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Publishing Briefs: Big Machine Extends Laura Veltz; Concord Signs Lindsay Ell

Concord Music Publishing has signed Lindsay Ell to a worldwide publishing administration deal, which includes a selection of Ell’s future works. The Calgary-born country-pop artist is no stranger to the Billboard charts. Her album The Project (2017) reached No. 4 on the Billboard Top Country Albums chart, and her song “What Happens in a Small Town” with Brantley Gilbert peaked at No. 53 on the Hot 100.

Jamie Hartman — the songwriter/producer behind hits by Lewis Capaldi, Calvin Harris, Rag’n’Bone Man as well as a number of songs for film and tv — has sold “the majority of [his] back catalog royalties” to hundreds of his songs, published by Reservoir Media, to Cutting Edge Media Music (CEMM). A UK-based acquirer of film/tv music rights, CEMM’s deal with Hartman marks a foray into the pop music catalog market.

Big Machine Music, a subsidiary of HYBE America, has extended its deals with Laura Veltz, Jessie Jo Dillon and Maddie & Tae. Each of the acts have had a longstanding relationship with BMM, spanning over a decade or more.

Panela Rec Portugal — a global music and entertainment company with offices in Portugal, Brazil and the US — has partnered with BMG Spain to administer and co-publish its catalog. Through its new arrangement, Panela Rec hopes to create new economic opportunities for Portuguese-speaking musicians and to join it more with the Spanish and Latin American markets as well.

Willis Wonderland Foundation has announced its inaugural Next Level Songwriters Workshop. Created in partnership with Primary Wave Music, the camp begins in early June and will focus on providing an inclusive environment for next generation songwriters, particularly women and those from underrepresented groups, to create side by side. The event caries on the legacy of songwriter Allee Willis, who penned songs like “September” “Boogie Wonderland” the Friends theme song, and other hits over a decades-long career. The program will be coordinated by songwriter Autumn Rowe with additional mentorship from Lindy Robbins, Stephen Bray, Shari Short, Shane Stevens, and Elev3n.

Wise Music Group has forged an agreement for the printed music of UK-based classical publisher Faber Music. The move is part of a larger push for Wise to be a world leader in classical music and it follows news in April that the company had purchased a controlling stake in Edition Peters Group as well.

Peermusic has signed British artist and songwriter Karl Michael to an exclusive co-publishing agreement. He is best known for penning songs like “Can We Dance” by The Vamps, “Beautiful Me” by Dappy, and for his appearance on The Voice UK.

The 1975’s Matty Healy Opens For His Own Band, Responds to Noel Gallagher Diss With Even Spicier Shot

Matty Healy can do it all. In the span of one show in Dublin on Wednesday night (June 7) at St. Anne’s Park, the lead singer of The 1975 managed to play two sets in the same night, take a wild swing at a musical hero while also expressing his love for him and he capped it off with a subtle humble brag about nice gifts he got from two of the world’s biggest rock stars.

Let’s start with the diss, though. As you might recall, while promoting his band’s new album, Council Skies recently, High Flying Birds leader and former Oasis co-founder Noel Gallagher was asked about Healy’s comments earlier this year begging for a Gallagher brothers reunion. As with all talk of an Oasis rapprochement, this angered Noel, who referred to Matty as a “f–king slack-jawed f–kwit.”

So, after opening for his own band with a solo “Matty” set after Caroline Polachek unexpectedly pulled out of the Dublin show due to reported vocal issues with a set of stripped-down 1975 songs and a cover of former Men At Work singer Colin Hay’s “I Just Don’t Think I’ll Ever Get Over You,” Healy got to work.

Matty addressed the crowd by casually noting that he recently got some very nice gifts from U2 singer Bono and Coldplay’s Chris Martin. “Today — honestly, this is not a namedrop, this is a celebration of them as people — Chris Martin and Bono have sent us the most beautiful messages, packages, kind of good wishes,” he said, without explaining why his fellow frontmen had reached out. “In honestly such a genuine way and it made us feel so beautiful.”

The singer — who reportedly recently split with short-term girlfriend Taylor Swift after a brief dalliance — then turned his attention to the Gallaghers and gave the battling brothers a taste of their own acid-drenched medicine. “Noel Gallagher called me a ‘slack-jawed f–kwit’… I love Noel Gallagher,” Healy said, before he began turning the knife and dragging former Oasis singer Liam Gallagher into the muck as we;;. “We asked Liam to open up and he said he would have done it but he was busy.”

And then it got real.

“But I love Noel Gallagher… He’s just getting on,” Healy snarked. “The difference between me and Noel is that I do a series of interviews to promote an album, whereas he does an album to promote a series of interviews.”

And in the final twist of the knife, Healy tripled down on his call for a long-desired Oasis reunion, adding, “But we love you, Noel. Get Oasis back together!”

Check out a fan video of the Healy moment below.

King Stingray Crowned Champs of 2023 Vanda & Young Global Songwriting Comp

King Stingray adds another major prize to their growing collection, winning the 2023 Vanda & Young Global Songwriting Competition with “Milkumana.”

Co-written by bandmates Roy Kellaway and Yirrŋa Gotjiringu Yunupingu, “Milkumana” scores the A$50,000 prize, courtesy of APRA AMCOS, Alberts and Sony Music Publishing — a sum said to be the biggest first-place bounty for any songwriting competition on the planet.

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The Stingers, as they’re affectionately known in these parts, have been riding a wave in recent months.

“Milkumana” won for best song at the 2022 National Indigenous Music Awards, was shortlisted for APRA song of the year 2022, and was nominated for most performed rock work of the year at the most recent edition of the APRA Music Awards, on a night when they closed out proceedings with a cover of Men at Work’s “Down Under,” led by Colin Hay.

Their trophy cabinet includes the 2023 Australian Music Prize, presented earlier this year for the Yolŋu surf rockers’ self-titled debut LP; the Michael Gudinski breakthrough artist award, presented at the 2022 ARIA Awards; and best new artist at the 2022 Rolling Stone Australia Awards.

The winning song “is about leadership and the people we look up to and now, all of a sudden, we’ve become leaders in our community and that concept is just so amazing. We come from a small place and we’re singing about big things,” comments Kellaway. “Thanks so much for the love, we can’t believe it.”

Second place (and the A$10,000 prize) goes to “Ready for the Sky” by Budjerah, co-written by Budjerah with Ainslie Wills, while the Stingers snagged third place (and an additional A$5,000) for “Camp Dog,” written by Kellaway.

Among the winners announced Thursday (June 8) was “Worst Taste In Girls” by Charley, co-written by Charley, Antonio Egizii and David Musumeci, which scoops the the AMPAL emerging songwriter prize (A$5,000), while the inaugural American Songwriter Spotlight Award was presented to Tia P., the Los Angeles hip-hop artist and songwriter who wins the A$1,500 cash prize and a forthcoming feature on the American Songwriter for her song “That Action.”

This year’s competition received 2,950 entries from 45 countries, organizers say. Each entry carries a A$50 fee, which this year raised a total of A$147,500, all of which supports the services of Noro Music Therapy Australia.

Named after the iconic songwriters and founding members of The Easybeats, Harry Vanda and the late George Young, the competition first took place in December 2009, and has since raised nearly A$1.75 million for the charity.

The 2023 judging panel featured artists, producers, media and music industry professionals including reps from The Brag Media, Double J, Jaxsta, Billboard, iHeartRadio, Amazon Music, Universal Music Australia, EMI Music Australia, American Songwriter and more.

Previous winners include Genesis Owusu in 2022, Thelma Plum in 2020, Amy Shark (2018), Gretta Ray (2016), Isabella Manfredi (2013), Kimbra (2011) and Megan Washington (2009).

Visit APRAAMCOS.com.au for more.

Broadway Performance of ‘Hamilton’ Canceled Due to Canadian Wildfire Smoke

As smoke from Canadian wildfires blankets New York City, Broadway performances of “Hamilton” and “Camelot” was among those canceled Wednesday night (June 7).

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“Hamilton” organizers scrapped the show less than two hours before the 8pm ET curtain call on account of cast members calling in sick, Variety reports.

“Tonight’s performance of Hamilton will not go on as scheduled. The hazardous air quality in New York City has made it impossible for a number of our artists to perform this evening,” reads a statement posted to the official “Hamilton” socials.

Regular programming should resume on Thursday, the statement continues. “We apologize for the inconvenience and encourage you to visit your point of purchase for refund or exchange.”

Also canceled was “Camelot,” with producers confirming “all tickets will be fully refunded at the point of purchase.” Reps say they’re hopeful performances will restart for the weekend, adding that health experts “will continue to closely monitor the ongoing situation.”

Other local shows affected by the hazardous conditions including the free Shakespeare in the Park production of “Hamlet,” which cut short its final dress rehearsal and nixed the first two preview performances of the play, set for Thursday and Friday nights in Central Park’s Delacorte Theater.

As previously reported, the ongoing air-quality issues caused by smoke from fires north of the border upended Chris Stapleton’s planned concert in Syracuse, New York, while the New York Yankees game vs. the Chicago White Sox and the WNBA fixture between the New York Liberty and the Minnesota Lynx were postponed.

According to IQAir.com on Wednesday, NYC currently has the worst air quality in the world due to more than 400 wildfires burning across Canada and smoke covering much of the eastern U.S.

The National Weather Service reports that “hazardous air quality levels will persist across the Northeast and Mid-Atlantic through Thursday before shifting westward into Ohio Valley on Friday.”

In the meantime, New York City Parks Department has canceled or postponed all indoor and outdoor recreational activities.

Run-DMC To Headline ‘Hip Hop 50 Live’ Concert At Yankee Stadium, Their Final Show

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Hip-Hop is about to be celebrated like never before in The Bronx. Run-DMC is set to perform their final show at Yankee Stadium.

As spotted on The Grio the culture is to come alive for one magic night in the heart of the Boogie Down Bronx. On Friday, August 11 the genre’s biggest names will come together for a legendary, celebratory concert – Hip Hop 50 Live at Yankee Stadium. The can’t-miss milestone event will feature Run DMC’s “Bottom of the Ninth…The Walk-Off” performance which is being billed as their last ever set as a group. Both MC’s expressed their enthusiasm at closing out their careers in legendary fashion. “I am honored to hit the stage in the Bronx, the birthplace of Hip Hop and celebrate all of my heroes,” said RUN. “Aug 11th is Hip Hop’s 50th birthday! So…’Up in the Bronx’ where it all started we will be celebrating this historic moment in history!” shared DMC.

Hip Hop 50 Live will also feature some other high profile artists including Lil Wayne, Snoop Dogg, Ice Cube and theme sets including “Queens Of Hip Hop” which will feature Eve, Lil Kim, Remy Ma and Trina. “Pillars of Hip-Hop” will feature Kool Herc & Cindy Campbell, Grandmaster Caz, Kurtis Blow, Melle Mel, Roxanne Shante, Scorpio and the Sugar Hill Gang, and the “Legendary DJ” set will have Clark Kent, Marley Marl, Mannie Fresh and Battlecat. Additional performers include: T.I., Fat Joe, Common, A$AP Ferg, EPMD, Ghostface Killah, Lupe Fiasco and Slick Rick.

Hip Hop 50 Live at Yankee Stadium is the latest announcement surrounding Mass Appeal’s Hip Hop 50 initiative – a massive cross-platform initiative that celebrates Hip Hop’s momentous anniversary in the most authentic and globally impactful way possible by acknowledging and recognizing Hip Hop as not only a genre but a movement that has impacted the worldwide community.

Tickets for Hip Hop 50 Live will become available beginning with presales on Thursday, June 8 at 10 a.m. EST until 10 p.m. EST before the general on sale on Friday, June 9 at 10 a.m. EST HERE.

Photo: Getty

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Chris Stapleton’s Outdoor New York Concert Canceled Due to Canadian Wildfire Smoke

Chris Stapleton has canceled his scheduled outdoor concert in Syracuse, New York, due to ongoing air-quality issues caused by smoke from Canadian wildfires. The upstate cancellation follows a series of called-off events throughout New York City on Wednesday night (June 7), including Broadway performances and sports games.

“Due to the ongoing air conditions in the greater Syracuse area, tomorrow night’s show at @StJosephsAmp will be rescheduled,” Stapleton’s Twitter account posted late Wednesday about his St. Joseph’s Health Amphitheater at Lakeview show scheduled for Thursday night. “All previously purchased tickets for the original date will be honored for the new date. We expect to have an update by mid-day June 9th.”

In NYC, Broadway’s Hamilton called off its Wednesday show, as did the Camelot revival on Broadway. “The hazardous air quality in New York City has made it impossible for a number of our artists to perform this evening,” the Hamilton account tweeted. “Shows will resume as scheduled tomorrow.” New York’s Public Theater canceled the first two Hamlet performances set to kick off its Shakespeare in the Park series on Thursday and Friday.

Wednesday’s New York Yankees game vs. the Chicago White Sox was also canceled, along with the WNBA game between the New York Liberty and the Minnesota Lynx.

According to IQAir.com on Wednesday, New York City currently has the worst air quality in the world due to more than 400 wildfires burning across Canada and smoke blanketing much of the eastern U.S. The National Weather Service reports that “hazardous air quality levels will persist across the Northeast and Mid-Atlantic through Thursday before shifting westward into Ohio Valley on Friday.”

Best Moments From Billboard Country Live: Intimate Conversations With Garth Brooks, Jelly Roll & More

Carly Pearce, Lily Rose, Madeline Edwards and Lady A member Hillary Scott joined Beverly Keel, Middle Tennessee State University dean of the College of Music and Entertainment, to discuss the ongoing struggle of women artists in country music. The panelists discussed building careers despite the general lack of support from country radio, while also celebrating the supportive community women artists have cultivated.

Keel noted a recent study from Dr. Jada Watson and Jan Diehm of The Pudding that showed that country radio plays back-to-back songs from women artists less than 1% of the time. The stats from the study are even worse for women of color and LGBTQ+ artists — though the greater country music industry has made strides in welcoming a more diverse range of country music artists. 

Edwards noted that when she was having conversations with executives at Warner Music Nashville, where she signed last year, she asked them, “Are you signing me because this is a checkbox on your social consciousness and you just need to sign a Black female right now, or is it about me and believing in my music?”

“It’s good to ask those questions and wrestle with those kinds of things,” she continued, “because I truly believe that [Warner Music executives] have my best interests at heart. It really is about my music and that gives me a lot of encouragement.” 

Rose spoke of the tireless, dedicated work that CMT’s Leslie Fram has done to support women artists in country music, most notably, the CMT Next Women of Country franchise. Earlier this year, CMT’s Next Women of Country celebrated its 10 year anniversary. 

“We’ve all grown up in a society where in entertainment and movies and TV, the women are kind of pitted against each other,” Rose said. “At the 10 year anniversary, they had almost every single woman from the 10 classes. And you just look around, it’s like 110 female artists, the camaraderie’s through the roof, the vibes are great. It’s really cool that we all have each other’s back … Even having conversations like this, where we get to be vulnerable and talk about the things that are potentially not progressing and what we can do to make them stronger and more hopeful for us moving forward.” 

Pearce offered a personal anecdote that highlighted the camaraderie of women artists in country music, sharing how Scott showed her kindness and an example of welcoming in the next generation of women artists into the country music fold. 

“We were traveling overseas, and it is not glamorous,” Pearce said. “You have to take these ferries through the night. [Hillary] did not even have speak to me, but she came in and she was like, ‘How are you getting over to Ireland? I said, ‘I’m going on a ferry,’ but she said ‘No, you’re not. You’re going with us.’ She knew as a female how hard it was to travel in those kind of circumstances. She let me ride on her plane and she bought me a room at the hotel [they were staying at]. She has shown me true kindness and humility. To meet somebody that has influenced you so much and for them to exceed your expectations, it pushes me to make sure that somebody one day will say that about me.” 

“I feel like there’s a theme we’ve been circling around this whole time, which you can apply to life in general,” Scott summed. “Show up and be there for whoever you’re in front of and be the person you wish you had.” 

Inside Jelly Roll’s Intimate Q&A at Billboard Country Live: 9 Biggest Revelations

On Wednesday (June 7), Billboard hosted a series of intimate conversations and panels with country legends like Garth Brooks and rising stars like Jelly Roll. Titled Billboard Country Live in Conversation, the one-day ticketed conference for fans and industry insiders took over Marathon Music Works in Nashville.

Jelly Roll closed out the eventful day, during which he discussed his first Billboard cover and honor as the Breakthrough Artist of the Year, which he received the night prior (June 6) at Billboard‘s 2023 Country Power Players celebration.

During his Q&A with Billboard executive editor Melinda Newman, the hitmaker went deep on fatherhood, the juvenile justice system and the similarities — and differences — he sees in rap (where he got his start) and country (where he has since taken off). Yet, he made sure to note that his influences extend far beyond either genre, citing songs like Bette Midler’s “The Rose” (“instant snot buckets,” he says) or James Taylor’s “Fire and Rain,” among other hits by Bob Seger and Kid Rock, that have deeply affected him.

His love of music, he says, “started with my mother and how much music affected her with her mental health and drug addiction… When nobody was there for me, music was. … I love songs that grow with you.”

He later suggested what a difference it would have made if he had been able to make music while incarcerated, saying, “Imagine having a platform to find my talent and love earlier? You have gasoline poured on a small flame… It’s another form of connection.”

He later summarized his current place in life by saying: “10 years before this, I was f—ed, 10 years later I may still be, but in this window, I am cool cruising, baby.”

Below are the biggest revelations from his conversation.

What’s Your Favorite Prince Hot 100 No. 1 Hit? Vote!

Happy birthday, Prince! Today (June 7) would have been the late icon’s 64th birthday.

In honor of the superstar, we’re looking back on some of his biggest hits. Over the course of his illustrious career, Prince had an impressive 47 hits on the all-genre Billboard Hot 100 songs chart. Of those 47, he had 19 top 10 hits and five chart toppers.

Among his No. 1 classic’s include his first, “When Doves Cry,” which led the tally for five weeks in 1984. He also reached the summit with 1984’s “Let’s Go Crazy,” 1986’s “Kiss,” 1989’s “Batdance (From Batman)” and 1991’s “Cream.”

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Of his chart toppers, we at Billboard want to know which is at the top of your list. Let us know by voting below.

Dua Lipa’s Copyright Accusers Drop ‘Levitating’ Infringement Lawsuit

A Florida reggae band has decided to drop a copyright case accusing Dua Lipa of copying her smash hit song “Levitating” from their earlier track, two days after a federal judge cast serious doubt on the lawsuit’s allegations.

The band, called Artikal Sound System, sued the star last year over accusations that her 2020 song — which spent 77 weeks on the Billboard Hot 100 chart — borrowed its core hook from their lesser-known 2017 tune, “Live Your Life.”

But in a filing on Wednesday (June 7), attorneys for both Artikal Sound System and Lipa filed a joint motion, asking the judge to permanently dismiss the case. There was no indication that Lipa had agreed to pay any money or change the credits to her song.

The filing came just two days after U.S. District Judge Sunshine S. Sykes ruled strongly for Lipa, saying that there was no sign that anyone involved in creating “Levitating” had had “access” to the earlier song — a key requirement in any copyright lawsuit.

That ruling technically dismissed the case against Lipa, but Judge Sykes gave Artikal Sound System another chance to refile an updated version of the case within two weeks. Instead, the band appears to have decided not to pursue further litigation against Lipa and the other “Levitating” co-writers.

In a statement to Billboard on Wednesday evening, Lipa’s attorney Christine Lepera confirmed that the band had chosen to walk away from the litigation unilaterally and that no settlement had been reached.

“Following the court’s decision dismissing their complaint, the plaintiffs voluntarily chose to discontinue the case with prejudice, without any consideration whatsoever from the defendants, who were prepared to vigorously defend any continuation of the case,” said Lepera, an attorney at the law firm Mitchell Silberberg & Knupp.

An attorney for the band did not immediately return a request for comment.

Artikal Sound System’s decision to drop the lawsuit brings an end to one of two high-profile cases filed against Lipa last year over “Levitating,” which peaked at No. 2 on the Hot 100 before securing the honor of being the longest-running top 10 song ever by a female artist on the chart.

The other case, filed by songwriters L. Russell Brown and Sandy Linzer, claims that Lipa lifted the melody to her track from their 1979 song “Wiggle and Giggle All Night” and their 1980 song “Don Diablo.” That case is still pending but faces similar counter-arguments from Lipa’s lawyers about a lack of “access.”

Artikal Sound System is a reggae band based out of South Florida, founded in 2012 as a duo before later adding additional musicians and vocalist Logan Rex. The band released “Live Your Life” on its 2017 EP Smoke and Mirrors.

In their March lawsuit, the band said the songs sounded so similar that it was “highly unlikely that ‘Levitating’ was created independently.” The lawsuit also named Dua Lipa’s label, Warner Records, as well as others who helped create the hit track.

In November, Lipa’s lawyers argued that Artikal Sound System had no proof that Lipa or the other writers ever heard “Live Your Life” before they wrote “Levitating.” They called the allegations “speculative,” “vague” and supported by little real evidence.

Artikal Sound System offered a complex theory for how such “access” might have happened, stating that one of Lipa’s co-writers had previously worked with a woman who was allegedly taught guitar by the brother-in-law of one band member.

But in her ruling on Monday Judge Sykes flatly rejected that argument: “These attenuated links, which bear little connection to either of the two musical compositions at issue here, also do not suggest a reasonable likelihood that defendants actually encountered plaintiffs’ song.”