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James Dolan v. New York: As Backlash Mounts Over Lawyer Ban, MSG’s Chairman Remains Defiant

Madison Square Garden chairman James Dolan remains defiant in the face of an existential crisis at 4 Pennsylvania Plaza, where a lawsuit filed by two dozen ticket scalpers has mushroomed into a multi-pronged fight with some of New York state’s most powerful political forces — ostensibly at the worst time possible for the World’s Most Famous Arena.

Dolan is currently facing the revocation of Madison Square Garden’s alcohol license from the State Liquor Authority (SLA), a push by New York state Senate Democrats to revoke a $42 million tax break granted to the Garden four decades ago and an investigation by New York Attorney General Letitia James.

It all stems from a lawsuit filed against MSG in October, after more than two dozen longtime season ticket holders identified by Madison Square Garden as scalpers were told that their Knicks tickets were not being renewed for the 2023/2024 season. The brokers sued, arguing that team officials were booting them out of their seats just as the Knicks were finally getting good (the team is expected to make the NBA playoff this season).

Dolan responded to the lawsuit by barring the broker’s attorney, Larry Hutcher, and all lawyers from his firm, Davidoff Hutcher & Citron, from entering venues owned and operated by MSG. Soon, the policy was expanded to all law firms suing MSG, leading to a lawsuit from Hutcher and outrage from city and state officials.

The policy affects about 90 law firms and is being enforced using facial recognition software at all MSG properties, including Radio City Music Hall, where a mother chaperoning a Girl Scout troupe to see the annual Christmas Spectacular was pulled aside by security and forced to leave the venue after being identified as an attorney working at a firm with pending litigation against MSG. In that instance, the attorney was forced to wait outside while her daughter and friends attended the show.

The lawyer ban is unfolding just months ahead of a key hearing in July when MSG officials plan to ask city lawmakers to renew a special permit required for all 2,500-plus capacity venues to operate in the city — an ask complicated by a current disagreement over whether to relocate MSG’s namesake venue.

Madison Square Garden sits atop Penn Station, a long-in-decline rail station used by passengers coming in from Long Island and New Jersey. MSG bought the original Penn Station in 1960, demolished the above-ground structure and relocated the station below street level. Today, more than 600,000 passengers use the station each day. That’s led to calls from the Metropolitan Transit Authority (MTA) and state officials, including multiple past governors, to move Madison Square Garden and fix Penn Station. As a result, city and state leaders are facing increasing pressure to deny MSG’s request for a permanent permit — and Dolan’s ongoing antics aren’t helping.

In the state Senate, Democrats led by Sen. Brad Hoylman (D-Manhattan) have put Madison Square Garden’s $42 million property tax break on the chopping block over the facial recognition brouhaha. Hoylman wants any revenue created by stripping away the tax break sent to the MTA, an overtly symbolic gesture referencing the MTA’s battle with MSG over the future of Penn Station.

In response, MSG released a statement that read, “It’s interesting that Senator Hoylman is rallying to end governmental subsidies for corporations when just last year he voted in favor of legislation that extends a $420M governmental subsidy for the film industry and currently sponsors legislation to create new subsidies for the musical and theatrical production industry. Madison Square Garden is a significant job creator and an economic leader within both our community and the city. Our tax abatement is no different than the government subsidies that every single stadium and arena in New York City and state receive and in fact, is hundreds of millions of dollars less than most other venues.”

Next came a letter from an SLA investigator notifying MSG that it was considering revoking the liquor license of all MSG-owned and operated venues for violating a city rule that licensed establishments be “open to the public.”

“As a condition of your license your premises must remain open to the public, i.e., groups or individuals cannot be excluded on the basis of criteria that are not directly related to your duties under your SLA license, and that you must exercise a high degree of care and supervision to prevent any violations of the Alcoholic Beverage Control Law and the Rules and Regulations of the State Liquor Authority,” said the SLA in the letter.

Days later, the SLA demanded Dolan stand before the liquor authority and explain why MSG’s license should not be stripped away.

Dolan responded with a press release calling the SLA a “gangster-like governmental organization has finally run up against an entity that won’t cower in the face of their outrageous abuses.”

Dolan’s attorney, Randy Maestro, proceeded to file a Rule 78 petition against SLA — a measure used in New York State court to challenge a ruling or determination by a state agency. In a 47-page filing in New York Supreme Court, Dolan accused the SLA of a long history of corruption and even attacked one the SLA’s investigators, accusing him of racial bias and corruption while serving in the NYPD for 19 years.

The lawyer ban, Maestro wrote, is meant to stop lawyers seeking to “improperly leverage their access to MSG’s venues to craft and develop discovery strategy by engaging in improper communication with MSG employees during pending litigation.” He also argued that the policy “temporarily limits the admission of less than 0.8% percent of New York lawyers, less than 0.03% of the five million visitors to MSG’s venues every year, and less than 0.01% of all New Yorkers.”

A hearing on the SLA article 78 motion is preliminarily scheduled for March, while a decision on the tax break is due April 1 in Albany.

Demi Lovato Is Directing a Documentary About Child Stardom

Demi Lovato has officially begun directing her very first feature film, Hulu shared on Thursday (March 16).

Along with Nicola Marsh, the pop star will co-direct Child Star, a Hulu Original documentary film that promises to “deconstruct the highs and lows of growing up in the spotlight through the lens of some of the world’s most famous former child stars,” according to a release.

“There is no better film or topic for my directorial debut than this story, which is close to home,” the Disney Channel alum said in a statement. “Our project sheds light on important messages about growing up in the public eye, learning to protect our boundaries, and becoming active advocates of our own destinies. I’m humbled to be able to learn from the individuals who have lived the unique experience of child stardom and share their stories in our film.”

The doc is currently scheduled to stream on Hulu sometime in 2024 and will also follow the paths of several other child stars in addition to Lovato reflecting on her childhood stardom in shows like Barney & Friends, As the Bell Rings, Sonny With a Chance and more.

Most recently, Lovato contributed “Still Alive” to the soundtrack for Scream VI. The track serves as the first follow-up to the nonbinary artist’s rock-heavy 2022 album Holy Fvck, which charted at No. 1 on the Top Rock & Alternative Albums, Top Rock Albums and Top Alternative Albums tallies upon its release last August and spawned the singles “Skin of My Teeth,” “Substance” and “29.”

A Ariana Grande le encantó ver a Bad Bunny cantando ‘Break Free’

Como si Bad Bunny no fuera lo suficientemente encantador, el astro puertorriqueño puso a sus fans al borde del desmayo con su adorable participación en el segmento Carpool Karaoke del programa The Late Late Show with James Corden.

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El superastro boricua y el presentador del programa recorrieron Los Ángeles en auto cantando juntos varios de los éxitos de Bunny, incluyendo “Dákiti”, “Tití me preguntó” y “I Like It”. Bunny también interpretó versiones de “As It Was” de Harry Styles y “Break Free” de Ariana GrandeZedd.

Y cuando la canción del álbum My Everything de 2014 comenzó a sonar, Bad Bunny claramente se emocionó y comenzó a cantarla con pasión. “Esta es la canción en inglés de la que más me sé la letra”, dijo el cantante de 29 años. “Oigo música en inglés, me gusta, pero nunca…”, dice antes de interrumpirse, risueño, para cantar el coro lo más fuerte que puede.

La propia Grande vio el clip el jueves (16 de marzo) e incluso lo republicó en sus historias de Instagram, junto con una serie de emojis llorosos. Mira la publicación antes de que desaparezca aquí.

En otra parte del video de 15 minutos, el superastro boricua también habló de su amor por el dibujo y la lucha libre. Lo demostró, en un momento incitando a Corden a subir al ring con el luchador de la WWE Rey Mysterio.

Echa un vistazo al segmento completo de Carpool Karaoke con Bad Bunny aquí abajo.

Moneybagg Yo Talks New Album ‘Hard to Love,’ His TikTok Influencer Era & More

Moneybagg Yo caught up with Billboard R&B/hip-hop reporter Neena Rouhani ahead of the arrival of his upcoming 22-track album, Hard to Love. The Memphis rapper says that his project title is personal, considering he finds himself hard to love.

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“At the end of the day to love me, you have to understand me,” he says.

The artist and entrepreneur, who has had his fair share of Billboard Hot 100 moments, also dished on his social media influencer era, supported by girlfriend Ari Fletcher. On TikTok, Moneybagg Yo boasts more than one million followers, with nearly 10 million views on a single vlog video. Other videos show his push-up form and stretch routine, with a fan commenting, “you betta eat love pray!”

“I’m a creative person,” he says. “I tapped into [TikTok] because they don’t know enough about me, but I also don’t want to give them all of me.” The 31-year-old even walked the Billboard team through his push-up form at the studio, although he pointed out that the practice push-ups didn’t count toward his daily goal.

Coming off of his last album, A Gangsta’s Pain, which spent two weeks at No. 1 on the Billboard 200 and 88 weeks total on the chart, Moneybagg Yo is feeling prepared for the next chapter. Although it was his ninth solo project, he says that many look at A Gangsta’s Pain as his first, since it was home to so many of his breakout hits, including “Wockesha,” “Time Today” and “Scorpio.”

“I just wanted to put something out there feeding the fans and it went somewhere else,” he says. “It’s bigger than life.”

Moneybagg Yo attributes the successes to his honesty and finger on the pulse of the culture. “I keep up with the culture and I ain’t afraid to say certain things,” he shared. When asked if Fletcher is OK with the things he raps about, Moneybagg Yo plainly noted, “She has to be — that’s what makes the money.”

In January, the CMG rapper released a joint track with labelmate GloRilla titled, “On Wat U On.” The track is a theatrical take on toxic relationships, and was initially supposed to be done with another female artist, but Moneybagg Yo later opted for GloRilla.

“Once Glo’s success started coming in and she was a part of the team, it made sense,” he explains. “We’re both from Memphis and our chemistry is there anyway.”

His advice to rising rappers is simple: “Force it on them, put it in they face, but at the perfect timing.”

Watch Billboard‘s interview with Moneybagg Yo above.

Jim Gordon, Co-Writer of Eric Clapton’s ‘Layla’ & Convicted Murderer, Dies at 77

Jim Gordon, drummer and co-writer for Eric Clapton‘s 1971 hit “Layla,” has died at age 77.

The drummer died Monday, March 13, from natural causes at the California Medical Facility in Vacavillle, Calif., according to his rep. Gordon has spent decades in prison after being convicted of killing his mother in 1983 and repeated failures to show up for his hearings. He was diagnosed with schizophrenia.

The drummer is best known for his work in Derek and the Dominos, alongside Eric Clapton. The pair co-wrote “Layla,” which appeared as the 13th track from the group’s 1970 album Layla and Other Assorted Love Songs. The song was famously written about Clapton’s forbidden love for Pattie Boyd, the wife of his friend and Beatles member George Harrison.

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“Layla” peaked at No. 51 on the Billboard Hot 100, while Clapton’s MTV Unplugged version of the track went to No. 12 on the Hot 100 in 1992.

In addition to being a member of Derek and the Dominos, Gordon was also a member of the session musician group Wrecking Crew, in which he was able to earn spots playing the drums on tracks like Incredible Bongo Band’s “Apache,” Steely Dan’s “Rikki Don’t Lose That Number,” Carly Simon’s “You’re So Vain” and John Lennon’s “Power to the People,” as well as The Beach Boys’ Pet Sounds, George Harrison’s All Things Must Pass, Tom Waits’ The Heart of Saturday Night and other tracks by Cher, Alice Cooper, Joan Baez and more.

Seth Rogen Shares Hilarious Story About Smoking Weed With Megan The Stallion & Her “Brother”

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Seth Rogen Reveals He Smoked Weed With Megan Thee Stallion

Source: Stefanie Keenan/VF23 / Getty / Seth Rogen/ Megan Thee Stallion

Of course, Seth Rogen would have an incredible story to share following The Oscars.

Seth Rogen stopped by  Jimmy Kimmel Live! on Tuesday, March 14 and revealed to late-night talk show host and host of this year’s Academy Awards that he smoked weed with Megan Thee Stallion and her “brother” at the Vanity Fair Oscars party.

That’s cool as hell, but there is only one thing, Megan Thee Stallion is an only child.

During the interview, the actor said the Houston rapper approached him to tell him that she thinks he and her brother would totally hit it off. The energy between Rogen and her “brother” was on point, but The Fablemen’s star admits confusion set in after learning Megan Thee Stallion is an only child.

“Someone backstage [tonight] told me that she doesn’t have a brother, so now I’m confused about this whole thing,” he said with his recognizable laugh. “I don’t know what I did that night, if I’m being honest.”

He continued, “Yeah, we really did hit it off, which is what’s unfortunate because [her brother] might not exist, from what I’m hearing,” revealing the two exchanged numbers telling Kimmel and his audience members he said, “Travis call me.”



For experts on all things Megan Thee Stallion, the man Rogen smoked weed with was Travis, a.k.a. T. Farris, Thee Stallion’s manager.

Megan Thee Stallion Is Back!

Speaking of Megan Thee Stallion, the “Savage” rapper used the Oscars to make her return to the spotlight after falling off the grid following her massive victory in the Tory Lanez shooting trial. 

Our favorite hottie has been active on Instagram again, dropping some time-stopping photos of herself looking refreshed, in the best shape of her life, and unbothered.

The world is a better place when Thee Stallion is around.

Photo: Stefanie Keenan/VF23 / Getty

Chlöe Bailey Unveils ‘In Pieces’ Album Cover, Shares Powerful Inspiration Behind the Project

Chlöe Bailey is just weeks away from reintroducing herself with her debut solo album, In Pieces, and on Thursday (March 16), the singer revealed the stunning album cover.

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In the photo shared the Twitter, Chlöe is seen with red hair, dressed in a Victorian-style blue dress, holding her heart in her right hand. In another post, the 24-year-old star opened up about what inspired the cover art and the rest of her upcoming album.

“I saw a photo of a porcelain doll 3 years ago, holding her heart just like this and from then, I said this will be my album cover… that same day I also wrote heart on my sleeve,” she recalled. “The beginning of a scary and exciting journey for me. This cover represents so much for me, down to the color of my hair. When I had red hair 1.5 years ago, it was one of the darkest times in my life. That’s why I never wore it again.”

Chlöe added that after healing and working on herself, she has learned to find “beauty in the pain” that encompassed her. “I find the beauty in my flaws and how in actuality, that’s what makes me perfect,” she shared. “I find beauty in all of the cracks that show people I’ve been broken down before, because I’ve gotten up every time. I wear my heart as my armor.”

She concluded by sharing how she hopes In Pieces will connect with her fans. “In Pieces is for the ones who behind closed doors are breaking and don’t know how much more they can take,” she wrote. “In Pieces is for the ones who hold the people up around them while barely holding themselves. In Pieces is for the people who continue to get stabbed in the back, heart broken by the ones they thought they could trust, but STILL that doesn’t change their heart and how they love. In Pieces is for the ones like me, who wear their outer shell so well that you’d have no idea what they’re going through.”

The singer continued, “I hope this project brings healing to those who listen, as it’s been completely therapeutic for me and I can’t wait to share my heart with you, literally.”

In Pieces is set to arrive on March 31 via Parkwood Entertainment/Columbia Records. Chlöe has already released two songs from the album, including “Pray It Away” and her Chris Brown collaboration “How Does It Feel.”

See the album cover and inspiration below.

China Accuses U.S. of ‘Suppressing’ TikTok and ‘Spreading Disinformation’ Amid Divestment Calls

China accused the United States on Thursday of spreading disinformation and suppressing TikTok following reports that the Biden administration was calling for its Chinese owners to sell their stakes in the popular video-sharing app.

The U.S. has yet to present evidence that TikTok threatens its national security and was using the excuse of data security to abuse its power to suppress foreign companies, Foreign Ministry spokesperson Wang Wenbin told reporters at a daily briefing.

“The U.S. should stop spreading disinformation about data security, stop suppressing the relevant company, and provide an open, fair and non-discriminatory environment for foreign businesses to invest and operate in the U.S.,” Wang said.

TikTok was dismissive Wednesday of a report in The Wall Street Journal that said the Committee on Foreign Investment in the U.S., part of the Treasury Department, was threatening a U.S. ban on the app unless its owners, Beijing-based ByteDance Ltd., divested.

“If protecting national security is the objective, divestment doesn’t solve the problem: A change in ownership would not impose any new restrictions on data flows or access,” TikTok spokesperson Maureen Shanahan said.

Shanahan said TikTok was already answering concerns through “transparent, U.S.-based protection of U.S. user data and systems, with robust third-party monitoring, vetting, and verification.”

The Journal report cited anonymous “people familiar with the matter.” The Treasury Department and the White House’s National Security Council declined to comment.

In late February, the White House gave all federal agencies 30 days to wipe TikTok off all government devices. Some agencies, including the Departments of Defense, Homeland Security and the State Department already have restrictions in place. The White House already does not allow TikTok on its devices.

Congress passed the “No TikTok on Government Devices Act” in December as part of a sweeping government funding package. The legislation does allow for TikTok use in certain cases, including for national security, law enforcement and research purposes.

Meanwhile, lawmakers in both the House and Senate have been moving forward with legislation that would give the Biden administration more power to clamp down on TikTok.

TikTok remains extremely popular and is used by two-thirds of teens in the U.S. But there is increasing concern that Beijing could obtain control of American user data that the app has obtained and push pro-Beijing narratives and propaganda on the app.

China has long been concerned about the influence of overseas social media and communications apps, and bans most of the best-known ones, including Facebook, Twitter, Instagram, YouTube — and TikTok.

‘Daisy Jones & The Six’ Success Boosts Real Hits and Fake Ones

Welcome to Billboard Pro’s Trending Up column, where we take a closer look at the songs, artists, curiosities and trends that have caught the music industry’s attention. Some have come out of nowhere, others have taken months to catch on, and all of them could become ubiquitous in the blink of a TikTok clip. 
 
This week: Fictional band Daisy Jones and the Six scores a breakout hit while also boosting the real-life Rock and Roll Hall of Famers that inspire them, Brent Faiyaz and Kali Uchis get different types of TikTok lifts, Halsey scores a valuable TV sync and much more.


Is Daisy Jones & The Six a Fake Band With a Real Hit on Its Hands?

Part of the fun of watching Daisy Jones & The Six, the Amazon Prime Video series based on Taylor Jenkins Reid’s best-selling novel, is hearing the fictional hits from the story’s fictional ‘70s rock band become very real as fully produced songs. “Look at Us Now (Honeycomb)” is used as a linchpin moment in the story of up-and-coming singer Daisy Jones and the Fleetwood Mac-inspired band that she’s about to join — a huge hit, but one that causes tension as its personal message gets warped for mass appeal. And with the soundtrack to the TV adaptation launching on Atlantic Records last month, fans of the book have finally been able to hear the song in full.

While episodes of Daisy Jones & The Six are still rolling out weekly, “Look At Us Now” has struck a chord with book readers, series watchers and music fans who simply stumbled upon the rollicking pop-rock track on a streaming playlist. Upon its mid-February release, the song earned over 84,000 U.S. on-demand streams for the week ending Feb. 16, according to Luminate. But once the show premiered and “Look at Us Now” was given a dramatic performance, those weekly streams grew 10 times in size — the song clocked 871,000 streams for the week ending Mar. 9.

“Look at Us Now (Honeycomb)” has the pedigree of a successful rock track: Marcus Mumford co-wrote the song, with artists like Blake Mills and Madison Cunningham contributed to the track, which features lead vocals by series stars Riley Keough and Sam Claflin. While a full series soundtrack — presented as a Daisy Jones & The Six album, Aurora — was released on Mar. 2, some of the songs have yet to appear in the show, and could receive streaming bumps in the coming weeks.

One wrinkle to the Daisy Jones & The Six story to keep an eye on: Reid has talked about finding inspiration for the series in Fleetwood Mac’s iconic 1997 performance of their song “Silver Springs,” as captured in their Billboard 200-topping live album The Dance. TikTok users have picked up on the connection between the show and the song, and streams of “Silver Springs” have also started to tick way up.

So, as a band invented as an homage to Fleetwood Mac eyes its first real hit, Fleetwood Mac — who returned to the top 10 of the Billboard Hot 100 in 2020 thanks to the TikTok revival of “Dreams” — may score another comeback as well. – JASON LIPSHUTZ


Booyah: “Jackie Brown” Viral Dance Is the Cherry on Top for Brent Faiyaz’ Breakout Album

Fitting that as news of Quentin Tarantino’s last (and reportedly final) upcoming movie begins to make the rounds, we also have a new hit named after one of his best movies: “Jackie Brown,” a highlight from R&B singer-songwriter Brent Faiyaz’s hit 2022 Lost Kids/Venice/Stem set Wasteland. That album charted at No. 2 on the Billboard 200 and spawned nine hits on the Hot 100 – none of which were “Brown,” which is now spiking on streaming thanks to a TikTok dance challenge.

The challenge sees users reacting to the newly hissing and snapping beat of a sped-up remix of the song (courtesy of TikToker Sturdyyoungin), doing different types of back-and-forth shimmies in between the song’s spaced-out opening lyrics (“Only been a few hours, but it feel like days…”) The increased visibility for the song has helped it explode from under 1.3 million official on-demand U.S. streams the tracking week ending Feb. 16 to over 3.4 million the week ending March 9 – a rise of 174%, according to Luminate – which has helped Wasteland rebound on the Billboard 200 dated March 25, as it climbs back to No. 54. – ANDREW UNTERBERGER


‘You’ Love to See It: Halsey’s ‘Bells in Santa Fe’ Gets Penn Badgley Bump

Halsey’s 2021 album If I Can’t Have Love, I Want Power was a bold, often brilliant departure for the pop star, and while the Capitol alt-rock project (produced by Trent Reznor and Atticus Ross) earned critical acclaim, it also failed to produce any hit singles for the top 40 mainstay, with only “I Am Not a Woman, I’m a God” reaching the Hot 100 (peaking at No. 64). Fortunately, one of the album’s most harrowing tracks, “Bells in Santa Fe,” is getting a streaming bump a year and a half after the album’s release, thanks to Netflix’s smash psychological thriller You.

The nervy electro-pop song soundtracks a pivotal sequence in the new season of the Penn Badgley-starring hit, during a plot twist involving Marienne (Tati Gabrielle) in the eighth episode. Since the second half of You’s fourth season premiered on Mar. 9, daily U.S. on-demand streams of “Bells in Santa Fe” are way up — from around 9,000 streams per day prior to the new season being unveiled, to over 47,000 streams on Mar. 13, according to Luminate. Those streams will continue to accumulate as more fans of You reach the eighth episode and bust out their Shazam apps when they hear Halsey’s voice; meanwhile, Halsey will soon be onscreen herself, making their big-screen debut in the Sydney Sweeney-starring film Americana, which premieres at SXSW on Friday (Mar. 17). – JL


“Moonlight” Shines on Kali Uchís’ New LP

Rising R&B star Kali Uchis dropped the gorgeous slo-funk ballad “Moonlight” a week in advance of her March 3 Interscope album Red Moon in Venus, but the song is really taking off post-album release – with help, of course, from TikTok, where her breakthrough hit “Telepatía” first took off in 2021. Uchis has been promoting the song heavily on her account, even with an occasional wink: Her most popular video with “Moonlight,” with over 1.3 million likes, features her manually plastering posters advertising her new album onto an empty outdoor wall, with the caption, “‘You never promote your music’ im doing the best i can u guys.” 

In any event, her efforts are paying off: Since sagging in popularity after its first couple days of Red Moon’s release, “Moonlight” has been steadily rising in official on-demand U.S. streams from March 5 (562,000) to March 13 (867,000). It’s got a ways to go to match the breakout success of “Telepatia,” but it’s got the vibe, and it’s got the momentum – and a little promotional elbow grease goes a long way. – AU


Q&A: Michelle Rutkowski, operations manager of Milwaukee Radio Alliance, on What’s Trending Up in Her World

What’s been a trend in alternative that’s intrigued you thus far this year?

I don’t know if “intrigued” is the right word for it, but so far in 2023, the alternative chart looks like a time capsule. Some of the biggest records at the format so far this year have been from Linkin Park, Depeche Mode, Fall Out Boy, Weezer and All Time Low. While it’s great to have so much new music from heritage artists, the alternative format needs to provide balance by continuing to seek out, embrace and expose the next generation of superstars, in order to remain relevant to our audience.

As the music industry has evolved over the years, how have you seen your listenership and their interests change?

Now more than ever, our audience is looking for a way to connect to the music. The pandemic starved us of our ability to see live music, or to meet our favorite band. There is so much passion for alternative music, and providing our audience with meaningful experiences that bring them closer to the music is what it’s all about.  

What do you think is the most common misconception about alternative music today?

That it is defined by a singular sound! Great alternative stations find a way to weave in all of the textures and sounds that the genre encompasses. Folk, punk, rock, electronic — they all belong here, and they all can blend and flow together well with the right understanding of their nuances and the right musical connective tissue. 

Fill in the blank: the alternative trend that will define the rest of the year is ___________.

Lovejoy. seriously. That’s it. That’s the trend. At least I hope it is!! – JL


Season’s Gainings: We’ll Always Love Big Poppa

March 9 is a date burned into the mind of every hip-hop fan old enough to remember 1997, when Christopher Wallace, a.k.a. The Notorious B.I.G., was tragically shot to death in Las Vegas at age 24. The annual wave of nostalgia and remembrances for Biggie on the date of his passing is usually enough to produce a small-but-noticeable bump in his consumption, with official on-demand U.S. streams of his catalog up from just over 3 million to nearly 3.7 million that Thursday – a gain of 21%, according to Luminate – with his massive Ready to Die hit “Big Poppa” rising enough to even make an appearance on that day’s Spotify Daily Top Songs USA chart. – AU

Kanye West Avoids Battery Charges After Snatching And Tossing Woman’s Cell Phone

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Givenchy : Front Row - Paris Fashion Week - Womenswear Spring/Summer 2023

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Ye aka Kanye West hasn’t been having the best run of luck since brands started dropping him after the Hip Hop legend and “white lives matter” advocate started going full Nazi whisperer for the world to see. But the man who has at least 99 problems can breathe easy knowing a battery charge ain’t one.

As previously reported, Ye was in Los Angeles in January when he was caught on video snatching a woman’s phone and tossing it to keep her from filming him. According to L.A. law enforcement, Yeezus was facing a battery charge behind the incident, but it looks like Ye is in the clear as the alleged victim has declined to press charges.

From TMZ:

A release from the Ventura Co. District Attorney’s Office Wednesday revealed the phone suffered minor damage — only affecting the $30 case around the device — and stated the female paparazzo declined to press charges against Kanye.

It was back in January when West was filmed taking and tossing the phone into the street close to a facility where his daughter, North, was playing basketball. Kanye had asked the paps in the video not to film him while he was trying to spend time with his kids.

As we reported, it was only a few weeks after the phone incident when Kanye was seen outside the West Hollywood Sheriff’s Department … proceeding inside to ask deputies to take care of the paparazzi following him. The photogs were not causing harm.

I suppose even an attention-addicted egomaniac like Ye should be allowed to protect his children from media vultures. I mean, it’s not like his kids are MAGA hat-bearing Nazi sympathizers after all.

Still, hopefully, Ye will think twice before he puts himself in a position to catch a charge again. Not that thinking has really been his strong suit lately.