”

Swift’s artistry has increasingly been a topic of study at numerous universities across the country. In February 2022, NYU’s Clive Davis Institute of Recorded Music launched its first-ever class on the superstar taught by Rolling Stone writer Brittany Spanos. Last August, the University of Texas at Austin rolled out a new liberal arts course entitled “Literary Contests and Contexts — The Taylor Swift Songbook,” where the singer-songwriter’s work was studied alongside the likes of Chaucer, Shakespeare, Wyatt, Coleridge, Keats, Dickinson and Plath with “required texts” including four of her most recent albums.

Meanwhile, Swift herself is gearing up for the start of her wildly anticipated The Eras Tour, which kicks off next Friday (March 17) at State Farm Arena in Glendale, Ariz., with openers Paramore and GAYLE.

Brandon Lake, Deitrick Haddon Lead Faith-Based Airplay Charts

Singer-songwriter Brandon Lake earns his second No. 1, and his first as a lead artist, on Billboard’s Christian Airplay chart (dated March 11) with “Gratitude.”

The song jumps 5-1 following its increase of 9% to 7.3 million audience impressions in the tracking week ending March 2, according to Luminate.

Lake co-authored “Gratitude” with Dante Bowe and Benjamin Hastings, while Jacob Sooter produced it.

Concurrently, “Gratitude” spends a sixth week at No. 1 on the streaming-, airplay- and sales-based Hot Christian Songs survey. It collected 2.1 million U.S. streams and sold 2,000 downloads to lead Christian Digital Song Sales for an eighth frame.

When “Gratitude” initially reached the Hot Christian Songs summit (Feb. 4), also becoming Lake’s second No. 1 and first as a lead artist, he told Billboard, “Every song has a season, and season a song. ‘Gratitude’ couldn’t more accurately describe everything I want to express to God in this time. There are times where I feel like worshipping and there are times I often don’t, but what can shift any weary soul is a spirit of gratitude.”

The 32-year-old Lake, who serves as worship pastor at Seacoast Church in Charleston, S.C., previously topped Christian Airplay and Hot Christian Songs as featured on Elevation Worship’s “Graves Into Gardens” in 2021.

Haddon Adds Third No. 1

On Gospel Airplay, Deitrick Haddon scores his third leader as “Here Comes the Joy” ascends 4-1 (up 17% in plays).

Haddon, a native of Detroit, serves as lead pastor of Los Angeles’ Hill City Church.

“Joy,” which he co-penned, marks his first Gospel Airplay chart-topper since “Open Door Season” dominated for two weeks in June 2020. His first No. 1, “A Billion People,” ruled for a week in September 2017. He boasts 11 top 10s, dating back to 2005.

The Deals: Snoop Dogg Starts Web3 Livestream Platform, AI DJ Firm Acquired & More

Snoop Dogg teamed up with U.K. tech entrepreneur Sam Jones on Shiller, a live broadcast platform set to launch in April that will offer content creators a suite of tools to monetize their content, including the ability to token-gate their video and audio, share products from commerce sites and promote NFTs. According to a press release, the app “combines best of web3 technology with live, interactive video and audio streaming, to provide a one-stop-shop for creators, including NFT projects, artists, brands, and key opinion leaders, to monetize their following and connect with their audiences.”

B2B streaming technology company Tuned Global acquired Swedish music technology company Pacemaker, which holds several patents for its AI-driven DJ applications. “Thanks to Pacemaker, Tuned Global extends its B2B streaming technology dominance by now offering enhanced AI tools that will hook and excite users as part of our white-label music apps, as well as in a standalone product for companies who aren’t yet our customers,” said Tuned Global MD/founder Con Raso in a statement. Pacemaker’s AI DJ is capable of weaving together tracks and other audio, while a “match machine “can help curators instantly dig up great tracks in a massive catalog and keep the groove going for workouts, therapeutic sessions, or other playlist-driven moments,” according to a press release.

DJ/producer Steve Aoki launched Audio Media Grading in partnership with Collector Archive Services. The new company will provide grading, preservation and authentication services for grading vinyl records, cassettes, CDs and 8-track. 

Cutting Edge Media Music (CEMM), a division of Cutting Edge Group, formed a strategic venture with Village Roadshow Entertainment Group that will encompass all of Village Roadshow’s past and future music publishing assets, soundtrack album releases and music supervision services for film and TV. The venture will be overseen by Brian McNelis, who heads CEMM division Lakeshore Records, along with Lakeshore’s Eric Craig, who will provide music supervision and music department support across the Village Roadshow slate. Village Roadshow COO Louis Santor will take the lead in implementing all aspects of the deal. 

B2B distributor FUGA expanded its global user-generated content and rights management offering by completely integrating rights management company Adrev. Both are owned by Downtown Music. The integration formalizes months of collaboration between FUGA and Adrev, according to a press release, which states that with the integration, “both FUGA and Adrev clients will now be provided with an extended service aimed at amplifying and simplifying UGC and premium video content monetization into one, seamless environment.”

BMG partnered with Stockholm-based artist management company Scandinavian Talent Management (STM), which also specializes in music supervision, music publishing and live events. “We are delighted with BMG’s trust and are confident that we can create many synergies with their global resources and networks,” said STM founder/MD Henrik Johansson in a statement. STM clients include Swedish rock-pop singer-songwriter and BMG artist Kristofer Greczula; British guitarist, songwriter and producer Chad Neale; and Mando Diao bassist Carl-Johan “CeeJay” Fogelklou.

Chordal partnered with AI developer AudioShake to launch Auto-Instrumental, described as an “on-demand instrumental solution” for music supervisors that’s designed to streamline synch placement. “Auto-Instrumental reduces the time of obtaining an instrumental from days or weeks (if it even exists!) to a matter of seconds, making it immediately possible to trial music to picture,” said Chordal co-founder Grayson Sanders in a statement. 

Film and TV company Gunpowder & Sky signed a multi-year, multi-project development and production deal with Audible. Under the deal, Gunpowder & Sky will provide Audible with an exclusive first look at the studio’s slate of audio initiatives covering music, pop culture and more. In February, Audible released In the Cut with Ghetto Gastro, an eight-episode Audible Original podcast executive produced by Gunpowder & Sky. Two upcoming music-oriented podcasts from the companies — Lighters in the Sky and Shelved — “will reveal iconic, often undercover, music stories to the masses,” according to a press release. The first-look deal builds on an existing collaboration that has spawned multiple installments in Audible’s Words + Music franchise.

Morgan Wallen’s ‘One Thing at a Time’: All 36 Tracks Ranked From Worst to Best

We won’t officially know until Sunday (March 12) how big Morgan Wallen’s new album, the super-sized One Thing at a Time, will debut on the Billboard 200, but we know the 36-track set is already a blockbuster.

As of Wednesday (March 8), the 36 tracks have accumulated 315 million on-demand streams, already the biggest week for any 2023 album, according to Luminate. In its first four days, OTAAT surpassed the 240 million tally hit by Wallen’s 2021 album, Dangerous: The Double Album, in its first full week.

The album, which features collaborations with Eric Church, HARDY and ERNEST, was culled from 42 songs to its final 36 tracks.

“The songs just kind of naturally came in,” Wallen previously told Billboard. One Thing at a Time producer Joey Moi added, “It seemed like the more we cut, the more songs would show up. So it just kept piling up.”

Moi also noted Wallen’s involvement in the studio has become deeper with each album release.

“The first record, in a budding career [from a] new artist is weird, you kind of get stripped of all your time to make the record, so we really panicked our way through that one,” Moi said. “He was on tour, and then we would cut the songs together in the studio, and then he’d go off on tour. I’d squirrel away and work on the music getting ready for him to come back. He’d sing like six songs in one day. It was that process. Second record, we were able to engineer the calendar a little better but he was still heavy in obligations [but] he was present for way more than the first record. This one I feel like we nailed the calendar, and he was there for every moment of it. It was amazing having him in the room the whole time with me.”

Upon the album’s March 3 release, we picked the top 10 tunes, but now we’re back to rank all 36 songs on the Moi-produced set, from the least to the greatest.

No Charges For Ja Morant In Colorado Gun Incident

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Police in Colorado have stated that Memphis Grizzlies star Ja Morant will not face criminal charges over flashing a gun in a social media video last weekend.

On Wednesday afternoon (March 8), the Glendale, Colorado Police Department announced that after finishing their investigation into Ja Morant after being alerted to an Instagram Live video he streamed showing him flashing a firearm while in Shotgun Willie’s strip club, that they would not file charges.

“GPD was not able to determine that probable cause existed for the filing of any charges,” the press release partially stated. “In this case, it should be noted that on the night in question, the GPD did not receive any calls for service at the nightclub regarding a weapon of any type. Subsequently, no disturbances were reported, and no citizens or patrons of the club came forward to make a complaint. The investigation also concluded that no one was threatened or menaced with the firearm and in fact, no firearm was ever located.”

Morant was spotted on his Instagram Live flashing the weapon while in the club early Saturday morning (March 5) hours after his Grizzlies team lost to the hometown Nuggets. The club is five miles from Denver’s home stadium Ball Arena. After the footage was released, the Grizzlies announced that the 23-year-old would not be available for the team’s next two games against the Los Angeles Clippers and the Los Angeles Lakers. So far, the team has stated publicly that he is to miss the team’s next four games at least.

Morant deactivated his Twitter and Instagram accounts that Saturday as the news spread and issued a statement saying he was stepping away. ”I’m going to take some time away to get help and work on learning better methods of dealing with stress and my overall well-being,” he said.

The trouble may not be over for Ja Morant, as the NBA has been investigating the incident in addition to others he’s been involved in. In addition, while Nike issued a statement of support for the two-time All-Star, Powerade has taken steps to take down its ads featuring Morant on its website and social media according to reports. 

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Photo: Justin Ford / Getty

Jon Bernthal To Return As The Punisher In Disney+’s ‘Daredevil: Reborn’ Series

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We’re still a ways away from once again indulging in the violent adventures of the MCU’s “Man Without Fear” as Disney+’s Daredevil: Born Again series has yet to begin filming. (Shooting begins this month in New York.) But already fans have more reason to get excited as another fan favorite is set to return in the new season.

According to The Hollywood Reporter, Jon Bernthal will be reprising his role as The Punisher in the upcoming Daredevil series, joining Daredevil alumni, Vincent D’Onofrio, as he’s returning as The Kingpin in Born Again as well. While many Marvel fans have taken to social media to celebrate the news of Bernthal’s return, just as many expressed disappointment and anger at the news that neither Foggy (Elden Henson) nor Karen (Deborah Ann Woll) will be a part of Disney+’s “rebooted” series.

Still, as much as we loved what both Karen and Foggy brought to the series, we still much rather see The Punisher involved in the next season of Daredevil than a love interest and comic relief (no shots). With 18 episodes said to be in the chamber for Daredevil: Born Again, we hope The Punisher plays a significant role in what the blind superhero has to fight through in the new series.

Born Again follows Netflix’s Daredevil series that ran for three seasons from 2013-18. That was known as the Netflix era of Marvel television and was back when the series side was not integrated with Marvel’s movie side. Marvel TV, then run by Jeph Loeb, produced a number of series for Netflix, including Jessica Jones, Luke Cage and Iron Fist on top of Daredevil and Punisher. Netflix canceled its Marvel shows ahead of the late 2019 launch of the competing streaming service, Disney+.

Bernthal and his co-stars, it seemed, were done with Marvel. But in January 2021, Marvel boss Kevin Feige told THR he considered the Netflix characters to still be in play, and by the end of the year, Cox was revealed to have a cameo in Spider-Man: No Way Home and went on to appear in She-Hulk. His Daredevil co-star D’Onofrio appeared in Hawkeye, and both Cox and D’Onofrio are key figures in the upcoming Echo, a series said to set the stage for Born Again.

Hopefully Disney+ doesn’t hold back on the fades that both Daredevil and The Punisher became known for back when they were running the MCU chamber on Netflix. That’s something that Bernthal acknowledged in an interview with The Hollywood Reporter back in 2021 when speaking on Frank Castle joining the official MCU.

“I think if there’s any let up on that character, you do a disservice to the character, to every iteration of the character, to every comic book that’s come before, and to all of the unbelievable fans of the character,” said the actor. “This character means so much to people in the military. So like I said before, it’s not about whether you do the character; it’s about whether you can do it right, and I’m only interested in doing it right.”

Here’s to hoping they let The Punisher, well, punish his enemies in the extreme ways he’s known for.

What do y’all think of The Punisher returning to the Daredevil franchise? Let us know in the comments section below.

Music Piracy Is Rising — And the U.S. Is a Trouble Spot

Global music piracy crept up in 2022, marking the second straight year it has increased after a period of steady decline, according to a report from MUSO, a U.K. technology company. MUSO, which tracks consumption across websites around the world to “to understand the true picture of digital piracy,” logged more than 15 billion visits to music piracy sites in 2022. 

Piracy has been a thorn in the music industry’s side for more than two decades. In recent years, however, the widespread adoption of streaming has led to a steep drop in the types of peer-to-peer and file-sharing behavior that once threatened to bring the music business to its knees.

In a world driven by streaming, rather than downloads or CD sales, the industry is increasingly focused on a different set of issues. Key among them is streaming fraud, which is not driven by fan’s desire to have more music at their fingertips. Instead, this activity often involves bad actors siphoning money away from the music business — by running bot networks that play 31-second white-noise recordings nonstop on Spotify, for example. 

Growth in streaming revenues shows signs of slowing, meaning that every dollar that leaks out of the music ecosystem is becoming more important to labels. And MUSO’s report shows that piracy, even if it has faded from headlines, isn’t negligible.

Global Visits to Music Piracy Sites

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For example, Justin Bieber‘s songs, albums, or “music bundles” — which could include an entire discography — were illegally downloaded over 1 million times across the peer-to-peer/torrent network in 2022, for example, with more than 40% of those downloads coming from the U.S. MUSO detected more than 950,000 illegal downloads of David Bowie‘s music, more than 780,000 across Bruce Springsteen’s catalog, and more than 750,000 involving Bob Dylan releases. 

The U.S. accounts for 7% of all piracy traffic picked up by MUSO, third only behind Iran (15.05%) and India (10.29%). Despite the prevalence of streaming among U.S. listeners, their appetite for piracy far outpaces their peers in other major music markets like the U.K. (1.86% of piracy traffic) and Germany (1.92%). And more than half of all the piracy in the U.S. takes place via stream-ripping, which relies on programs to get around YouTube’s copyright protection and convert audio into MP3s.

Music Piracy Site Visits by Country

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In 2019, the RIAA said it was monitoring more than 200 stream-ripping sites. Labels have taken legal measures to go after some of these: In December 2021, a U.S. judge ordered a pair of Russian sites to pay more than $80 million — $50,000 for each of the 1,618 copyrighted works infringed — in damages. The judge wrote that 1,618 was “likely on the low end of Defendant’s indeterminable number of violations.” Tofig Kurbanov, the owner of the sites, subsequently appealed the ruling.

RIAA chief legal officer Ken Doroshow said at the time that “this litigation sets out vital first principles that should chart a path for further enforcement against foreign stream-rippers and other forms of online piracy that undermine the legitimate market for music.” The ruling, he said, “is a major step forward to protect artists, songwriters, record labels, and consumers from one of the most pernicious forms of online piracy.”

Despite the judgement, MUSO’s data indicates that stream-ripping remains the most prevalent form of piracy in the U.S., accounting for more than half of piracy demand in the country (51.3%). This is well above the global average, which MUSO found to be 33.4%.

Global Piracy Delivery Methods

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Overall, music piracy has fallen by more than half since 2017, according to MUSO. But the company predicts another small rise in 2023. 

“For the Film and TV sectors, MUSO’s data indicate that piracy demand will continue to increase across 2023, as inflationary and economic pressures result in subscriber losses for the various legal streaming services,” the company’s report notes. “This will drive users to illegally stream or download the content they want to watch via piracy sites. MUSO does anticipate seeing a similar uptick in music piracy across 2023,” but one that will be “less marked than [in] other industries.”