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Don Omar’s ‘Forever King’: All 14 Tracks Ranked

The reggaeton star returns with a richly textured album.

Los maté, si señor/ Y si vuelvo a nacer, yo los vuelvo a matar” (I killed them, yes sir/ And if I’m born again, I’ll kill them again). The plaintive words, sung with a single acoustic guitar accompaniment, are the opening to Don Omar’s new album Forever King for Saban Music Latin, which has been teased with a succession of singles over the past 18 months.

It was worth the wait. That opening confession then segues into “Carcelero,” a variation on a Cuban danzón that may be Don Omar’s new magnum opus and the harbinger of a new artistic direction. While Forever King has plenty of the reggaetón that made Don Omar a pioneering leader in the genre, it also highlights an artist taking risks with different tropical beats, navigating from hard-core reggaetón in collabs like “Flow HP” with Residente and “Bandidos” with Cosculluela to evocative lyricism in songs like “Carcelero” and “Sincero.”

The collaborators here — ranging from Residente (whose mere presence on a reggaetón album is noteworthy) to relative newcomers like García and more pop-leaning names like Maluma — indicate that Don Omar is doing what he wants. With clean yet impactful lyrics, he covers a broad base and sends an unspoken message: He’ll do urban music on his terms, and he’ll venture into whatever waters he pleases at this moment in time.

Originally announced for June 22, the album was surprise-dropped early on Thursday night (June 15). Here are all 14 tracks, ranked:

NLE Choppa ft. Rick Ross “Cold Game,” City Girls “I Need A Thug” & More | Daily Visuals 6.15.23

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Rick Ross

Source: Barry Brecheisen / Getty

High off the success of his recent automobile show on his personal estate, Rick Ross is feeling amped up and ready to get back on his rap grizzly to remind everyone he’s still got the bars to pay for luxury cars.

Lending his talents to NLE Choppa for his visuals to “Cold Game,” Rick Ross and Choppa post up outside of a fancy mansion where they lay back on some Maybach’s before joining some bikini-clad women next to the pool. They living it up, b.

Further to the South, City Girls look to be having a helluva time in Miami, and in their clip to “I Need A Thug,” Yung Miami and JT head to a luxury resort where their every whim and need is met with eager and more than willing hands. Not gonna find a thug there, but aight.

Check out the rest of today’s drops including work from Kodak Black, Amaarae and more.

NLE CHOPPA FT. RICK ROSS – “COLD GAME”



CITY GIRLS – “I NEED A THUG”



KODAK BLACK – “CRAZY LATELY”


https://youtube.com/watch?v=nyj3q5P7TIk&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

AMAARAE – “WASTED EYES”



BIG HOMIIE G – “I’M THE MAN”



AKEEM ALI – “MAKE ME BELIEVE”



DDG – “I’M GEEKIN”



NO SAVAGE FT. YOUNG JOSE – “MOBB BABY”


https://youtube.com/watch?v=bUO34alM0vU&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

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Suspect in Mass Shooting at Colorado Gay Nightclub Expected To Take Plea Deal

The suspect in a mass shooting at a Colorado Springs gay nightclub is expected to strike a plea deal to state murder and hate charges that would ensure at least a life sentence for the attack that killed five people and wounded 17, several survivors told The Associated Press.

Word of a possible legal resolution of last year’s Club Q massacre follows a series of jailhouse phone calls from the suspect to the AP expressing remorse and the intention to face the consequences at the next scheduled court hearing this month.

“I have to take responsibility for what happened,” 23-year-old Anderson Lee Aldrich said in their first public comments about the case.

Federal and state authorities and defense attorneys declined to comment on a possible plea deal. But Colorado law requires victims to be notified of such deals, and several people who lost loved ones or were wounded in the attack told the AP that state prosecutors have given them advance word that Aldrich will plead guilty to charges that would ensure the maximum state sentence of life behind bars.

Prosecutors also recently asked survivors to prepare for the June 26 hearing by writing victim-impact statements and steeling themselves emotionally for the possible release of the Club Q surveillance video of the attack.

“Someone’s gone that can never be brought back through the justice system,” said Wyatt Kent, who was celebrating his 23rd birthday in Club Q when Aldrich opened fire, gunning down Kent’s partner, Daniel Aston, who was working behind the bar. “We are all still missing a lot, a partner, a son, a daughter, a best friend.”

Jonathan Pullen, the suspect’s step-grandfather who plans to watch the upcoming hearing on a livestream, said Aldrich “has to realize what happened on that terrible night. It’s truly beginning to dawn on him.”

Aldrich faces more than 300 state counts, including murder and hate crimes. And the U.S. Justice Department is considering filing federal hate crime charges, according to a senior law enforcement official familiar with the matter who spoke to AP on condition of anonymity to discuss the ongoing case. It’s unclear whether the anticipated resolution to the state prosecution will also resolve the ongoing FBI investigation.

Some survivors who listened to the suspect’s recorded comments to the AP lambasted them as a calculated attempt to avoid the federal death penalty, noting they stopped short of discussing a motive, put much of the blame on drugs and characterized the crime in passive, generalities such as “I just can’t believe what happened” and “I wish I could turn back time.” Such language, they said, belied by the maps, diagrams, online rants and other evidence that showed months of plotting and premeditation.

“No one has sympathy for him,” said Michael Anderson, who was bartending at Club Q when the shooting broke out and ducked as several patrons were gunned down around him. “This community has to live with what happened, with collective trauma, with PTSD, trying to grieve the loss of our friends, to move past emotional wounds and move past what we heard, saw and smelled.”

Terror erupted just before midnight on Nov. 19 when the suspect walked into Club Q, a longtime sanctuary for the LGBTQ community in this mostly conservative city of 480,000, and fired an AR-15-style semiautomatic rifle indiscriminately. Disbelief gave way to screaming and confusion as the music continued to play. Partygoers dove across a bloody dance floor for cover. Friends frantically tried to protect each other and plugged wounds with napkins.

The killing only stopped after a Navy petty officer grabbed the barrel of the suspect’s rifle, burning his hand because it was so hot. An Army veteran joined in to help subdue and beat Aldrich until police arrived, finding the shooter had emptied one high-capacity magazine and was armed with several more.

Aldrich, who since their arrest has identified as nonbinary and uses the pronouns they and them, allegedly visited Club Q at least six times in the years before the attack. District Attorney Michael Allen told a judge that the suspect’s mother made Aldrich go to the club “against his will and sort of forced that culture on him.”

Allen also has said the suspect administered a website that posted a “neo-Nazi white supremacist” shooting training video. Online gaming friends said Aldrich expressed hatred for the police, LGBTQ people and minorities and used anti-Black and anti-gay slurs. And a police detective testified that Aldrich sent an online message with a photo of a rifle scope trained on a gay pride parade.

Defense attorneys in previous hearings have not disputed Aldrich’s role in the shooting but have pushed back against allegations it was motivated by hate, arguing the suspect was drugged up on cocaine and medication the night of the attack.

“I don’t know if this is common knowledge but I was on a very large plethora of drugs,” Aldrich told the AP. “I had been up for days. I was abusing steroids. … I’ve finally been able to get off that crap I was on.”

Aldrich didn’t answer directly when asked whether the attack was motivated by hate, saying only that’s “completely off base.”

Even a former friend of Aldrich found their remarks to be disingenuous. “I’m really glad he’s trying to take accountability but it’s like the ‘why’ is being shoved under the rug,” said Xavier Kraus, who lived across the hall from Aldrich at a Colorado Springs apartment complex.

The AP sent Aldrich a handwritten letter several months ago asking them to discuss a 2021 kidnapping arrest following a standoff with a SWAT team, a prosecution that had been dismissed and sealed despite video evidence of Aldrich’s crimes. In that case, just months before the Club Q shooting, they threatened to become “the next mass killer” and stockpiled guns, ammo, body armor and a homemade bomb. The incident was livestreamed on Facebook and prompted the evacuation of 10 nearby homes as authorities discovered a tub with more than 100 pounds of explosive materials.

The alleged shooter, who lived with their grandparents at the time and was upset about their plans to move to Florida, threatened to kill the couple and “go out in a blaze,” authorities said. “You guys die today and I’m taking you with me,” they quoted the suspect as saying. “I’m loaded and ready.”

The charges were dismissed even after relatives wrote a judge warning that Aldrich was “certain” to commit murder if freed. District Attorney Allen, facing heavy criticism, later attributed the dismissal of the case to Aldrich’s family members refusing to cooperate and repeatedly dodging out-of-state subpoenas.

In response to AP’s letter, Aldrich first phoned a reporter in March and asked to be paid for an interview, a request that was declined. They called back late last month, days after prosecutors wrote in a court filing that there was “near-unanimous sentiment” among the victims for “the most expedient determination of case-related issues.”

In a series of six calls, each limited by an automated jail phone system to 15 minutes, the suspect said: “Nothing’s ever going to bring back their loved ones. People are going to have to live with injury that can’t be repaired.”

Asked why it happened, they said, “I don’t know. That’s why I think it’s so hard to comprehend that it did happen. … I’m either going to get the death penalty federally or I will go to prison for life, that’s a given.”

While the AP normally would not provide a platform to someone alleged to have committed such a crime, editors judged that the suspect’s stated intent to accept responsibility and expression of remorse were newsworthy and should be reported.

Former Club Q bartender Anderson was among survivors who told prosecutors they wanted a fast resolution of the criminal case.

“My fear is that if this takes years, that prevents the processing and moving on and finding peace beyond this case,” he said. “I would love this wrapped up as quickly as possible under the guarantee that justice is served.”

Olivia Wilde Subtly Shows Support for Harry Styles’ Love on Tour

While it’s not the same “As It Was,” Olivia Wilde is still supporting Harry Styles (albeit subtly) in the months after the duo’s breakup.

The Booksmart director recently liked one of the singer’s sister Gemma’s Instagram posts, in which Harry is singing “Treat People With Kindness” and One Direction’s breakout hit “What Makes You Beautiful” during one of his Love on Tour shows at London’s Wembley Stadium. “Good GRIEF this show is fun,” Gemma wrote in the caption. “so proud of you @harrystyles and what a privilege to see you experience this much joy doing what you love.”

See her post here.

Styles was first confirmed to be dating his Don’t Worry Darling director and costar more than two years ago, when they were spotted holding hands at a friend’s wedding in January 2021. Wilde — who shares two children with her ex, Ted Lasso star Jason Sudeikis — attended a number of Love on Tour shows during their relationship, and was often seen dancing in the crowd. However, their romance came to an end in November 2022, when it was confirmed that the couple had parted ways.

Since then, the “Late Night Talking” singer was filmed kissing model Emily Ratajkowski against the side of a car during a rainy day in Tokyo in March, after Styles closed out the Asian leg of his ongoing Love on Tour with two shows at Ariake Arena.

Ticketmaster Agrees to Disclose Full Ticket Prices Upfront — But Many Shows Will Be Excluded

President Joe Biden announced a major accomplishment in his battle against ticketing junk fees Thursday (June 15), but the impact is likely to be minimal.

After meeting with executives at Ticketmaster, SeatGeek and Dice, among others, those companies agreed to adopt all-in ticket pricing for their sales. For Ticketmaster, that will specifically impact shows at the more than 250 venues owned by parent company Live Nation in the United States — not all its ticketing clients.

The companies’ commitments to all-in pricing are part of a larger effort under the Biden administration and the Federal Trade Commission to reign in billions of dollars in junk fees charged to consumers by banks, hotel companies and entertainment groups. And while the buy-in from some of the world’s largest ticketing companies is an important milestone, the voluntary change will likely only impact a small percentage of tickets and give ticket sellers who conceal add-on fees to consumers until the end of the checkout process a competitive advantage over firms who display the full price at checkout.

The limited impact of Thursday’s announcement underscores the challenges lawmakers face as they attempt to come up with legislative fixes for the ticketing industry in the wake of disruptions to Taylor Swift’s high profile Eras tour. While politicians like Senator Amy Klobuchar (D-Minn.) have pointed the finger at Ticketmaster’s dominant market share, a growing coalition of music industry insiders under the #FixTheTix banner have blamed scalpers for the disruptions to the Taylor Swift sale and continued bot attacks on the ticketing industry.

While much of the battle between Ticketmaster and secondary sites like Stubhub and SeatGeek comes down to fundamental disagreements over artists’ rights to control their tickets and consumers’ rights to buy and sell tickets at whatever price the market will bear, the elimination of last minute fees added to tickets at checkout — sometimes as high as 25% to 35% of the face value of the ticket — had support from both primary and secondary ticket sellers.

In order for the all-in pricing to work, however, most experts agree that it must be mandated by law. Otherwise, many ticketing companies, sports teams and venues are unlikely to voluntarily change their pricing policy out of concern it could be a competitive disadvantage for their facility.

Even Thursday’s commitment from Ticketmaster has no impact on the hundreds of sports venues that sell millions of tickets to games and concerts each year. That’s because Ticketmaster cannot force teams within National Hockey League, National Basketball Association and National Football League to adopt all-in pricing at their stadiums and arenas, despite holding the exclusive ticketing rights to approximately 80% of the teams within those three leagues.

The same goes for the hundreds of independently owned venues for which Ticketmaster provides ticketing services.

Looking at the top 40 venues on Billboard‘s midyear Boxscore charts, while most are ticketed by Ticketmaster, none are owned by parent company Live Nation and none of the facilities will initially offer all-in pricing on their websites or ticket sales pages under the new commitment. The same goes for the hundreds of tours Live Nation promotes as well. That’s because standard ticketing contracts allow venues — and not Ticketmaster or other ticketing companies — to decide how tickets are sold, how much money in fees is added to a ticket, and how and when the breakdown between face value and add-ons like facility fees are displayed to consumers.

Studies show that ticketing companies that don’t use all in pricing have a competitive advantage over companies that show the full price of a ticket upfront. A consumer study by Stubhub in the 2010s shown that fans were more likely to purchase a ticket, even if it had a higher checkout price, if the initial price they were shown was lower than comparable tickets on other websites prices

“Live Nation’s promise today to give Americans price transparency at their venues is encouraging, but we need all-in pricing at all venues, for all live events, and on all ticket selling services now,” Rep. Bill Pascrell (D-N.J.) wrote in an email to Billboard, noting his bill, the BOSS and SWIFT ACT legislation would “mandate in law all-in pricing for true transparency.”

“Not until every seller offers all-in pricing can consumers get the comparison shopping experience for tickets that they deserve,” he wrote.

Critics of the BOSS and SWIFT ACT argue that while the legislation does improve transparency, it includes protections for ticket scalpers that would make it impossible for artists to protect their concert tickets from price gauging.

“Live Nation is proud to provide fans with a better ticketing buying experience,” said Tom See, president of Live Nation’s Venue Nation, in a statement. “We have thousands of crew working behind the scenes every day to help artists share their music live with fans, and we’ll continue advocating for innovations and reforms that protect that amazing connection.”

Stephen Parker, executive director of the National Independent Venue Association, told Billboard in an email, “Up-front pricing should be the start of comprehensive ticketing reform that protects consumers from price gouging and deceptive practices by predatory resellers.”

“We applaud the President for today’s meeting and look forward to working with his Administration and Congress to make comprehensive, bipartisan ticketing reform a reality,” Parker continued.

The National Independent Talent Organization, a group representing independent talent booking agents, applauded the voluntary change at Ticketmaster, but noted the change was “an important first step.”

“Until Congress acts to eliminate excessive fees and secondary ticketing is carefully regulated,” the organization said in a statement, “millions of consumers will still be the victim of predatory ticketing practices.”

Chris Gotti Claims JAY-Z Linked Up With 50 Cent To Spite His Brother Irv

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Screamfest 2007 in New York City - August 22, 2007

Source: Gary Gershoff / Getty / JAY-Z

JAY-Z is always playing chess when others are playing checkers. This latest story proves that.

Not many of you may know this, but there was a time when JAY-Z and 50 Cent actually were cool with each other, but that could have been a cold, calculative move on his part.

Spotted on HipHopDX, Chris Gotti, brother of Ashanti’s stalker, Irv Gotti, spoke about Jigga’s union with 50 Cent in an episode of Trappin Anonymous, the podcast hosted by Chris Stylezz, the guy who was fired from Hennypalooza after he was accused of coercive sexual misconduct by numerous women.

Chris Gotti claims that Roc Nation’s boss worked with 50 Cent to spite his brother after Murder Inc. decided to link with Nas, with whom we all know the Brooklyn MC at one point had a historical beef.

Here Is the Breakdown per HipHopDX:

“We call Jay and go to Baseline Studios and Irv say, ‘It’s good business. We gon’ make a lot of money.’ Jay looking at the n-gga like, ‘You my n-gga and you want to fuck with my enemy?’ And I’m looking at Irv like, ‘What, are you crazy? You crazy.’

“Irv is only thinking business. [Irv] said, ‘Y’all don’t really got no beef.’ Jay said, ‘You right.’ Irv turned to me and said, ‘I told you.’ I’m looking at Irv like, ‘He’s just saying that!’”

Irv Gotti quickly learned HOV was not playing when he stood next to 50 Cent during their 2003 Roc The Mic tour and starring in a Reebok commercial to promote their sneakers. At the time, the Queens rapper and his G-Unit imprint were at war with Ja Rule and Murder Inc. for years, pretty much leading to the label’s demise.

Gotti claims that JAY-Z even used one of his brother’s lines stating, “What did Jay do? He went on tour with 50 Cent, he did a sneaker with 50 Cent, they doing commercials with 50 Cent. Then [JAY-Z] came back to Irv and said, ‘It’s good business.”

Yup, that sounds like JAY-Z.

As for the Nas and Murder Inc. union, not much came of it. The “Ether” crafter did join Ja Rule and Ashanti on a song called “The Pledge Remix” and performed with them at the MTV Video Music Awards at Radio City Music Hall in NYC in 2002.

Do you think 50 Cent will take kindly to being a pawn if Chris Gotti’s story is true? Probably not.

Photo: Gary Gershoff / Getty

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HBO Clarifies Rumors About ‘The Idol’ Not Returning for Second Season

Despite reports that The Weeknd‘s new HBO show The Idol wouldn’t be returning for a second season, HBO’s communications team took to Twitter on Thursday (June 15) to set the record straight.

“It is being misreported that a decision on a second season of The Idol has been determined,” the @HBOPR account tweeted. “It has not, and we look forward to sharing the next episode with you Sunday night.”

Reports of The Idol‘s lack of renewal started swirling earlier Thursday after Page Six published a story stating that the fate of the program was unclear, with a source telling the outlet that the program “was never meant to be a long-running show, it was always … a limited series.”

At a May 23 press conference at Cannes, The Weeknd — who co-created the series and stars as Tedros — said that he and co-creator Sam Levinson had a goal of stirring the pot and creating “something special, something fun, to make people laugh, piss some people off.”

Lily-Rose Depp, who stars as the show’s protagonist Jocelyn, added that working on the show — despite its backlash and rumors of tense set conditions — has largely been a positive experience. “It’s always a little sad and disheartening to see mean, false things said about someone you care about. It wasn’t reflective of my experience,” she said at Cannes.

See HBO’s tweet about The Idol‘s future below.

Gavin Rossdale Says He & Gwen Stefani Have ‘Opposing Views’ When It Comes to Parenting Their Kids

Gavin Rossdale is opening up about how he and Gwen Stefani choose to parent their kids in their own ways.

The Bush frontman sat down with Adrianna Costa on the Not So Hollywood podcast, where he revealed that he and his ex-wife take different approaches to raising their three sons: 17-year-old Kingston, 14-year-old Zuma and nine-year-old Apollo.

“I think you can go one of two ways,” he said. “You can either do everything together and really co-parent and see how that goes, or you can just parent. And I think we just parent.”

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Rossdale continued, “We’re really different people. I don’t think there’s much similarity in the way we bring them up but I think that gives them an incredible perspective to then choose which pieces of those two lives they’d like to inherit and move on with and which part of themselves come out of the whole process.”

The former couple were married for 13 years — and dated for nearly six years before that — but parted ways in 2015. Stefani has since married country superstar Blake Shelton in 2021. “What’s important is to give them a wide view of things and we definitely have some particularly opposing views, so I think it’d be really helpful for them to make their own minds as individuals,” Rossdale concluded of their three children.

Watch the full podcast interview below.

Vico C Breaks Down 6 Essential Songs From ‘Pánico’ Album

Vico C is not simply la vieja escuela (old school); he’s one of the pioneers of Spanish hip-hop and the urban genre.

“God chose 2023 because if it had been up to me since 2010, I would have already released another album,” Vico C tells Billboard of his new album Pánico during an interview in Miami. “There were legal issues that forced me, took years to resolve, and did not allow me to release something new. … I was able to continue working, doing concerts, I didn’t retire, but there was simply an album break.”

The Puerto Rican artist, born Luis Armando Lozada Cruz, became one of the most recognized and respected Latin rap artists of the ’90s, with songs such as “Me Acuerdo,” “Bomba Para Afincar,” “La Recta Final” and “Viernes 13.” On the charts, Vico C has eight entries on Billboard‘s Top Latin Albums, three of which hit the top 10, and three entries on both Hot Latin Songs and Latin Airplay.

Through thought-provoking questions from the mind of a master lyricist who went through dark times during his musical and personal career, Vico C says he is very grateful to be able to come back genuinely with what he wants to say and do with his music. Pánico is out today, alongside the focus track “Sola Se Va,” a continuance of “Ella Va,” and he will kick off his Pánico Tour on Saturday in Cali, Colombia, and Medellin on Sunday.

“I want the foundation of my career to be that I don’t sell myself, and I’m not going to sell my message,” Vico C says. “I have no price if I say something or not. I have no conditions that, if what I have to say will bother this or this station. I don’t put those limits on myself because otherwise, I wouldn’t truly believe in God. I want my faith to flow realistically, with weight and results. I think that whoever wants God’s blessing has to trust him.”

“Pregúntale a Tu Papá Por Mi,” Vico C’s first single from the new album, sends a powerful message in a straightforward way — which for him means more than just a diss track aimed at the music genre — with his unique style that not only seeks to reconnect with his fans who have followed him through the years, but also with the new generations stressing the importance of protecting the music industry through the content of their lyrics.

Below, Vico C shares the significance of five essential tracks on Pánico in his own words.

“Ahora”

A song that I dedicate to my grandson and to those parental concerns that resurface. It reminds me that he is growing up, and I see him as my son.

“Solo le Pido a Dios”

Dedicated to my wife, inspired by life in general, romance and everything; maybe is also inspired by my daughters, who were starting relationships after ending others that didn’t turn out well, and in their new relationships, they inspired me to create a song that says “I just ask God that you stay with me.I only ask God that I die with you because loneliness is not good after a bitter love.”

“Sábado 14”

This song will help me blur the people of Friday the 13th, who already has me tired, so they focus more on Saturday the 14th. (he laughs)

“Ella Va”

It is an essential song because it is dedicated to the young woman of today, which makes it too important.

Si No Nos Sentamos

This song is meant for couples who are experiencing a stage of indifference, where one partner may feel empty, unaccompanied, and neglected. It highlights the potential dangers that can arise outside of the home if these issues are not addressed.

“Pregúntale a Tu Papá Por Mí”

It is an essential song because of what’s happening now with women in society and music.

John Mellencamp Says He Was a ‘S–tty Boyfriend’ to Meg Ryan: ‘She Doesn’t Love Me So Much’

John Mellencamp opened up about his nearly 10-year relationship with Meg Ryan in a newly published “What I’ve Learned” article for Esquire, admitting that he made some mistakes.

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“I love Meg Ryan,” he wrote. “I went with her for ten years. She doesn’t love me so much. She’s a great girl. I’m just a s–tty boyfriend.”

The “Hurts So Good” singer and the When Harry Met Sally actress began dating in 2011, after Mellencamp divorced from Elaine Irwin and 10 years after Ryan ended her marriage with Dennis Quaid in 2001. The couple broke up in 2014, before reconnecting at the end of 2017. By 2018, the “Jack & Diane” singer and the You’ve Got Mail star were engaged, though they split for good a year later.

“Meg Ryan had just come out of her shell; I had just come out of my shell,” Mellencamp recalled of their relationship’s start. “We started dating. And we decided to do things on our own instead of having people do stuff for us. We were so f—ing lost. We didn’t know how to do anything.”

He continued, “I’ve never checked out of a hotel by myself. Her and I went to a grocery store, and they wanted our credit card, and we looked at each other and said, ‘Here it is,’ and they said, ‘No, you’ve got to put it in this thing,’ and we went, ‘Then what happens?’ We laughed at how stupid we are, so hard we cried. I think she’s learned how to do everything, and I’ve learned how to do nothing.”

Read Mellencamp’s full “What I’ve Learned” essay here.