djfrosty

Ice Spice: Photos From the Billboard Cover Shoot

At the beginning of 2021 — a year before she introduced herself to the world as Ice Spice, with her signature cinnamon curly afro ­— Isis Gaston wrapped her hair into two braids and tucked them underneath a silk scarf. Wearing a black lounge set, she smiled for the camera while a sample of Nelly’s “Hot in Herre” faded into the background and the hook of “Buss It,” rapper Erica Banks’ breakout 2020 single, started. The clip cut, and Gaston, now clad in a teal cut-out dress, dropped it low and twerked with her long, light brown locks cascading over her frame.

The viral video was just one of millions from the “Buss It” TikTok challenge, which helped Banks earn her first Billboard Hot 100 entry, a Travis Scott remix and a partnership with Warner Records in conjunction with her own label, 1501 Certified Entertainment. But for the then-21-year-old Gaston, who was just mustering the courage to record her own music, the TikTok trend and the way it boosted Banks’ career seemed like something she could achieve, too.

“It was so funny — I was already working on my first song ever that I was recording. I had already wrote little raps and sh-t before that, [but] it took me a lot to get to recording. I was halfway done with it when I did the ‘Buss It’ challenge. When I saw it going so viral, I was like, ‘Damn, imagine that was my song I was twerking to,’ ” she recalls today with a chuckle. “The next month, I put out my first song and took it from there.”

Read the full cover story here.

Ice Spice Talks ‘Princess Diana’ Collab With Nicki Minaj, Success of ‘Boy’s a Liar’, TikToks With North West & More | Billboard Cover

Ice Spice talks about some of the biggest collaborations in her career so far, working on ‘Princess Diana’ with her idol Nicki Minaj, how she teamed up with PinkPantheress for ‘Boy’s a Liar’ and the success of the song, making TikToks with Kim Kardashian’s daughter North West and more!

Baby Sharp: A$AP Rocky & Rihanna’s Son’s Name Is RZA

HipHopWired Featured Video

The 2023 Met Gala Celebrating

Source: Jeff Kravitz / Getty

The name of A$AP Rocky and Rihanna’s first-born son‘s name has been revealed to be RZA. Of course, it’s a nod to the founder of the Wu-Tang Clan, because the Staten Island super rap group has always been for the children.

The Daily Mail first reported the name of the Hip-Hop power couple’s baby son (another child is currently baking in Rih Rih’s oven), and it is RZA Athelston Mayers.

This really shouldn’t be too much of a surprise since the kid’s dad’s actual name is Rakim Athelston Mayers since his paternal grandparents were also Hip-Hop heads. Worth noting is Rocky’s middle name has been widely listed as Athelaston.

Also worth noting, now Rihanna rocking various Wu-Tang Clan and RZA apparel makes all the more sense.

Baby RZA was born nearly a year ago on May 13, 2022 at Cedars-Sinai Medical Center in Los Angeles. Needless to say, his future is already bright.

Interscope Records Signs Ben Platt

Ben Platt signs with Interscope Records, both for his own recordings and a deeper relationship that will enable the award-winning entertainer to operate an imprint, Billboard can exclusively reveal.

Currently, Platt is working on new music which will be released through Interscope at an unconfirmed future date.

“Ben is an extraordinary artist in every way,” comments John Janick, chairman and CEO of Interscope Geffen A&M, in a statement. “He’s as comfortable on a Broadway stage as he is headlining Madison Square Garden. We’re so excited to have him on the label and are looking forward to working with him and his team on his future releases.”

The Grammy, Tony and Emmy Award-winning singer and actor has two full-length solo albums to his name, 2019’s Sing To Me, which peaked at No. 18 on the Billboard 200; and 2021’s Reverie, which reached No. 84 on the chart.

Set to be announced Thursday (May 11), the new arrangement is an extension to an alliance which has included the Dear Evan Hansen OST, released in 2021 via Interscope. Platt won the Tony Award for best actor in a musical for his performance in the titular role and went on to reprise his role in the Universal film adaptation.

In a joint-statement, Platt pays tribute to Interscope’s Janick, Steve Berman, Sam Riback, Michele An and the entire team as “wonderful, deeply creative collaborators on our Parade and Theater Camp albums, and I so look forward to teaming up on my next solo record and on many projects of all kinds to come.”

Details remain sketchy on Platt’s imprint, for which the artist will have the opportunity to sign and develop talent.

“I’m thrilled for Ben’s future recorded music to be coming out on Interscope, a label known for its roster of culture moving iconic artists,” enthuses Platt’s manager, Adam Mersel. “We’re looking forward to working alongside John, Steve Berman and the entire IGA team on the next phase of Ben’s career.”

Ed Sheeran ‘Would Love to Transition Into Country’

A week after winning his landmark copyright case, Ed Sheeran is celebrating by playing the Academy of Country Music (ACM) Awards in Frisco, Texas tonight. Though only announced Tuesday (May 9), his appearance has been in the works for a few weeks when an unrevealed artist invited him to play together. 

That artist and their performance are a secret, but Sheeran is also playing “Life Goes On,” from his new album – (Subtract).

If he has it his way, Sheeran will be making a lot more country music. “I talk about this to my wife all the time. I would love to transition into country,” he tells Billboard backstage at the Ford Center at The Star at Frisco following rehearsal. “I love the culture of it, I just love the songwriting. It’s just like brilliant songs.” 

Sheeran considers himself a major country music fan. He’s lived in Nashville twice for extended periods of time in 2013 and 2018 and found himself very inspired by the local songwriters. “It’s like a community. There’s not really a place in Europe where you could point and say, ‘That’s the home of songwriting,’” he says. “It’s not just for country music. Nashville is just a hub of incredible songwriters, incredible performers. And I really felt inspired just being there being around everyone.”

He has Taylor Swift to thank for turning him on to country music. “I’d never really listened to country music as a kid growing up. It was only being on Taylor’s Red tour and living in Nashville and her basically introducing me to that side of it.”

Now he’s a convert, adding that “there’s a radio station in England called [CountryLine Radio] that me and my wife have on all day, every day in the kitchen.”

As country grows in popularity internationally, he predicts more artists experiencing global success. “Luke Combs could probably play a stadium in England. I think if he put on Wembley [Stadium] next summer, he could sell it.” (Combs, who is on a world tour, already has two O2 Arena dates in London on his October calendar.)

As Sheeran celebrates his May 4 copyright victory during which a jury ruled that his 2014 hit “Thinking Out Loud” did not copy Marvin Gaye’s 1973 classic “Let’s Get It On,”  he hopes that his willingness to fight instead of settle helps other songwriters, though he admits it may take some time to change the current culture where such suits have “become a big money business,” he says. 

“But the more that people step up and fight, the less it’s going to happen because the reason it has become a culture and a big money business is because of the threat of it. And so, people settle because they don’t want to spend a lot of money on lawyers and take time out,” he says. “I took time out of promoting my album two weeks, I spent a lot of money on lawyers to prove my innocence. And I think that if that happens more and more and more, it’ll just stop people thinking that they can just do a hit and run basically.”

Shaquille O’Neal & Charles Barkley Lose It On Air After Anthony Davis Injury

HipHopWired Featured Video

CLOSE

Los Angeles Lakers v Golden State Warriors - Game Five

Anthony Davis is one of the most talented big men in the NBA but a cloud hangs over him regarding his durability given his past injuries. Shaquille O’Neal and Charles Barkley had a moment on Inside The NBA analyzing Game 5 of the Lakers-Warriors playoff series after Davis suffered a head injury which prompted the legendary big men to crack up on air.

Anthony Davis, 30, is having an exceptional playoff series for the Los Angeles Lakers, who are up 3-2 against the defending champions, the Golden State Warriors. On Wednesday (May 10), the Lakers were on the losing end on the Warriors’ home court with the final score reading 121-106.

In the waning moments of the game, Davis was accidentally hit in the head by Warriors center Kevon Looney while both were going for a rebound. The hit was apparently hard enough that Davis needed to be wheeled out of the Chase Center.

At the conclusion of the game, Inside The NBA analysts were recapping the game, and in one segment not seen on camera, a sheet of paper could be heard being crumbled while Ernie “E.J.” Johnson Jr. broke down the footage of the Davis injury.

As the cameras cut back to Kenny “The Jet” Smith inside the TNT studio, O’Neal, and Barkley attempted to stifle their laughter and lost all of their cool after it was revealed that Davis left the floor in a wheelchair.

O’Neal and Barkley, both in the Naismith Basketball Hall of Fame, can be tough on NBA big men given the impact of their careers. However, some on Twitter found the reaction to Anthony Davis hitting the deck a bit offensive while others joined in on the ribbing. NBA sideline reporter Chris Haynes and Lakers head coach both reported that Davis appeared to be on the mend.

We’ve got reactions from all sides below.

Photo: Getty

Keanu Reeves’ Dogstar Collared For 2023 BottleRock Napa Valley Fest

Dogstar has its day.

Keanu Reeves’ grunge-era band will mark their return to the stage on Saturday, May 27, with a performance at the 2023 BottleRock Napa Valley music festival.

When bassist Reeves, guitarist/vocalist Bret Domrose and drummer Rob Mailhouse take their positions in Northern California’s wine country, they’ll unleash “brand new songs,” organizers say.


BottleRock Napa Valley will provide Dogstar their first major performance in decades, and follows a low-key reunion last summer. “We are over the moon,” the band says of their booking.

Explore

See latest videos, charts and news

See latest videos, charts and news

During their brief but bright run, Dogstar captured a lot of media attention due to Reeves’ participation, beginning with the release of their four-track EP Quattro Formaggi in 1996 after several years of playing gigs in the U.S. and overseas; a full-length album, Our Little Visionary, was only released in Japan.

The group toured the world, nabbed a spot at Glastonbury Festival, opened for David Bowie, and warmed up for Bon Jovi on a lap of Australia. A date in Japan in 2002 would be their last, before the bandmembers went their separate ways.

Another album, 1999’s Happy Ending, would prove to be their swansong as all three moved on to other projects.

Dogstar began teasing a return last July with a throwback snap from their prime and the message, “We’re back.”

That began nearly a year of periodic updates about the in-process recordings sessions with producer Dave Trumfio, including video of Reeves transposing arrangements and a post from August describing a “deep, layered, lush” record on the horizon.

Back in 2019, Reeves spoke with GQ magazine about Dogstar and what he suspects is the general feeling about his side project. “I guess it would have helped if our band was better,” he said at the time.

Paris Is Chosen as Host City for 2023 MTV EMAs

The MTV EMAs will be held in Paris for the first time since 1995. The show will be broadcast live on MTV globally on Sunday, Nov. 5.

The last time the show was held in France, French President Emmanuel Macron was just 17. That 1995 show took place at the Le Zénith in Paris and was hosted by fashion designer Jean-Paul Gaultier.

“The MTV EMAs is one of the biggest nights in music globally, and this year we’ll continue its legacy of delivering iconic performances and recognizing music’s brightest stars,” Bruce Gillmer, president of music, music talent, programming & events, Paramount, and chief content officer, music, Paramount+, said in a statement. “Paris is a culture-rich city celebrated across the world for its incredible music, art and fashion, and at this year’s show we’ll unite massive talent from a local and global level reaching fans everywhere for a supercharged, music experience that only MTV can provide.”

Gillmer and Richard Godfrey are executive producers for the 2023 MTV EMAs. Debbie Phillips is producer.

Last year’s show was held at the PSD Bank Dome in Düsseldorf, Germany. Rita Ora and Oscar-winning filmmaker Taika Waititi served as co-hosts. Nicki Minaj’s “Super Freaky Girl” won best song. Taylor Swift’s “All Too Well: The Short Film” took best video.

The show has moved among 23 European cities since its inaugural broadcast in 1994. London is the only city to have hosted the show three times. Paris joins Berlin, Rotterdam, Milan and Frankfurt as cities that have hosted the show twice.

Host, venue and program details for this year’s show will be shared at a later date.

Ed Sheeran Talks ‘Thinking Out Loud’ Copyright Trial: ‘I Had to Take a Stand’

Few of us will experience a week quite as eventful as what Ed Sheeran just sailed through.

The singer and songwriter is accustomed to the limelight, occupying center stage. Last week, however, was a blur for Sheeran who, in quick succession, won a major court battle; released a new album, Subtract; then set about promoting his new music on national TV and in the round at U.S. stadiums.

Sheeran faced the media outside the Manhattan Federal Court just last Thursday, where he had been accused of copying the chord structure of Marvin Gaye‘s 1973 classic “Let’s Get It On,” for his own hit, “Thinking Out Loud”.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The “Shape of You” singer even took a pause from his current +–=÷× Tour (pronounced The Mathematics Tour) to take the stand in his own defense. Ultimately, the court found Sheeran not liable. But the experience was a deeply unpleasant one for the singer, who had vowed to quit music should he lose.

With the trial in the review, Sheeran paid a visit to The Howard Stern Show for some thoughts on the court case, his new album, give some shoutouts to artists who’ve inspired him, and, of course, perform new works.

Speaking to Howard Stern and co-host Robin Quivers at SiriusXM studios in New York, Sheeran delivered an encore performance of his courtroom medley, which began with “Thinking Out Loud” and flowed into such standards as Rod Stewart’s “Have I Told You Lately That I Love You,” Shania Twain’s “You’re Still the One,” and The Temptations’ “My Girl.” They’re same-same, but clearly different.

“There were 101 songs (in the medley), and that was like scratching the surface,” Sheeran explains. “Yes, it’s a chord sequence that you hear on successful songs, but if you say that a song in 1973 owns this, then what about all the songs that came before? We found songs from like the 1700s that had similar melodic stuff.”

He adds, “No one’s saying that songs shouldn’t be copyrighted, but you just can’t copyright a chord sequence—you just can’t.”

Had the court ruled in favor of Gaye’s estate, the precedent would’ve rocked the entire music community.

“I’m really glad it’s over, man,” he says, pointing out that the proceedings forced him to miss his own grandmother’s funeral. “It’s a shame,” he continued. “I won’t get that time back and she was a great woman.”

Making music “is the thing I worked my entire life to do, and to have someone … diminish it and just say that you’ve stolen it, I really felt like I had to take a stand,” he notes.

“I really think I would’ve (quit music if he had lost) because it just takes the joy out of it to sit down and say you can’t use a G chord to a C chord because someone did it in the ‘60s,” Sheeran explains.

Now, Sheeran can focus on the music. With the new album and tour, he enthuses, he feels “the most connected I’ve felt to my fan base in years,” adding, “I write music because I have to, and I release music because I want to connect to people.”

Subtract, which completes his mathematics-themed series, “is quite a solitary record,” he admits. “There’s nothing on this album that’s gonna be like banged out at the gym when you’re doing reps or that you’re gonna put on the club when you’re dancing with your mate.” It’s actually a “bit dark”.

Sheeran also recounted how he rubbed out his youthful stutter by rapping to Eminem, took early inspiration from Eric Clapton, and performed album track “Salt Water” and “End of Youth.

Next up, a concert this Saturday (May 13) at NRG Stadium in Houston, TX.

California Roll Talk Top 3 ‘Masked Singer’ Finish: ‘We Could Really Unleash New Parts of Ourselves’

Spoiler alert: This story contains the identity of the contestants eliminated on Wednesday night’s (May 10) episode of The Masked Singer.

You’d think that having five singers would give you a distinct advantage when going up against just one disguised vocalist on The Masked Singer. But on Wednesday night’s semifinal episode of the season, even after California Roll left it all on the stage with a killer version of Kelly Clarkson’s “Breakaway” and then went head-to-five-head against Macaw and Medusa in the Battle Royale round singing Bruno Mars’ “Runaway Baby,” it was time for the nori to meet the road.

Once again, the panel was split on who was under the adorable sushi getups, which had intrigued the panel for weeks as the group of singers showed impressive versatility, with a haunting take on Radiohead’s “Creep,” an epic cover of Lady Gaga’s “Paparazzi,” and perfect harmonies on Bonnie Tyler’s “Total Eclipse of the Heart.” As usual, panelist Ken Jeong was way off, suggesting Miami Sound Machine and the cast of In the Heights, while Nicole Scherzinger thought they might be the cast of Spring Awakening or Hamilton. Jenny McCarthy-Wahlberg was on-target again by voting for chart-topping vocal group Pentatonix.

As it turns out, she was right, and before the group’s elimination on Wednesday, Billboard caught up with members Scott Hoying, Kevin Olusola and Matt Sallee (the group also includes Mitch Grassi and Kirstin Maldonado) to find out how they got rolled into participating and why hitting their signature vocal harmonies was so hard with zero eye contact.

Were you fans of the show before you were booked, and why did it take so long to get you on there, because it seems like a natural fit?

Hoying: I love the show. I think it’s such a fun idea… totally over-the-top and the costumes are so beautiful. I remember watching it and seeing how moved the people were that were on the show because when you’re hidden behind the mask, you can change your voice and sing any way you want and express yourself in ways you don’t normally get to. People actually get emotional because they feel the freedom. We definitely had that [experience], and it was the least nervous I’ve ever been performing on a television show because it felt so cozy behind the mask and we could really unleash new parts of ourselves.

Matt, what were you able to do what you typically can’t onstage, or things you lean on when you perform?

Sallee: I thought it was really cool when we were going through the arranging process and we were really excited to try new sounds and instrumentation because we’re a cappella. We were thinking, “How can we make this as enjoyable as possible because of all the instrumentation we could use?” That’s something we’ve dabbled with in our more recent music, and we wanted to show an evolution of how we can be not just an a cappella group, but can also use other instruments and sounds and still have the same Pentatonix sound.

There’s something about being under those masks. Were you able to physically express yourselves in ways you normally wouldn’t?

Olusola: That’s one of the most fun parts of this. Normally, when you’re onstage and everyone sees you, not to say you’re self-conscious, but you’re very aware of how your body moves and your angles, how your face looks because the cameras are on you. It’s all part of the presentation. When you’re behind the mask, you can really go full-out because there’s a levity to the mask — it’s an interesting, funny character — so the fun and joy that you bring the more extra moments you have onstage lends really well. So if we’re kicking onstage, if we’re jumping around, if we’re having fun with the audience doing something that would normally look outlandish, it lends super well to this show. We really went full out and we would talk about it so much afterwards: “Did you really do that on stage!?” “Yeah, I did, and I’m happy about it!”

Anything that scared you about slipping into the sushi?

Hoying: Oh man, so many anxieties. I was worried at first because our sushis were so boxy when we were in them. I was afraid we were going to be echoey. I was literally being a nerd about the acoustics, and I was also worried about being really, really hot. I get hot really easily and I worried I wouldn’t be able to sing or perform. I was also worried about falling off the stage, because I couldn’t see through the mask super well peripherally.

With a vocal group, I imagine being able to see each other and make eye contact while singing is a huge deal. How hard was it to pull that off in these ridiculous costumes?

Sallee: I was really proud of us, because we sing together — we’re together a lot, more than with our families — so we know each other really well and there is this big trust built and natural cohesiveness when we sing together. I was really proud of us for doing that apart from each other. For one of the songs we were spread out throughout the studio and not even by each other singing together. Being able to hear each other and know in our in-ear monitors that we’re all there, it was not so terribly different when we’re not having giant sushi rolls on top of us.

It’s hard enough to do choreo on a good day, but how much harder was it when you can’t see each other? Were you counting steps, worried that you would knock each other over?

Olusola: That was my main fear. You’re looking through a very limited hole, and so because of that, it limits your ability to see and your visibility is lower. That’s something I had to be extremely aware about, but also knowing that I wanted to go full out because the character I got to play. That was one of the things where my brain and body had to be in synchronization in a completely different way. At the same time, we still had so much fun and we still went full out! At some point, when you got to the actual show, we had rehearsed it enough to kind of trust our bodies, trust our ability to perform and not make any mistakes that will cause bodily harm.

Medusa seems pretty formidable. Any idea who she is?

Hoying: We have no idea, but she is sooo good! Just one of those undeniable voices, just oh my gosh.

Will you be adding any of the songs from your Masked run to your upcoming summer tour?

Hoying: I think so. I think we’ll definitely do a couple of them.