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Lasso Breaks Down 5 Essential Tracks on New ‘Eva’ Album

Lasso presents his fourth studio album called Eva, a tribute to everything a woman represents — and its release date on Thursday (March 16) perfectly ties in with Women’s History Month.

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Eva (Eve) is a metaphor,” he tells Billboard of the album’s title. “She’s a woman who represents all these relationships that I am having with her. Theoretically, Eve was the first woman, and I found it super beautiful and poetic.”

On the 12-track set, the Venezuelan singer-songwriter delivers a mix of pop, ballads and alternative tunes, most of them inspired by ’70s and ’80s music. The only collaborative effort is the remix of “Ojos Marrones” with Sebastian Yatra, which came together organically thanks to the original song’s success on TikTok. Lasso entered the Billboard charts for the first time in 2022 when “Ojos Marrones” peaked at No. 66 on the Billboard Global 200 chart and at No. 39 on the Billboard Global Excl. U.S. chart, both dated Sept. 17. The song also earned him his first and only entry on the Billboard Argentina Hot 100 chart (dated Sept. 10).

The first track to make it on Eva was “Corriendo con Tijeras,” the last addition was the title track, and “Plastico,” “Algodon” and “Los Hombres Son Todos Iguales” were three of the most challenging tracks to work on, he admits. 

But above all, “It’s an album where I worked a lot and they are songs that have a lot of humanity,” he explains. 

Below, Lasso breaks down five essential tracks on Eva.

Lasso

Lasso

Universal Music Mexico

“Ojos Marrones”

“Without a doubt, this would be the first due to the fact that this is a song that became a worldwide hit and it’s a song that is alternative and has no collaboration — part of the particularity that it’s not something that happens a lot in the Latin scene today. Normally the things that go viral are reggaeton or some kind of collaboration. It’s something that surprised me a lot and until today I don’t know how it happened but I am honored and very happy that I was able to experience the first hit of my career.”

“Corriendo Con Tijeras”

“It’s a nice metaphor for a toxic relationship in the sense that it is based on a saying that we say a lot in Venezuela. I really like words and phrases that evoke something different and interesting. I believe that’s the work of an artist and composer. I know running with scissors is dangerous but it’s fun. There are a couple of lines in this song that are not only cool but also relatable.”

“Los Hombres Son Todos Iguales”

“It seems to me a great phrase [all men are the same] that has some truth. There is a lot of pain behind it, a lot of satisfaction, a lot of frustration, and a lot of reality. The song is an exploration between a boy and a girl who are each talking with their points and their arguments. Both are right but at the same time, they are not. I really like the lyrics that go beyond a beautiful melody and remain with you and that make you feel in some way.”

“Perdon Pero No Te Perdono”

“It was the song that my team liked the most. Each of the phrases in this song is tweetable, they are powerful phrases. It has a great title and says many things. It has many hooks and many things that can get stuck to you. There is one that I like that says: ‘Who sends me like an idiot to wait for love from someone with a hole in their chest.’ The beautiful thing about this song is that you always have the responsibility because it’s your life and you can choose who to be with.”

“Eva”

“It’s my favorite song on the record and to this day I still hear it a million times and I’m moved. It’s a song that came out so fast and I think the lyrics are one of the best things I’ve ever done. I am very critical of myself and I hate 70% of my catalog or more, depending on whether you catch me on a good day or a bad day, but this song has this simplicity and depth that one should look for in ballads. It’s a song that talks about exploring being alone in paradise but what good is it if I can’t share it with someone? In general, it’s the essence of the album. Sometimes you’re wrong, and sometimes you’re right.”

Nicki Minaj Shares Island-Themed ‘Red Ruby Da Sleeze’ Video Teaser: Watch

Are you ready, Barbz? Nicki Minaj shared a sneak peek Wednesday (March 15) of the music video for her latest single, “Red Ruby Da Sleeze.”

In the brief teaser, Minaj appears in a strappy black swimsuit, ferociously rapping the lyrics to the track atop a deck that overlooks the ocean. Other footage from the teaser shows her wearing a “red ruby”-colored silk robe, which she later takes off to provide a good look at her bathing suit.

More details regarding the “Red Ruby Da Sleeze” music video are still under wraps, but the Queen Radio host did revealed the video was filmed in her home island of Trinidad and Tobago while she was spending time there for the island’s 2023 Carnival festivities.

“Red Ruby da Sleeze” — which debuts at No. 13 on the Billboard Hot 100 this week — saw the the rapper interpolating Lumidee’s “Never Leave You (Uh Oooh, Uh Oooh),” which peaked at No. 3 on the Hot 100 in 2003. The track follows a similar formula to her 2022 Hot 100 No. 1 hit “Super Freaky Girl,” which sampled Rick James’ 1981 song “Super Freak.”

Minaj was recently ranked No. 7 on Billboard and Vibe‘s 50 Greatest Rappers of All Time list and the No. 10 on Billboard‘s Greatest Pop Stars of 2022 list. She also emerged as the winner of Billboard‘s inaugural Power Artist 2022 – Fan Choice bracket, where fans voted from the 32 artists who made the biggest impact on Billboard‘s 2022 year-end charts.

Watch the new teaser for Minaj’s “Red Ruby Da Sleeze” music video in Minaj’s Instagram post below.

Miranda Lambert Leaving Longtime Label Home Sony Music Nashville

Miranda Lambert is leaving her longtime label home at Sony Music Nashville, the singer-songwriter revealed in a social media post.

“Since I was 19 years old, Sony has been my home in Nashville. Over the last 20 years together we have released albums that allowed me to share my story with the world, and we’ve reached heights I’d never even dreamed were possible,” Lambert said. “I’m so thankful for our time together and everything they made possible for me, yet I wouldn’t be true to myself if I wasn’t constantly looking for the next challenge and a new way to stretch my creativity. With that in mind, I’ve decided to say goodbye to my Sony family. I can’t wait to see what the next adventure holds.”

A representative for Sony Music Nashville had not responded to Billboard‘s request for comment by press time. Lambert’s manager, Marion Kraft, did not immediately respond to a request for comment.

Lambert’s statement caught Sony executives off guard, according to sources.

During her time with Sony, since the release of her debut major label album Kerosene in 2005, Lambert has taken seven albums to the top of Billboard’s Top Country Albums chart and seven songs to No. 1 on Country Airplay as a solo artist or collaboration. The reigning ACM Awards entertainer of the year (and a coveted ACM Triple Crown winner) has won 37 ACM trophies, the most of any artist.

Lambert has also won Grammys in the country album of the year category for her projects Wildcard and Platinum, while her song “The House That Built Me” won a Grammy for female country vocal performance.

Rick Ross Gives $10K in Scholarships to Students at His High School, Along With Rolling Loud Co-Founder

Rick Ross is in a giving mood. The rapper partnered with Rolling Loud co-founder Tariq Cherif to donate $10,000 of scholarships to eight Miami students from his alma mater, Carol City Senior High School in Miami Gardens, Fla.

“You know, to come give back to the community right here, that means a lot,” Ross said during his visit to the school. Along with the scholarship, students were gifted tickets to Rolling Loud Miami in July. Ross and Cherif were joined by City of Miami Gardens Councilman Reggie Leon and school board member Dr. Steve Gallon II.

“I am nothing but blessed,” scholarship recipient De’Zyre Frederick told CBS Miami. “It’s good to see the alumni come back and give back to the students which is something that is so amazing.”

The scholarships were in honor of Ross’ Boss Up Day 2023 and awarded to students who displayed academic excellence. “It’s not a gift,” Cherif added. “They earned it.”

During the awards ceremony, Ross himself reached into his pocket and handed out hundred-dollar bills to a student with a whopping 4.6 GPA.

Recently, the rapper teased a collaboration with Meek Mill on Instagram, posting a picture of the two in the studio with the caption “Dreams & Nightmares.” Ross will also be joining Jadakiss, Jeezy, Gucci Mane, Cam’ron, Remy Ma, Fivio Foreign and others on the 2023 Legendz of the Streetz Reloaded Tour, kicking off in Philadelphia on April 14.

Conservative Author’s Inability To Define “Woke” Is Exactly Why White People Need To Leave The Word Alone

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First, let’s start with a simple truth: White people have no business defining what “woke” means.

White people in general, but especially white conservatives, have spent the last few years colonizing, Columbusing, gentrifying and bastardizing this word that is derived from African American Vernacular English (AAVE) and is simply defined as the Black collective’s awareness of white supremacy.

What white people have done to the word “woke” is a literal example of white supremacy. And to add insult to caucasity, conservatives who have changed the understood meaning of our word to fit their own racist narrative still can’t seem to define “woke” for themselves.

Meet conservative author Bethany Mandel.

Mandel recently made an appearance on the Hill’s streaming show “Rising” with host Briahna Joy Gray to talk about her new book “Unchecked Privilege: The Whiny White People’s Guide To Pretending Addressing Oppression is the Real Oppression.” (I’m joking. The book is actually called “Stolen Youth: How Radicals Are Erasing Innocence and Indoctrinating a Generation,” but that just doesn’t scream “Aggrieved Caucasian Millenial Bible” the way it should if you ask me.)

While Mandel was whitesplaining that most Americans don’t agree with wokeness, despite a recent survey that indicates most Americans do (although to be fair, the poll also says slightly more people view it as an insult rather than a compliment), Gray interrupted to ask her a simple question: “Would you mind defining woke? It’s come up a couple of times and I just want to make sure we’re on the same page.”

It’s a fair inquiry. After all, Mandel invoked her credentials as a certified WWWW (White Woman Woke Whisperer) to assert herself as an authority on wokeness in her book, so why shouldn’t she be able to define the term on demand?

Well, she damn sure couldn’t.

“So, I mean, woke is sort of the idea that, um ….” Mandel began before just kind of getting stuck looking like a white nationalist deer in headlights. After looking like she had briefly considered pretending her internet connection froze during the Zoom meeting, Mandel continued to stammer before she finally lamented that “this is gonna be one of those moments that goes viral.”

“Woke is something that’s very hard to define and we’ve spent a whole chapter defining it,” she said as she continued to struggle to articulate literally anything. “It’s sort of the understanding that we need to totally reimagine and redo society in order to create hierarchies of oppression. It’s hard to explain in a 15-second soundbite.”

Oh, Bethany.

So, just for the sake of argument, let’s take a second to unpack Mandel’s “15-second soundbite” version of her definition of “wokeness.”

Who is “reimagining” society and what is it being reimagined from?

A society that is hyper-aware of systemic racism and dedicated to correcting it is only a reimagining by white people’s standards. For Black people, it’s literally the version of America we’ve been imagining and fighting for since the first boat dragged us here.

A society that recognizes the rights and humanity of the LGBTQ community is only a reimagining in the minds of heteronormative thinkers. That’s the society queer people have wanted to live in for generations.

The point is, what Mande defines as an effort to “create hierarchies of oppression” is really just a reflection of a society that is evolving, improving and correcting itself from generation to generation. And this is how societies have always operated in spite of the perpetual attempts by conservatives to turn back the clock. And the idea that “radicals” are indoctrinating the youth is beyond absurd when young people are absolutely leading the “wokeness” movement.

But then again, when a white person rights an entire book chapter defining a Black expression, you can be pretty certain that absurdity is all you’re going to get.

How about just leaving the defining of Black terms Black people?

Some fellow whitesplainers tried to defend her. But no.

Meanwhile, A Tribe Called Beth tried to explain her flub by blaming the Black woman who interviewed her. She claimed she was thrown off after hearing Joy on a “hot mic” while the host was “demeaning parenting” and that’s why she failed so miserably at presenting an articulate definition of “woke.” (Whew, because for a second there, I just thought maybe she didn’t know WTF she was talking about.)

A message to whitesplainers of wokeness in the immortal words of woke Soul songstress Jill Scott:

“Or maybe we can just be silent!”

Daisy Jones & The Six Top Emerging Artists, ‘Aurora’ Rules Soundtracks Chart

Daisy Jones & The Six crown Billboard’s Emerging Artists chart (dated March 18), while the act’s debut album, Aurora, likewise launches at No. 1 on the Soundtracks chart.

The set, released March 3, earned 11,000 equivalent album units through March 9, according to Luminate. It also opens at No. 4 on both Americana/Folk Albums and Vinyl Albums (6,000 copies sold on vinyl) and No. 10 on Top Album Sales (8,000 sold overall).

The album accompanies Daisy Jones & The Six, the 10-part Amazon Prime Video series whose first three episodes also premiered March 3. The series brings to life Taylor Jenkins Reid’s best-selling 2019 novel about an imaginary rock band from the 1970s that releases its defining album – Aurora – before it breaks up amid the thorny relationship between singer-songwriter Jones (played by Riley Keough) and band co-founder Billy Dunne (Sam Claflin). The series is told via flashbacks from the band’s members 20 years after they split up.

The series was produced by Reese Witherspoon’s Hello Sunshine and Amazon Studios, with its companion album on Amazon Content Services, Ellemar (the label to which the band is signed in the book) and Atlantic Records.

Grammy Award-winning producer Blake Mills, who co-wrote and produced the album and supplemental songs heard in Daisy Jones & The Six, collaborated with Phoebe Bridgers, Marcus Mumford, Jackson Browne, Dawes’ Taylor Goldsmith and others to create the 11 songs on Aurora, along with 14 non-album originals heard throughout the series.

Notably, Daisy Jones & The Six mark the first act to hit No. 1 on Emerging Artists whose formation stems from a scripted series. (Multiple artists that competed on NBC’s The Voice have led the list.) The chart dates to 2017, with acts that have reigned, on their way to even greater successes, including Dua Lipa, BLACKPINK, Billie Eilish, Bridgers, Kali Uchis, Måneskin, CKay, Latto, Zach Bryan and Dove Cameron.

“It’s been amazing to witness the historic response to Daisy Jones & the Six and their incredible debut album,” says Kevin Weaver, Atlantic Records president, West Coast. “The overwhelming reaction from fans around the world has confirmed what we at Atlantic, Amazon and Hello Sunshine have long known – that Daisy Jones & The Six are not only a true artist proposition, but a force to be reckoned with. We’re proud to be a part of their story and look forward for what’s to come.”

Billboard’s Emerging Artists chart tracks the most popular developing artists each week, using the same formula as the all-encompassing Billboard Artist 100, which measures artist activity across multiple Billboard charts, including the Billboard Hot 100, Billboard 200 and the Social 50. (The Artist 100 lists the most popular acts, overall, each week.) However, the Emerging Artists chart excludes acts that have notched a top 25 entry on either the Hot 100 or Billboard 200, as well as artists that have achieved two or more top 10s on Billboard’s “Hot” song genre charts and/or consumption-based “Top” album genre rankings.

Jemele Hill Gets Candid About Memoir & Career In New Interview

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Celebrated journalist Jemele Hill earnestly dishes about her career, her new memoir and being from Detroit in a recently-published interview.

Jemele Hill is never one to shy away from relating the facts (especially when jabbing former presidents). Fresh off of the release of her new memoir, Uphill, the former ESPN journalist and host isn’t resting on her laurels. In a new interview for NewsOne, she opens up about how the memoir helped her explore her life and career to this point.

The conversation begins with Hill giving an overall take on how the tour for her memoir went. “Selling a book is so much different than any other thing that I’ve done, selling and promoting a book, I should say,” she began. “So it was pretty intense because I had not only book events but a ton of media appearances to do. So these were some pretty long and arduous days, but it was really rewarding to see upfront and personal, like how people responded to the book and some of the stories that I told in the book.”

Hill also spoke about how being a native of Detroit, Michigan instilled in her a distinct sense of pride and fueled her inner spirit and ambition. “That’s why certainly no one from Detroit is any stranger to having to work hard, having to hustle. It’s just kind of built into our bones.”

She touched upon the struggles that the city has experienced from crime to the crack epidemic and how negative stereotypes made residents more determined and prideful: “And because we knew that’s how people thought of us, it only made us want to put on for the city even harder and love it even harder. So when people meet people from Detroit, the level of pride and affection we have in our city, I feel like it’s different. I know everybody is proud of where they come from, but we probably take it to an annoying level, different level. Detroit is definitely in the building, OK? And we’ll tell you about the entire history of Detroit.”

The 47-year-old also laid bare how working on the memoir highlighted the relationship between her and her mother and helped them navigate lingering rough patches. “But us being able to have that conversation for the memoir, it was very cleansing and freeing for both of us. And me understanding more of some things now about her life, knowing her full story that I didn’t understand then, it helped me have more grace with those actions than at the time I considered to be very damaging and hurtful.”

Be sure to read the full cover story right here.

French Montana And Rubi Rose Spotted Out On A Date In Beverly Hills

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French Montana is still living his best life. He was recently spotted out on a date with Rubi Rose in Beverly Hills.

As per TMZ the Morrocan born, South Bronx representing rapper seems to have struck up a new friendship with the budding rapper. The celebrity gossip website had a reporter out in the field and caught the two exiting his vehicle and walking into Mr. Chow’s.

Based on the footage captured there was some obvious chemistry between them as both were smiling ear to ear. As they walked closer to the venue the “Pop That” rapper put his arm around her. Thirty Mile Zone claims that the two talents are indeed a new item as per one of their sources.

Additionally, the unnamed individual says she is definitely French Montana’s “new gf,” and they are way past the “getting to know you” phase. For those not in the know, Rubi Rose is a 2021 XXL magazine Freshman alumni and currently has over four million followers on Instagram.

She has admitted to dating both 21 Savage and Travis Scott in the past. Recently, French and his Coke Boyz crew released their Gangsta Grillz entry Coke Boyz 6: Money Heist Edition back in January.

You can see French Montana and Rubi Rose make their couple debut below.

Photo: YouTube

Shania Twain Adds Her Signature Country Twang to a Cover of Harry Styles’ ‘Falling’: Listen

Shania Twain released her Spotify Singles session on Wednesday (March 15), and in addition to singing a new rendition of “Queen of Me,” the country star gave close friend Harry Styles a nod by covering his song “Falling.”

Twain was accompanied by a stunning piano, matching the original vibe of the track. “What am I now? What am I now?/ What if I’m someone I don’t want around?/ I’m falling again, I’m falling again, I’m falling/ What if I’m down? What if I’m out?/ What if I’m someone you won’t talk about?/ I’m falling again, I’m falling again, I’m falling,” she sang on the track, adding a country flair to a few choice moments.

“The studio is one of my favorite places to be and I got to spend a couple of days in @Spotify’s studios to record a live band version of ‘Queen Of Me’ and two covers, @Harry_Styles’ Falling and Howlin Wolf’s Spoonful,” Twain tweeted Wednesday. “Thank you for having me Spotify.”

“Falling” was released at the second single from Styles’ second studio album, Fine Line, peaking at No. 62 on the Billboard Hot 100.

The “You’re Still the One” singer shared how she and Styles became pals during a Jan. 4 episode of The Late Show With Stephen Colbert. “He was playing a show in New York … This is before he really blew up,” she explained. “I went backstage to meet him. We became texting friends.”

After Twain became close to Styles, he asked her to wish his mom a happy birthday over the phone, she recalled. “‘My mom was a big influence on me and why I grew up with your music,’” Twain said. “I called her up and wished her happy birthday. Harry and I have been friends ever since.”

While a collaboration has yet to happen between the two — “[A collaboration] would be my dream,” Twain said in a November interview — the pair did join forces to perform “Man! I Feel Like a Woman!” and “You’re Still the One” for Styles’ set at 2022’s Coachella.

Listen to Shania Twain’s cover of “Falling” below.

Bobby Caldwell, Heavily Sampled & Covered Soul Singer, Dead At 71

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Bobby Caldwell, a soul singer sampled by a bevy of Hip-Hop artists, died this week and rocked the core of his devoted, if not confounded at times, fans. Often mistaken for a Black man, Caldwell became something of a social media legend once fans of his talented vocals discovered he was a white man.

Bobby Caldwell was born August 15, 1951, in New York, N.Y., but was raised primarily in Miami, Fla. Caldwell found himself surrounded by a variety of musical influences and even became close with Bob Marley, who was sold a home by Caldwell’s mother. Caldwell demonstrated the ability to play instruments as a middle-schooler ahead of joining a band later in his teens and picking up singing duties.

Caldwell was signed to Miami label TK Records, which primarily served up R&B and soul records for African American listeners. Caldwell’s eponymous debut album was released in 1978 and features “What You Won’t Do For Love,” easily Caldwell’s signature song. The story goes that TK Records wasn’t pleased with the album Caldwell turned in, so Caldwell took two days to record “What You Won’t Do For Love,” satisfying the desire of the label to gain a hit.

The collective of Hip-Hop artists who sampled or borrowed elements of Caldwell’s songs include 2Pac, Common, Aaliyah, Snoh Aalegra, The Notorious B.I.G., and more.

The Twitter account of Bobby Caldwell, with a statement from Caldwell’s wife, Mary, shared the tweet below:

Mrs. Caldwell writes of her husband being FLOXED, a condition that can occur after a type of antibiotic treatment and exposure to fluoroquinolones.

Bobby Caldwell was 71.

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