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Proud Boys Catch A Proper Fade At NYC Drag Queen Protest

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Protesters Gather In New York City To Rally Against Vaccine Mandates

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Members of the Proud Boys met with fierce resistance at a drag event held in New York City, with one going viral after a video of them sustaining an injury was released.

On Sunday (March 19th), the Lesbian, Gay, Bisexual & Transgender Community Center in Greenwich Village in Manhattan held the Drag Story Hour Read-A-Thon with New York Attorney General Letitia James. It took place from 11 A.M. to 3 P.M.

and was met with protests from right-wingers and the far-right Proud Boys group members. James shared a tweet of her attending and supporting the event later in the afternoon.

Counter-protesters clashed with the Proud Boys, with one group member storming away after having his face bloodied though it was unclear if it was due to fighting a counter-protester. That moment was captured on video, where he said to the cameramen, “I came here to help people, not to get the s*** beaten out of me.” The video currently has over two million views on social media.

Other members of the group were chased away by counter-protesters who yelled at them to leave. One person was jailed after breaking through NYPD-mandated boundaries throwing punches and yelling “Antifa” while trying to grab press cameras. James’ office offered no comment on the clash outside of the center when contacted by the press. But her support didn’t go unnoticed. “The LGBT Center is incredibly important to me personally, and to our community. The fact that there is a drag story hour and that the Attorney General of the State of New York is attending and is in support of this means something, to me,” activist Jay W. Walker said to the press. “We knew these evil, disturbed people were going to show up here and try to cause trauma for kids and their parents and we just want to be here to block that.”

The right-wingers are part of a larger movement that has sprung up in recent months across the country targeting drag performers and other members of the LGBTQ community. They’ve zeroed in specifically on events that are accessible to children such as drag story hour events where performers read at libraries. Tennessee’s Governor Bill Lee recently signed SB003 into law, which criminalizes any drag event held within 1,000 feet of a school or park or any time a day a minor might be near. 18 other states are looking to adopt similar legislation.

‘RuPaul’s Drag Race’: Salina EsTitties on How the Show’s New Rusical Reflects Our ‘Very Scary’ Reality

Drag queens and musical theater go together about as well as peanut butter and jelly, a fact that was proven yet again on the latest installment of RuPaul’s Drag Race.

On last week’s episode (aired Friday, March 17), the six remaining contestant got to perform in a fan-favorite challenge: the Rusical! Fighting for parts and learning their songs and choreo, the queens put on a show-stopping performance of Wigloose: The Rusical, telling the story of a small town trying to ban drag —which sounded pretty familiar to the audience at home.

With the judges struggling to find flaws in what was one of the best Rusical performances to date, they ultimately adored Anetra’s hilarious-yet-moving performance as the show’s supportive mother. Meanwhile, the panel split hairs and decided that Loosey LaDuca and Salina EsTitties didn’t wow them as much as the other girls on the runway, landing them both in the bottom.

Performing in a chilling lip-sync to Kate Bush’s “Running Up That Hill,” both queens did their best to showcase the inherent drama of the song. Ultimately, Loosey’s eerie performance earned her another week in the competition, bringing Salina’s competitive run to a close.

Billboard caught up with Salina following her elimination to talk about surviving three lip-syncs on the show, how timely Wigloose feels today, and the backstage drama that came from RuPaul’s infamous question, “who should go home tonight and why?”

You made it to the top six! How are you feeling about your Drag Race journey?

I feel amazing about it. Being there, it didn’t feel like it was that big of a deal, because I was like, “Yeah, I wanted to get to the top!” But after the fact, looking back, I was like, “Wait … top six out of 16 bitches? That’s great.” 

With being in the top six, you also join a handful of Drag Race queens who have survived three or more lip syncs, like Jujubee, Coco Montrese and others. Was that something that you were consciously thinking about in the moment?

I mean, no, because we all know that third Beyoncé lip sync was supposed to be Mistress — we all saw that interview! [laughs] No, no, it’s fine, I got to give an iconic Beyoncé moment, I was fully ready, bitch. The thing with our season is it felt like anyone could have been in the bottom at any point. We’re all so talented and good at this, that if you put any one of the girls there, it would have been a fight regardless. It did feel good winning, obviously. But at the same time, it really felt like anyone could have been in my situation, which made it such a weird experience to live through. To be able to keep going felt amazing. 

A lot of the girls were like, “Oh, I’m just here to have fun!” But I think, deep down, we were all really there to try and win and do our best. 

Yes, girl, people are trying to win this season. 

Oh, we see that with Miss Loosey, don’t we, honey? [laughs]

I’ve also love that you shouting the phrase “Free Willy” when Anetra leapt over Marcia in the episode prior has become a full-blown meme on Twitter. 

I was so happy they kept that in. When we were watching that lip-sync, when she leapt over her, it was the most iconic lip sync situation we had seen all season. So the fact that they made me a part of it was just sickening. And Marcia had no clue that happened in the moment! The way everyone was screaming in the room, it was just insane. 

Let’s get into this week and the Rusical episode. For the one trillionth time on this show, we get this moment where Loosey and Luxx are fighting over who gets to play the lead. You backed out quickly from that fight — do you think it’s really worth it to fight for the lead role in these challenges?

In a situation like this where you’re really vying for wins and you want to get noticed by the judges, in the lead role, you’re going to get noticed the most. Usually, the conversation quickly steers towards, “Oh, you could really mess up! You could do really bad!” But I think with musicals, and the fact that a lot of us drag queens are theater queens, it’s the perfect opportunity for us to showcase everything we can do — dance, sing, act, lip-sync — all at once. As a theater major myself, I wanted that lead role, too! But, I wasn’t gonna fight over it.

I think everyone was very struck by how unbelievably timely this Rusical was. Having a show about a small town trying to ban drag while that actual real thing is actively happening in Tennessee and on the precipice of happening in other states felt really wild. 

It’s literally so insane. It’s fully like that thing with how The Simpsons kept predicting the future — now it’s Drag Race. At the time of filming, which was almost a year or so ago, Ru had just done an interview with Jimmy Fallon, I think, talking about acceptance and drag queen story hour, which was sort of the main issue at the time. But it’s still happening today, and now it’s even crazier. It’s actually wild how relevant it is today, and I’m really grateful that this is all lining up the way that it is, because what a great way to combat this and show that it’s really about love at the end of the day.

How have you been dealing with all of the news coming out of places like Tennessee lately?

It’s crazy. Our good sister Aura lives in Tennessee, and she has been a very vocal advocate, and she’s been using her platform to fight against it. We’ve all kind of been asking her, “What can we do to help?” 

It’s interesting, too, now that I’m traveling to these smaller, rural towns where I’m thinking, “Wait … y’all don’t like us.” It’s very scary out here today. 

Getting back to the Rusical, the judges weren’t kidding when they said that all of you killed this performance. When you were preparing for Wigloose, could you tell that this one felt like such a strong Rusical challenge?

The music is so good. We could not stop singing “Everybody’s going Wigloose” ever since we left the show. Like, we’ve all been talking about how we genuinely can’t wait for it to go on iTunes so we can actually listen to it. Leland is a literal genius, and he’s fast making all of this stuff while we’re there. It’s insane. 

So, yes, we knew we were crushing it. When the critiques happened and there were no bad critiques, it felt correct. Like, “the show was perfect, let’s just read you guys for your looks.” So it was like, “Okay, cool, we did something iconic that’s going to go down in history.” 

Speaking of critiques, this week the dreaded question comes up; “Who should go home tonight, and why?” I appreciate that you let the girls who said your name know exactly how you felt about being picked. What’s that experience like, having to answer, and being told that these girls want you gone?

Well, in that moment, I was truly like, “Well, it’s only two people out of five.” I had a feeling in my heart that they didn’t even necessarily believe that was true. Up until this point, I had been in the bottom for two design challenges and the one interview challenge, which no one thought I should have been in the bottom for to begin with. So, Loosey straight up told me, every design challenge, “You shouldn’t have been in the bottom.” So, in the moment, I was like, “If that’s the case, Loosey, your math about why I should go home just doesn’t add up.” 

So I thought, “Let’s go out with a bang. If this is my last episode, I’m gonna go down with a fight.” And I was so mad that they weren’t pushing back at me during Untucked! Like, “fight with me, dammit!” And then Anetra comes in with, “Well, RuPaul was asking about who deserved to go,” and I was like, “Shut up, Anetra, I’m not even talking to you, I’m talking to Loosey!” [laughs]

We get to this lip sync — I just want to know what your approach was, knowing you had this chilling, emotional song to perform while wearing giant hot dog fingers?

Girl, it was giving Everything Everywhere All At Once. The whole point of EsTitties is that she’s an actress, she takes these serious beats, but the reality of who she is really is just chaos, insanity and camp. I knew it would look ridiculous, but as long as I played it so serious and heartfelt, it would make it even more hilarious that I had these massive hands. 

14-Year-Old Shooter Dubbed “El Chapito” Arrested By Mexican Officials

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MEXICO-POVERTY-EDUCATION

Source: ALFREDO ESTRELLA / Getty

By now everyone knows that the Mexican cartels are a big problem south of the border. But shockingly enough they now have children putting in the kind of work you’d expect from John Wick. A 14 year old has just been taken into custody for racking up a body count that would make some hitmen blush.

CBSNews is reporting that Mexican authorities announced that they’ve arrested a teenage hitman they dubbed as “El Chapito” for the suspected murders of eight people near Mexico City. According to authorities from the Federal Public Safety Department, the suspect in question rode up on a motorcycle and opened fire on an entire family in the Mexico City suburb of Chimalhuacan this past January. Along with the 14-year-old hired gun, police also booked another man connected to the killings along with seven other members. They were taken in on drug charges.

The victims were holding a party at their house at the time of the attack, which also left five adults and two children wounded. It was reportedly a birthday party.

The boy’s name was not released, but his nickname — “Little Chapo” — is an apparent reference to imprisoned drug lord Joaquin “El Chapo” Guzman. El Chapo has been serving a life sentence in a “supermax” maximum security prison in Colorado since his 2019 conviction on charges including drug trafficking, money laundering and weapons-related offenses. 

Though authorities haven’t revealed why this birthday party was targeted, Mexican cartels are known for gunning down rivals and forcing kids into the lifestyle with threats of death if they don’t comply.

In 2010, soldiers detained a 14-year-old boy nicknamed “El Ponchis” who claimed he was kidnapped at age 11 and forced to work for the Cartel of the South Pacific, a branch of the splintered Beltran Leyva gang. He said he had participated in at least four decapitations.

After his arrest, the boy, who authorities identified only by his first name, Edgar, told reporters that he was drugged and threatened into committing the crimes.

Along with the 14-year-old shooter, authorities also confirmed that they had arrested a woman connected to at least nine murders in the border city of Mexicali. The woman in question already had two warrants out for her arrest for two killings but was also named in seven other possible homicide investigations.

Things are too wild in Mexico these days, b. We guess these cartels feel the whole “spare the women and children” is somewhat of an antiquated notion.

What do y’all think of the news coming out of Mexico? Let us know in the comments section below.

‘Destiny’ Community Honors The Late Lance Reddick With Touching In-Game Tributes

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Lance Reddick Remembered By The 'Destiny' Community

Source: Rachel Murray / Getty / Lance Reddick

Lance Reddick was loved not only in the real world but also in the virtual world.

The world was stunned following the tragic loss of Lance Reddick. The actor, best known for his role on the iconic HBO Series The Wire and other standout performances on other shows, was also HUGE in the video game space.

Reddick recently took on the character of Albert Wesker in Netflix’s now-canceled Resident Evil series, a role the showrunner said he was perfect for. Reddick himself wished he could continue playing.

The actor’s likeness brings to life Sylens, the mysterious antagonist in Horizon Zero Dawn and its fantastic sequel, Horizon Forbidden West.

But Reddick has become legendary with players of Bungie’s looter/shooter franchise, Destiny. The actor’s iconic voice is behind the Titan Vanguard of the Tower, Captain Zavala, who issues out missions to guardians.

He was also an avid player of the game as well.

To pay tribute to Reddick, Destiny 2 players have been showing love to Captain Zavala by kneeling in front of him and making other gestures to show love to the 60-year-old actor who died from what is described as “natural causes” by his family.

So dope.

It will be interesting to see how Destiny and the Horizon franchises handle Reddick’s passing because he was integral to the progression of both games’ main stories.

Until then, you can see more touching in-game tributes from Destiny 2 players and more in the gallery below.

Photo: Rachel Murray / Getty

2. So cool

3. Lance Reddick will live forever

E-40 Launches New Spirits Brand Tycoon Vodka

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NBA : Los Angeles Lakers vs Golden State Warriors pregame

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E-40 is expanding his empire. He has launched a new spirits brand in Tycoon Vodka.

As spotted on Complex, the Vallejo, California native is bossing up yet again. This week he announced his newest foray into the alcohol category. On Thursday, March 16 he took to social media to make the unveiling with a quick video of the finishing stages of the bottling process. The packaging seems to be directly influenced by the classic Art Deco design era and features black and gold branding on the logo bed.

This is not E-40’s first entry to the spirits industry. Back in 2013, he launched Earl Stevens Selections with an offering of Mango Moscato and a Red Blend wine. Since then, he has launched E. Cuarenta Tequila line with Blanco, Reposado and Anejo varieties. Additionally, he has his own malt liquor and cognac. Tycoon Vodka is available online for $44.95. You can buy it here.

Photo: Anadolu Agency / Getty

David Jolicoeur Honored By De La Soul, ‘The Tonight Show’ Crowd In Touching Moment

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De La Soul's The DA.I.S.Y. Experience at Webster Hall

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During a sit-down with The Tonight Show host Jimmy Fallon before their now-viral performance with The Roots, the remaining members of De La Soul recounted the band’s early days. They shared a touching moment with the enthusiastic audience. 

Vincent “Maseo” Mason and Kelvin “Posdnuos” Mercer shared memories with Fallon about recording the group’s seminal debut, 3 Feet High and Rising. They also led the audience in a brief, heartfelt tribute to David “Trugoy The Dove” Jolicoeur who passed away last month at 54. 

Jolicoeur died just weeks before the group’s catalog hit streaming services after years of legal disputes. 

Maseo and Posdnuos told Fallon about how the group met in Amityville, Long Island and recalled their first public performance opening for Stetsasonic. “We did [one] song and I remember DMC came backstage and was like, ‘Yo, do the song again,’ it was just amazing,” Mercer said.

More recently, DJ Drama announced that he has a new Gangsta Grillz mixtape coming with the group, telling Elliot Wilson and Brian “B. Dot” Miller for a new episode of Rap Radar, “For me being a mixtape DJ I was always addicted to the new sh*t. I was a teenager in the 90’s so that’s my era; that’s what I ride around listening to” he explained. “De La Soul is coming to streaming [platforms] and I couldn’t be more excited. And we got a Gangsta Grillz coming. That’s a little sidebar.”


https://youtube.com/watch?v=newaSzZo42Q&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

At the conclusion of the interview, Maseo thanked Reservoir Media which secured the group’s six-album back catalog through its acquisition of the previous label, Tommy Boy Records in 2021. He also led the audience in thanking Trugoy the Dove. 

“Can you please say for me ‘thank you, Dave?’” Mason asked the crowd.

“Thank you, Dave,” the crowd responded.

“Tonight, he’s watching,” Fallon added.

Later in the show, De La Soul and The Roots performed “Stakes Is High,” the titular Jay Dee-produced track from the group’s 1996 album. The moving performance made the rounds last week on social media with fans and other hip-hop connoisseurs calling the performance, “flawless.” 

Watch the performance below. 


https://youtube.com/watch?v=lZ6JXCaOttw&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

NFL Veteran J.J. Watt Praises Taylor Swift’s Eras Tour: ‘She Crushed It’

A Swiftie is born! J.J. Watt was a lucky attendee at Taylor Swift‘s The Eras Tour on Saturday night (March 18) and took to social media the following day to share his thoughts on the show.

“44 Songs. 3 Hours and 15 Minutes. So much respect @taylorswift,” the former Houston Texans player captioned his tweet following the concert, which he attended with his wife, professional soccer player Kealia Ohai, and her friends. “When your fans pay for a ticket, they are getting their money’s worth and some. Touché.”

The football star added in a video: “I’ve got a few observations from the show. First off: unbelievable. The production, the set design, the video boards, the sound quality, the speakers — you can tell when somebody does something at the top of their game and is trying to do the right way for their fans.”

He went on to praise Swift’s unrelenting stamina during the 44-song set, saying, “She did not stop the whole time. There was no intermission. There was no halftime. There was no TV timeouts. The longest break she took was maybe three minutes for a costume change. And she was singing, dancing, entertaining the entire time — 70,000 people hanging on every single word and move she was making… And she crushed it. And she didn’t even look tired! I was tired and I was just sittin’ there!”

At the end of the video, Watt also revealed that he even copped some official Swiftie merch after being so impressed with Taylor and the “spectacle of it all.” The Eras Tour is set to continue this weekend with back-to-back shows in Las Vegas at Allegiant Stadium.

Watch Watt rave about Swift’s opening weekend performance below.

The Smile, Big Thief and Bon Iver to Headline 2023 Pitchfork Music Festival

Chicago’s Pitchfork Music Festival announced this summer’s lineup on Monday (March 20), with a roster of headliners that includes Radiohead side project The Smile, Big Thief and Bon Iver. The three-day event (July 21-23) in Union Park will find the Smile’s Thom Yorke, Jonny Greenwood and Tom Skinner joined on night one by Alvvays, Perfume Genius, Leikeli47, Nation of Language, Roc Marciano & The Alchemist, Youth Lagoon, Ric Wilson, Grace Ives, Jlin, Axel Boman (Live), Mavi, Sen Morimoto and Contour.

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Saturday night’s lineup — topped by the Adrianne Lenker-led Big Thief — also includes Weyes Blood, King Krule, Snail Mail, Panda Bear + Sonic Boom, Julia Jacklin, Charlotte Adigéry & Bolis Pupul, Vagabon, MJ Lenderman, Yaya Bey, Black Belt Eagle Scout, 700 Bliss, Palm and Deeper.

The final night will feature Justin Vernon’s Bon Iver sharing the stage with: Kelela, Koffee, Killer Mike, JPEGMafia, Hurray For the Riff Raff, Mdou Moctar, ILLUMINATI HOTTIES, Jockstrap, Soul Glo, Florist, Lucrecia Dalt, Rachika Nayar, and Ariel Zetina.

“We’re excited to be back at Union Park with a lineup of artists responsible for some of the very best music of the past year — Alvvays, Kelela, Yaya Bey, Charlotte Adigéry & Bolis Pupil, Grace Ives, 700 Bliss, and more — alongside a few special moments with indie icons,” said Pitchfork editor in chief Puja Patel in a statement. “For one, this year will mark the very first time that Thom Yorke and Jonny Greenwood (as The Smile) and Bon Iver will perform at the Chicago festival. And Big Thief will complete their tour of the fest’s stages over the years with a headlining set, their first at a festival this size.”

Tickets for the festival are on sale now, with three-day passes ($219) and single-day passes ($109) available along with a Pitchfork PLUS ($419 for three-day, $209 for single-day) upgrade with a number of extras; click here for ticket information.

See the full 2023 Pitchfork Festival lineup below.

AND1 Returns & Throws 30th Anniversary Bash In NYC

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AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

The iconic athletic brand AND1 is back in the limelight, marking its return with an anniversary party in New York City and a new movement with events occurring this summer.

For years, AND1 was a major part of the culture bringing streetball to the mainstream domestically and globally. Last Thursday (March 9), it celebrated three decades of that influence with an anniversary party in New York City that brought back its most recognizable faces, designers and other celebrities under the same roof.

The event was held at LUME Studios, an immersive design studio firm and facility located in lower Manhattan. The night kicked off with a panel discussion led by Dometi Pongo of MTV. The conversation’s focus was on AND1’s creation, its rise and enduring influence and what’s next for the brand. Taking part in the conversation was AND1’s Brand Director Dexter Gordon and Design Director Lars Astrom. Bronx streetball legend and one of the leading figures of AND1, Shane “The Dribble Machine” Woney, was also a part of the discussion.

The anniversary event was a preface to the brand’s launching of the “Summer of AND1.” The initiative will feature the return of their storied Open Run Tour as well as their Paint The Park initiative that brings street ballers and communities together. In addition, the company announced the release of The Rise and Chosen one CHAMPIONSHIP pack of sneakers, which debuted on their website on the following Friday.

Afterward, the stage was set for attendees to party and take in the galleries set up to display many items of memorabilia from AND1’s 30 years. These include jerseys from athletes who’ve worn the brand including NBA champion and Hall of Famer Ben Wallace of the Detroit Pistons (who was in attendance), Lance Stephenson and Chauncey Billups. Sneakers from the company were also on display. While DJ Annie Red held it down on the turntables, guests also got to check out videos and photos from the numerous AND1 Mixtape Tours and play the AND1 Streetball video game.

For more information, check out AND1’s website for upcoming merchandise drops and events. Check out some photos below.

AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

AND1 Hosts 30TH Anniversary Party

Source: Soul Brother / Soul Brother

Country Radio Seminar Strikes Optimistic Tone Amid Tech and Auto Unknowns

It’s telling that one of the most emotional moments during the Country Radio Seminar came when Darius Rucker and Brad Paisley led a large cast of artists in a cover of Prince’s “Purple Rain” at the close of the Universal Music Group Nashville (UMGN) showcase at the Ryman Auditorium on March 14.

Just the day before, Garth Brooks had addressed the divisiveness in modern America and encouraged country broadcasters to use their place at the microphone to bring people together: “Unify. Find common ground. Amplify our similarities instead of our differences.”

In “Purple Rain,” the assemblage demonstrated what that looked like, bridging genres and backgrounds to deliver a song that obliquely embraces connection as the world comes to an end. The arrangement included fiddle and Dobro, a significant cross-format augmentation of a song with anthemic pop/rock qualities. Rucker and Dalton Dover brought Black voices to the performance, notable in a genre that went decades with Charley Pride as its lone African American star. And covering Prince meant that Paisley — who had performed a dark track about opioid addiction less than a half-hour before — was now playing an extended guitar solo on a tune originated by a man who had died of an opioid overdose.

Just as important was the mass of people onstage: Vince Gill, Tyler Hubbard, Parker McCollum, Kassi Ashton, Sam Hunt and Catie Offerman were among those lined up behind the lead voices. And while most of the nation has regained some level of normalcy after the pandemic, every sign of people feeling safe to get together remains heartening.

A year ago, CRS attendees were chided for slow-moving charts and a lack of individuality. The format hasn’t changed significantly since then, though a committee is working to resolve those issues.

Meanwhile, 2023’s three-day conference, based at the Omni Nashville Hotel, found programmers in seemingly better spirits. Some 57% of country listeners believe the music is better than it was just a few years ago, according to a NuVoodoo study. Even 52% of consumers who have been country fans for over 10 years — the kind of listener most likely to complain that current music pales in comparison with the good old days — say the new music is better. Jacobs Media president Fred Jacobs, in a “Fred Talk” titled “The Future Ain’t What It Used To Be,” also noted that 62% of respondents in a 2023 survey cited their appreciation of the on-air talent as a motivating factor for listening to AM/FM. That exceeds the 55% of respondents who cited the music as a contributing factor to their radio consumption.

Stations would be wise, Jacobs suggested, to develop on-air talent that successfully connects with the audience. 

As technology becomes ever more dominant in daily life, it appears that interactions with people have greater value. Syndicated Audacy personality Josh “Bru” Brubaker, a Los Angeles-based 26-year-old whose radio background and TikTok skills have built a following in the millions, said in an “Okay Boomer” panel that simply being real goes a long way.

“Vulnerability and relatability has never been more important to our audiences, especially in Gen Z,” he said. “That’s something that we’ve been doing in radio ever since it’s been around, so play on our strengths. I think we overthink a lot of things. But those core things are what Gen Z is looking for. And we can use that to reinvigorate our audiences.”

That word “reinvigorate” is important, given that time spent listening to radio has dropped since the advent of streaming services. Brubaker recalled meeting a young fan who asked him, “What is radio?”

The medium, once dominant in American entertainment, faces a crowded field that includes audio and video streaming, satellite radio and broadcast and cable TV, plus streaming TV services and online games. The future will only grow more complicated.

Automobiles, where radio once dominated, are undergoing significant change. Jacobs showed images of pillar-to-pillar dashboards that manufacturers are designing with more in-car options than ever. FM radio, he noted, will need to up its visual game — taking advantage of logos and other graphic opportunities — to remain appealing to commuters. But AM radio faces a much bleaker future with the accelerating shift toward electric vehicles. The engines create interference problems, and AM is increasingly being booted from car interiors. Jacobs cited Ford specifically, though news site Axios indicated in a March 13 story that eight automakers — including BMW, Mazda, Tesla and Volkswagen — have dropped AM radio from their electric cars.

“After hanging around with automakers for the past 15 years, I don’t think they give a shit,” said Jacobs. “I think they’re going to make whatever they’re going to make, and AM radio is not a part of the future for them.”

One other change that could create structural issues for broadcasters is the adaptation of subscriptions. Detroit is toying with recurring payments, Jacobs said, that would bill owners monthly for heated seats, map updates or driving assistants. And he believes over-the-air radio could become yet another optional service rather than a standard feature.

Country’s future, as always, was on display at CRS. Mackenzie Carpenter infused ultra-Southern phrasing in the hooky “Don’t Mess With Exes” during the Big Machine showcase. Avery Anna fielded a tuneful kiss-off with “Narcissist” on Warner Music Nashville’s lunchtime stage, and Offerman applied a warm, intimate voice to the confessional “I Killed a Man” at the UMGN show. 

Programmers were encouraged repeatedly during CRS panels to take risks and “think outside the box.” Much of the industry, it appears, is of a mind to simply make the box larger. The genre’s widening cultural representation and increasing blend of music styles suggest that country and its real-world stories have the potential to fulfill Brooks’ challenge, to become a unifying voice.

Whether that potential is fully realized is a question that can only be answered in that uncertain future.

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